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Flow My Tears
JohnDowland
Resources
• Solo voice – Male counter tenor (highest male voice)
• Lute
Form/Structure
• Tripartite, three strains, each repeated: AA - BB - CC
Texture
• Three part counterpoint (voice, upper part in lute and
bass in lute)
• Thickened by chords
• Some imitation between instruments and voice (bar 12 –
14)
Tonality
• Modal – Aeolian / A minor
Harmony
• Diatonic, in a consonant style
• Many modal features including: Phrygian cadences,
Tierce de Picardie, false relations, musica ficta…
• Many suspensions make the music expressive
• Passing 7ths at cadences
• Some inverted cadences but mostly root and first
inversion chords
• Modal progressions (I-III)
Melody
• Much of the writing is stepwise – leaps are narrow
normally no bigger than a 4th.
• Melody is dominated by the descending four note
Lachrimae motif and falling 4ths.
• Melodic decorations at cadences
• Final cadence of each section is decorated with scales by
lute to maintain momentum.
Rhythm and Metre
• Flexible, following word rhythm
• Some syncopation and anticipated entries
• Word setting is mostly syllabic with some falling
melisma's
• Common time with the feeling of a slow duple (2/2) with
one bar of 3/2
Setting of Text
• Mostly syllabic except for ornamentation of cadences and
occasional passing notes
• Word painting
Key Words for Flow My Tears
• Lute
• Male counter tenor
• Tripartite
• Verse
• Counterpoint
• Imitation
• Aeolian mode
• False relations
• Phrygian cadence
• Tierce de Picardie
• Suspension
• Musica ficta
• Sequence
• Syncopation
• Falsetto

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Flow My Tears

  • 2. Resources • Solo voice – Male counter tenor (highest male voice) • Lute
  • 3. Form/Structure • Tripartite, three strains, each repeated: AA - BB - CC
  • 4. Texture • Three part counterpoint (voice, upper part in lute and bass in lute) • Thickened by chords • Some imitation between instruments and voice (bar 12 – 14)
  • 5. Tonality • Modal – Aeolian / A minor
  • 6. Harmony • Diatonic, in a consonant style • Many modal features including: Phrygian cadences, Tierce de Picardie, false relations, musica ficta… • Many suspensions make the music expressive • Passing 7ths at cadences • Some inverted cadences but mostly root and first inversion chords • Modal progressions (I-III)
  • 7. Melody • Much of the writing is stepwise – leaps are narrow normally no bigger than a 4th. • Melody is dominated by the descending four note Lachrimae motif and falling 4ths. • Melodic decorations at cadences • Final cadence of each section is decorated with scales by lute to maintain momentum.
  • 8. Rhythm and Metre • Flexible, following word rhythm • Some syncopation and anticipated entries • Word setting is mostly syllabic with some falling melisma's • Common time with the feeling of a slow duple (2/2) with one bar of 3/2
  • 9. Setting of Text • Mostly syllabic except for ornamentation of cadences and occasional passing notes • Word painting
  • 10. Key Words for Flow My Tears • Lute • Male counter tenor • Tripartite • Verse • Counterpoint • Imitation • Aeolian mode • False relations • Phrygian cadence • Tierce de Picardie • Suspension • Musica ficta • Sequence • Syncopation • Falsetto