Film referencing a2
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The document provides an analysis of the 1984 horror film "A Nightmare on Elm Street". It summarizes the plot, which involves teenagers in Springwood, Ohio being stalked and killed in their dreams by Freddy Krueger. The document then analyzes some of the codes and conventions used in the film to create atmosphere and tension, such as the use of shadowy and dark imagery, creepy musical cues, and settings that play on common fears. Specific scenes are described to show how lighting, settings, and the victimization of female protagonists further convey the intended horror elements.
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Hunted
The document provides background information on the history and development of horror films over the past 100+ years. It then outlines the plot of a proposed short horror film involving an 18-year-old boy who receives a threatening chain email and has strange things start to happen to him when he goes to a local forest, where he is watched by a mysterious little girl. Finally, it discusses some of the planned props, locations, target audience, and reasons for creative choices in the proposed film.
Hunted
The document provides background information on the history and development of horror films over the past 100+ years. It then outlines the plot and key elements of a proposed short horror film, including the main characters of Scott, an 18-year-old boy, and Gabrielle, a mysterious little girl. Details are given about the filming locations, intended audience age rating, and the filmmakers' goal of subverting horror film stereotypes by making an innocent-seeming character the source of fear and threat.
Heath ledger
Heath Ledger was an Australian actor born in 1979 who rose to fame through roles in 10 Things I Hate About You and Brokeback Mountain. He had a daughter with actress Michelle Williams and was found dead in 2008 from an accidental prescription drug overdose. Ledger won numerous accolades for his acclaimed performance as the Joker in The Dark Knight, which was released posthumously.
The Fugitive and Ferris opening titles
The document provides analysis of the opening scenes of two films: The Fugitive and Ferris Bueller's Day Off. For The Fugitive, the opening establishes a dark and suspenseful tone through its use of dark colors, diegetic sirens, and a bloody crime scene. This foreshadows the criminal themes of the film. For Ferris Bueller's Day Off, the opening aims to introduce the comedic character of Ferris through its lack of suspenseful music, light font, and portrayal of Ferris' cheeky and confident nature, which works to get the audience on his side as the protagonist.
Heath Ledger
Heath Ledger was born in 1979 in Perth, Western Australia. He was an avid chess player from a young age and started acting in school plays. Ledger moved to the US in 1998 and became known for roles in 10 Things I Hate About You and Brokeback Mountain. He gained widespread acclaim for his portrayal of the Joker in The Dark Knight, for which he won the Academy Award for Best Supporting Actor. Ledger was found dead in 2008 from an accidental drug overdose at age 28.
Slasher Genre Conventions
The document summarizes some common codes and conventions of slasher films. It notes that slasher films typically feature a masked monster villain who kills a group of teens one by one, with the "final girl" often being the only survivor. Common tropes discussed include the sexually active girl being the first killed, the final girl portrayed as pure and sensible, and ineffective authority figures unable to stop the monster. Typical locations include isolated houses or woods to make victims feel they cannot escape. The document also discusses influences from German expressionism like psychological landscapes and film noir conventions like low-key lighting.
Presentation1
A supernatural thriller film pitch proposes a plot where a girl who was bullied in college commits suicide and returns to haunt and kill her bullies. The main character, another college student, begins experiencing strange noises and events in her home. In the climactic scene, she investigates and encounters the antagonist, ending with her scream. The film will explore themes of bullying and revenge through supernatural elements like a vengeful ghost seeking victims.
Presentation1
This pitch proposes a supernatural thriller about a girl who committed suicide after being bullied in college. She returns as a vengeful spirit to haunt and kill her former bullies. The main plot follows another girl who becomes her latest target. The film will focus on the town's efforts to understand the killings and stop them. It will have three acts that build tension through strange noises and a missing knife before culminating in a scream and bright light during the antagonist's murder of the main character. Themes of bullying and revenge will drive the supernatural killer's motivation.
Recommended
Hunted
The document provides background information on the history and development of horror films over the past 100+ years. It then outlines the plot of a proposed short horror film involving an 18-year-old boy who receives a threatening chain email and has strange things start to happen to him when he goes to a local forest, where he is watched by a mysterious little girl. Finally, it discusses some of the planned props, locations, target audience, and reasons for creative choices in the proposed film.
Hunted
The document provides background information on the history and development of horror films over the past 100+ years. It then outlines the plot and key elements of a proposed short horror film, including the main characters of Scott, an 18-year-old boy, and Gabrielle, a mysterious little girl. Details are given about the filming locations, intended audience age rating, and the filmmakers' goal of subverting horror film stereotypes by making an innocent-seeming character the source of fear and threat.
Heath ledger
Heath Ledger was an Australian actor born in 1979 who rose to fame through roles in 10 Things I Hate About You and Brokeback Mountain. He had a daughter with actress Michelle Williams and was found dead in 2008 from an accidental prescription drug overdose. Ledger won numerous accolades for his acclaimed performance as the Joker in The Dark Knight, which was released posthumously.
The Fugitive and Ferris opening titles
The document provides analysis of the opening scenes of two films: The Fugitive and Ferris Bueller's Day Off. For The Fugitive, the opening establishes a dark and suspenseful tone through its use of dark colors, diegetic sirens, and a bloody crime scene. This foreshadows the criminal themes of the film. For Ferris Bueller's Day Off, the opening aims to introduce the comedic character of Ferris through its lack of suspenseful music, light font, and portrayal of Ferris' cheeky and confident nature, which works to get the audience on his side as the protagonist.
Heath Ledger
Heath Ledger was born in 1979 in Perth, Western Australia. He was an avid chess player from a young age and started acting in school plays. Ledger moved to the US in 1998 and became known for roles in 10 Things I Hate About You and Brokeback Mountain. He gained widespread acclaim for his portrayal of the Joker in The Dark Knight, for which he won the Academy Award for Best Supporting Actor. Ledger was found dead in 2008 from an accidental drug overdose at age 28.
Slasher Genre Conventions
The document summarizes some common codes and conventions of slasher films. It notes that slasher films typically feature a masked monster villain who kills a group of teens one by one, with the "final girl" often being the only survivor. Common tropes discussed include the sexually active girl being the first killed, the final girl portrayed as pure and sensible, and ineffective authority figures unable to stop the monster. Typical locations include isolated houses or woods to make victims feel they cannot escape. The document also discusses influences from German expressionism like psychological landscapes and film noir conventions like low-key lighting.
Presentation1
A supernatural thriller film pitch proposes a plot where a girl who was bullied in college commits suicide and returns to haunt and kill her bullies. The main character, another college student, begins experiencing strange noises and events in her home. In the climactic scene, she investigates and encounters the antagonist, ending with her scream. The film will explore themes of bullying and revenge through supernatural elements like a vengeful ghost seeking victims.
Presentation1
This pitch proposes a supernatural thriller about a girl who committed suicide after being bullied in college. She returns as a vengeful spirit to haunt and kill her former bullies. The main plot follows another girl who becomes her latest target. The film will focus on the town's efforts to understand the killings and stop them. It will have three acts that build tension through strange noises and a missing knife before culminating in a scream and bright light during the antagonist's murder of the main character. Themes of bullying and revenge will drive the supernatural killer's motivation.
Let the right one in
The document provides an analysis of the sound design used in the 2008 film Let the Right One In. It notes that the film uses minimal sound and long periods of silence to create tension and focus on the characters. Specific scenes are discussed where sound amplifies moments of violence or emotion. Overall, the analysis argues that the sparse sound design enhances the chilling atmosphere and suspense of the film.
Heath ledger
Marco Soto is a student in 7th grade English class. The document discusses the life and career of actor Heath Ledger. It notes that he was born in Perth, Australia in 1979, acted in school plays as a child, and had roles in several television shows and films in the late 1990s and early 2000s, notably 10 Things I Hate About You. It describes Ledger's portrayal of the Joker in The Dark Knight as that of a psychopathic, murderous sociopath. The document states that Heath Ledger was found unconscious and unresponsive in his New York City apartment in 2008.
Initial Film idea
The film Immoral is a crime thriller about revenge. The opening scene shows a man tied to a chair being interrogated by another man in a parking lot. The interrogator is later revealed to be a police officer who has gone rogue after a case of political figures sexually assaulting girls was not properly pursued. The film then follows the protagonist going on a rampage across London to hunt down each member involved, killing one at his office by drowning him and another by smashing his head in a car door. The film ends with the protagonist being stabbed by the ring leader of the abuse, who is revealed to be a MP, providing a unexpected ending where the protagonist does not complete his mission of revenge.
The Others
The opening of the film The Others begins with Nicole Kidman's character telling a story to her children. A series of creepy black and white drawings are shown that depict scenes from the story, with unsettling violin music playing. As the drawings are shown, the camera zooms out to reveal more context in each scene. The last drawing then transforms into a color shot, establishing the film's setting of a large old house in 1945 Jersey. The opening ends with a jump scare of a woman screaming, indicating this is a psychological thriller genre film meant for audiences aged 12 to 60.
Refrence film
Sinister is a 2012 supernatural horror film directed by Scott Derrickson about a true crime writer named Ellison Oswald who moves his family into a home where a family was murdered in hopes of finding inspiration. Instead, he discovers mysterious Super 8 home videos of the murders and realizes they depict decades of killings. As more disturbing events occur in the home, Ellison pieces together that an ancient evil entity known as Bughuul is responsible for the murders and has now targeted his own family.
Short film proposal sheet
This film proposal outlines a short film called "Sonder" that aims to subvert stereotypes. It will tell the story of a schoolgirl and a young male adult dressed like a "thug" and show that appearances can be misleading. The narrative follows each character through their day, leading the audience to incorrectly judge the man before revealing he obtained a job. It climaxes with the man helping the girl in the street after her bag is stolen. The film will be a drama/comedy inspired by another short, using student actors and minimal props and costumes on a very small budget.
Brainstorm
The document provides descriptions for several potential short film ideas, including films about a detective searching for his brother's killer, a deaf detective facing a career-defining case, a child coping with an abusive father, a homeless man who knows all the city's secrets, a man whose morning routine is disrupted preventing him from an important meeting, a drug deal taking place where another idea is being brainstormed, two brothers with one on a ledge threatening to jump, two children racing in a supermarket to find an item for their mother and getting lost, inspectors where one finds his partner is the real criminal, and a teacher having a mental breakdown in class. It also lists documentary ideas about people's perceptions of the meaning of life,
Comedy genre analysis
Comedy films aim to create humor through exaggerated situations and events that are unusual or abnormal. Some of the earliest films were comedies, showing it is one of the oldest film genres. While most comedies have happy endings, black comedies emerged in the 1960s dealing with darker topics like death and sexuality through films like Dr. Strangelove. Comedy can be combined with other genres to create subgenres like action comedy, comedy horror, and romantic comedy.
Narrative theory
This document discusses various narrative theories and concepts related to genre. It covers Vladimir Propp's identification of 8 main character archetypes in films. It also discusses Tzvetan Todorov's structure of equilibrium being disrupted, the disruption recognized, an attempt to repair damage, and a new equilibrium. Additionally, it covers genre theories such as genres interacting with each other rather than being pure; conventions within genres like iconography, narrative patterns, representations, and ideologies in horror films; and that what is considered scary changes over time while genre principles remain.
Group 047 Presentation part 1
The opening sequence depicts a student being bullied as he walks through a busy school corridor and sits alone in class. He is then shown leaving school where a group shoves him into the road, causing him to get hit by a passing car. This sequence sets up the social realism genre by showing the realistic issue of bullying. It aims to intrigue audiences by leaving them wondering what happens to the bullies and victim. The target audience is teenagers who can relate to the school setting and bullying depicted.
The Game-Narrative Theory
The document summarizes several literary theories and how they relate to the movie "The Game":
1) According to Propp's theory, the main characters in "The Game" can be classified into roles like hero, villain, and helpers. The hero, Nicholas Van Orton, receives a gift that acts as the villain - a live action game called "The Game" that disrupts his life.
2) Todorov's theory describes the plot points in 5 stages - normal life, disruption, disequilibrium, overcoming barriers, new equilibrium. In "The Game", Nicholas's normal life is disrupted by receiving the game as a gift and he must overcome obstacles to find closure.
3)
History of the genre
The document traces the history of the mystery/thriller genre in film from the 1940s to 2000s. It provides examples from each decade such as Dressed to Kill (1941) and The Big Clock (1948) in the 1940s, Vertigo (1958) and Psycho (1960) in the 1950s-1960s, The Attic (1980) and Seven (1995) in the 1980s-1990s, and The Bourne Identity (2002) and Sherlock Holmes (2009) in the 2000s. It notes that mystery/thriller films have changed over time with more realistic effects now possible and more intriguing plots due to developments in technology, ideas, and actors.
Focus group
The document proposes a short film about the relationship between two brothers. The youngest brother plays pranks on the elder brother as he tries to clean the house before their mother returns home. The elder brother loses his temper and accidentally hits the younger brother's head against a wall. Though the younger brother is alright, both brothers are shaken by the incident. The film will be a social realist drama shot inside a house using long takes, artificial lighting, and no non-diegetic music to emphasize the confined space and mundane domestic situation.
Night Of The Living Dead - Poster Analysis
The document analyzes and summarizes the poster for the 1968 horror film "Night of the Living Dead". The poster uses horror film conventions like black and white images, slogans about the dead coming alive, and depictions of victims being attacked. Colors like black, white and green are used to represent the horror genre and draw in audiences. The images and text are designed to attract viewers who enjoy the horror genre by conveying a sense of danger, darkness, and gruesome violence.
The history of horror
The document discusses the history and evolution of horror films from the late 19th century to the 1990s. It notes that one of the earliest horror films was Georges Melies' 1902 short film Le Manoir du diable, and that 1931's Dracula was one of the first films to have sound effects added. Over the decades that followed, the document outlines how horror films incorporated new technologies like color and explored different themes, genres, and psychological elements to scare audiences.
Short film proposal
The proposal outlines a short film called "Split Personality" that will follow a protagonist throughout their day, with events on the right side depicting a good day and events on the left depicting a bad day, with a twist ending of something good happening on the bad side. The film will be a comedic, naturalistic reality piece influenced by drama and comedy genres, shot in color with locations at a school, bedroom, and public space. The sole main character will be a teen aged 15-18, requiring a school uniform, bedroom items, and school equipment as props.
Movie opening research
The document discusses a student film project that will be a crime-thriller genre. It analyzed three influential crime-thriller films - Taken, The Silence of the Lambs, and A Walk Among the Tombstones. It summarizes the opening two minutes of each film, noting Taken opens with home video footage, Silence of the Lambs with names fading over mountain scenery, and A Walk Among the Tombstones with police radio chatter and a conversation in a car. The conclusion is that crime-thriller openings can be very different, from active to peaceful.
Mission impossible opening evaluation
This is my similar product research, a film opening analysis of Mission: Impossible - Ghost Protocol
Final film plot idea
Hugo secretly hacks into the phone of a villainous character who works for an evil corporation from the shadows of a building. Hugo is able to complete the hack without being noticed. Through technology, Hugo is then able to control traffic lights and direct the villainous character into a dark alley. Hugo's only real friend at college approaches him, unaware that Hugo engages in hacking activities at night.
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Let the right one in
The document provides an analysis of the sound design used in the 2008 film Let the Right One In. It notes that the film uses minimal sound and long periods of silence to create tension and focus on the characters. Specific scenes are discussed where sound amplifies moments of violence or emotion. Overall, the analysis argues that the sparse sound design enhances the chilling atmosphere and suspense of the film.
Heath ledger
Marco Soto is a student in 7th grade English class. The document discusses the life and career of actor Heath Ledger. It notes that he was born in Perth, Australia in 1979, acted in school plays as a child, and had roles in several television shows and films in the late 1990s and early 2000s, notably 10 Things I Hate About You. It describes Ledger's portrayal of the Joker in The Dark Knight as that of a psychopathic, murderous sociopath. The document states that Heath Ledger was found unconscious and unresponsive in his New York City apartment in 2008.
Initial Film idea
The film Immoral is a crime thriller about revenge. The opening scene shows a man tied to a chair being interrogated by another man in a parking lot. The interrogator is later revealed to be a police officer who has gone rogue after a case of political figures sexually assaulting girls was not properly pursued. The film then follows the protagonist going on a rampage across London to hunt down each member involved, killing one at his office by drowning him and another by smashing his head in a car door. The film ends with the protagonist being stabbed by the ring leader of the abuse, who is revealed to be a MP, providing a unexpected ending where the protagonist does not complete his mission of revenge.
The Others
The opening of the film The Others begins with Nicole Kidman's character telling a story to her children. A series of creepy black and white drawings are shown that depict scenes from the story, with unsettling violin music playing. As the drawings are shown, the camera zooms out to reveal more context in each scene. The last drawing then transforms into a color shot, establishing the film's setting of a large old house in 1945 Jersey. The opening ends with a jump scare of a woman screaming, indicating this is a psychological thriller genre film meant for audiences aged 12 to 60.
Refrence film
Sinister is a 2012 supernatural horror film directed by Scott Derrickson about a true crime writer named Ellison Oswald who moves his family into a home where a family was murdered in hopes of finding inspiration. Instead, he discovers mysterious Super 8 home videos of the murders and realizes they depict decades of killings. As more disturbing events occur in the home, Ellison pieces together that an ancient evil entity known as Bughuul is responsible for the murders and has now targeted his own family.
Short film proposal sheet
This film proposal outlines a short film called "Sonder" that aims to subvert stereotypes. It will tell the story of a schoolgirl and a young male adult dressed like a "thug" and show that appearances can be misleading. The narrative follows each character through their day, leading the audience to incorrectly judge the man before revealing he obtained a job. It climaxes with the man helping the girl in the street after her bag is stolen. The film will be a drama/comedy inspired by another short, using student actors and minimal props and costumes on a very small budget.
Brainstorm
The document provides descriptions for several potential short film ideas, including films about a detective searching for his brother's killer, a deaf detective facing a career-defining case, a child coping with an abusive father, a homeless man who knows all the city's secrets, a man whose morning routine is disrupted preventing him from an important meeting, a drug deal taking place where another idea is being brainstormed, two brothers with one on a ledge threatening to jump, two children racing in a supermarket to find an item for their mother and getting lost, inspectors where one finds his partner is the real criminal, and a teacher having a mental breakdown in class. It also lists documentary ideas about people's perceptions of the meaning of life,
Comedy genre analysis
Comedy films aim to create humor through exaggerated situations and events that are unusual or abnormal. Some of the earliest films were comedies, showing it is one of the oldest film genres. While most comedies have happy endings, black comedies emerged in the 1960s dealing with darker topics like death and sexuality through films like Dr. Strangelove. Comedy can be combined with other genres to create subgenres like action comedy, comedy horror, and romantic comedy.
Narrative theory
This document discusses various narrative theories and concepts related to genre. It covers Vladimir Propp's identification of 8 main character archetypes in films. It also discusses Tzvetan Todorov's structure of equilibrium being disrupted, the disruption recognized, an attempt to repair damage, and a new equilibrium. Additionally, it covers genre theories such as genres interacting with each other rather than being pure; conventions within genres like iconography, narrative patterns, representations, and ideologies in horror films; and that what is considered scary changes over time while genre principles remain.
Group 047 Presentation part 1
The opening sequence depicts a student being bullied as he walks through a busy school corridor and sits alone in class. He is then shown leaving school where a group shoves him into the road, causing him to get hit by a passing car. This sequence sets up the social realism genre by showing the realistic issue of bullying. It aims to intrigue audiences by leaving them wondering what happens to the bullies and victim. The target audience is teenagers who can relate to the school setting and bullying depicted.
The Game-Narrative Theory
The document summarizes several literary theories and how they relate to the movie "The Game":
1) According to Propp's theory, the main characters in "The Game" can be classified into roles like hero, villain, and helpers. The hero, Nicholas Van Orton, receives a gift that acts as the villain - a live action game called "The Game" that disrupts his life.
2) Todorov's theory describes the plot points in 5 stages - normal life, disruption, disequilibrium, overcoming barriers, new equilibrium. In "The Game", Nicholas's normal life is disrupted by receiving the game as a gift and he must overcome obstacles to find closure.
3)
History of the genre
The document traces the history of the mystery/thriller genre in film from the 1940s to 2000s. It provides examples from each decade such as Dressed to Kill (1941) and The Big Clock (1948) in the 1940s, Vertigo (1958) and Psycho (1960) in the 1950s-1960s, The Attic (1980) and Seven (1995) in the 1980s-1990s, and The Bourne Identity (2002) and Sherlock Holmes (2009) in the 2000s. It notes that mystery/thriller films have changed over time with more realistic effects now possible and more intriguing plots due to developments in technology, ideas, and actors.
Focus group
The document proposes a short film about the relationship between two brothers. The youngest brother plays pranks on the elder brother as he tries to clean the house before their mother returns home. The elder brother loses his temper and accidentally hits the younger brother's head against a wall. Though the younger brother is alright, both brothers are shaken by the incident. The film will be a social realist drama shot inside a house using long takes, artificial lighting, and no non-diegetic music to emphasize the confined space and mundane domestic situation.
Night Of The Living Dead - Poster Analysis
The document analyzes and summarizes the poster for the 1968 horror film "Night of the Living Dead". The poster uses horror film conventions like black and white images, slogans about the dead coming alive, and depictions of victims being attacked. Colors like black, white and green are used to represent the horror genre and draw in audiences. The images and text are designed to attract viewers who enjoy the horror genre by conveying a sense of danger, darkness, and gruesome violence.
The history of horror
The document discusses the history and evolution of horror films from the late 19th century to the 1990s. It notes that one of the earliest horror films was Georges Melies' 1902 short film Le Manoir du diable, and that 1931's Dracula was one of the first films to have sound effects added. Over the decades that followed, the document outlines how horror films incorporated new technologies like color and explored different themes, genres, and psychological elements to scare audiences.
Short film proposal
The proposal outlines a short film called "Split Personality" that will follow a protagonist throughout their day, with events on the right side depicting a good day and events on the left depicting a bad day, with a twist ending of something good happening on the bad side. The film will be a comedic, naturalistic reality piece influenced by drama and comedy genres, shot in color with locations at a school, bedroom, and public space. The sole main character will be a teen aged 15-18, requiring a school uniform, bedroom items, and school equipment as props.
Movie opening research
The document discusses a student film project that will be a crime-thriller genre. It analyzed three influential crime-thriller films - Taken, The Silence of the Lambs, and A Walk Among the Tombstones. It summarizes the opening two minutes of each film, noting Taken opens with home video footage, Silence of the Lambs with names fading over mountain scenery, and A Walk Among the Tombstones with police radio chatter and a conversation in a car. The conclusion is that crime-thriller openings can be very different, from active to peaceful.
Mission impossible opening evaluation
This is my similar product research, a film opening analysis of Mission: Impossible - Ghost Protocol
Final film plot idea
Hugo secretly hacks into the phone of a villainous character who works for an evil corporation from the shadows of a building. Hugo is able to complete the hack without being noticed. Through technology, Hugo is then able to control traffic lights and direct the villainous character into a dark alley. Hugo's only real friend at college approaches him, unaware that Hugo engages in hacking activities at night.
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雙三角斑馬線Double triangle crosswalk
雙三角斑馬線Double TriangleCrosswalk，為一新型態斑馬線，以簡單的設計解決生活中微小的社會議題。本設計解決行人過馬路時「互相交錯穿越」的問題，並透過「視覺效果」的運用影響心理層面，讓行人能更有秩序且有效率、快速地通過危險如虎口的斑馬線。
行人方向的引導:
行人穿越傳統斑馬線時，不同方向的人相互交錯，必須閃躲而使得穿越速度變慢。本設計透過對角分割線，將斑馬線一分為二，尺寸與舊有無異，讓行人行走時，直覺趨向斑馬線某側，減少碰撞使其能快速通過。
以視覺效果造成內心緊張感:
透過行人的視角，會發現底下白色面積逐漸縮小，在視覺上造成較遠的距離感，讓行人提高注意力，使其產生「我可能會來不及」的錯覺，以加快他的步伐，但實際的距離卻較視覺上來的短。
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Generic conventions of horror
The opening scene of The Woman in Black establishes an eerie atmosphere through its use of generic horror conventions. We see three young girls playing with dolls accompanied by unsettling music, foreshadowing danger. Their strange behavior and a mysterious figure in black hook the audience to learn more. Iconography like screaming and the veil associated with death effectively set the horror tone for the film. The target audience is likely those 25 and under who enjoy horror genres, and the film attracted viewers through its young actors like Daniel Radcliffe from Harry Potter.
Planningandreffsearch[1]
Two sisters, Amy and Maya, decide to go to a party in the woods with friends. However, their fun turns terrifying when their friends disappear and an uninvited stranger starts stalking them. With only their video camera for protection, the sisters must try to survive and uncover the truth about what is happening in the woods.
Planningandreffsearch[1]
Two sisters, Amy and Maya, decide to go to a party in the woods with friends. However, their fun turns terrifying when their friends disappear and they find a dead body. With only their video camera, the sisters must try to escape an uninvited stalker and unravel what happened as their life is threatened.
Planning and research
Two sisters, Amy and Maya, decide to go to a party in the woods with friends. However, their fun turns terrifying when their friends disappear and they find a dead body. With only their video camera, the sisters must try to escape an uninvited stalker and unravel what happened as their life is threatened.
Planningandreffsearch[1]
Two sisters, Amy and Maya, decide to go to a party in the woods with friends. However, things take a terrifying turn when their friends disappear and an uninvited stranger appears, putting Amy and Maya in a life-threatening situation. With only their video camera for help, they must try to survive and uncover what happened while evading the dangerous man stalking them in the woods.
Amelia Ryan Question 1
The document discusses conventions and techniques used in the opening of a psychological horror film. It drew inspiration from films like A Nightmare on Elm Street, Donnie Darko, The Hitcher, and Insidious. Specific shots and elements were adopted from these films, such as a close-up of a character falling asleep from The Hitcher and the use of non-diegetic sounds from Insidious. The opening also included shadows, character archetypes like the "final girl", and shots that break reality and the dream world to conform to generic horror conventions while still creating an unsettling tone.
Film opening analysis one
The document provides a summary of a horror film opening sequence consisting of several scenes:
1) The opening titles use smoky text on a black background with eerie thunderstorm sounds to set the tone that this is a horror film.
2) An establishing shot introduces the three main girl characters in the house at night.
3) A close-up shot zooms in on a girl playing with matches in the kitchen, hinting at impending danger.
4) Another girl is shown rinsing a knife, building tension that one of the girls could be murdered.
5) The girls are shown arguing in a mid-shot before one storms out, setting up conflict in the plot.
A Nightmare on Elm Street Analysis
The opening sequence of A Nightmare on Elm Street establishes the villain and protagonist. It shows the villain creating a dangerous glove with knives while breathing heavily. A girl is then seen running fearfully through an industrial location in a white nightgown. Musical cues like an off-screen laugh and scream build fear and tension without revealing the villain's face. The title appears in red and white letters of varying sizes to represent obscurity and danger.
Planning and research
Two sisters, Amy and Maya, decide to go to a party in the woods with friends. However, things take a terrifying turn when their friends disappear and an uninvited stranger appears, putting Amy and Maya in a life-threatening situation. With only their video camera for help, they must try to survive and uncover the truth about what happened in the woods.
Planning and research
Two sisters, Amy and Maya, decide to go to a party in the woods with friends. However, things take a terrifying turn when their friends disappear and an uninvited stranger appears, putting Amy and Maya in a life-threatening situation. With only their video camera for help, they must try to survive and uncover the truth about what happened in the woods.
Planning and research
Two sisters, Amy and Maya, decide to go to a party in the woods with friends. However, things take a terrifying turn when their friends disappear and an uninvited stranger appears, putting Amy and Maya in a life-threatening situation. With only their video camera for help, they must try to survive and uncover the truth about what happened in the woods.
Planning and research
Two sisters, Amy and Maya, decide to go to a party in the woods with friends. However, things take a terrifying turn when their friends disappear and an uninvited stranger appears, putting Amy and Maya in a life-threatening situation. With only their video camera for help, they must try to survive and uncover the truth about what happened in the woods.
Analysis of horror trailer
The document discusses common narrative structures and techniques used in psychological and slasher horror movie trailers. It analyzes the trailers for Texas Chainsaw Massacre, Nightmare on Elm Street, and Woman in Black. The trailers typically show establishing shots, introduce victims and problems, and end with cliffhangers. They aim to build tension through distorted shots, lighting, and a lack of full context to encourage audiences to watch the full movie.
Faye young research and planning final draft as media
This document provides information about the films One Missed Call, Dead Silence, and their trailers and reviews:
- It summarizes the plots and technical elements of the trailers for One Missed Call and analyzes their visual, audio, and narrative codes.
- It provides casting, production details, ratings and box office information for One Missed Call and Dead Silence.
- It includes excerpts from reviews of both films, praising their atmosphere, ghostly effects, and ability to terrify, but criticizing performances and lack of originality.
Genre Study
The document discusses key genres, codes, conventions and settings commonly seen in horror and thriller films. Horror aims to evoke fear in viewers, while thriller uses suspense, tension and excitement. Common horror elements include blood, vulnerable victims, bad weather and chases. Thriller films employ suspense through quick cuts, flashbacks and shadows. Isolated settings like forests, hotels and cabins are frequently used in horror to render victims helpless. Props also play important roles, especially weapons that define killers' identities. Victims in horror films are often teenagers with a backstory explaining their targeting.
AS MEDIA STUDIES - Psychological Horror Codes and Conventions
Psychological horror relies on characters' fears and instability to build tension rather than overt violence. It suggests threats rather than showing them. Common techniques include low lighting, slow editing, and unsettling sounds and music. Typical settings include abandoned asylums and haunted houses. Iconography uses symbolic images to elicit emotion. Female victims are often portrayed as dumb and in need of rescue. Influential directors like Alfred Hitchcock drew out suspense through shots and unique angles.
Final Trailer Treatment
The trailer treatment is for a psychological horror film called "The Watched". It will tell the story of two friends who take shelter in an abandoned house but encounter the previous inhabitants - a male and female dressed in masks. As the friends try to escape, they realize the masked duo will do anything to keep them in the house with terrible consequences. The trailer will use conventions like screaming, point of view shots, and knives to build tension. It will be influenced by films like The Strangers and Woman in Black with its use of masks and paranormal events.
Genre of my Preliminary Task
A presentation on my analysing the horror genre and how my short film will adhere and challenge the genre conventions.
Question 1 - Part 1
1) The opening sequence of the film incorporates some conventions of thriller films, such as dark lighting, different camera angles, and an atmosphere of mystery surrounding a kidnapping.
2) It challenges conventions by using black teen characters, which is uncommon for thrillers, and more diegetic sound rather than non-diegetic music.
3) While incorporating some generic thriller conventions, the film falls into the mystery thriller subgenre by leaving the audience with questions about what will happen, who is seeking revenge, and if the girl will be rescued.
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The trailer for A Nightmare on Elm Street begins with an establishing shot of three girls playing jump rope to set the scene and mood. It then shows Nancy telling her boyfriend "whatever you do, don't fall asleep" through jump cuts. The killer Freddy Krueger is presented through shots of his clawed hands and in low-key lighting to portray him as villainous. The trailer provides a linear narrative of the beginning and middle of the plot through dialogue and visuals but leaves out the ending to create intrigue.
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Faye young research and planning final draft as media
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AS MEDIA STUDIES - Psychological Horror Codes and Conventions
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Analysis of Horror Trailer : 'A Nightmare On Elm Street'
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Institution research a2
Warner Bros. is an American entertainment company that produces film, television and music. It has several subsidiary companies including Warner Bros. Pictures, HBO, Turner Broadcasting System, Warner Bros. Television, and New Line Cinema. Warner Bros. was a pioneer in films with synchronized sound in the 1920s. It produced many gangster films in the 1930s and owns half of The CW television network today.
Industry research a22
Hollywood started as a small community in 1870 that was later incorporated into Los Angeles in 1910. To escape patent lawsuits from Thomas Edison's film company on the East Coast, early filmmakers began moving to Hollywood in the early 1900s, establishing the first movie studios. The Nestor Company opened the first Hollywood film studio in 1911. Hollywood soon became the global center of the film industry and gave its name to the American film business as a whole.
Genre analysis a2
This document defines and discusses the horror genre of film. It notes that horror films aim to create fear and dread in the audience through portrayals of their worst fears and nightmares, often involving mythical creatures or violence. The document outlines several subgenres of horror, including slasher, supernatural, zombie, comedy-horror, teen horror and monster films. It provides examples for each subgenre and discusses some of the common themes and characteristics of horror films.
Director research a2
Wes Craven was an American film director, writer, producer, and actor known for his work in the horror genre, particularly slasher films. He is best known for creating the A Nightmare on Elm Street franchise featuring Freddy Krueger, directing the first film and Wes Craven's New Nightmare. Craven also directed all four films in the Scream series and co-created the Ghostface character. His films, such as The Hills Have Eyes and The People Under the Stairs, often explore the nature of reality and the lines between dreams and real life. Craven received several awards over his career, including multiple Saturn Awards and recognition at the Sitges and Gérardmer Film Festivals
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This document defines and discusses the horror genre of film. It notes that horror films aim to create fear and dread in the audience through portrayals of their worst fears and nightmares, often involving mythical creatures or violence. The document outlines several subgenres of horror, including slasher, supernatural, zombie, comedy-horror, teen horror and monster films. It provides examples for each subgenre and discusses some of the common themes and characteristics of horror films.
Presentation1
The document appears to be a story board, which is commonly used in filmmaking and other visual media to plan and communicate the flow of a narrative through a sequence of drawings and captions. A story board breaks a story down into individual scenes or shots and represents them graphically to help directors and crew visualize how the final production will be arranged. It allows everyone involved in the production to understand how each scene will be filmed and how they will transition from one to the next to tell the intended story.
Log sheet
This document contains a shot list for a film scene showing Eric catching Melissa stealing food in the restaurant kitchen. It describes 16 shots ranging from establishing shots of the exterior to close-ups and two-shots showing their interaction. The shots document Eric working in the kitchen, catching Melissa stealing, their conversation where Eric gives her a parcel, and Melissa later speaking with John outside the restaurant.
Ev screenplay
The document is a screenplay that follows Melissa as she steals leftover food in Eric's kitchen. Eric catches her and offers her food and money instead of letting her steal. He packs a parcel for her from the fridge. Melissa then goes to the restaurant to thank Eric but learns from John that Eric has fallen sick and is now in South City.
Character sketch ev
Eric is a 21-year-old restaurant owner in Morocco who grew up in a loving family and is known for his generosity, despite not being rich. Melissa is a 16-year-old beggar who was abandoned at age 11 and now lives on the streets, stealing from restaurants when possible because she dislikes begging but wants to be adored by a family. John is also 21 and works at Eric's restaurant, looking after it while Eric falls sick; he is soft-spoken and polite.
Mise en scene note
The scene is set in a restaurant with an indoor kitchen and outdoor seating area. Props include a frypan, microwave, pot, parcel and bag. Characters include Eric in a dress shirt and black bottoms, Melissa in a torn brown shirt and black bottoms, an elder version of Melissa in a white shirt with scarf and sunglasses with jeans, and John in a white shirt and black bottoms.
Shot division list
Eric prepares food in the kitchen while Melissa steals some, but Eric catches her and offers to share his food. Later, Melissa learns from John at the restaurant that Eric has fallen sick and been admitted to the hospital.
Lighting
High key images use bright, contrasting lighting to create a happy, upbeat mood, while low key images rely on shadows and darker tones to convey drama and tension. The document discusses how high and low key lighting were used in different scenes of a video to manipulate mood - regular lighting was used in the kitchen, low key when stealing food to create tension, high key when approaching the restaurant to seem happy, and low key again when discovering the truth about Eric.
Location
The document discusses the locations used for a drama film, including both indoor and outdoor settings. Act I was filmed inside a kitchen to show realism, while Act II included both outdoor shots as well as additional indoor footage in the same kitchen. A combination of indoor and outdoor locations was used to fit the drama genre.
Prop list
This list contains various household items including a fry pan, microwave, fridge and parcel along with a bag. It appears to be an inventory of items that may need to be packed or stored.
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A man named Eric catches a beggar named Melissa stealing food from his restaurant and gives her food instead of reporting her. Melissa continues to visit the restaurant for food with the owner's permission. Fifteen years later, Melissa, now adopted by a rich family, visits Eric to repay his kindness but finds he has fallen ill in the hospital due to his struggling restaurant business. She offers to pay his medical bills to help him.
Film proposal ev
The film proposal involves a drama genre opening sequence where, for years, the owner of a village restaurant regularly gives money and food to a beggar outside. One day, the owner falls sick, and the story ends with an inspirational message.
Reference films
The document provides summaries and quotes from several Disney movies, including Mulan, Maleficent, Aladdin, and Winnie the Pooh. In Mulan, a young woman disguises herself as a man to take her father's place in the army. Maleficent tells the story of the villain from Sleeping Beauty and how she was betrayed. Aladdin is about a street rat who finds a magic lamp and falls in love with a princess. Winnie the Pooh involves the characters trying to find a replacement for Eeyore's lost tail. Inspiring quotes from the movies emphasize the importance of persevering through adversity and looking beyond surface appearances.
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Pete Docter is an American animator, film director, screenwriter and producer. He was born in 1968 in Minnesota and began his career at Pixar Animation Studios in 1990 where he contributed to early Pixar films like Toy Story. Docter made his directorial debut with Monsters, Inc. in 2001 and has since directed acclaimed films such as Up, Inside Out, and Monsters University. He is one of Pixar's most successful directors, having been nominated for six Oscars and winning for Best Animated Feature for Up.
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Film referencing a2
- 1. A N I G H T M A R E O N E L M S T R E E T Film referencing
- 2. Nightmare on elm street A Nightmare on Elm Street is a 1984 American supernatural slasher horror film written and directed by Wes Craven, and the first film of the Nightmare on Elm Street franchise. The film stars Heather Langenkamp, John Saxon, Ronee Blakley, Amanda Wyss, Jsu Garcia, Robert Englund, and Johnny Depp in his feature film debut. Set in the fictional Midwestern town of Springwood, Ohio, the plot revolves around several teenagers who are stalked and killed in their dreams (and thus killed in reality) by Freddy Krueger. The teenagers are unaware of the cause of this strange phenomenon, but their parents hold a dark secret from long ago.
- 4. Codes and conventions The first still image is of the reoccuring theme of chalk over the titles which themes the obvious codes and conventions of typically creepy music and a very shadowed image to create darkness. This plays on the audiences’ most common phobias and primal fears (being afraid of the dark because you can’t see what is there (an unknown presence) and the associations with typical horror movies
- 6. The first introduction of the character’s creation was in a playground location where there were young girls. Stereotypically, they were in a circle holding hands in a child’s game. The sound used was ‘Ring a ring o’roses’ which is a reoccurring theme in creepy music featured in horror films
- 8. The title and main location of the film ‘Elm street is in black and white which connotes a dark and evil setting. Scenes include the obvious codes and conventions of shadows in the lighting, silhouettes and dark vignettes. This is used to focus heavily on the children and reveal certain things
- 10. Example of a scene Female victim, a protagonist Low key lighting Enigma code- What’s happening? Why it is happening?
- 11. How is the mise en scene conveyed? The repetitive images of mechanics make the scene feel very cold and uncomforting. This is shown through the use of tools at the beginning and the machinery that the girl is wandering through. This could represent the productive mind of Freddy and his continuous attempts of murder.