This document discusses several artworks and concepts from the 1950s-60s. It mentions Pollock's drip paintings and how they removed the hand and enabled gravity. It discusses the Independent Group which introduced mass culture into debates about high art. It also discusses Richard Hamilton's piece "Hommage a Chrysler Corp." and how it depicted domestic interiors and appliances to visually argue women's domestic territory. Finally, it discusses Richard Smith's work "Run for Cover" and how it removed signs of weakness in males and focused on masculinity controlling surroundings while feminine traits could not respond to context.