This document contains information about a workshop for the Master of Architecture in Collective Housing program presented by the Universidad Politécnica of Madrid and Swiss Federal Institute of Technology. It includes details about 6 workshops led by different architects on topics related to housing design. For each workshop there is a description of the workshop topic, images of student projects, and discussions of the designs. Climate factors for the location in Barcelona are also analyzed in terms of passive design strategies for the housing prototypes.

3. The Master of Architecture in
Collective Housing (MCH), is a
postgraduate full-time international
professional program of advanced
architecture design in cities, housing
and energy studies presented by
Universidad Politécnica of Madrid
(UPM) and Swiss Federal Institute of
Technology (ETH).

4. CONTENTS
Workshop 1.
Alison Brooks
Workshop 2.
Anne Lacaton
Workshop 3.
Dietmar Eberle
Workshop 4.
Amann, Cánovas & Maruri
Workshop 5.
Hrvoje Njiric
Workshop 6.
Andrea Deslpazes
Climate, metabolism
& architecture.
Construction
& technoology.
Low cost
& emergency.
Urban design
& city sciences.
9
23
37
45
57
73
83
101
119
131

5. WORK-
SHOP 1
WORKSHOP LEADER
Alison Brooks
WORKSHOP ASSISTANT
Alejandro de Miguel
TEAM
Gaurav Chordia
Alexandre de Rungs
Felipe Santamaría
9

6. Of the People
For the People
By the People
The site is truly a democratic approach of adhering to a city and its people. The lack of open
spaces in these dense neighbourhoods that became a part of the city’s history, is a question raised
in many apart from Madrid. The ‘Coralla’ Housing typology is a response to this need of density
and social mixing of a city fabric.
The community joined hands to reclaim the lungs of their neighbourhood and reclaim the lost
green. The place had an essence of community participation, responsibility towards nature and
its understanding, respect for each other and the need for creating a heathy environment for the
kids to grow.
“It is a community garden and a plaza auto constructed by our own people who believe in
ecological practices and stand together for common well. This is a place for sharing and
experimenting these values, a public space for everyone.” responded a neighbour.
It is an oasis in narrow dense lanes, rejuvenating it.
We as designers understand our responsibility towards the community and its efforts in time.
Our attempt to bring in residential and studio spaces for artists to grow together, is a belief that it
willaddtotheenergyoftheneighbourhoodgarden.Understandingthesiteanditssurroundings,
we try to gently intervene with the built mass encompassing the garden at its core, connecting
the two streets, and activating the public space by making it accessible, and gently dwelling into
the streetscape.
The material palette draws itself from the community practises observed with the use of timber
and stone, to reduce the ecological impact that this intervention would make. The traditional
housingtypologywith common corridorsmadeahugeimpacton thesociallivesoftheresidents,
and we want to take this idea ahead with the benefits it proved over an era.
Introduction of studio spaces for a mix group of artists and art forms, stages an opportunity
for collaborations and mutual learning. The building acts as a backdrop for these activities to
flourish, providing the flexibility in its interior spaces, services and most importantly ample
daylight and air. The flexible precast practice is adapted here to allow the artist to contemplate
their own space and lighting conditions suitable to their work.
The design creates a framework that allow opportunities of adaptation, customization, and
collaboration for the community to flourish.
10 11

7. Urban plan.
Green ground floor.
Isometric view.
Permeable ground floor.
12 13

8. 14 15

9. Ground floor plan. Typical floor plan.
16 17

10. Unit plan.
18 19

11. Facade detail.
20 21

12. WORK-
SHOP 2
WORKSHOP LEADER
Anne Lacaton
WORKSHOP ASSISTANT
Diego García-Setién
TEAM
Paloma Allende
Joaquín Ipince
Suzane Kteich
Felipe Santamaría
23

13. Housing and reuse
”A solution for good
conditions of life”
Building a system for free appropiation
The only constant in contemporary society is
change.
Globalization, pandemics, isolation, disruptive technologies, and economic crisis constantly
force people to adapt to daily changes. For cities and housing to meet the expectations of an ever-
changing society, they should share the same adaptative capacity as their users through time.
Housing should allow flexibility and adaptiveness, to become an extension of who we are and
how we live, thus reflecting our identity and hosting our needs.
Housing should not feel temporary, it should be flexible enough to keep the pace with us, as we
constantly change, grow, and develop.
Housing should give freedom for intimacy without isolating inhabitants.
It should provide comfort for the ways of living of different individuals, as well as it should
reinforce the collectiveness and connection with its surroundings.
Key qualities:
Capacity of appropriation,Freespace, Movement.
24 25

14. Urban plan. Isometric view.
Allowing green through
connecting existing entourage.
26 27

15. Isometric view.
Project section.
Solar path through the year.
28 29

16. Ground floor plan.
30 31

17. Ground floor units. Ground floor unit permutations.
32 33

18. Tower typical floor plan.
34 35

19. WORK-
SHOP 3
WORKSHOP LEADER
Dietmar Eberle
WORKSHOP ASSISTANT
Alberto Nicolau
TEAM
Felipe Santamaría
37

20. Structural logic.
38 39

21. Ground floor plan. Typical floor plan.
40 41

22. 42 43

23. WORK-
SHOP 4
WORKSHOP LEADERS
Atxu Amann
Andrés Cánovas
Nicolás Maruri
WORKSHOP ASSISTANT
Gabriel Wajnerman
TEAM
Bettina Kagelmacher
Jorge Sánchez
Felipe Santamaría
Alexia Valtadou
44 45

24. Objects, the key for
domesticity
“Domesticity is just putting and moving objects around.
Nothing more.”
Charles de Beistegui’s appartment designed by Le Corbusier in 1929
46 47

25. Domestication of space with objects.
48 49

26. - What do objects need to be used by people?
- Architecture
Objects and intimacy give shape to the built environment
50 51

27. Facilities
Furniture
Devices
Objects
Fixtures
Fixtures Devices Furniture Domestic devices
Objects
Fixtures
52 53

28. Plan permutations.
54 55

29. WORK-
SHOP 5
WORKSHOP LEADER
Hrvoje Njiric
WORKSHOP ASSISTANT
Esperanza Campaña
TEAM
Andrew George
Francisco Heredia
Anastasia Lizardou
Androniki Petrou
Felipe Santamaría
57

30. Ordinariness and life
“Our basic argument is that there isn’t any such thing
as a building. A building properly conceived is several
layers of longevity of built components.”
Frank Duffy
The urban-to-rural transition zone is constantly widening and blurring due to urban sprawl and
the increasing trends of suburbanization and deurbanization that it entails. Lefebvre ascribes
modern urban sprawl to the ominous, but meaningful,
neologism: the Rurban. By the term “rurban areas” we define former rural areas, which have a
temporal distance from the city center, corresponding to areas that belong to the urban fabric,
thus forming spatial complexes of daily activity that produce a territory that is neither a city nor
a village.
58 59

31. The strategy.
Facade
Only 25% of the facade
covered in expensive
material
25% of the interior
space is used for wet
areas
Communal wet areas in the
middle, which separete the
public from the private
Service core Functions
The catalogue.
Inner private gardens Parkings Accessible terraces
and stairs
Fjaka as parking space.
60 61

32. Local observation
Fjaka as paths and platforms.
Fjaka as private gardens.
Slope strategies.
62 63

33. Master plan.
Sections.
Urban isometric.
64 65

34. Satellite modules anchoring system.
67
66

35. Typical unit plan. Plan permutations.
68 69

36. 70 71

37. WORK-
SHOP 6
WORKSHOP LEADER
Andrea Desplazes
WORKSHOP ASSISTANT
Fernando Altozano
TEAM
Teresita Campino
Karol Díaz
Felipe Santamaría
73

38. integration
LIVING into
WORKING
74 75

39. Unit ground floor plan.
Unit section. Unit elevation.
Unit first floor plan. Unit addition.
76 77

40. Block plan. Block sections.
79
78

41. Block sectional perspective.
80 81

42. CLIMATE,
METABO-
LISM &
ARCHITEC-
TURE
PROFESSOR
Javier García-Germán
TEAM
Teresita Campino
Cristhian Haro
Borja Martínez-Alcalá
Felipe Santamaría
Nayanatara Tampi
83

43. Spain
The climates in Spain are difficult to classify because
of their widely varying nature, it is possible to
distinguish the following types: Atlantic or Oceanic
Climate, Continental Climate, Mediterranean
Climate and Mediterranean Mountain Climate.
Catalonia Community
Catalonia encompasses the northeastern provinces
of Girona, Barcelona, Tarragona, and Lleida. The
coastal area has a Mediterranean climate, with mild
winters and hot summers.
Further inland, the climate is more continental, with
cold winters and very hot summers. Snowy winters
and mild temperatures in summer are features of the
climate high in the mountains to the north.
Psychometric chart - January15
The chart shows how the principal problem in winter is that temperature is too low to have a comfortable situation
outside. Humidity can get a little high as well at some times.
Barcelona Province
The climate is Mediterranean, with mild, relatively
rainy winters and hot, sunny summers, during
which the air is humid, but tempered by the
breeze. However, cold periods are possible in
winter, especially in the northern part, where it can
sometimes snow. In summer, there can be very hot
periods, which are more likely in the southern part,
with peaks of 40 °C and more, while the central-
northern part of the coast up to Barcelona is quite
sheltered from heat waves.
Barcelona Region
The climate of Barcelona is Mediterranean, with
mild, relatively rainy winters and hot, sunny
summers. The monthly average temperature ranges
from 9 °C in January to 25 °C in August. Its humidity
is pretty high, especially in summer, where you find
average relative humidity of around 80%. Wind
streams directions and speed vary a lot depending
on the season, cool gusts of wind from the sea
pacify the extremity of Barcelona summer, but harsh
winds from the north can make tougher conditions
for the winters.
Psychothermic chart - July 16
The chart shows that temperature in summer is pretty close to the comfort zone, but humidity is too high. So in this
season it is important to find ways to dry the atmosphere.
84 85

44. Winter outside.
Outside conditions can be harsh with very low
temperature and cold winds. Sun is very desirable.
Summer outside.
Temperature outside can be comfortable in
summer. Nevertheless, direct sun increases the
temperature of the skin and humidity is too high, so
the sweat can not be evaporated. For this reason,
shade and cool streams of wind are very desirable.
Winter inside.
Architecture can protect from harsh cold winds and,
if well oriented, open up to the sun from the south,
east and west. High inertia materials can store the
heat and slowly give it to the interior.
Summer inside.
Architecture in summer can help a lot to create a
comfortable atmosphere. With a well insulated roof
that prevents the sun from hitting the inside and
openings that allow the cool wind streams to cross
the interior to cool it down and dry it, the result can
be a very comfortable space.
Strategies from reference studies.
Chiringuito Masia
Oe house Sumo house
Raising from the ground
Lightness in structure
Compact walls
High thermal inertia
Duality of spaces
Light areas
Complementing spaces
Orientation for sun
Wind protection
86 87

45. LOCATION ANALYSIS
MOUNTAINS BEHIND BARCELONA
GROUND WITH SLOPE
The prototype is able to be in any geographical condition
MEDITERRANEAN WIND
The wind is stronger in the highest lands
ORIENTIATION TO THE SOUTH
It is the best orientation for passiv solar strategies
BROAD VIEWS
The view are better from the high.
LOCATION ANALYSIS
MOUNTAINS BEHIND BARCELONA
GROUND WITH SLOPE
The prototype is able to be in any geographical condition
MEDITERRANEAN WIND
The wind is stronger in the highest lands
ORIENTIATION TO THE SOUTH
It is the best orientation for passiv solar strategies
LOCATION ANALYSIS
MOUNTAINS BEHIND BARCELONA
GROUND WITH SLOPE
The prototype is able to be in any geographical condition
MEDITERRANEAN WIND
The wind is stronger in the highest lands
ORIENTIATION TO THE SOUTH
It is the best orientation for passiv solar strategies
LOCATION ANALYSIS
MOUNTAINS BEHIND BARCELONA
GROUND WITH SLOPE
The prototype is able to be in any geographical condition
MEDITERRANEAN WIND
The wind is stronger in the highest lands
ORIENTIATION TO THE SOUTH
It is the best orientation for passiv solar strategies
BROAD VIEWS
The view are better from the high.
Ground with a slope.
The prototype is able to be placed in any
geographoical condition.
Mediterranean wind.
The wind is stronger in the higher lands.
Broad views.
The views are better from high above.
Oriented to the south.
It is the best orientation for passive solar
strategies in Barcelona.
Prototype perspective.
Prototype plan.
Prototype section.
88 89

46. Summer day.
Summer night.
Winter day.
Winter night.
90 91

47. 1 3
5
2
4 6
1
3
5
2
4
6 THENATURE
THEMATERIAL
TERRITORY
EXTRACTION
PREPARATION
DOMESTICALUSE
THEPRODUCT
THEWASTE
RECYCLING
THECITY
THECITY
ENEREGY
ENEREGY
PRODUCTION
PRODUCTION
ENEREGY
ENEREGY
PRODUCTION
PRODUCTION
THEPRODUCT
THENATURE THEMATERIAL
TERRITORY
PREPARATION
PRODUCTION
SELLING
PERSONALUSE DOMESTICALUSE
REMANUFACTURING
THEWASTE
THECITY
THECITY
ENEREGY
ENEREGY
PRODUCTION
PRODUCTION
ENEREGY
ENEREGY
PRODUCTION
PRODUCTION
PREPARATION
THENATURE
THEMATERIAL
TERRITORY
WORKUSE
RECYCLING
THEWASTE
THEPRODUCT
THECITY
THECITY
ENEREGY
ENEREGY
PRODUCTION
PRODUCTION
ENEREGY
ENEREGY
PRODUCTION
PRODUCTION
Rammed earth wall.
300 mm Thick
- Moisture absorbing properties
- High thermal inertia
- Local material
Clay floor tile.
20 mm Thick
- High thermal inertia
- Local material
Shipping crates.
1.20 m x 0.80 m
- Recycled material
- Insulation properties
-Structural system
- Porous
Reused cotton clothing.
As per availability
- Recycled material
- Sunshading
- Lightweight
- Porous
Polycarbonate sheet.
1.20 x 1.20 m panel
- Lightweight panels
- Transpareent material
- Allows heat
- Blocks wind and rain
Reused wool clothing.
As per availabilty
- Recycled material
- High insulation properties
- Lightweight
- Movable
Material proposal.
Rammed earth cycle.
Fabrics life cycle.
Palettes life cycle.
Main materials cycles.
92 93

48. 1x
(LIGHT)
+
(HEAVY)
DWELLING
PROPORTION
=
(MINIMUM)
1x
1x
(LIGHT)
+
DWELLING
PROPORTION
=
(MAXIMUM)
2x
(HEAVY)
3.6
3
.6
7.2
7
.2
10.8
1
0
.8
(IN TOWER) (IN GROUND)
COMMUNITY
SPACE
=
(PROPORTION)
#1
#2
#3
N
S
W
E
ALL LIGHT BOXES SHOULD
HAVE ONE SOUTH FACADE
LIGHT BOXES SHOULD
NEVER BE STACKED
#4
ORIENTATION
(WINTER)
TOWER PLAN
SECTION
1x
(LIGHT)
+
(HEAVY)
DWELLING
PROPORTION
=
(MINIMUM)
1x
1x
(LIGHT)
+
DWELLING
PROPORTION
=
(MAXIMUM)
2x
(HEAVY)
3.6
3
.6
7.2
7
.2
10.8
1
0
.8
(IN TOWER) (IN GROUND)
COMMUNITY
SPACE
=
(PROPORTION)
#1
#2
#3
N
S
W
E
#4
ORIENTATION
(WINTER)
1x
(LIGHT)
+
(HEAVY)
DWELLING
PROPORTION
=
(MINIMUM)
1x
1x
(LIGHT)
+
DWELLING
PROPORTION
=
(MAXIMUM)
2x
(HEAVY)
3.6
3
.6
7.2
7
.2
10.8
1
0
.8
(IN TOWER) (IN GROUND)
COMMUNITY
SPACE
=
(PROPORTION)
#1
#2
#3
#4
ORIENTATION
(WINTER)
1x
(LIGHT)
+
(HEAVY)
DWELLING
PROPORTION
=
(MINIMUM)
1x
1x
(LIGHT)
+
DWELLING
PROPORTION
=
(MAXIMUM)
2x
(HEAVY)
3.6
3
.6
7.2
7
.2
10.8
1
0
.8
(IN TOWER) (IN GROUND)
COMMUNITY
SPACE
=
(PROPORTION)
#1
#2
#3
#5 VENTILATION
(SUMMER)
N
S
W
E
ALL LIGHT BOXES SHOULD
HAVE ONE SOUTH FACADE
LIGHT BOXES SHOULD
NEVER BE STACKED
#4
ORIENTATION
(WINTER)
TOWER PLAN
SECTION
1x
(LIGHT)
+
(HEAVY)
DWELLING
PROPORTION
=
(MINIMUM)
1x
1x
(LIGHT)
+
DWELLING
PROPORTION
=
(MAXIMUM)
2x
(HEAVY)
3.6
3
.6
7.2
7
.2
10.8
1
0
.8
(IN TOWER) (IN GROUND)
COMMUNITY
SPACE
=
(PROPORTION)
#1
#2
#3
#5 VENTILATION
(SUMMER)
N
S
W
E
ALL LIGHT BOXES SHOULD
HAVE ONE SOUTH FACADE
LIGHT BOXES SHOULD
NEVER BE STACKED
#4
ORIENTATION
(WINTER)
TOWER PLAN
SECTION
1x
(LIGHT)
+
(HEAVY)
DWELLING
PROPORTION
=
(MINIMUM)
1x
1x
(LIGHT)
+
DWELLING
PROPORTION
=
(MAXIMUM)
2x
(HEAVY)
3.6
3
.6
7.2
7
.2
10.8
1
0
.8
(IN TOWER) (IN GROUND)
COMMUNITY
SPACE
=
(PROPORTION)
#1
#2
#3
#5 VENTILATION
(SUMMER)
EVERY HEAVY UNIT
SHOULD BE
VENTILATED ON
ATLEAST ONE FACE
#6 ENCLOSURE
(WINTER)
PERIPHERAL OPENINGS
DO NOT EXCEED 4M
4m MAX.
4m MAX.
N
S
W
E
ALL LIGHT BOXES SHOULD
HAVE ONE SOUTH FACADE
LIGHT BOXES SHOULD
NEVER BE STACKED
#4
ORIENTATION
(WINTER)
TOWER PLAN
SECTION
1x
(LIGHT)
+
(HEAVY)
DWELLING
PROPORTION
=
(MINIMUM)
1x
1x
(LIGHT)
+
DWELLING
PROPORTION
=
(MAXIMUM)
2x
(HEAVY)
3.6
3
.6
7.2
7
.2
10.8
1
0
.8
(IN TOWER) (IN GROUND)
COMMUNITY
SPACE
=
(PROPORTION)
#1
#2
#3
#5 VENTILATION
(SUMMER)
EVERY HEAVY UNIT
SHOULD BE
VENTILATED ON
ATLEAST ONE FACE
#6 ENCLOSURE
(WINTER)
4m MAX.
N
S
W
E
ALL LIGHT BOXES SHOULD
HAVE ONE SOUTH FACADE
LIGHT BOXES SHOULD
NEVER BE STACKED
#4
ORIENTATION
(WINTER)
TOWER PLAN
SECTION
Dwelling proportion
Minimum
Orientation
Winter
All light boxes
should have one
south facade
Light boxes should
never be stacked
Dwelling proportion
Maximum
Community space
Proportion
Enclosure
Winter
Ventilation
Summer
Peripheral openings do
not exceed 4m
Every heavy unit should
be ventilated on at least
one face
94 95

49. 022
URE
Teresita Campino
Cristhian Haro
Borja Martínez-Alcalá
Felipe Santamaría
Nayanatara Tampi
Exploted isometric. Winter.
Summer.
96 97

50. Platform plan.
Tower plan.
Platform section.
Tower section.
98 99

51. CON-
STRUCTION
& TECH-
NOLOGY
PROFESSORS
Archie Campbell
David Castro
Ignacio Fernández
Diego García-Setién
TEAM
Felipe Santamaría
Sebastián Worm
Juanita Gómez
Francisco Heredia
Isabella Pineda
101

52. From Copenhagen to
Santa Marta
Cold to hot, rich to poor.
The objective is to present an architectural strategy to adapt MVRDV’s conversion of the
Gemini Residences to a new climatic context. Based on an analysis of the local climate, social
structure and economy, the silos located in the port of Santa Marta are selected and a strategy
for the construction process is presented, taking into account the available resources and
existing industries. It was decided to industrialize most of the building, minimizing on-site
work and taking advantage of the location of the silos that allow assembly from the port itself.
To preserve its original DNA we propose agile adjustments that maintain its essential
characteristics. The original project is a radical reconversion located in a port area where the
structural limitations of the silos lead the intervention to combine certain openings, restricted
and complex, in the old concrete cylinders with the desire to maintain the quality of the interior
void. The floors of the apartments, then, are suspended from the exterior, allowing each dwelling
to benefit from the best horizons and maximum flexibility. A relocation from Copenhagen,
Denmark to the coastal city of Santa Marta, Colombia is thus proposed. Changes in the
dimensional characteristics of the building, such as unit sizes, height between floors, envelope
performance or reinterpretation of the first floor, according to the new needs are based on a
diagnosis after analyzing the local climate, social structure and economy.
102 103

53. The layout of the units responds carefully to the calculation of the eaves necessary to prevent
the sun’s rays from entering the interior of the apartments and to provide the essential shade on
the private balconies. For this purpose, movable elements are provided that make it possible to
provide shade at different times of the day.
Copenhagen
Climate.
Temperature
Humidity
Sunhours
Sunpath
Temperature
Humidity
Sunhours
Sunpath
Santa Marta
Shading strategies.
Balcony partition
Double height terrace
9:00 / 17:00 10:00 / 16:00
104 105

54. Copenhagen
Copenhagen
Santa Marta
Santa Marta
Users.
Climate strategies.
Luxury Apartments
$$$
Avoid heat loss Avoid direct sunlight
Ensure crossed ventilation
Fishermen
$
Copenhagen
Copenhagen
Santa Marta
Santa Marta
Structure.
Layouts.
Typical floor
1100 m2 of unit space
Ground floor
Closed Building
Typical floor
860 m2 of unit space
Ground floor
Open Building
Communal spaces
Fish Market - Dining Hall - Collective Kitchen
106 107

55. Santa Marta ground floor plan.
Santa Marta typical floor plan.
Section.
Elevation.
108 109

56. Roof structure.
Water recollection diagram.
Solar PV panels
creating solar
energy.
Estimate of 1975
gal required by 96
units for 3 hr period
of 140 degree water.
Solar PV panels Heat exanger Water tank
Users
Heat energy delivered
to heat exchanger
producing hot water.
Water flows in water
tank for heat charge
during daytime, when
solar radiation is high
enough.
Eelectrical air-source
heat pump installed in
parallel with PV panels
(auxiliar heat source)
Roofing layers.
Energy system.
110 111

57. Non collapsible type A
Collapsible type B
Construction types.
Construction
Prefabricated units
A nad B sequence
Type B.
Living portion of the unit.
Includes bedroom and living room
in some.
Collapsible unit for shipping.
Construction prefabricated units.
12 units per floor
3 studio units
4 one bedroom units
42 bedroom units
2 dormitory units
8 floors in the building
96 units total
1 unit per truck.
Truck size 28 tonner
2.60 m Wide x 12.20 m Long x 4.40 m Height
1 full floor per ship (in pieces).
Ship size 704 tonner
11.70 m Wide x 54.30 m
Type A.
Service portion of unit.
Most include openings for piping,
kitchen and bathroom.
Not collapsible for shipping
112 113

58. Prefabricated unit.
Prefabricated unit details.
Detail section.
114 115

59. 116 117

60. LOW COST
& EMER-
GENCY
PROFESSORS
Cristiane Muniz
Fernando Viégas
TEAM
Carolina Basilis
Joaquín Ipince
Felipe Santamaría
Nayanatara Tampi
119

61. Infrastructure,
Geography and
Architecture
Pre-emtive Futures
2008
2017
2017
2020 2022
2014
Territorial development.
120 121

62. Current condition.
Boundary.
Proposal.
Topography.
Constructions at risk.
Intervention focus.
COMMERCIAL HUB
SERVICES
Recycling Materials Hub
Public Bathrooms
Communal Kitchen
Market
Vegetable Garden
Theater
Educational Center
EDUCATIONAL HUB
Intervention master plan.
122 123

63. Proposal sections. Proposal plan.
124 125

64. Market plan. Market isometric view.
126 127

65. 128 129

66. URBAN DE-
SIGN & CITY
SCIENCES
PROFESSORS
José María Esquiaga
Susana Isabel
Julia Landaburu
Gemma Peribañez
TEAM
Borja Martínez-Alcalá
Androniki Petrou
Felipe Santamaría
Andrés Solano
131

67. The natural city.
Masterplan for
Campamento, Madrid
132 133

68. A historical relationship. The value of the existing.
Existing tree species.
Existing fauna in the region.
134 135

69. 136 137

70. Urban materplan.
138 139

71. Osmosis.
Erase the limits between the city and nature as a forward-thinking
way of urbanism.
Nature Nature
City City
New old typologies.
Recycle different housing and block typologies, rethinkinng them
with a new relationship with nature and water systems.
140 141

72. 142 143