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By: Christina Hebert
 When one thinks ‘hip-hop’ they

tend to think of subgenres of hiphop, like; gangsta rap and
knowledge rap. We think of their
specific clothing style and their
presence. (Does the artist
represent inner city street’s, or do
they speak to more of a delegated
‘event setting’ kind of crowd?)
 Some may feel this is a way of
‘stereo-typing’ however, this
chapter does a great job of
explaining evidence based
knowledge. And how media and
history speak loudly.
 Hip-hop has become such a phenomenon because of

separate subgenres. All of these subgenres tend to
large audiences, especially the gangsta rap audience.

 The Merriam-Webster dictionary defines gangsta rap

as; “Rap music with lyrics explicitly portraying the
violence and drug use of urban gang life and typically
expressing hostility towards whites, women and civil
authority”.
 The audience that gangsta rap tends to is very large.

They feel as if they can relate to the lyrics of gangsta
rap.
 This does not mean the audience wants to act out or do
EXACTLY what the lyrics are portraying. This is simply
the insinuation of the lyrics and how they can RELATE
to others.
 “F*** that N**** that you came here with”-Drake (huge
gangsta rap artist currently)
The audience often relies on the artist to indirectly
express a certain conclusion.
-Think about lyrics to a hip-hop song most often the
lyrics will bring images to your head (most of the time
very graphic or R rated).
“Hip-hop in general is a heavily visual genre, given its
presence in music videos, movies, fashion and our
everyday personal experience in public.” (Brummett, pg.
237)
 The reader applied to this chapter refers to ‘us’ or ‘we’

as white folks or those whom are not African
American.
 The reader say’s that gangsta rap is ‘permissible’
expressions. That it is everything we all know we
should not do or say.
 “Gangsta is the ‘permissible’ expression, verbally and
visually, of the kind of appalling racist attitudes that
we have all heard but know we cannot and should not
express. . .” (Brummett, pg. 238).
“ Gangsta invites
us to think that
whatever it says
and shows, it is
a bout African
Americans. The
audience need
not go out of its
way at all to
read the whole
genre as being
about African
American
culture, because
it presents
plenty of verbal
and visual signs
that say so.”
(Brummett, pg.
238)

Two of the most influential African American celebrities
Jay-Z and Beyonce
Vanilla Ice
 White folks- Our textbook says, “gangsta works in

racist ways, I think, because it helps its audience along
to replicate in their heads a number of racist
stereotypes, especially about African American
people.” (Brummell, pg. 238).
 Understand the concern is mostly for the white folks or
any other colors who have been influenced or have
similar desire to indirectly express their racist attitudes
through the gangsta rap life and lyrics.
 The ‘N’ word is a term used extremely often in gangsta

music and among African Americans themselves.
 The term, ‘nigga’ is mostly used in gangsta music.
Most African Americans say that it does not mean the
same as the historic use of the word ‘nigger’.
 This word is only socially acceptable among African
American’s. This is a great example of how this genre
of music was built by one group of people.
 In some cases groups take a term generally viewed as

derogatory and defuse it. For example, Those who
prefer the same sex relationships started proudly
referring to themselves as ‘queer’, this helps defuse a
word that has negative connotations and derogatory
meaning. –Queer Theory.
 To some degree this takes place among those who use
the ‘N’ word term freely.
Gangsta’s explicity explains itself through a rhetoric of the real. (Brummett,240)
Snoop Dogg

Jay-Z
50
Cent
 These images of gangsta rap have their own messages

deep in the image. These artist want to be feared; their
money, visible weapons, drug use and violence in the
images give them power. And us as an audience also
gives them them power by finding relevance in their
music, lyrics and messages.
 If looked at through the Marxist perspective he would

say that the materialistic lifestyle of gangsta rap is a
key component that is defining our culture.
‘Next time I stand tall I want
to be standing for you
And next time I spend I want
it all to be for you oh oh
Peaking, I'm peaking, wake
up with me this weekend,
weekend no oh
Guess whose it is?
Guess whose it is? Guess
whose it is?
It's yours’
-Drake (2013)

‘So yeah dad let's walk
Let's have us a father and son
talk
But I bet we probably
wouldn't get one block
Without me knocking your
block off
This is all your fault.’
-Eminem (2013)
 Even with the intent of violence and discrimination to

some level in these lyrics, there are still connections
the audience will make to their everyday lives.
 Just as many other types of text, the text of gangsta rap

has had a huge influence on its audience and anyone
else who has researched the topic.
 As a female in 2013 I can say that I am not offended by
the discrimination towards women, civil authority,
racism or the violence portrayed in gangsta rap. I think
this is because I am not sensitive towards the subject
like many others are.
 Image of Jay-z and Beyonce- "Google.” Jay-z. N.p., 2013. Web. 06








Dec. 2013.
Image of gangsta rap, 1.st slide- "Google.” gangsta rap artist. N.p.,
n.d. Web. 06 Dec. 2013.
Image of Snoop Dogg- "Google.” snoop dogg. N.p., n.d. Web. 06
Dec. 2013.
Image of 50 Cent- "Google.” 50 cent. N.p., n.d. Web. 06 Dec. 2013.
Image of Tupac- "Google.” Tupac. N.p., n.d. Web. 06 Dec. 2013.
Brummett, Barry. Rhetoric in Popular Culture. Thousand Oaks,
CA: Sage Publications, 2006. Print.
"Gangsta Rap." Merriam-Webster. Merriam-Webster, n.d. Web.
09 Dec. 2013.

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Chapter 7: Gangsta rap

  • 2.  When one thinks ‘hip-hop’ they tend to think of subgenres of hiphop, like; gangsta rap and knowledge rap. We think of their specific clothing style and their presence. (Does the artist represent inner city street’s, or do they speak to more of a delegated ‘event setting’ kind of crowd?)  Some may feel this is a way of ‘stereo-typing’ however, this chapter does a great job of explaining evidence based knowledge. And how media and history speak loudly.
  • 3.  Hip-hop has become such a phenomenon because of separate subgenres. All of these subgenres tend to large audiences, especially the gangsta rap audience.  The Merriam-Webster dictionary defines gangsta rap as; “Rap music with lyrics explicitly portraying the violence and drug use of urban gang life and typically expressing hostility towards whites, women and civil authority”.
  • 4.  The audience that gangsta rap tends to is very large. They feel as if they can relate to the lyrics of gangsta rap.  This does not mean the audience wants to act out or do EXACTLY what the lyrics are portraying. This is simply the insinuation of the lyrics and how they can RELATE to others.  “F*** that N**** that you came here with”-Drake (huge gangsta rap artist currently)
  • 5. The audience often relies on the artist to indirectly express a certain conclusion. -Think about lyrics to a hip-hop song most often the lyrics will bring images to your head (most of the time very graphic or R rated). “Hip-hop in general is a heavily visual genre, given its presence in music videos, movies, fashion and our everyday personal experience in public.” (Brummett, pg. 237)
  • 6.  The reader applied to this chapter refers to ‘us’ or ‘we’ as white folks or those whom are not African American.  The reader say’s that gangsta rap is ‘permissible’ expressions. That it is everything we all know we should not do or say.  “Gangsta is the ‘permissible’ expression, verbally and visually, of the kind of appalling racist attitudes that we have all heard but know we cannot and should not express. . .” (Brummett, pg. 238).
  • 7. “ Gangsta invites us to think that whatever it says and shows, it is a bout African Americans. The audience need not go out of its way at all to read the whole genre as being about African American culture, because it presents plenty of verbal and visual signs that say so.” (Brummett, pg. 238) Two of the most influential African American celebrities Jay-Z and Beyonce
  • 9.  White folks- Our textbook says, “gangsta works in racist ways, I think, because it helps its audience along to replicate in their heads a number of racist stereotypes, especially about African American people.” (Brummell, pg. 238).  Understand the concern is mostly for the white folks or any other colors who have been influenced or have similar desire to indirectly express their racist attitudes through the gangsta rap life and lyrics.
  • 10.  The ‘N’ word is a term used extremely often in gangsta music and among African Americans themselves.  The term, ‘nigga’ is mostly used in gangsta music. Most African Americans say that it does not mean the same as the historic use of the word ‘nigger’.  This word is only socially acceptable among African American’s. This is a great example of how this genre of music was built by one group of people.
  • 11.  In some cases groups take a term generally viewed as derogatory and defuse it. For example, Those who prefer the same sex relationships started proudly referring to themselves as ‘queer’, this helps defuse a word that has negative connotations and derogatory meaning. –Queer Theory.  To some degree this takes place among those who use the ‘N’ word term freely.
  • 12. Gangsta’s explicity explains itself through a rhetoric of the real. (Brummett,240)
  • 15.  These images of gangsta rap have their own messages deep in the image. These artist want to be feared; their money, visible weapons, drug use and violence in the images give them power. And us as an audience also gives them them power by finding relevance in their music, lyrics and messages.  If looked at through the Marxist perspective he would say that the materialistic lifestyle of gangsta rap is a key component that is defining our culture.
  • 16. ‘Next time I stand tall I want to be standing for you And next time I spend I want it all to be for you oh oh Peaking, I'm peaking, wake up with me this weekend, weekend no oh Guess whose it is? Guess whose it is? Guess whose it is? It's yours’ -Drake (2013) ‘So yeah dad let's walk Let's have us a father and son talk But I bet we probably wouldn't get one block Without me knocking your block off This is all your fault.’ -Eminem (2013)
  • 17.  Even with the intent of violence and discrimination to some level in these lyrics, there are still connections the audience will make to their everyday lives.
  • 18.  Just as many other types of text, the text of gangsta rap has had a huge influence on its audience and anyone else who has researched the topic.  As a female in 2013 I can say that I am not offended by the discrimination towards women, civil authority, racism or the violence portrayed in gangsta rap. I think this is because I am not sensitive towards the subject like many others are.
  • 19.  Image of Jay-z and Beyonce- "Google.” Jay-z. N.p., 2013. Web. 06       Dec. 2013. Image of gangsta rap, 1.st slide- "Google.” gangsta rap artist. N.p., n.d. Web. 06 Dec. 2013. Image of Snoop Dogg- "Google.” snoop dogg. N.p., n.d. Web. 06 Dec. 2013. Image of 50 Cent- "Google.” 50 cent. N.p., n.d. Web. 06 Dec. 2013. Image of Tupac- "Google.” Tupac. N.p., n.d. Web. 06 Dec. 2013. Brummett, Barry. Rhetoric in Popular Culture. Thousand Oaks, CA: Sage Publications, 2006. Print. "Gangsta Rap." Merriam-Webster. Merriam-Webster, n.d. Web. 09 Dec. 2013.