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Gangsta Rap
Chapter 7
Novea Lindsay
Hip-Hop Music…
“…Is and will be a major force in popular
culture”(p. 236)
 Conveys:
◦ Social Imagery
◦ Sartorial Expression
◦ Personal Style
◦ Location
 Demographics
 Socio-economic Status
Hip-Hop Music
 Contains a multitude of sub-genres
 Contains social and political commentary
 Race
 Nationalsim
 Economic Class
 Deeply connected to the African American
community
Gangsta is About African
Americans
 Recording artists are predominantly
African American
 Primarily connected to African Americans
 Songs, musics videos, collaborations, public
appearances, racial epitheths are primarily African
American
 Gangsta rap “is anything but real” (240).
 Music genre represents itself as being representative of
African American culture.
Violence
“An enduring mainstay of racist ideoloy is
the belief that African Americans are
prone to violence…” (p. 241).
Violence
 Gangsta rap voices the notion that African
Americans are violent beings.
 Reinforces racist view that African Americans are
inherently violent
 The imitation of behavior presented in rap songs and
music videos furthers the stereotype of the violent
African American
 References to firearms and aggressive
behavior suggest a preoccupation with
violent behavior.
 Perpetuates racist stereotypes about African Americans
◦ Encourages some to believe such falsehoods
Hypersexuality
“The false claim that African American are
preoccupied with sex to a degree
unknown in other cultures has serves
racist purposed for hundred of years”(p. 241)
Hypersexuality
 Gangsta Rap identifies males as its main
subject:
 Disrespects women
 Objectifies women
 Views females as objects useful only for satisfying male
sexual desires
 Male Gaze
 Music videos adopt a male perspective through which
vaules are assigned to males and females.
 Men = Important, desirable, center of attention
 Women = sexual objects
Hypersexuality
 Song Content
◦ Negative representations of females
 bitch” and “ho”
◦ Creates “a general climate of disrespect for women” ( p.
243)
 Such negative depictions facilitate the perpetuation of
stereotypes and racism towards African Americans
 For instance: if they cannot respect “their” women,
why should they be expected to be respected by
anyone else.
 Confirms the racist belief through song lyrics and music
videos that African Americans are obsessed with sex.
Materialism
“We think it shameful and morally
questionable to be constantly obsessed
with material things. Racist ideology
moves in on that repressed feeling to
assert that African Americans are
preoccupied with material things” (p. 243)
Materialism
 Assumptions:
 African Americans are more likely to steal
 African Americans are more likely to obtain
goods for the sake of showing them off.
 “Eager to spend money for show rather
than substance” (p. 243).
 Assumptions enable people to repress those they
deem immoral.
Materialism
 Materialistic tendencies are conveyed through excess
depicted in music videos.
 Jewelry
 Gold Chains
 Precious Jewels
 „Grillz‟
 Song Content:
 Expensive Vehicles
 Mansions
 Lavish Parties
 Income
 Large amount of material references that permeate
gangsta rap enables racist beliefs as such references
reinforce the notion that African Americans possess a
deep preoccupation with material goods.
Conclusion
Gangsta rap serves as an avenue of expression through which various
racial groups can unite and examine African American culture and its
relationship in American society on both a superficial and critical level.
Such music addresses assumptions rooted deep within the foundation of
America and perpetuates stereotypes misrepresentative of a body of people.
Yet, this genre of music allows individuals an opportunity to explore the
circumstances responsible for the creation of such stereotypes and the
repercussions of perpetuating such false misrepresentations.

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CMS 298: Gangsta Rap

  • 2. Hip-Hop Music… “…Is and will be a major force in popular culture”(p. 236)  Conveys: ◦ Social Imagery ◦ Sartorial Expression ◦ Personal Style ◦ Location  Demographics  Socio-economic Status
  • 3. Hip-Hop Music  Contains a multitude of sub-genres  Contains social and political commentary  Race  Nationalsim  Economic Class  Deeply connected to the African American community
  • 4. Gangsta is About African Americans  Recording artists are predominantly African American  Primarily connected to African Americans  Songs, musics videos, collaborations, public appearances, racial epitheths are primarily African American  Gangsta rap “is anything but real” (240).  Music genre represents itself as being representative of African American culture.
  • 5. Violence “An enduring mainstay of racist ideoloy is the belief that African Americans are prone to violence…” (p. 241).
  • 6. Violence  Gangsta rap voices the notion that African Americans are violent beings.  Reinforces racist view that African Americans are inherently violent  The imitation of behavior presented in rap songs and music videos furthers the stereotype of the violent African American  References to firearms and aggressive behavior suggest a preoccupation with violent behavior.  Perpetuates racist stereotypes about African Americans ◦ Encourages some to believe such falsehoods
  • 7. Hypersexuality “The false claim that African American are preoccupied with sex to a degree unknown in other cultures has serves racist purposed for hundred of years”(p. 241)
  • 8. Hypersexuality  Gangsta Rap identifies males as its main subject:  Disrespects women  Objectifies women  Views females as objects useful only for satisfying male sexual desires  Male Gaze  Music videos adopt a male perspective through which vaules are assigned to males and females.  Men = Important, desirable, center of attention  Women = sexual objects
  • 9. Hypersexuality  Song Content ◦ Negative representations of females  bitch” and “ho” ◦ Creates “a general climate of disrespect for women” ( p. 243)  Such negative depictions facilitate the perpetuation of stereotypes and racism towards African Americans  For instance: if they cannot respect “their” women, why should they be expected to be respected by anyone else.  Confirms the racist belief through song lyrics and music videos that African Americans are obsessed with sex.
  • 10. Materialism “We think it shameful and morally questionable to be constantly obsessed with material things. Racist ideology moves in on that repressed feeling to assert that African Americans are preoccupied with material things” (p. 243)
  • 11. Materialism  Assumptions:  African Americans are more likely to steal  African Americans are more likely to obtain goods for the sake of showing them off.  “Eager to spend money for show rather than substance” (p. 243).  Assumptions enable people to repress those they deem immoral.
  • 12. Materialism  Materialistic tendencies are conveyed through excess depicted in music videos.  Jewelry  Gold Chains  Precious Jewels  „Grillz‟  Song Content:  Expensive Vehicles  Mansions  Lavish Parties  Income  Large amount of material references that permeate gangsta rap enables racist beliefs as such references reinforce the notion that African Americans possess a deep preoccupation with material goods.
  • 13. Conclusion Gangsta rap serves as an avenue of expression through which various racial groups can unite and examine African American culture and its relationship in American society on both a superficial and critical level. Such music addresses assumptions rooted deep within the foundation of America and perpetuates stereotypes misrepresentative of a body of people. Yet, this genre of music allows individuals an opportunity to explore the circumstances responsible for the creation of such stereotypes and the repercussions of perpetuating such false misrepresentations.