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FILM NOIR CONVENTIONS
By Emily Ore
Setting
 Set in big cities to give the feeling you are lost
in a maze.
 Urban places like New York or San Francisco.
Used because they revolve around crime and
action, but also gambling and drinking.
 Small alleyways produce a sense of being
trapped and can accentuate long sharp
shadows.
 Rain creates an effective atmosphere and
makes pavements shiny like mirrors, which are
common in thriller movies to create a sense of
disorientation and confusion.
 Mafia or gangster areas are common to create
a world of disruption and fear.
Costume
Male Costumes
 The 1940’s style of a business is a big impact on
film noir. Both protagonist and antagonist wear
similar costumes.
 Very smart with a trench coat, hat and suit
 The more expensive the suit or how flashy, usually
the more corrupt the person wearing it is.
 The suit symbolises power, wealth, superiority and
intelligence.
 Usually the protagonist will have jobs like a
detective to give a more mysterious look to the
character.
Female Costumes
 Femme Fatal: Red lipstick, low neckline and
short skirts, high heels, cigarettes, fur coats and
long gloves
 Sexy, and allures men into her trap of
attractiveness
 Good girl (Damsel in distress): Knee length
dress, simple make up and hair, low heels,
simple coat, covered and modest.
 Traditional woman in 1940’s
German Expressionism
(1920-1930)
Background
 After WW1, the Germany most people had
known before had changed.
 The country had been left in a economic
state with social and political problems.
 Both left and extreme right parties wanted
to take over the government.
 At the turn of 1920, expressionism grew
and more conventions were being shown
of this new genre of film.
Themes & Conventions
 The bad side to urban modern life.
 Never-ending depression relating to culture and
religion.
 The need to confront the disturbing war and its
aftermath.
 Use Chiaroscuro lighting to create shadows and
mystery in the darkness.
 Reflective surfaces to create disorientation.
 Anthropomorphism.

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Film Noir: Settings & Costume and German Expressionism

  • 3.  Set in big cities to give the feeling you are lost in a maze.  Urban places like New York or San Francisco. Used because they revolve around crime and action, but also gambling and drinking.  Small alleyways produce a sense of being trapped and can accentuate long sharp shadows.  Rain creates an effective atmosphere and makes pavements shiny like mirrors, which are common in thriller movies to create a sense of disorientation and confusion.  Mafia or gangster areas are common to create a world of disruption and fear.
  • 5. Male Costumes  The 1940’s style of a business is a big impact on film noir. Both protagonist and antagonist wear similar costumes.  Very smart with a trench coat, hat and suit  The more expensive the suit or how flashy, usually the more corrupt the person wearing it is.  The suit symbolises power, wealth, superiority and intelligence.  Usually the protagonist will have jobs like a detective to give a more mysterious look to the character.
  • 6. Female Costumes  Femme Fatal: Red lipstick, low neckline and short skirts, high heels, cigarettes, fur coats and long gloves  Sexy, and allures men into her trap of attractiveness  Good girl (Damsel in distress): Knee length dress, simple make up and hair, low heels, simple coat, covered and modest.  Traditional woman in 1940’s
  • 8. Background  After WW1, the Germany most people had known before had changed.  The country had been left in a economic state with social and political problems.  Both left and extreme right parties wanted to take over the government.  At the turn of 1920, expressionism grew and more conventions were being shown of this new genre of film.
  • 9. Themes & Conventions  The bad side to urban modern life.  Never-ending depression relating to culture and religion.  The need to confront the disturbing war and its aftermath.  Use Chiaroscuro lighting to create shadows and mystery in the darkness.  Reflective surfaces to create disorientation.  Anthropomorphism.