Exekias Kylix Jse
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1. The Exekias Kylix, painted by Exekias around 535 BC, is considered one of the finest works of black-figure pottery and was possibly the first example of its shape, the kylix cup. 2. The interior depicts the myth of Dionysus escaping capture by pirates and transforming them into dolphins, while the exterior features eyes and scenes of warriors fighting over a corpse. 3. Through its innovative shape and masterful illustrations, the kylix demonstrated Exekias' exceptional skill as a vase painter in Athens.
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I wanted my students to learn a little art history. So we started from the beginning and went to the Greek pottery. Then I had them create vases depicting one of the five Greek styles of pottery. The week before I discussed cave paintings/art. So this is really the 2nd part to the art history.
Kalos inscriptionsuppal
Kalos inscriptions on ancient Greek pottery typically praised the beauty of named individuals. They numbered in the thousands across black-figure and red-figure vases. Though originally meant as declarations of attraction, scholars argue they functioned to promote future performances of the names. Famous examples referenced the youth Leagros, praised by the Pioneer Group artists Euphronios and Smikros. Other inscriptions lauded Kleomelos and an unnamed "boy". Kalos graffiti similarly appeared in public spaces, showing how Greeks openly admired beauty across art forms.
Aegean
The document provides information about Cycladic art from the Cycladic Islands in the Aegean Sea. It describes distinct features of Cycladic art including small, simple female idols used for funerary purposes that ranged from 1 to 5 feet tall and had minimal facial features. A few male statues depicted musicians. The document also provides details about Minoan and Mycenaean art, including characteristics of Palace architecture and wall paintings at Knossos, distinctive features of Minoan pottery and figurines, and burial practices like beehive tombs and shaft graves.
Art History I Part 3 Greece
This document provides an overview of ancient Greek art and society through several paragraphs and images. It discusses the city-state structure of Greece, the patriarchal society where women had few rights, and evidence that homosexual relationships between male warriors were common. The document also summarizes the major periods and styles of Greek pottery, sculpture, and architecture. It provides examples and analyses of specific works from each period to illustrate the evolution of Greek art over time.
HUM1020 SP2023 Connecting With The Cosmos - Art of the Stone Age.pdf
The document discusses prehistoric cave art from around 30,000-9,000 BCE. It describes various techniques used in cave art including painting, engraving, sculpture. Specific artworks are highlighted including sculptures of bison and horses, as well as cave complexes like Chauvet, Lascaux, and Cosquer known for their paintings of animals. Cave art is believed to have served purposes of communication, worship and magic related to hunting and fertility.
Lydos Jse
This krater from the 6th century BC depicts the mythological scene of Hephaistos' return to Mount Olympus accompanied by Dionysus, satyrs, and maenads. The large frieze shows 27 figures engaged in revelry, painted in silhouette with incised details. Lydos innovated by giving satyrs human faces and varying their poses to make the scene more lively and animated. Dionysus and Hephaistos are placed opposite each other, separated by the reveling figures winding around the krater.
Archaic
The document provides an overview of ancient Greek civilization and its influence on Western culture. It discusses how the Greeks developed ideas around competition, politics, democracy, mathematics, philosophy, art, and theater. Politically, Greece was made up of small city-states like Athens and Sparta. Greek art sought to represent both realistic and idealized forms, focusing on symmetry, proportion and harmony. The rapid development of Greek art represented a major break from previous artistic traditions.
The Greek City Dionysia Festival
The document summarizes the ancient Greek god Dionysus and the festivals held in his honor known as the Dionysia. Dionysus was the god of wine, theatre, fertility and ecstasy. The largest festival in his honor was the City Dionysia held annually in Athens, which featured a procession, sacrifices, theatrical performances of tragedies and comedies, and competitions. The Theatre of Dionysus hosted the plays and was the birthplace of classical Greek theatre.
3. Exekias Belly Amphora
This belly amphora from 550-40 BC was painted by Exekias, one of the greatest artists of the black-figure technique. On side A it depicts Achilles and Ajax playing a board game. On side B it shows the return of Castor and Pollux to their parents Leda and Tyndareas. Exekias was skilled at using details and composition to create naturalistic scenes. He arranged the figures and spears in an inverted composition to balance the material and highlight the shape of the vase. The anatomical details and folds of clothing conveyed movement, narrative, and mood.
Aegean Art: Chapter 4
The three main Aegean civilizations that arose during the Bronze Age were the Cycladic, Minoan, and Mycenaean. The Cycladic people produced stylized marble figurines on the islands, while the Minoans built elaborate palaces like Knossos on Crete characterized by its complex layout and fresco art depicting figures in motion. The Mycenaeans constructed massive citadels with cyclopean masonry and corbel vaults, such as the Treasury of Atreus. Minoan art was notable for its curvilinear style, use of fresco painting, and depictions of nature. Sculpture included the Snake Goddess holding serp
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Hum1020 connecting with the divine art of the stone age
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Transforming learning julia atkin 2014
This document discusses transforming learning environments to meet the needs of modern education. It begins by looking at how education is at a crossroads, needing to either stick with traditional models or undergo radical changes. It then examines how the nature of learning has changed from pre-industrial to industrial to knowledge-based eras. Key drivers for new learning environment designs include preparing students for uncertainty and rapid change. The document advocates for settings that inspire creativity, investigation and self-expression over traditional classrooms. It provides examples of innovative learning space designs.
Socrates Overview
Euthyphro is prosecuting his father for murder after his father left a hired worker in a ditch to die after arresting him. [1] Socrates questions Euthyphro on what holiness is, and Euthyphro provides two flawed definitions before they realize the fundamental issue is determining what makes something approved by the gods in the first place. [2] Their discussion highlights the difficulties in defining concepts like holiness and justice. [3]
Socrates Overview
Euthyphro is prosecuting his father for murder after his father left a hired worker in a ditch to die after arresting him. [1] Socrates questions Euthyphro on what holiness is as Euthyphro claims to know. [2] Euthyphro provides definitions that are examples or have logical flaws around whether holiness causes approval or vice versa. [3] Socrates pushes Euthyphro to clarify but they remain at an aporia regarding the essence of holiness.
Summary of socrates
Socrates was an Athenian philosopher who was tried and convicted for corrupting the youth and believing in supernatural gods. He refused to escape execution and instead accepted his death sentence, believing that a citizen has a duty to obey the laws of their state. In the Phaedo, Socrates argues that death is not bad for a philosopher because it allows them to pursue truth without bodily distractions and potentially converse with gods after death.
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Psaroudakis’ early life in Heraklion was deeply influenced by a supportive and nurturing family environment. His father, a former semi-professional footballer, recognized Psaroudakis’ potential from an early age. Acting as his first coach, his father’s guidance was instrumental in igniting Psaroudakis’ passion for football. This paternal influence instilled in him a strong work ethic and fundamental skills that would become the foundation of his future success. His mother, a dedicated homemaker, provided a stable and nurturing environment, ensuring that Psaroudakis could pursue his dreams without any hindrances.
From a young age, Psaroudakis showed an innate talent for football. Growing up in Heraklion, he spent countless hours playing football in local parks and streets with friends and family. His natural ability was evident even in these informal settings, and his enthusiasm for the game was infectious. By the age of five, Psaroudakis had joined a local youth football club, where his skills began to flourish. His father’s role as his first coach during these formative years was crucial, as he emphasized not only technical skills but also the importance of discipline and teamwork.
The transition from playing in local parks to joining a structured football environment marked a significant step in Psaroudakis’ journey. At the age of ten, he joined the youth academy of OFI Crete, one of Greece’s most esteemed football clubs. This move marked the beginning of a more rigorous and professional approach to his training. The academy environment was demanding, focusing on honing technical abilities and instilling values of sportsmanship and dedication. Psaroudakis’ dedication to his craft was evident as he quickly rose through the ranks, becoming a standout player in the youth teams.
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Exekias Kylix Jse
- 1. Exekias Kylix (cup) a new shape White text: p.30-31 Black text: p.23-25
- 14. The Ship The boarding ladder and the twin steering oars are clearly visible at the stern The bow of the ship is in the form of a stylised boar’s head The ship is elaborate in design, with a tall mast and a broad sail. The ship is decorated with a pair of white dolphins The stern of the ship curves upwards into the graceful shape of a swan’s neck
- 15. Dionysos Dionysos lies back in the boat, holding a wine horn, and wearing a spotted robe The vines growing from the mast are laden with grapes.
- 16. The pirates who tried to abduct Dionysos have been transformed into dolphins, and they now swim around the boat.
- 17. Composition As always, Exekias’ decoration complements the shape of the vase Twin vines branch out, following the shape of the top 1/3 of the kylix Dolphins swim around the bottom 2/3 of the kylix Dionysos’ ship sails across the kylix – there is no ground line as the ship is on the sea
- 18. Painting technique Coral-red slip intensifies the red of the background – “intentional” red White slip used for the sail and the dolphins decorating the boat Purple was added to the grapes and the branches Slip was added thicker than normal on the bows of the ship to show more depth and texture
- 19. The vase exterior Eyes are painted as concentric circles, using white, purple and black slips A very stylised nose A band of rolled clay separates the bowl from the foot of the vase The foot is painted with black slip Elongated tear ducts frame the nose Both sides have apotropaic eyes. They are supposed to look out for you and ward off evil.
- 20. Around the handles On both sides, in the gaps between the eyes and the handles, Exekias shows symmetrical sets of 3 warriors fighting over a corpse. They all wear the Corinthian style helmet with horse hair crests, corselets and greaves. The dead warrior’s armour is white Exekias uses purple to accentuate armour
- 21. Incisions through the slip show the details of the armour and musculature The corpse has been stripped of its armour and is being dragged away. A series of concentric lines, painted in black and purple slip, accentuates the shape of the kylix. Underneath is a band of small, stylised rays.
Editor's Notes
- Ochre = yellow
- Coral red slip was revolutionary for the time, but was not widely used as it tended to wear off too easily
- Apotropaic = combating, turning away evil
- They all wear same armour so impossible to tell sides, but seems to be a scene from Iliad, where two sides fight over dead patroclus.