Film vs Trailer
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Trailers are much shorter than films, providing only abstract snippets of a film's narrative and editing at a quicker pace with more music. While trailers use the same footage, sounds, and titles as the full film, they focus on generating interest in the movie rather than telling the whole story, and may provide little sense of a film's actual plot. Both are promotional materials aimed at audiences, but films offer more comprehensive narratives than their trailer previews.
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Script Analyses
This document provides a summary of elements commonly found in movie and television scripts, including montages, music cues, character names preceding dialogue, descriptions of actions and scenes, transitions between scenes, and page numbers. It uses examples from the scripts of Donnie Darko, War of the Worlds, and Buffy the Vampire Slayer to illustrate elements like character introductions, dialogue, and directions for music and transitions.
Video analysis wake me up
The music video for Avicii's "Wake Me Up" tells the narrative story of two girls who do not feel they belong in their rural hometown. The older girl takes the younger one to another town, where they find they fit in better. The video depicts their journey from their hometown to the new town and club, generally matching the lyrics of the first verse and chorus but diverging from the lyrics later on. It was filmed using a variety of shots and camera angles to set the rural scene and follow the characters' actions and emotions.
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The proposed music video will tell a story through a character who develops different personalities while performing the song's verses. In the first verse, the character will be shown walking through a churchyard, acting out the lyrics. After finding a mysterious box, there will be a cut to an abandoned area where the character performs the darker second verse under the influence of drugs. The video will end with both personalities layered together in a single shot before the character washes his face and breaks character. The video aims to stylistically match the tones and lyrics of each verse through editing techniques and shot composition.
Title sequence conv presentation (1)
Title sequences present a film or television program's title and key production members, often using visuals and music. They typically display names in this order: production companies, director, producer, executive producer, top actors, and title. Though order can vary, title sequences aim to introduce viewers to the film's subject and genre through moving imagery and clues about characters. For example, "The Silence of the Lambs" features dying moths in silence, reflecting the title, while "The Pink Panther" begins with Peter Seller's name to signal a mystery. Though different in content, both sequences reveal essential details to set expectations before the story begins.
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Halloween Important Points
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Our final decision media
Bill and his partner have chosen to make their music video for the song "the ends" by Travis Scott. They considered the pros and cons of several songs, evaluating the lyrics, beat, and length of each. They felt "the ends" had meaningful but not too serious lyrics that would allow them to put their own abstract spin on the video. The length of roughly 3 minutes also gives them flexibility to edit it to 2:30 or add an intro to make it 3:30. They are both excited to bring their creative ideas to the video and hope it turns out well.
Sound analysis
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Script
The script for a music video is simple and stereotypical for its genre. It begins with the main protagonist in her bedroom looking upset while admiring things that remind her of her ex-boyfriend. Most of the video will feature performance scenes, and it concludes with the protagonist joining friends after changing clothes to go out with them.
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The document analyzes and summarizes several music videos that could provide inspiration for camera shots, movements, and techniques to use in the author's own music video. Key videos discussed include Taylor Swift's "Sparks Fly" for its variety of shots, Mumford & Sons' "The Cave" for its camera movements and continuity, and The Fray's "Absolute" for its narrative and effects. The author identifies various shot types like zooms, slow motion, and close-ups that conform to an indie/folk genre.
As media pitch
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The document provides analysis of the video techniques used in 5 music videos:
1. Metallica - One uses blacked out band members, western stock footage, and an abandoned warehouse setting to reflect the dark tone of the song. Close-ups and angles emphasize the importance of the music and drumming. Stock footage is cut with the music.
2. Michael Jackson - Thriller uses horror film-inspired settings, costumes, and camera techniques to portray a movie-like feel. Close-ups show transformation and screaming details. Shots establish settings and conversation-like tracking.
3. Bring Me The Horizon - Sleepwalking uses locations and subtle, handheld shots to portray the fragile nature of sleepwalking. Cross
Storyboard
The document outlines the shots, visuals, durations, cameras, instructions, dialogue, and sounds for several scenes in a film. The first scene is a 0:30 high angle shot panning over Alice exhausted on her bed with only diegetic sound effects. The second scene is a 0:17 midshot of Alice and Tupla with comically non-diegetic music. The third scene is a 0:10 low angle rush shot of Alice improving with non-diegetic music and sound effects. The fourth scene uses Alice's POV to show her searching disappointingly with no sounds. The fifth scene is a 1:00-1:30 conversation between Alice and her true friend using shot reverse shot with diegetic
Treamentsheet 1
The treatment sheet provides details on the cinematography, lighting, camera work, and performance for a music video of Florence + The Machine's "Cosmic Love". It outlines using linear and parallel narratives to tell the story of the protagonist Hayley. Dark lighting and locations like the beach and church will be used to create a gothic style. Various camera shots like medium, close-up, and hand-held will showcase Hayley's performance and emotions. Her dancing will represent the song while establishing her image as the star.
Media mv-word-doc
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Media mv-word-doc (1)
The music video proposal is for Selena Gomez's song "Wolves" and will have a romantic love theme. It will target teenagers and young adults by illustrating the song's lyrics about doing anything to get to one's love through visuals and symbols using lighting, colors, and locations. Various camera shots and a narrative, conceptual style will depict the theme of love through symbols to match the lyrics.
Sound analysis
The document analyzes the opening sequences of the films Submarine and The Graduate. In Submarine, ambient sounds of the sea and seagulls are used to establish the seaside setting. Voiceover from the main character Oliver Tate is used to introduce him as an introspective narrator. In The Graduate, dramatic sound effects play during the opening credits to draw attention, and plane ambient sounds set the scene of the main character arriving in Los Angeles. Both films establish setting and character through simple, slow-paced ambient sounds and music in line with the comedy-drama genre.
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The document analyzes the opening sequences of the films Submarine and The Graduate. In Submarine, ambient sounds of the sea and seagulls are used to establish the seaside setting. Voiceover from the main character Oliver Tate is used to introduce him as an introspective narrator. In The Graduate, dramatic sound effects play during the opening credits to draw attention, and plane ambient sounds set the scene of the main character arriving in Los Angeles. Both films establish setting and character through simple, slow-paced ambient sounds and music in line with the comedy-drama genre.
Treatment sheet
The song "Technologic" by Daft Punk uses a repeated vocal sample that chants technological commands throughout. There are two versions - the 4:44 album version and the 2:47 radio edit. The music video features Daft Punk and a robotic puppet, with lyrics appearing and imagery of a pyramid they perform in. The proposed student video will parody Daft Punk's visual style with cardboard box helmets and dark clothing. It will have disjuncture cuts between random shots relating to lyrics and shots of the students in costume mimicking the actions described.
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The trailer establishes the neo-noir style of Sin City through its black and white visuals with pops of color and introduces the urban setting and rival gangs. As more characters are shown engaging in crime, murder, torture, and violence, the narrative develops the themes of conflict between the gangs. While the main protagonist is unclear, it seems there are multiple protagonists including Bruce Willis' character, and the trailer hints at various characters and possible femme fatales that will drive the story.
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The risk assessment form identifies hazards for a film shoot in London on October 18, 2016. It notes potential risks from oncoming traffic to actors, trip hazards from camera equipment for actors and the public, and offending members of the public by filming them without permission. Controls are identified like having someone watch for traffic and using signage to indicate filming and caution people to watch their step. The form also notes keeping equipment on crew at all times to prevent theft.
Genre study essay
Genre classification is more complex than simply comparing a film to a checklist of features. Genres evolve over time as new films are produced and societal expectations change. For example, the film noir genre emerged in the 1950s without an existing checklist, and was later adapted into the neo-noir genre with a modern setting. Some films also blend elements of multiple genres, making classification difficult. As each new film aims to be original, genres have become more of a spectrum than rigid categories, making it inadequate to only use predefined checklists to determine a film's genre.
Construction Self Assessment
The document provides feedback on a construction narrative, noting that the narrative's story is clear but could be improved with more voiceovers, context-providing lines, and sound effects. An action plan is outlined to record additional voiceovers this week, recce a new filming location at the end of the month, modify scenes to feel more like a trailer, change the titles using After Effects this week, and create a new script with more lines by Wednesday.
Risk Assessment Police Station
This risk assessment form documents the hazards, at-risk groups, and risk controls for filming the web series "The Widow's Web" at a police station. Potential hazards included nearby traffic colliding with actors, camera equipment creating trip hazards, and the filming area being needed for a police emergency. To mitigate these risks, the crew planned to have someone monitor traffic, signpost equipment, and complete filming quickly.
Analysis of Empire Magazine
An initial analysis of Empire magazine ahead of the ancillary tasks for our A2 Media Studies coursework.
Sight & Sound Analysis
An initial analysis of Sight & Sound magazine ahead of the ancillary tasks for our A2 Media Studies coursework.
Location Recce Police Station
This location reconnaissance document is for the television programme "The Widow's Web" being produced by Fibonacci Films. It provides information for filming at Burgess Hill Police Station on October 18th, 2016, including the location contact name and number, any health and safety issues to note, and potential filming problems at the location. Permission to use the exterior premises will need to be obtained, and traffic nearby may pose a danger to actors crossing the road during filming.
Film Poster Analysis
This document analyzes and summarizes the design elements of a movie poster for the film "Fight Club". It notes that the poster uses a green and purple color scheme to convey jealousy and bruising. It also comments that the art style slightly cartoons the two main characters to make the poster feel more sophisticated. The names of the actors are in small, simplistic font to emphasize the characters' faces over the actors. Cigarettes, the title styled with paint, and a tagline about a trilogy are used to attract certain audiences. Overall, the poster aims to intrigue viewers about the film through its visual design choices.
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Film vs Trailer
Trailers are typically only a few minutes long, while films can be over two hours. Trailers use fragmented narratives and highlight reels to show the essence of a film's plot. They employ techniques like fast-paced editing, music, voiceovers, on-screen text, and establishing character types and themes to attract audiences in a short time and entice them to watch the full film. Both trailers and films utilize similar shots, sounds, fonts, and storytelling approaches within their respective time constraints.
Q 1 part 1
The document discusses the forms and conventions of movie trailers, specifically teaser trailers. It provides details on the typical components of teaser trailers such as using short film clips, title slides with information on actors, scary music for horror trailers. It then discusses how the author's trailer for a stalker film followed some conventions like timing but also challenged conventions by not including background music and using fewer title slides than typical.
Trailers and Films Comparison
Trailers and films are both meant to tell a story, but have key differences in length, narrative development, editing, sound, and inclusion of titles. Trailers are usually 2-3 minutes while films are over an hour and a half. Trailers provide a brief overview and tease the narrative through exciting clips, while films develop the full narrative over a longer period of time. Editing in trailers uses short clips and a fast pace to entice viewers, whereas films employ various editing techniques to progress the story. Voiceovers and music are commonly used in trailers to describe the film, while films incorporate dialogue and sounds from the actual movie. Trailers focus on action with few titles, while films include opening and closing
Trailer
The document discusses conventions used in film trailers. It begins by outlining typical elements of trailers such as providing an outline of the story, enticing viewers to watch, and expressing the genre. It then distinguishes between "open" and "closed" narrative structures used in different types of trailers. Various theorists who have studied narrative structure, like Tzvetan Todorov and Vladimir Propp, are mentioned. Common conventions for different genres of trailers are then analyzed, including the use of voiceovers, music, and text. Finally, the document discusses how the conventions analyzed from other trailers have been applied to the author's own trailer for a horror film.
Codes and Conventions of Film Trailers
The document discusses key elements of film trailers. It explains that trailers typically last 2-3 minutes and combine clips from the film to create interest without revealing too much of the plot. Trailers often display ratings and content warnings at the start. They usually showcase the production company logos at the beginning to establish the type of film it will be. Music, voiceovers, and introducing main characters are also common trailer elements used to set the tone and engage viewers. The film title is typically revealed at the end to encourage viewers to watch the full trailer.
QUESTION ONE
The document discusses conventions of romantic comedy film trailers. It provides examples and analysis of trailers for films like The Ugly Truth, 500 Days of Summer, and He's Not That Into You. It identifies common trailer elements like voiceovers, music, pacing of cuts, text titles, and inclusion of actor/director names. The document also discusses how these elements are used to convey genre and tone to attract audiences.
Film trailers
The document describes key features of 3 movie trailers. The first trailer uses a slow build up with ominous music and introduces characters through monologues. It establishes the plot but does not reveal major twists. The second trailer hints at the film's technical content through a glitch and uses flashing transitions between action shots and music to build suspense. It reveals some plot details. The third trailer starts vague and intensifies with flashing scenes and violent transitions. It introduces characters but does not fully resolve the plot or identity of the antagonist, enticing viewers to learn more.
Film trailers james hope
The trailer sets an intense and unsettling tone through flashing images, violent transitions and atmospheric music. Characters are introduced briefly alongside descriptions of the antagonist. Though some plot details are revealed, the trailer aims to intrigue audiences by revealing little about the killer's identity or how the story resolves, encouraging viewers to learn more. It stands out from typical horror trailers through its disjointed, cryptic style and leaves audiences wanting to discover what makes this film unique.
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Film vs Trailer
- 1. LENGTH NARRATIVE EDITING SOUND TITLE S Similar Different FILM VS TRAILER Films are much longer than trailers They both give elements of the narrative, though films give more detail Trailers editing will be quicker and more abstract They will both use the same footage, effects etc. They will both use the same sound track Trailers will use more constant music than films There will many more titles in a trailer They will both use the same font and transition ‘Grapes of Wrath’ trailer gave no element of what the narrative was Both of them usually will be longer than about a minute The titles are likely to be similar in the film but more not as common in the film Trailers can sometimes be less than a minute long The titles in the trailer will show release date and things prior to the film’s release It is likely both will use sound, unless the film is silent The actual film will use less transitions They will both present the themes and character types