1. Focus questions for the vignette provide a short lesson option. (15 minutes)
2. Interpreting photographs exercise (small group activity)
3. Reading exercise of supplemental materials
4. Focused writing exercise to wrap up the lesson
5. Students should have some previous teaching about the first contact with Europeans, the fur trade, and colonization of British Columbia.
6. Students can engage in a role playing/simulation exercise on the First Nations economies and experience in early British Columbia through the Circles Exercise, an adaptation of the Blanket Exercise.
Pop art emerged in the mid-1950s and uses images from popular culture such as advertisements and celebrities. Key pop artists include Andy Warhol, famous for his Campbell's Soup Cans, and Keith Haring. While American pop art focused on using commercial imagery to move away from abstract expressionism, British pop art examined what American popular imagery represented and its power to influence lifestyles. For an induction project, the student researched pop art, planned a poster with classmates on the theme of "Vivace," and created their own individual poster incorporating researched techniques.
American Pop Art emerged in the early 1960s in response to post-WWII consumerism and mass marketing. Artists drew inspiration from popular culture like advertisements, comics, and movies to critique commercialism. Roy Lichtenstein and Andy Warhol were pioneering American Pop Artists. Lichtenstein created works featuring comic book speech bubbles and dots that referenced advertisements. Warhol produced famous paintings of mass produced objects like soup cans and portrayed himself as a celebrity artist.
This document provides information and activities for secondary teachers on portrait photography. It discusses the technical beginnings of photography from the camera obscura to early innovators like Nicéphore Niépce, Louis Daguerre, and William Henry Fox Talbot. It also examines the impact of early photographic processes like daguerreotypes and how they began to capture realistic portraits that could be reproduced, distributed and collected in albums. The resource aims to help teachers explore the history of photography and examine portraits from the National Portrait Gallery's collection.
This document summarizes an induction project completed in September 2019 for a CERTA L2 Developing Study Skills course. The project involved research on different art styles including Op Art, De Stijl, and Pop Art. Key details are provided on Pop Art's origins in the 1950s UK and US and its leaders Andy Warhol and Roy Lichtenstein. The document outlines an action plan for an idea generation activity and Photoshop poster on Pop Art. Problems encountered and solved during the project are described. Feedback from a tutor is discussed, and ways the student learns best including through asking questions and focusing in a quiet room are explained.
This document outlines the proposed national curriculum for history education in Australia. It is divided into 4 stages: Stage 1 for ages 5-8 focuses on personal history and everyday life; Stage 2 for ages 8-12 covers the key topics of Australian identity, indigenous and settler experiences, and daily life over time. Stage 3 for ages 12-15 includes world history units from earliest humans to modern period. Stage 4 for ages 15-18 provides choice of in-depth topics like medieval, modern, Asia-Pacific history and options for extension studies. The goals are to teach Australian history in a global context and provide flexibility for student interests at the post-compulsory level.
This lesson plan was used during my FINAL DEMONSTRATION last September 30, 2015 (Archimedes section Grade 10 / 8:30am to 9:30am) in Jagnaya National High School. I would like to say thank to all my cooperating teachers (ma'am Clie, sir Edil and ma'am Sha), English coordinator ma'am Gretch, and to my cooperating school principal sir Enrique Barinos. Also, to sir Ge and Ma'am Gen, thank you so much.
The culture of the 1930's as told through objects events and peopleRob Kamrowski
This document outlines a classroom project where students researched and wrote about popular culture items from the 1930s that could be included in a digital book. Students selected topics, conducted research, and created pages about their topic using a Book Creator template. The completed pages were compiled into an eBook to be published on the iBook store. The project aimed to have students analyze how the Great Depression may have impacted everyday culture. The document provides the learning objectives, daily plans, and grading rubric for the multi-day project.
Talk, text and inventive methods: Insights from studying energy biographies, ...energybiographies
This document summarizes a presentation given by Prof Karen Henwood on insights from studying energy biographies and everyday energy use. It discusses the Energy Biographies project which used qualitative longitudinal interviews and visual methods to understand dynamics of everyday energy use. Key findings included enhancing reflections on practices and meaning through participant photos and videos. The project prompted reflections on usually intangible energy use and emotional attachments to practices and infrastructure that influence potential for change. While lifecycle transitions are seen as opportunities for intervention, thicker analysis of disruption is needed to understand how identities are negotiated through such changes.
Pop art emerged in the mid-1950s and uses images from popular culture such as advertisements and celebrities. Key pop artists include Andy Warhol, famous for his Campbell's Soup Cans, and Keith Haring. While American pop art focused on using commercial imagery to move away from abstract expressionism, British pop art examined what American popular imagery represented and its power to influence lifestyles. For an induction project, the student researched pop art, planned a poster with classmates on the theme of "Vivace," and created their own individual poster incorporating researched techniques.
American Pop Art emerged in the early 1960s in response to post-WWII consumerism and mass marketing. Artists drew inspiration from popular culture like advertisements, comics, and movies to critique commercialism. Roy Lichtenstein and Andy Warhol were pioneering American Pop Artists. Lichtenstein created works featuring comic book speech bubbles and dots that referenced advertisements. Warhol produced famous paintings of mass produced objects like soup cans and portrayed himself as a celebrity artist.
This document provides information and activities for secondary teachers on portrait photography. It discusses the technical beginnings of photography from the camera obscura to early innovators like Nicéphore Niépce, Louis Daguerre, and William Henry Fox Talbot. It also examines the impact of early photographic processes like daguerreotypes and how they began to capture realistic portraits that could be reproduced, distributed and collected in albums. The resource aims to help teachers explore the history of photography and examine portraits from the National Portrait Gallery's collection.
This document summarizes an induction project completed in September 2019 for a CERTA L2 Developing Study Skills course. The project involved research on different art styles including Op Art, De Stijl, and Pop Art. Key details are provided on Pop Art's origins in the 1950s UK and US and its leaders Andy Warhol and Roy Lichtenstein. The document outlines an action plan for an idea generation activity and Photoshop poster on Pop Art. Problems encountered and solved during the project are described. Feedback from a tutor is discussed, and ways the student learns best including through asking questions and focusing in a quiet room are explained.
This document outlines the proposed national curriculum for history education in Australia. It is divided into 4 stages: Stage 1 for ages 5-8 focuses on personal history and everyday life; Stage 2 for ages 8-12 covers the key topics of Australian identity, indigenous and settler experiences, and daily life over time. Stage 3 for ages 12-15 includes world history units from earliest humans to modern period. Stage 4 for ages 15-18 provides choice of in-depth topics like medieval, modern, Asia-Pacific history and options for extension studies. The goals are to teach Australian history in a global context and provide flexibility for student interests at the post-compulsory level.
This lesson plan was used during my FINAL DEMONSTRATION last September 30, 2015 (Archimedes section Grade 10 / 8:30am to 9:30am) in Jagnaya National High School. I would like to say thank to all my cooperating teachers (ma'am Clie, sir Edil and ma'am Sha), English coordinator ma'am Gretch, and to my cooperating school principal sir Enrique Barinos. Also, to sir Ge and Ma'am Gen, thank you so much.
The culture of the 1930's as told through objects events and peopleRob Kamrowski
This document outlines a classroom project where students researched and wrote about popular culture items from the 1930s that could be included in a digital book. Students selected topics, conducted research, and created pages about their topic using a Book Creator template. The completed pages were compiled into an eBook to be published on the iBook store. The project aimed to have students analyze how the Great Depression may have impacted everyday culture. The document provides the learning objectives, daily plans, and grading rubric for the multi-day project.
Talk, text and inventive methods: Insights from studying energy biographies, ...energybiographies
This document summarizes a presentation given by Prof Karen Henwood on insights from studying energy biographies and everyday energy use. It discusses the Energy Biographies project which used qualitative longitudinal interviews and visual methods to understand dynamics of everyday energy use. Key findings included enhancing reflections on practices and meaning through participant photos and videos. The project prompted reflections on usually intangible energy use and emotional attachments to practices and infrastructure that influence potential for change. While lifecycle transitions are seen as opportunities for intervention, thicker analysis of disruption is needed to understand how identities are negotiated through such changes.
This document summarizes an induction project completed in September 2019 for a CERTA L2 Developing Study Skills course. The project involved research on different art styles including Op Art, De Stijl, and Pop Art. Key details are provided on Pop Art's origins in the 1950s UK and US and its leaders Andy Warhol and Roy Lichtenstein. The document outlines an action plan for an idea generation activity and Photoshop poster on Pop Art. Problems encountered and solved during the project are described. Feedback from a tutor is discussed, and ways the student learns best including through asking questions and focusing in a quiet room are explained.
The document outlines a workshop on photovoice methodology, which is a participatory research method that involves community members taking photographs to represent their experiences and advocate for issues. The workshop discusses the theoretical foundations of photovoice, provides examples of previous photovoice projects, and reviews the typical stages involved in conducting a photovoice study, including having participants take photographs, discuss their photos, and hold a community exhibition.
This document contains a daily lesson plan for a 12th grade Introduction to Philosophy of the Human Person class. The lesson plan covers intersubjectivity and focuses on recognizing the talents of persons with disabilities and those from underprivileged sectors of society.
The lesson includes reviewing previous concepts of I-It and I-Thou relationships, presenting examples that demonstrate intersubjectivity through a student showcase of talents, and evaluating student learning through a formative quiz and unit test. The goal is for students to understand and appreciate intersubjectivity, and perform activities that demonstrate acceptance of individuals from disadvantaged backgrounds.
This document discusses ways that visual arts can be used to expand student understanding of history in social studies classrooms. It provides 10 concepts for how visual arts can deepen historical study, such as allowing students to research particular artists or art movements to better understand historical periods. Other concepts include studying art-related technologies, interpreting meaning from images, analyzing artistic styles, and using art to experience history. The document provides examples for each concept and additional resources for integrating visual arts and social studies.
Brittney OkaforSubject Social StudiesLesson TitleLesson # .docxrichardnorman90310
1. The document outlines a lesson plan for a 4th grade social studies class on the history of North Carolina from pre-colonial times to Reconstruction.
2. The lesson plan includes objectives, vocabulary, materials, instructional activities, and assessments. It covers topics like Native American tribes, European exploration and colonization, and the impact on indigenous peoples.
3. Students will learn through audio clips, virtual tours, discussions, and a final project where they create a diorama depicting life in early North Carolina colonies.
The document outlines the process of writing an expository essay, including pre-writing stages such as choosing a topic, generating ideas, and creating an outline. It discusses narrowing a topic, brainstorming, and outlining principles like parallelism, coordination, subordination and division. The sample outline presents the thesis that documentaries and children's programs positively influence children's development by teaching subjects and encouraging creativity.
The lesson plan template outlines a 1-hour lesson for 10th grade students on the Industrial Revolution in America. Students will examine whether the Industrial Revolution was beneficial or harmful to Americans through analyzing primary sources from the Library of Congress. They will be organized into groups to debate the central question from opposing perspectives, citing evidence from documents. To conclude, students will discuss how the lesson relates to today's technological revolution and complete a persuasive letter assessing the impact of the Industrial Revolution.
The document provides information about different art styles and movements from the 1950s and 1960s that were researched as part of an induction project. It includes descriptions of op art, De Stijl, and pop art. Additional details are given about pop art emerging in the UK and US in the mid-1950s and exploding in popularity in the 1960s. Key pop artists like Andy Warhol and Roy Lichtenstein are mentioned. The document also outlines tasks for idea generation, planning, and production around a print or video project on pop art.
This document provides an overview of key concepts regarding representation in media texts. It discusses how representation is a fluid process influenced by both producers and audiences. Media representations are a combination of the object/subject itself, the opinions of the producers, how individuals react to the representation, and the societal context. The document also notes that while media can influence audiences' views of reality, most accept media texts are fictional with elements of truth. It provides an example using the film Independence Day to illustrate the constructionist view of representation. Students are then assigned tasks to analyze representations of British youth in the television show The Inbetweeners.
Brittney OkaforSubject Social StudiesLesson TitleLesson # .docxcurwenmichaela
This document outlines a social studies lesson plan for 4th grade students on the history of North Carolina from pre-colonial times to Reconstruction. The lesson examines the roles and experiences of indigenous peoples, European colonization, and major conflicts and developments that shaped the state. The plan provides learning objectives, academic language, materials, instructional strategies, assessments, and supports to engage students and ensure understanding of key concepts.
1) The document outlines a weekly learning plan for 11th grade social sciences that examines Filipino approaches and thinkers.
2) Over the course of five days, students will learn about Isabelo delos Reyes, Jose Rizal, Pedro Paterno, Andres Bonifacio, and Emilio Jacinto; their social ideas and contributions to Philippine society and culture.
3) Classroom activities include discussions, analyses of readings, video analyses and creating timelines, slogans, songs and posters to demonstrate understanding of concepts and apply lessons to scenarios.
The document provides an overview of the Pop Art movement:
- Pop Art emerged in the 1960s as a brash and youthful style that coincided with the rise of pop music culture. It featured various painting and sculpture styles united by a focus on mass media, production, and culture.
- Although it began in Britain, Pop Art is considered an American movement. It was influenced by Dada and reacted against Abstract Expressionism. Artists like Jasper Johns and Robert Rauschenberg bridged these styles to Pop Art.
- Andy Warhol is seen as the quintessential Pop Artist, known for paintings of celebrities like Marilyn Monroe. Roy Lichtenstein also developed a recognizable comic strip-inspired style
This document is a daily lesson log for an 11th grade Understanding Society, Culture, and Politics class. Over four days, the teacher covered concepts of society and culture, including their characteristics and aspects. Students analyzed pictures, discussed topics through presentations and activities, and completed graphic organizers and drawings. The teacher reflected on student progress and learning, noting the number of students who demonstrated mastery versus those still requiring remediation. Areas for potential help from supervisors were also identified.
This document provides an introduction to documentary filmmaking and history. It outlines the objectives of examining the genre including understanding how reality is presented and some of the critical approaches used to analyze documentaries. Key concepts discussed include John Grierson's definition of documentary as "the creative treatment of actuality" and Bill Nichols' modes of documentary filmmaking such as observational and expository. Students are tasked with analyzing documentary film clips to identify examples of these concepts. The document also discusses Michael Moore's approach to entertaining audiences while exposing important information in an expository manner.
This is an authentic task that highlights the issues of real situations for the learners to have informed judgments when they will be doing these tasks.
This document outlines the daily lesson log for a Grade 11 Humanities class. Over the course of a week, the class will learn about the emergence of social sciences and the different disciplines within social sciences. They will compare and contrast the various social science disciplines, distinguish social sciences from natural sciences and humanities, and be introduced to the disciplines of anthropology, economics, geography, and history. A variety of activities are planned, including discussions, analysis of pictures and graphs, interactive games, and self-reflection exercises to help students develop their understanding of these concepts.
The document provides instructions for an English language learning workbook for students, encouraging them to develop skills such as note-taking, asking questions, and relating English to daily life. It lists collaborators from different technical high schools who compiled and edited the material. Students are thanked for their commitment to completing the suggested activities in the workbook to learn essential concepts.
This document provides activity sheets for understanding culture, society, and politics for the first quarter. It contains learning competencies, activities, and instructions to help students explore topics like cultural variation, the origins and dynamics of culture, anthropological and sociological perspectives, and human social and cultural evolution. The activities include group work, research, role-playing, and creative tasks to engage students in analyzing these concepts through discussion and presentation of their findings.
The document provides information about a student's induction project for a course on developing study skills. It includes tasks on researching pop art and artists like Edward Ruscha using online sources and library books. The student generates poster ideas, plans the production process with classmates, and produces a print product. Problems addressed include using Photoshop for the first time and developing ideas. Feedback from the tutor helped improve the final product. The student evaluates active engagement, working with others, and accessing course resources in the learning center.
This document summarizes an induction project completed by Joy Buck in September 2019 on developing study skills. The project involved researching different art styles like Opt art, De Stijl, and Pop art from books, websites, and other sources. Joy and her partner Alisha planned to create 4 pop art pieces influenced by different artists to demonstrate the development and influence of pop art between cultures. They faced challenges with time management and learning Photoshop but received helpful feedback from their tutor. Overall, the project supported Joy's learning through active engagement and collaboration with her partner.
This document summarizes an induction project completed in September 2019 for a CERTA L2 Developing Study Skills course. The project involved research on different art styles including Op Art, De Stijl, and Pop Art. Key details are provided on Pop Art's origins in the 1950s UK and US and its leaders Andy Warhol and Roy Lichtenstein. The document outlines an action plan for an idea generation activity and Photoshop poster on Pop Art. Problems encountered and solved during the project are described. Feedback from a tutor is discussed, and ways the student learns best including through asking questions and focusing in a quiet room are explained.
The document outlines a workshop on photovoice methodology, which is a participatory research method that involves community members taking photographs to represent their experiences and advocate for issues. The workshop discusses the theoretical foundations of photovoice, provides examples of previous photovoice projects, and reviews the typical stages involved in conducting a photovoice study, including having participants take photographs, discuss their photos, and hold a community exhibition.
This document contains a daily lesson plan for a 12th grade Introduction to Philosophy of the Human Person class. The lesson plan covers intersubjectivity and focuses on recognizing the talents of persons with disabilities and those from underprivileged sectors of society.
The lesson includes reviewing previous concepts of I-It and I-Thou relationships, presenting examples that demonstrate intersubjectivity through a student showcase of talents, and evaluating student learning through a formative quiz and unit test. The goal is for students to understand and appreciate intersubjectivity, and perform activities that demonstrate acceptance of individuals from disadvantaged backgrounds.
This document discusses ways that visual arts can be used to expand student understanding of history in social studies classrooms. It provides 10 concepts for how visual arts can deepen historical study, such as allowing students to research particular artists or art movements to better understand historical periods. Other concepts include studying art-related technologies, interpreting meaning from images, analyzing artistic styles, and using art to experience history. The document provides examples for each concept and additional resources for integrating visual arts and social studies.
Brittney OkaforSubject Social StudiesLesson TitleLesson # .docxrichardnorman90310
1. The document outlines a lesson plan for a 4th grade social studies class on the history of North Carolina from pre-colonial times to Reconstruction.
2. The lesson plan includes objectives, vocabulary, materials, instructional activities, and assessments. It covers topics like Native American tribes, European exploration and colonization, and the impact on indigenous peoples.
3. Students will learn through audio clips, virtual tours, discussions, and a final project where they create a diorama depicting life in early North Carolina colonies.
The document outlines the process of writing an expository essay, including pre-writing stages such as choosing a topic, generating ideas, and creating an outline. It discusses narrowing a topic, brainstorming, and outlining principles like parallelism, coordination, subordination and division. The sample outline presents the thesis that documentaries and children's programs positively influence children's development by teaching subjects and encouraging creativity.
The lesson plan template outlines a 1-hour lesson for 10th grade students on the Industrial Revolution in America. Students will examine whether the Industrial Revolution was beneficial or harmful to Americans through analyzing primary sources from the Library of Congress. They will be organized into groups to debate the central question from opposing perspectives, citing evidence from documents. To conclude, students will discuss how the lesson relates to today's technological revolution and complete a persuasive letter assessing the impact of the Industrial Revolution.
The document provides information about different art styles and movements from the 1950s and 1960s that were researched as part of an induction project. It includes descriptions of op art, De Stijl, and pop art. Additional details are given about pop art emerging in the UK and US in the mid-1950s and exploding in popularity in the 1960s. Key pop artists like Andy Warhol and Roy Lichtenstein are mentioned. The document also outlines tasks for idea generation, planning, and production around a print or video project on pop art.
This document provides an overview of key concepts regarding representation in media texts. It discusses how representation is a fluid process influenced by both producers and audiences. Media representations are a combination of the object/subject itself, the opinions of the producers, how individuals react to the representation, and the societal context. The document also notes that while media can influence audiences' views of reality, most accept media texts are fictional with elements of truth. It provides an example using the film Independence Day to illustrate the constructionist view of representation. Students are then assigned tasks to analyze representations of British youth in the television show The Inbetweeners.
Brittney OkaforSubject Social StudiesLesson TitleLesson # .docxcurwenmichaela
This document outlines a social studies lesson plan for 4th grade students on the history of North Carolina from pre-colonial times to Reconstruction. The lesson examines the roles and experiences of indigenous peoples, European colonization, and major conflicts and developments that shaped the state. The plan provides learning objectives, academic language, materials, instructional strategies, assessments, and supports to engage students and ensure understanding of key concepts.
1) The document outlines a weekly learning plan for 11th grade social sciences that examines Filipino approaches and thinkers.
2) Over the course of five days, students will learn about Isabelo delos Reyes, Jose Rizal, Pedro Paterno, Andres Bonifacio, and Emilio Jacinto; their social ideas and contributions to Philippine society and culture.
3) Classroom activities include discussions, analyses of readings, video analyses and creating timelines, slogans, songs and posters to demonstrate understanding of concepts and apply lessons to scenarios.
The document provides an overview of the Pop Art movement:
- Pop Art emerged in the 1960s as a brash and youthful style that coincided with the rise of pop music culture. It featured various painting and sculpture styles united by a focus on mass media, production, and culture.
- Although it began in Britain, Pop Art is considered an American movement. It was influenced by Dada and reacted against Abstract Expressionism. Artists like Jasper Johns and Robert Rauschenberg bridged these styles to Pop Art.
- Andy Warhol is seen as the quintessential Pop Artist, known for paintings of celebrities like Marilyn Monroe. Roy Lichtenstein also developed a recognizable comic strip-inspired style
This document is a daily lesson log for an 11th grade Understanding Society, Culture, and Politics class. Over four days, the teacher covered concepts of society and culture, including their characteristics and aspects. Students analyzed pictures, discussed topics through presentations and activities, and completed graphic organizers and drawings. The teacher reflected on student progress and learning, noting the number of students who demonstrated mastery versus those still requiring remediation. Areas for potential help from supervisors were also identified.
This document provides an introduction to documentary filmmaking and history. It outlines the objectives of examining the genre including understanding how reality is presented and some of the critical approaches used to analyze documentaries. Key concepts discussed include John Grierson's definition of documentary as "the creative treatment of actuality" and Bill Nichols' modes of documentary filmmaking such as observational and expository. Students are tasked with analyzing documentary film clips to identify examples of these concepts. The document also discusses Michael Moore's approach to entertaining audiences while exposing important information in an expository manner.
This is an authentic task that highlights the issues of real situations for the learners to have informed judgments when they will be doing these tasks.
This document outlines the daily lesson log for a Grade 11 Humanities class. Over the course of a week, the class will learn about the emergence of social sciences and the different disciplines within social sciences. They will compare and contrast the various social science disciplines, distinguish social sciences from natural sciences and humanities, and be introduced to the disciplines of anthropology, economics, geography, and history. A variety of activities are planned, including discussions, analysis of pictures and graphs, interactive games, and self-reflection exercises to help students develop their understanding of these concepts.
The document provides instructions for an English language learning workbook for students, encouraging them to develop skills such as note-taking, asking questions, and relating English to daily life. It lists collaborators from different technical high schools who compiled and edited the material. Students are thanked for their commitment to completing the suggested activities in the workbook to learn essential concepts.
This document provides activity sheets for understanding culture, society, and politics for the first quarter. It contains learning competencies, activities, and instructions to help students explore topics like cultural variation, the origins and dynamics of culture, anthropological and sociological perspectives, and human social and cultural evolution. The activities include group work, research, role-playing, and creative tasks to engage students in analyzing these concepts through discussion and presentation of their findings.
The document provides information about a student's induction project for a course on developing study skills. It includes tasks on researching pop art and artists like Edward Ruscha using online sources and library books. The student generates poster ideas, plans the production process with classmates, and produces a print product. Problems addressed include using Photoshop for the first time and developing ideas. Feedback from the tutor helped improve the final product. The student evaluates active engagement, working with others, and accessing course resources in the learning center.
This document summarizes an induction project completed by Joy Buck in September 2019 on developing study skills. The project involved researching different art styles like Opt art, De Stijl, and Pop art from books, websites, and other sources. Joy and her partner Alisha planned to create 4 pop art pieces influenced by different artists to demonstrate the development and influence of pop art between cultures. They faced challenges with time management and learning Photoshop but received helpful feedback from their tutor. Overall, the project supported Joy's learning through active engagement and collaboration with her partner.
Similar to First Economies Working People Film Series Lesson Plan (Complete Set) (20)
it describes the bony anatomy including the femoral head , acetabulum, labrum . also discusses the capsule , ligaments . muscle that act on the hip joint and the range of motion are outlined. factors affecting hip joint stability and weight transmission through the joint are summarized.
বাংলাদেশের অর্থনৈতিক সমীক্ষা ২০২৪ [Bangladesh Economic Review 2024 Bangla.pdf] কম্পিউটার , ট্যাব ও স্মার্ট ফোন ভার্সন সহ সম্পূর্ণ বাংলা ই-বুক বা pdf বই " সুচিপত্র ...বুকমার্ক মেনু 🔖 ও হাইপার লিংক মেনু 📝👆 যুক্ত ..
আমাদের সবার জন্য খুব খুব গুরুত্বপূর্ণ একটি বই ..বিসিএস, ব্যাংক, ইউনিভার্সিটি ভর্তি ও যে কোন প্রতিযোগিতা মূলক পরীক্ষার জন্য এর খুব ইম্পরট্যান্ট একটি বিষয় ...তাছাড়া বাংলাদেশের সাম্প্রতিক যে কোন ডাটা বা তথ্য এই বইতে পাবেন ...
তাই একজন নাগরিক হিসাবে এই তথ্য গুলো আপনার জানা প্রয়োজন ...।
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A workshop hosted by the South African Journal of Science aimed at postgraduate students and early career researchers with little or no experience in writing and publishing journal articles.
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A review of the growth of the Israel Genealogy Research Association Database Collection for the last 12 months. Our collection is now passed the 3 million mark and still growing. See which archives have contributed the most. See the different types of records we have, and which years have had records added. You can also see what we have for the future.
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Reimagining Your Library Space: How to Increase the Vibes in Your Library No ...Diana Rendina
Librarians are leading the way in creating future-ready citizens – now we need to update our spaces to match. In this session, attendees will get inspiration for transforming their library spaces. You’ll learn how to survey students and patrons, create a focus group, and use design thinking to brainstorm ideas for your space. We’ll discuss budget friendly ways to change your space as well as how to find funding. No matter where you’re at, you’ll find ideas for reimagining your space in this session.
First Economies Working People Film Series Lesson Plan (Complete Set)
1. Labour History Project: A partnership of the Labour Heritage Centre and the BCTF p.1
First Economies
Film Summary: Referencing the pre-existing economy prior to colonization, this film powerfully
places in context the significant role that BC First Nations played in the establishment and
prosperity of British Columbia.
Labour History Project Working People: A History of Labour in BC
Curriculum Application
• Social Studies 5 (with
adaptations)
• Social Studies 10
• Social Justice 12
• BC First Nations 12
The Essential Question:
What was the role of Aboriginal Peoples in the economic
development of early British Columbia?
Summary of the Lesson Activities
1. To critically examine the portrayals of First Nations workers in early British Columbia, and
to explore aspects of their lives.
2. To explore the community and social meanings of these portrayals while questioning
preconceived stereotypes of First Nations people, and the nature of their roles as workers.
3. To examine gender and family roles within these portrayals.
4. To examine the changing power roles of these workers overtime from skilled
independence to become disempowered employees
1. Focus questions for the vignette provide a short lesson option. (15 minutes)
2. Interpreting photographs exercise (small group activity)
3. Reading exercise of supplemental materials
4. Focused writing exercise to wrap up the lesson
5. Students should have some previous teaching about the first contact with Europeans, the
fur trade, and colonization of British Columbia.
6. Students can engage in a role playing/simulation exercise on the First Nations economies
and experience in early British Columbia
Learning Objectives
2. Labour History Project: A partnership of the Labour Heritage Centre and the BCTF p.2
Materials and Resources Provided
• The First Economies Episode 1.
Working People : A History of Labour
in British Columbia
• Activity Master: Interpreting
Photographs (Document 1)
• The Five Photographs of Aboriginal
Workers (Document 2)
• The Circle Exercise (Document 3)
• Appendix A: The First Nations
• Appendix B: The Europeans
Additional Suggested Materials
The Labour Movement in British
Columbia 1840-1914
Edge of the World- the Salmon
People
Have the students write a
paragraph response to the
Essential Question for evaluation
Vignette Questions
Prior to viewing the vignette ensure that the students understand the term economy.
1. Brainstorm/think-pair-share or write out their definitions and share them with the class.
Students should have the following key terms in their definition “ the production,
distribution and consumption of goods and services”
2. Before European contact what were the 3 main features in the economy of BC’s
Indigenous (Aboriginal) People?
3. What kind of economic activities did Aboriginal Peoples contribute to the early economy
of British Columbia after European contact?
4. What other kinds of activity did Aboriginal Peoples make to the European economic
development of British Columbia that is not mentioned in the vignette?
5. Go back to your definition of “economy” in question 1. Make a chart of the economic
contributions of Aboriginal peoples to the economy of British Columbia before and after
European contact. In pairs or in small groups write a summary statement that reflects the
content of this chart.
Lesson Activities
1. Introduce the handout “Interpreting Photographs”(Document 1). Distribute it, and use as a
discussion example any generally well established photo type. For example, a CLASS PHOTO or
SCHOOL TEAM PHOTO. Use “Part 1: General questions to consider” to practice the process.
2. Once the class has analyzed these general questions, do “Part 2: Detailed Observation”. Show the
class how their background knowledge has informed their observation (eg/ What a class is? How a
team structured?
3. Model the more complex process of “Subjective Reactions” and “Inferences” with regard to the
Class Photo or Team Photo.
4. Distribute the Four Photographs of Aboriginal Workers (Document 2) included in this Lesson
Package without captions. They may be given to five groups (one picture per six student group), or
have ten groups of three, each with an image.
5. Have the groups record their interpretation, and then report out to the class their interpretations.
The image could be projected for the class to observe while they report out.
6. Show the Knowledge Network Vignette, “The First Economies”. Has the video changed your
interpretation of the photos? Explain. The Teacher then reveals the missing information from the
four images.
7. Alternate or additional lesson activity, the First Nations Economies in early British Columbia-
The Circles Exercise ( Document 3 and Appendix A&B)
Credit: Teaching Activities and Lesson Plan developed by Gavin Hainsworth and Janet Nichol
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Document 1: Photographic Analysis Sheet
Interpreting Photographs
Like political cartoons, photographs must be carefully analyzed. Many people think that
photographs have no bias because the image is a snapshot of an exact moment in time.
However, there are many factors to consider when analyzing photographs. The
photographer has bias, and can influence the outcome of the snapshot. It is important to
remember that a photographer can influence, mislead, misrepresent, or dramatize; just as
other artists can, using their distinct medium.
General questions to consider
● Who took the picture?
● What was the purpose of the photograph?
● Why did the photographer take a picture of this image?
● What were the photographer’s point of view and what message was being
conveyed?
● Was it ‘staged’ for effect or was this a spontaneous (candid) shot?
● Was there an interest group who paid to have the image taken?
● Was it created for propaganda, as a record of family history, or even as a joke?
● What is missing, or was omitted?
● What lies outside the frame of the photograph?
● Is there a caption, and, if so, does this influence your reaction to and meaning of the
photograph?
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Part 2: Detailed Observation
Now that you have thought about the photographer and the purpose of the photograph, it is time to
observe the images themselves. This may be organized into four main categories: background
knowledge, objective observations, subjective reactions, and inferences.
b. Background Knowledge:
To obtain a deeper understanding of a photograph, the observer must have some background knowledge of the
historical context of the times. This is to be able to understand the political, social, and economic issues within the
image.
• What is your knowledge of the snapshot, based on your background knowledge, studies, and
experiences?
• Can you surmise the geographical location of the image or the date or era in which it was
created?
Note: ‘Grounding’ the photograph in a place and space can aid in the understanding of the picture.
c. Objective Observations:
Next, describe your ‘objective observations’ of the images. Avoid personal feelings, and instead concentrate on the
objects, structures, people, facial expressions, clothing, etc.
• Is there an event taking place? Describe, but do not interpret, what you see.
c. Subjective Reactions:
After this step, it is time to interpret your objective observations.
• How does the visual make you feel? Describe your personal feelings and judgments about the
image, based on what you have seen.
d. Inferences:
Lastly, once you have studied the historical context of the image, and analyzed it objectively and subjectively, it is
time to write down your conclusions.
• What can you infer about the photograph now that you have analyzed it?
Provided with permission by Elizabeth Byrne Lo- Burnaby School District
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Document 2-Photos of Aboriginal Workers First Economies
Figure 1
Figure 2 vA Nlaka’pamux family placer mining on the Thompson River ca. 1890. The couple on the left are Antinie
McHalsie (Meshk N’xetsi) and Catherine McHalsie. The woman in the background is Mary Smith, sister to Catherine. The
Photographer is unknown.
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Figure 3
Figure 4 CVA-In P29-Indian canoes at foot of Richards St-1891-NIS copy
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Document 3
First Nations Economies in Early British Columbia – The Circles Exercise
This lesson can be used for: SS9, SS10, SS11, SJ12 and BCFN12
Objectives:
• to deepen understanding around First People economies
• To create awareness about government policies designed to oppress
indigenous peoples
• To examine the contributions of First Nations people in the context of the BC
labour movement
The author wishes to acknowledge and thank Kairos (Canadian Ecumenical Justice
Initiatives) for permission to adapt “The Blanket Exercise.”
Materials:
A narrator/teacher’s script, 30 “scrolls” (or scripts) Appendix A & B for students, a blanket
and a feather.
Preparation
Push desks to the side in a large open room. Set up chairs to form a wide circle.
The teacher is the narrator and holds a copy of the entire script, which includes speaking
roles for 30 students. (Note: If there are fewer than 30 students, each can have more than
one role.)
Students sit on chairs in the circle before the exercise begins and the teacher asks four
guiding questions:
What is a treaty? (an agreement between two parties; treaties between the Crown and
Aboriginal people were solemn agreements that set out promises, obligations and benefits
for both parties)
What does assimilation mean? (The process in which one cultural group is absorbed into
another, typically dominant culture)
Who are Canada’s aboriginal peoples? (They comprise the First Nations, Inuit and Metis
people)
What is meant by self-government? (The right of a people to govern themselves in ways
that they determine, including having a say in how resources in the traditional territory are
used and being able to derive economic benefit from the resources.)
(Note: In the past, Indian was a common but incorrect identifier—but still used in the
Indian Act--as students will observe in the script.)
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Ask 17 students to stand up and form a circle. These students represent the First Nations
people in early British Columbia. Distribute a scroll with a number on it to each student. (If
there are fewer than 17 students, each student will receive additional scroll(s), to ensure all
scrolls are distributed.)
The other 13 students stand and form another circle outside the inner circle. These
students represent the settlers in early British Columbia. Distribute a scroll with a letter of
the alphabet on it. (A to M) If there are fewer than 13 students, they can receive additional
scroll(s) to ensure all scrolls are distributed.
Place a large blanket in the centre of the inner circle. This blanket represents the land.
The narrator reads from the full script and directs students to read according to the
number/letter on their script.
Before proceeding, the narrator says: We wish to acknowledge we stand on unceded land
founded on the traditional territory(ies)of the ____________First Nations(s).
For example, Vancouver schools would fill in the blank with Squamish, Tsleil Waututh and
Musqueam Nations. To learn about the territories, go to
http://www.bcafn.ca/files/list-203-first-nations.php
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The Circles Exercise
Narrator: This blanket represents Turtle Island or what we now know as North America,
before the arrival of Europeans. You in this inner circle represent the Indigenous peoples,
the people who have been here for at least 10,000 years. Long before the arrival of
Europeans, Turtle Island was home to millions of people living in hundreds of nations.
Each community had its own language, culture, traditions, law and government. These
communities worked together and cooperated with one another.
When gold was discovered in colonial British Columbia, thousands of newcomers arrived.
By the early 1860s, mining, forestry and fishing replaced the fur trade. First Nations
people applied their traditional skills to gain jobs in these industries. No longer valued fur-
trading partners, they were seen as low-status workers. Instead of working for the benefit
of their own communities, they laboured for private employers. Without ever ceding their
Aboriginal title, First Nations’ resources were appropriated as the BC economy expanded,
and their traditional way of life threatened.
First Nations student reads Scroll 1 - The land is very important to us. All of our needs—
food, clothing, shelter, culture, our spirituality—are taken care of by the land, which is
represented here by this blanket. In return, we take very seriously our responsibility to
take care of the land.
Narrator: When the Europeans first arrived on Turtle Island there were many more
Indigenous people than Europeans. You in the outer circle represent these newcomers,
who depended on the First Nations people for your survival. You, the First Nations
people, helped the newcomers to understand how you did things – how you taught your
children, how you took care of people who were sick, how you lived off the land, and how
your governments worked. These economies were well established, complex and diverse.
(Narrator gives directions) - All Europeans will now move around the inner circle and
shake hands with First Nations people and then return to your own circle.
First Nations - Scroll 2: In the beginning there was lots of cooperation and support
between us, the First Peoples, and the settlers. The settlers and their leaders recognized us
as having our own governments, laws and territories. They recognized us as independent
nations. They made agreements or treaties with us. These treaties explained how we were
going to share the land and the water, the animals and the plants.
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Narrator: These treaties were very important because they were agreements between you,
the First Peoples, and the kings and queens of countries in Europe. They made these
agreements with you because you were here first, the land belonged to you, and you had
your own governments. The treaties officially recognized your power and independence as
nations.
The Europeans understood they could not force their laws or way of life on the people who
were here long before they ever arrived. They understood that you had rights.
European student reads Scroll A: In the Royal Proclamation of 1763, King George the
Third said the Indigenous nations own their lands. The King said that the only legal way
newcomers could gain control of those lands was by making treaties between the two
nations. The year 2013 marks the 250th anniversary of the Royal Proclamation.
Narrator: Later on, the Government of Canada was formed, and the Royal Proclamation
became part of Canadian law. For you, the Indigenous peoples, the treaties were very
special and sacred agreements. They were statements of peace, friendship and sharing and
they were based on respect and honesty.
First Nations - Scroll 3: Treaties explained how the land and waters would be shared and
tried to make sure there would be peace between us, the original peoples and the
newcomers. Sharing was very important to us. The hunters shared their food with
everyone. And the families helped one another raise the children. In the treaties, we tried
to help the Europeans understand what we meant by sharing.
Narrator: In British Columbia, settlement began with the establishment of Fort Victoria in
1843. First Nations people represented 30 nations and spoke 26 languages when the
colonies on Vancouver Island and the mainland were formed. They had complex
economies, developed over more than 10,000 years. There were almost no treaties and to
this day most British Columbians live on unceded territory.
European – Scroll B: This was written by a European long ago in a journal at a fur trading
post in BC: "The few hands available at this Post in Fort St. James are insufficient for the
duties of the fall of 1853 and without the assistance of the Indians we could not get through
with the work."
First Nations – Scroll 4: We worked at the Hudson’s Bay Company fur posts around
the province as employees and as trappers, bringing in pelts to be sold.
Narrator: The settlers and First Nations people co-operated as respected partners
in the fur trade.
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European – Scroll C - James Douglas, the Governor of Vancouver Island, sent a dispatch to
England in 1856. He wrote: "...the object of the Indians in visiting this place is not to make
War upon the White man, but to benefit by his presence, by selling their Furs and other
commodities."
Narrator: First Nations people were the majority population in these early years. Only 30
years before the first train arrived in Vancouver, there were 1,000 settlers compared to
62,000 indigenous people.
First Nations – Scroll 5 --The settlers hired us to clear the land for farming. We were
herders, sheep shears and ploughmen. Our families worked together on the farms in the
Fraser Valley, picking berries and hops.
Narrator: Owners of large hops plantations depended on First Nations workers starting in
the 1870s. The flowers of the hop plant, used in the making of beer, ripened in late August.
Women and children picked the hop flowers, while the men took care of the plants,
transported the full sacks and operated the kilns where the hops were processed. Pickers
earned up to $3.00 day. Hundreds of First Nations families came together to work with
people from many different nations. They traded food, shared news and held competitions.
By the 1940s, mechanization replaced the need for their labour.
First Nations – Scroll 6 -- Many indigenous men worked in the lumber mills and logging
camps. Charley Nowell of the Kwakwaka’wakw was working in North Vancouver in 1895.
He remembers:
...(I) asked the manager if he could give me a job. He told me I could be a fireman in the
sawmill. I says, ‘I never did it before but I will try and do my best.’ He says there is another
Indian who has been working there for two years and will tell me what to do.”
Narrator: Sawmills were established all over BC including the northwest corner where
people of the Tsimshian nation lived. Besides working at saw mills, many First Nations
families in this area worked independently, harvesting timber for the mills. The men did
the actual falling while the women trimmed the logs, made the boom, drove the boat and
gathered and prepared food for the loggers. This family-based work continued to the
1950s, when large logging companies took over.
European – Scroll D - On Vancouver Island, indigenous men showed settlers where coal
seams could be mined and many of us worked as surface miners. The Victoria Gazette
newspaper reported in 1858:
...."there are some thirty or fifty miners, mostly Indians, constantly employed in getting out
the coal” and "Hundreds of natives, mostly women, (were) employed who conveyed the
coal alongside the ships in canoes...."
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Narrator: First Nations people mined for gold too on the Thompson River and worked at
packing supplies for the flood of prospectors and merchants during the gold rush on the
Fraser River in 1858. The First Peoples also helped build roads, including the Cariboo
Road through the Fraser Canyon and along the Thompson River.
European – Scroll E - James Moore wrote in 1858: ”whole tribe of Yale Indians moved
down from Yale and camped on Hill’s Bar, about three hundred men, women and children,
and they also commenced to wash for gold.”
European – Scroll F - Edgar Dewdney, a gold prospector, hired First Nations people to
pack supplies. He wrote: “I picked out 18, some women. The old Indians were quite as
good, if not better than the young ones.”
First Nations – Scroll 7 - We built city streets and helped lay out the railway tracks
alongside Chinese and other workers. We did the rough work of making bricks in Victoria
too.
European – Scroll G - Colonel Wolfendon watched First Nations people building roads in
the city of Victoria wrote:
“...a gang of Indians—it may be one hundred, under Grizzly Morris, a contractor...with pick,
shovel and wheelbarrow making Belleville Street along the water.”
European – Scroll H - The British Colonist newspaper stated in 1860: “There are several
kilns in the vicinity of Victoria, now busily engaged in burning bricks....Labourers’ in the
yards are paid $30 per month and board. Most of the rough work however, is performed
by Indians, who receive $20 per month.”
First Nations – Scroll 8 - We crewed river steamers at a time when boats were crucial for
people living in the interior of the province to connect with other communities.
European – Scroll I - Superintendent Powell wrote in 1884, “...the river steamers all
prefer Indian crews, from the fact that the natives are found to be the most willing
and active.”
First Nations – Scroll 9 - “We dominated the longshore work, loading timber and other
goods on to ships. In 1906 we formed our own union in North Vancouver and adopted the
name, “Bows and Arrows.” We fought racial prejudice on the waterfront and asserted our
rights, alongside Chinese, English, Hawaiian and Chilean union members.
First Nations – Scroll 10 - In the salmon canneries all up and down the west coast, our
women and children were employed in the thousands, processing salmon supplied by First
Nations and other fishers.
European – Scroll J - A BC Fisheries officer said of the canneries at Skeena River, in
1884“...but the much greater part of the work is now done by Indians. The men enter into
contract to supply salmon and the women and the children are handy workers and most
useful in the various steps necessary to prepare fish for market.”
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First Nations – Scroll 11 - Albert (Sonny) McHalsie of the Sto:lo nation said: “The
commercial fishery started at Fort Langley and our fishermen supplied all the
salmon...They were entrepreneurs, that’s exactly what they were. Once they saw a need for
labour they just stepped in and gladly did it.”
First Nations – Scroll 12– In the Fraser River fishers’ strike of 1900 we united with white
and Japanese workers to form the Fishermen’s Union and sent a message to cannery
owners that they had to share their profits. In 1931 some of these union leaders would
help form the Native Brotherhood of BC, broadening the struggle for First Nations’ rights.
First Nations – Scroll 13 - We were also entrepreneurs, buying and re-selling goods and
artwork, running small sawmills and canneries.
European – Scroll K - Judge Mathew Begbie was in Hope, BC in 1860, and wrote that the
First Nations people made essential contributions to the trading activities in the town.
Narrator: By 1885, the First Nations peoples’ population had decreased because of the
impact of government policies and would continue to decline for many years.
First Nations people resisted the taking of the land in many cases. But Europeans now had
a different view of treaties. They say land as something to be bought and sold. As the fur
trade dried up, the European newcomers turned more and more to farming and started
looking for more land.
(Narrator directs two European students): These two Europeans will now begin to
slowly fold the blanket in half.
Before too long, there were more Europeans than Indigenous peoples. One reason for this
was the diseases the Europeans brought with them: diseases such as smallpox, measles
and tuberculosis. You, the Indigenous peoples, suffered badly from these diseases because
you had never had them in your communities before. Millions of you died. In fact, there are
some people who believe that half the Indigenous people alive at the time died from these
diseases. In some communities, nine out of ten people died.
(Narrator directs four First Nations students) - “Four people must now leave the circle
and sit down. You represent the many Indigenous people who died from small pox after
having come into contact with such blankets.”
Narrator: Please be silent for a moment to remember those who died from the diseases.
(Narrator directs two First Nations students.) Two more First Nations people
representing those who died of hunger and forced off your original land and away from
your hunting grounds, will leave the circle and sit down.
Europeans started ignoring or changing their laws to make it easier for them to take your
land. Some land was taken in war. Some land was taken after you died.
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First Nations - scroll 14: As Indigenous peoples, we lost more than just land. Because the
land is so important to us, when it was taken away some of us also lost our way of living,
our culture and in some cases, our reason to live.
First Nations – Scroll 15 – Chief Johnny Chillihitzia speaking at a Special Joint Committee
into Claims of the Allied Indian Tribes in 1926 said:
I want to speak to you about grazing. Long ago the Indians already started to have cattle,
horses and everything and they had the use of the range and the Indians succeeded in
getting large stock for themselves and at the time they had big use of the range; it was not
under control then and they had a lot of stock, and it increased because there was range for
the Indians at that time. Now the white people sell it between themselves, and they are all
taken up, and the Indians have no more land, and finally the Indians’ cattle diminished
because they were short of land.
Narrator: In 1867 the Canadian constitution put “Indians and Lands reserved for Indians”
under the control of the federal government. In 1876 all the laws dealing with Indigenous
people were gathered together and put into the Indian Act.
European - Scroll L: Now hear this! According to the Indian Act of 1876 and the British
North American Act of 1867, you and all of your territories are now under the direct
control of the Canadian federal government. You will now be placed on reserves. (Directs
one First Nations student) - Please fold the blanket until it is just large enough to stand on.
Narrator: The Indian Act completely changed your lives as Indigenous peoples. As long as
your cultures were strong, it was difficult for the government to take your land. So the
government used the Indian Act to attack who you were as peoples. Hunting and fishing
was now limited. Your spiritual ceremonies, such as the potlatch, were now against the
law. This didn’t change until the 1950s.
You went from being strong, independent First Nations, with your own governments, to
isolated “bands” that depended on the government. You were treated as second-class
citizens.
You became the responsibility of the federal government. Through the Indian Act, the
federal government continues to this day to deny you your basic rights. These rights are
things that most Canadians take for granted, such as healthy schools, proper housing and
clean running water. But it got even worse.
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European – Scroll M (Walks around the outside of the First Nations circle)
You may not leave your reserve without a permit. You may not vote. You may not get
together to talk about your rights. You may not practice your spirituality or your
traditional forms of government. If you do any of these things, you may be put in jail.
Narrator: The Indian Act also tried to stop Indigenous peoples from fighting for their land.
Under federal policy, all First Nations people who became doctors, teachers, or lawyers lost
their legal status.
First Nations – Scroll 16 - The idea was that Indigenous people had to become more like
the Europeans. We had to give up our status rights and become like other Canadians. We
had to farm like them, go to residential schools where we were separated from our families
for ten years and pray in the same churches, even though we weren’t’ and aren’t’
Europeans.
Narrator: From 1820 to the 1970s, the federal government took First Nations, Inuit and
Metis children from our homes and communities and put them in boarding schools that
were run by churches. Your parents didn’t have a choice about this and neither did you.
Sometimes the police arrived to take you away. These schools were often very far from
your homes and you had to stay at them all or most of the year. Mostly you were not
allowed to speak your own language and you were punished if you did. Often children
weren’t given enough food. The last Indian residential school closed in 1996.
(Narrator directs four First Nations students): These four people represent these
children of residential schools and must now leave the circle and sit down.
You represent those who were taken out of your communities and placed in residential
schools far from your homes. While some students say they had positive experiences at the
schools, most of you say that you suffered from very bad conditions and from different
kinds of abuse. Many of you lost family connections and didn’t learn your language, culture
and traditions. Because you grew up in the schools and rarely went home, many of you
never learned parenting skills. Some students died at the schools. Many of you never
returned home, or were treated badly if you did.
Please be silent for another moment to honour those who died or were shunned because of
residential schools.
(Narrator gives directions to all those students who have sat down) – In honor of all the
First Nations people enduring and resisting over centuries and for a future of reconciliation
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and justice, would the students now sitting down re-join their circle. Would one
representative from the two circles slowly unfold the blanket?
Narrator: History does not stop here. You are encouraged to learn more about First
Nations people, yesterday and today. How do Canada’s policies and economies impact on
First Nations’ peoples’ lives? Why are First Nations’ essential contributions to early BC—
and early Canada—invisible in our history books?
Closure Activity
All students return to the chairs. The teacher holds a feather (or other symbolic object)
and tells students to share one idea/fact they learned from the exercise. (Give students a
few minutes to think about their answer).
Before the teacher begins passing the feather, the basic idea of the “sharing circle” is
discussed. This includes: (1) Everyone in the circle is equal. (2) While the person holding
the feather talks, everyone must listen respectfully.
Extension activities
* Bring in a guest speaker – a residential school survivor or another First Nations member
of the local community.
* Ask students to research one of the following topics:
* The federal government apology for the residential schools system, which was given by
Prime Minister Stephen Harper in Parliament in 2008 and began: “To the approximately
80,000 living former students and all family members and communities, the Government of
Canada now recognized that it was wrong to forcibly remove children from their homes
and we apologize for having done this.”
*The Truth and Reconciliation Commission
* Shannen Koostachine from the Attawapiskat Cree Nation in Northern Ontario who had a
dream about proper education for indigenous youth in the 21st century
*A present-day treaty in British Columbia
*The UN adopted the Declaration on the Rights of Indigenous Peoples. List five key rights
in the declaration. Why was Canada one of four countries who originally refused to
endorse the declaration in 2007? (Note: Canada has since endorsed the Treaty.)
*Violence against aboriginal women across Canada
*One account of First Nations resistance to government policies in the 1800s, 1900s and
2000s
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Sources:
The Blanket Exercise, Kairos: Canadian Ecumenical Justice Initiatives, Third edition, revised
August 2013.
Makuk: A New History of Aboriginal-White Relations, by John Sutton Lutz, UBC Press,
Vancouver, 2008. (pp. 163-193)
BC First Nations Studies, (grade 12 textbook) Kenneth Campbell, Charles Menzies, Brent
Peacock, BC Ministry of Education, Victoria, BC, 2003
Many thanks to Bertha Lansdowne, Aboriginal Education Co-ordinator, New Westminster
for demonstrating Kairos’ ‘The Blanket Exercise’ to my grade 12 students at Killarney
Secondary School and Gail Stromquist, Aboriginal Education Co-ordinator at the BC
Teachers’ Federation along with the Aboriginal Education Advisory Committee and Chas
Desjarlais for their feedback and assistance.
-Janet Nicol
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Appendix A The Circles Exercise- The First Nations
First Nations -Scroll 1 - The land is very important to us. All of our needs—
food, clothing, shelter, culture, our spirituality—are taken care of by the land,
which is represented here by this blanket. In return, we take very seriously
our responsibility to take care of the land.
First Nations - Scroll 2: In the beginning there was lots of cooperation and
support between us, the First Peoples, and the settlers. The settlers and their
leaders recognized us as having our own governments, laws and territories.
They recognized us as independent nations. They made agreements or
treaties with us. These treaties explained how we were going to share the
land and the water, the animals and the plants.
First Nations - Scroll 3: Treaties explained how the land and waters would be
shared and tried to make sure there would be peace between us, the original
peoples and the newcomers. Sharing was very important to us. The hunters
shared their food with everyone. And the families helped one another raise
the children. In the treaties, we tried to help the Europeans understand what
we meant by sharing.
First Nations – Scroll 4: We worked at the Hudson’s Bay Company fur posts
around the province as employees and as trappers, bringing in pelts to be
sold.
First Nations – Scroll 5 --The settlers hired us to clear the land for farming.
We were herders, sheep shears and ploughmen. Our families worked together
on the farms in the Fraser Valley, picking berries and hops.
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First Nations – Scroll 6 -- Many indigenous men worked in the lumber mills
and logging camps. Charley Nowell of the Kwakwaka’wakw was working in
North Vancouver in 1895. He remembers:
...(I) asked the manager if he could give me a job. He told me I could be a
fireman in the sawmill. I says, ‘I never did it before but I will try and do my
best.’ He says there is another Indian who has been working there for two
years and will tell me what to do.”
First Nations – Scroll 7 - We built city streets and helped lay out the railway
tracks alongside Chinese and other workers. We did the rough work of
making bricks in Victoria too.
First Nations – Scroll 8 - We crewed river steamers at a time when boats
were crucial for people living in the interior of the province to connect with
other communities.
First Nations – Scroll 9 - We dominated the longshore work, loading timber
and other goods on to ships. In 1906 we formed our own union in North
Vancouver and adopted the name, “Bows and Arrows.” We fought racial
prejudice on the waterfront and asserted our rights, alongside Chinese,
English, Hawaiian and Chilean union members.
First Nations – Scroll 10 - In the salmon canneries all up and down the west
coast, our women and children were employed in the thousands, processing
salmon supplied by First Nations and other fishers.
First Nations – Scroll 11 - Albert (Sonny) McHalsie of the Sto:lo nation said:
“The commercial fishery started at Fort Langley and our fishermen supplied
all the salmon...They were entrepreneurs, that’s exactly what they were. Once
they saw a need for labour they just stepped in and gladly did it.”
20. Working People: A History of Labour in BC
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First Nations – Scroll 12– In the Fraser River fishers’ strike of 1900 we
united with white and Japanese workers to form the Fishermen’s Union and
sent a message to cannery owners that they had to share their profits. In 1931
some of these union leaders would help form the Native Brotherhood of BC,
broadening the struggle for First Nations’ rights.
First Nations – Scroll 13 - We were also entrepreneurs, buying and re-selling
goods and artwork, running small sawmills and canneries.
First Nations - scroll 14: As Indigenous peoples, we lost more than just land.
Because the land is so important to us, when it was taken away some of us
also lost our way of living, our culture and in some cases, our reason to live.
First Nations – Scroll 15 – Chief Johnny Chillihitzia speaking at a Special Joint
Committee into Claims of the Allied Indian Tribes in 1926 said: “I want to
speak to you about grazing. Long ago the Indians already started to have cattle,
horses and everything and they had the use of the range and the Indians succeeded
in getting large stock for themselves and at the time they had big use of the range;
it was not under control then and they had a lot of stock, and it increased because
there was range for the Indians at that time. Now the white people sell it between
themselves, and they are all taken up, and the Indians have no more land, and
finally the Indians’ cattle diminished because they were short of land.”
First Nations – Scroll 16 – The idea was that Indigenous people had to
become more like the Europeans. We had to give up our status rights and
become like other Canadians. We had to farm like them, go to residential
schools where we were separated from our families for ten years and pray in
the same churches, even though we weren’t and aren’t Europeans.
21. Working People: A History of Labour in BC
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Appendix B The Circles Exercise-The Europeans
European student Scroll A: In the Royal Proclamation of 1763, King George the
Third said the Indigenous nations own their lands. The King said that the only legal
way newcomers could gain control of those lands was by making treaties between
the two nations. The year 2013 marks the 250th anniversary of the Royal
Proclamation.
European – Scroll B: This was written by a European long ago in a journal at a fur
trading post in BC: "The few hands available at this Post in Fort St. James are
insufficient for the duties of the fall of 1853 and without the assistance of the
Indians we could not get through with the work."
European – Scroll C - James Douglas, the Governor of Vancouver Island, sent a
dispatch to England in 1856. He wrote: "...the object of the Indians in visiting this
place is not to make War upon the White man, but to benefit by his presence, by
selling their Furs and other commodities."
European – Scroll D - On Vancouver Island, indigenous men showed settlers where
coal seams could be mined and many of us worked as surface miners. The Victoria
Gazette newspaper reported in 1858:
...."there are some thirty or fifty miners, mostly Indians, constantly employed in
getting out the coal” and "Hundreds of natives, mostly women, (were) employed
who conveyed the coal alongside the ships in canoes...."
European – Scroll E - James Moore wrote in 1858: ”whole tribe of Yale Indians
moved down from Yale and camped on Hill’s Bar, about three hundred men, women
and children, and they also commenced to wash for gold.”
European – Scroll F - Edgar Dewdney, a gold prospector, hired First Nations
people to pack supplies. He wrote: “I picked out 18, some women. The old Indians
were quite as good, if not better than the young ones.”
22. Working People: A History of Labour in BC
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European – Scroll G - Colonel Wolfendon watched First Nations people building
roads in the city of Victoria wrote:
“...a gang of Indians—it may be one hundred, under Grizzly Morris, a
contractor...with pick, shovel and wheelbarrow making Belleville Street along the
water.”
European – Scroll H - The British Colonist newspaper stated in 1860:
“There are several kilns in the vicinity of Victoria, now busily engaged in burning
bricks....Labourers’ in the yards are paid $30 per month and board. Most of the
rough work however, is performed by Indians, who receive $20 per month.”
European – Scroll I - Superintendent Powell wrote in 1884,
“...the river steamers all prefer Indian crews, from the fact that the natives are found
to be the most willing and active.”
European – Scroll J - A BC Fisheries officer said of the canneries at Skeena River, in
1884“...but the much greater part of the work is now done by Indians. The men
enter into contract to supply salmon and the women and the children are handy
workers and most useful in the various steps necessary to prepare fish for market.”
European – Scroll K - Judge Mathew Begbie was in Hope, BC in 1860, and wrote
that the First Nations people made essential contributions to the trading activities in
the town.
European - Scroll L: Now hear this! According to the Indian Act of 1876 and the
British North American Act of 1867, you and all of your territories are now under
the direct control of the Canadian federal government. You will now be placed on
reserves. (Directs one First Nations student) - Please fold the blanket until it is just
large enough to stand on.
European – Scroll M (Walks around the outside of the First Nations circle)
You may not leave your reserve without a permit. You may not vote. You may not
get together to talk about your rights. You may not practice your spirituality or your
traditional forms of government. If you do any of these things, you may be put in
jail.