The document provides an evaluation of a media project involving the production of a music video. It discusses how the music video used conventions like depicting stereotypical scenes of teenagers in council estates using drugs and committing crimes. It also discusses how the ancillary texts like the digipak and magazine ad helped promote the music video. Feedback on the project noted positives like accurately portraying drug use across ethnicities, but also areas for improvement like making the stabbing scene more realistic. Throughout the project, technologies like YouTube, blogs, and editing software were used to conduct research, plan, construct, and evaluate the media product.
Maximizing Your Streaming Experience with XCIPTV- Tips for 2024.pdfXtreame HDTV
In today’s digital age, streaming services have become an integral part of our entertainment lives. Among the myriad of options available, XCIPTV stands out as a premier choice for those seeking seamless, high-quality streaming. This comprehensive guide will delve into the features, benefits, and user experience of XCIPTV, illustrating why it is a top contender in the IPTV industry.
From the Editor's Desk: 115th Father's day Celebration - When we see Father's day in Hindu context, Nanda Baba is the most vivid figure which comes to the mind. Nanda Baba who was the foster father of Lord Krishna is known to provide love, care and affection to Lord Krishna and Balarama along with his wife Yashoda; Letter’s to the Editor: Mother's Day - Mother is a precious life for their children. Mother is life breath for her children. Mother's lap is the world happiness whose debt can never be paid.
Are the X-Men Marvel or DC An In-Depth Exploration.pdfXtreame HDTV
The world of comic books is vast and filled with iconic characters, gripping storylines, and legendary rivalries. Among the most famous groups of superheroes are the X-Men. Created in the early 1960s, the X-Men have become a cultural phenomenon, featuring in comics, animated series, and blockbuster movies. A common question among newcomers to the comic book world is: Are the X-Men Marvel or DC? This article delves into the history, creators, and significant moments of the X-Men to provide a comprehensive answer.
Skeem Saam in June 2024 available on ForumIsaac More
Monday, June 3, 2024 - Episode 241: Sergeant Rathebe nabs a top scammer in Turfloop. Meikie is furious at her uncle's reaction to the truth about Ntswaki.
Tuesday, June 4, 2024 - Episode 242: Babeile uncovers the truth behind Rathebe’s latest actions. Leeto's announcement shocks his employees, and Ntswaki’s ordeal haunts her family.
Wednesday, June 5, 2024 - Episode 243: Rathebe blocks Babeile from investigating further. Melita warns Eunice to stay clear of Mr. Kgomo.
Thursday, June 6, 2024 - Episode 244: Tbose surrenders to the police while an intruder meddles in his affairs. Rathebe's secret mission faces a setback.
Friday, June 7, 2024 - Episode 245: Rathebe’s antics reach Kganyago. Tbose dodges a bullet, but a nightmare looms. Mr. Kgomo accuses Melita of witchcraft.
Monday, June 10, 2024 - Episode 246: Ntswaki struggles on her first day back at school. Babeile is stunned by Rathebe’s romance with Bullet Mabuza.
Tuesday, June 11, 2024 - Episode 247: An unexpected turn halts Rathebe’s investigation. The press discovers Mr. Kgomo’s affair with a young employee.
Wednesday, June 12, 2024 - Episode 248: Rathebe chases a criminal, resorting to gunfire. Turf High is rife with tension and transfer threats.
Thursday, June 13, 2024 - Episode 249: Rathebe traps Kganyago. John warns Toby to stop harassing Ntswaki.
Friday, June 14, 2024 - Episode 250: Babeile is cleared to investigate Rathebe. Melita gains Mr. Kgomo’s trust, and Jacobeth devises a financial solution.
Monday, June 17, 2024 - Episode 251: Rathebe feels the pressure as Babeile closes in. Mr. Kgomo and Eunice clash. Jacobeth risks her safety in pursuit of Kganyago.
Tuesday, June 18, 2024 - Episode 252: Bullet Mabuza retaliates against Jacobeth. Pitsi inadvertently reveals his parents’ plans. Nkosi is shocked by Khwezi’s decision on LJ’s future.
Wednesday, June 19, 2024 - Episode 253: Jacobeth is ensnared in deceit. Evelyn is stressed over Toby’s case, and Letetswe reveals shocking academic results.
Thursday, June 20, 2024 - Episode 254: Elizabeth learns Jacobeth is in Mpumalanga. Kganyago's past is exposed, and Lehasa discovers his son is in KZN.
Friday, June 21, 2024 - Episode 255: Elizabeth confirms Jacobeth’s dubious activities in Mpumalanga. Rathebe lies about her relationship with Bullet, and Jacobeth faces theft accusations.
Monday, June 24, 2024 - Episode 256: Rathebe spies on Kganyago. Lehasa plans to retrieve his son from KZN, fearing what awaits.
Tuesday, June 25, 2024 - Episode 257: MaNtuli fears for Kwaito’s safety in Mpumalanga. Mr. Kgomo and Melita reconcile.
Wednesday, June 26, 2024 - Episode 258: Kganyago makes a bold escape. Elizabeth receives a shocking message from Kwaito. Mrs. Khoza defends her husband against scam accusations.
Thursday, June 27, 2024 - Episode 259: Babeile's skillful arrest changes the game. Tbose and Kwaito face a hostage crisis.
Friday, June 28, 2024 - Episode 260: Two women face the reality of being scammed. Turf is rocked by breaking
In the vast landscape of cinema, stories have been told, retold, and reimagined in countless ways. At the heart of this narrative evolution lies the concept of a "remake". A successful remake allows us to revisit cherished tales through a fresh lens, often reflecting a different era's perspective or harnessing the power of advanced technology. Yet, the question remains, what makes a remake successful? Today, we will delve deeper into this subject, identifying the key ingredients that contribute to the success of a remake.
Panchayat Season 3 - Official Trailer.pdfSuleman Rana
The dearest series "Panchayat" is set to make a victorious return with its third season, and the fervor is discernible. The authority trailer, delivered on May 28, guarantees one more enamoring venture through the country heartland of India.
Jitendra Kumar keeps on sparkling as Abhishek Tripathi, the city-reared engineer who ends up functioning as the secretary of the Panchayat office in the curious town of Phulera. His nuanced depiction of a young fellow exploring the difficulties of country life while endeavoring to adjust to his new environmental factors has earned far and wide recognition.
Neena Gupta and Raghubir Yadav return as Manju Devi and Brij Bhushan Dubey, separately. Their dynamic science and immaculate acting rejuvenate the hardships of town administration. Gupta's depiction of the town Pradhan with an ever-evolving outlook, matched with Yadav's carefully prepared exhibition, adds profundity and credibility to the story.
New Difficulties and Experiences
The trailer indicates new difficulties anticipating the characters, as Abhishek keeps on wrestling with his part in the town and his yearnings for a superior future. The series has reliably offset humor with social editorial, and Season 3 looks ready to dig much more profound into the intricacies of rustic organization and self-awareness.
Watchers can hope to see a greater amount of the enchanting and particular residents who have become fan top picks. Their connections and the one of a kind cut of-life situations give a reviving and interesting portrayal of provincial India, featuring the two its appeal and its difficulties.
A Mix of Humor and Heart
One of the signs of "Panchayat" is its capacity to mix humor with sincere narrating. The trailer features minutes that guarantee to convey giggles, as well as scenes that pull at the heartstrings. This equilibrium has been a critical calculate the show's prosperity, resounding with crowds across different socioeconomics.
Creation Greatness
The creation quality remaining parts first rate, with the beautiful setting of Phulera town filling in as a scenery that upgrades the narrating. The meticulousness in portraying provincial life, joined with sharp composition and solid exhibitions, guarantees that "Panchayat" keeps on hanging out in the packed web series scene.
Expectation and Delivery
As the delivery date draws near, expectation for "Panchayat" Season 3 is at a record-breaking high. The authority trailer has previously created critical buzz, with fans enthusiastically anticipating the continuation of Abhishek Tripathi's excursion and the new undertakings that lie ahead in Phulera.
All in all, the authority trailer for "Panchayat" Season 3 recommends that watchers are in for another drawing in and engaging ride. Yet again with its charming characters, convincing story, and ideal mix of humor and show, the new season is set to enamor crowds. Write in your schedules and prepare to get back to the endearing universe of "Panchayat."
From Slave to Scourge: The Existential Choice of Django Unchained. The Philos...Rodney Thomas Jr
#SSAPhilosophy #DjangoUnchained #DjangoFreeman #ExistentialPhilosophy #Freedom #Identity #Justice #Courage #Rebellion #Transformation
Welcome to SSA Philosophy, your ultimate destination for diving deep into the profound philosophies of iconic characters from video games, movies, and TV shows. In this episode, we explore the powerful journey and existential philosophy of Django Freeman from Quentin Tarantino’s masterful film, "Django Unchained," in our video titled, "From Slave to Scourge: The Existential Choice of Django Unchained. The Philosophy of Django Freeman!"
From Slave to Scourge: The Existential Choice of Django Unchained – The Philosophy of Django Freeman!
Join me as we delve into the existential philosophy of Django Freeman, uncovering the profound lessons and timeless wisdom his character offers. Through his story, we find inspiration in the power of choice, the quest for justice, and the courage to defy oppression. Django Freeman’s philosophy is a testament to the human spirit’s unyielding drive for freedom and justice.
Don’t forget to like, comment, and subscribe to SSA Philosophy for more in-depth explorations of the philosophies behind your favorite characters. Hit the notification bell to stay updated on our latest videos. Let’s discover the principles that shape these icons and the profound lessons they offer.
Django Freeman’s story is one of the most compelling narratives of transformation and empowerment in cinema. A former slave turned relentless bounty hunter, Django’s journey is not just a physical liberation but an existential quest for identity, justice, and retribution. This video delves into the core philosophical elements that define Django’s character and the profound choices he makes throughout his journey.
Link to video: https://youtu.be/GszqrXk38qk
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As a film director, I have always been awestruck by the magic of animation. Animation, a medium once considered solely for the amusement of children, has undergone a significant transformation over the years. Its evolution from a rudimentary form of entertainment to a sophisticated form of storytelling has stirred my creativity and expanded my vision, offering limitless possibilities in the realm of cinematic storytelling.
Meet Crazyjamjam - A TikTok Sensation | Blog EternalBlog Eternal
Crazyjamjam, the TikTok star everyone's talking about! Uncover her secrets to success, viral trends, and more in this exclusive feature on Blog Eternal.
Source: https://blogeternal.com/celebrity/crazyjamjam-leaks/
Scandal! Teasers June 2024 on etv Forum.co.zaIsaac More
Monday, 3 June 2024
Episode 47
A friend is compelled to expose a manipulative scheme to prevent another from making a grave mistake. In a frantic bid to save Jojo, Phakamile agrees to a meeting that unbeknownst to her, will seal her fate.
Tuesday, 4 June 2024
Episode 48
A mother, with her son's best interests at heart, finds him unready to heed her advice. Motshabi finds herself in an unmanageable situation, sinking fast like in quicksand.
Wednesday, 5 June 2024
Episode 49
A woman fabricates a diabolical lie to cover up an indiscretion. Overwhelmed by guilt, she makes a spontaneous confession that could be devastating to another heart.
Thursday, 6 June 2024
Episode 50
Linda unwittingly discloses damning information. Nhlamulo and Vuvu try to guide their friend towards the right decision.
Friday, 7 June 2024
Episode 51
Jojo's life continues to spiral out of control. Dintle weaves a web of lies to conceal that she is not as successful as everyone believes.
Monday, 10 June 2024
Episode 52
A heated confrontation between lovers leads to a devastating admission of guilt. Dintle's desperation takes a new turn, leaving her with dwindling options.
Tuesday, 11 June 2024
Episode 53
Unable to resort to violence, Taps issues a verbal threat, leaving Mdala unsettled. A sister must explain her life choices to regain her brother's trust.
Wednesday, 12 June 2024
Episode 54
Winnie makes a very troubling discovery. Taps follows through on his threat, leaving a woman reeling. Layla, oblivious to the truth, offers an incentive.
Thursday, 13 June 2024
Episode 55
A nosy relative arrives just in time to thwart a man's fatal decision. Dintle manipulates Khanyi to tug at Mo's heartstrings and get what she wants.
Friday, 14 June 2024
Episode 56
Tlhogi is shocked by Mdala's reaction following the revelation of their indiscretion. Jojo is in disbelief when the punishment for his crime is revealed.
Monday, 17 June 2024
Episode 57
A woman reprimands another to stay in her lane, leading to a damning revelation. A man decides to leave his broken life behind.
Tuesday, 18 June 2024
Episode 58
Nhlamulo learns that due to his actions, his worst fears have come true. Caiphus' extravagant promises to suppliers get him into trouble with Ndu.
Wednesday, 19 June 2024
Episode 59
A woman manages to kill two birds with one stone. Business doom looms over Chillax. A sobering incident makes a woman realize how far she's fallen.
Thursday, 20 June 2024
Episode 60
Taps' offer to help Nhlamulo comes with hidden motives. Caiphus' new ideas for Chillax have MaHilda excited. A blast from the past recognizes Dintle, not for her newfound fame.
Friday, 21 June 2024
Episode 61
Taps is hungry for revenge and finds a rope to hang Mdala with. Chillax's new job opportunity elicits mixed reactions from the public. Roommates' initial meeting starts off on the wrong foot.
Monday, 24 June 2024
Episode 62
Taps seizes new information and recruits someone on the inside. Mary's new job
Tom Selleck Net Worth: A Comprehensive Analysisgreendigital
Over several decades, Tom Selleck, a name synonymous with charisma. From his iconic role as Thomas Magnum in the television series "Magnum, P.I." to his enduring presence in "Blue Bloods," Selleck has captivated audiences with his versatility and charm. As a result, "Tom Selleck net worth" has become a topic of great interest among fans. and financial enthusiasts alike. This article delves deep into Tom Selleck's wealth, exploring his career, assets, endorsements. and business ventures that contribute to his impressive economic standing.
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Early Life and Career Beginnings
The Foundation of Tom Selleck's Wealth
Born on January 29, 1945, in Detroit, Michigan, Tom Selleck grew up in Sherman Oaks, California. His journey towards building a large net worth began with humble origins. , Selleck pursued a business administration degree at the University of Southern California (USC) on a basketball scholarship. But, his interest shifted towards acting. leading him to study at the Hills Playhouse under Milton Katselas.
Minor roles in television and films marked Selleck's early career. He appeared in commercials and took on small parts in T.V. series such as "The Dating Game" and "Lancer." These initial steps, although modest. laid the groundwork for his future success and the growth of Tom Selleck net worth. Breakthrough with "Magnum, P.I."
The Role that Defined Tom Selleck's Career
Tom Selleck's breakthrough came with the role of Thomas Magnum in the CBS television series "Magnum, P.I." (1980-1988). This role made him a household name and boosted his net worth. The series' popularity resulted in Selleck earning large salaries. leading to financial stability and increased recognition in Hollywood.
"Magnum P.I." garnered high ratings and critical acclaim during its run. Selleck's portrayal of the charming and resourceful private investigator resonated with audiences. making him one of the most beloved television actors of the 1980s. The success of "Magnum P.I." played a pivotal role in shaping Tom Selleck net worth, establishing him as a major star.
Film Career and Diversification
Expanding Tom Selleck's Financial Portfolio
While "Magnum, P.I." was a cornerstone of Selleck's career, he did not limit himself to television. He ventured into films, further enhancing Tom Selleck net worth. His filmography includes notable movies such as "Three Men and a Baby" (1987). which became the highest-grossing film of the year, and its sequel, "Three Men and a Little Lady" (1990). These box office successes contributed to his wealth.
Selleck's versatility allowed him to transition between genres. from comedies like "Mr. Baseball" (1992) to westerns such as "Quigley Down Under" (1990). This diversification showcased his acting range. and provided many income streams, reinforcing Tom Selleck net worth.
Television Resurgence with "Blue Bloods"
Sustaining Wealth through Consistent Success
In 2010, Tom Selleck began starring as Frank Reagan i
1. Zayd Hillawi
Evaluation
Q1. In what ways does your media product use, develop or challenge forms and
conventions of real media products?
When deciding what sort of theme we should go for during the planning of our music video,
we listed different ideas that can challenge or develop types of forms and conventions. We
had to look at a song choice that will reflect on the genre of the music video so it’ll suit the
scenes we would be filming. We decided to go for a dubstep song by Professor Green who is
a young urban artist. The original song is about life in Hackney and teenagers in hooded
clothes causing all sorts of mischief. The song was called “In the Jungle” which reflects on
the life of a stereotypical teenager living in a council estate causing trouble. The dubstep
song was unique and the genre had not been used many times in previous projects so we
went for it.
The narrative of our music video consisted on the followings of a teenager who is the main
character, wearing a hoodie, walking around the streets of Soho late at night causing
trouble. The video reveals the teenager to be snorting drugs and this was one of the main
conventions that were used in our video as it stereotypes the typical teenager using drugs to
ruin their life and cause upset wherever they go. We used different settings in the music
video such as council estates, sleazy clubs in Soho, and dark alleyways where many crimes
are seen to have been committed in. These settings that were based on our video were
again the stereotypes used for teenagers in hanging around in or even living in with regards
to council estates. Later on in the video, we see the character trying to cause a fight in the
alleyways which again challenges the conventions of a teenager’s life. He also goes to stab
the singer in the video, and this is also when the person had already sniffed the drugs. This
was meant to show that drugs can cause people to do terrible things like taking a life, and
when the character takes off his hood in the video after the stabbing it shows how they
might be trying to seek redemption for what they have just done.
When we had been planning the narrative for the video, we looked at other movies that
have a relevant story to the one we had been planning to make for the video. This would
give us ideas that can help us with the conventions for young people on drugs, and maybe
replicate a few scenes. Kidulthood was one of the movies we had looked at because it was
focused on the urban scene in London, with young characters using drugs and knife crime as
a form of influence on their life. This gave us a wide range of ideas to use in our music video
because the scenes in that movie were very helpful in helping us stereotype different racial
backgrounds with regard to knife crimes and drugs. It also helped us in deciding the settings
we should use for the music video.
Q2. How effective is the combination of your main product and ancillary texts?
2. Zayd Hillawi
We feel that the combination of our main product and its ancillary texts worked very well
together as they adopted the key elements of branding. We noticed that many music videos
heavily rely on a unique and creative look in the mise-en-scene and enhance the power of
modern technology such as CGI to make their video look more eye catching and attractive
for listeners. An example can be pop artist Jessie J and her song “Domino” which involves
the artist singing whilst in the middle of the camera shot for the whole video whilst the
background changes every minute to something colourful or dark. In the video, when the
background changes so does the artist’s clothes which also interchange between dark and
bright colours to match the background. So for our video we didn’t do many sort of high
tech editing techniques like Jessie J’s music video, we basically used a wide range of
differing camera shots for effect and the tempo of the shots was at times upped but also
slowed down for use of effect. We had to keep this form of editing the same throughout the
video so it looked consistent, if we added a bit of high tech editing into a certain part of the
video it’d have looked out of place so we had to maintain consistency and house style.
By adopting the key elements of branding, we had decided what to
put on our digipak after researching digipaks by real life music artists
and also looking at our music video for ideas too. This would help us
decide on the final design for the digipak and how it would be laid
out. When looking within the video for ideas, the concept of drug
taking and violence helped us decide on what to put on the digipak
as the main look. The use of darkness in the video helps connote the
terror and horror in the video so we used the main character with
the hoodie on the front of the digipak as the bigger image. We also
included other images that would reflect on the video such as the
snooker table and a road sign in Soho. This would give the viewer a
big help in knowing what will be on the video because of what the
digipak will reveal in terms of the mise-en-scene and the characters
in it. The road sign would also be connoted by the viewer as a setting
in the video.
Our digipak follows many of the forms and conventions in a professional music artist’s own
digipak. Our digipak showed the artist’s name, the name of the song, track lists of other
different songs and the music label the artist is currently signed under too. With the digipak
front cover we didn’t follow many conventions as other real life digipaks
because we had put quite a few images on our one which revealed aspects
of mise-en-scene in the video and also where a certain part of the video is
set. We didn’t use the artist’s face on the digipak but the main character
that the video is based on throughout of it. Some artists usually put their
face on their album cover in order to show the viewers who is the singer
and also use the background to show the listeners aspects of the mise-en-
scene too just like we did with our digipak. An example of this is Professor
3. Zayd Hillawi
Green with his album “Alive till I’m dead”.
The magazine advert follows some parts of the forms and conventions as well but on the
main cover we persisted with using the main character as the focus of the advert instead of
the singer. We used quite a dark background with dim street lights and an empty road to
connote different aspects of the video and how violence will be connoted better in a dark
colour and the character disguising some of his face with a hoodie would complement those
sorts of connotations. The forms and conventions that were followed had been the name of
the artist in a big font placed next to the character so the listener would know who the artist
is and the main character in the video would be the picture of the hooded character. This
would show the listener an interest as they’d like to see what would revolve around this
particular character that had beaten the artist in terms of being the main focus of the whole
advert. We also added big shop names under the advert to show the listeners where it
would be sold, and we also added the artist’s website and 5 star ratings so the listener
would know the video has been enjoyed by others.
Regarding intertextuality, we didn’t have really any form of influence on our magazine
advert. We followed the conventions of having the artist’s name placed in big letters on the
advert but we had not shown the singer on the advert instead we had shown the main focus
of the video which was the hooded character and the background would show the mise-en-
scene of the video which was dark streets where the character will be around in some parts
of the video.
Q3. What have you learned from your audience feedback?
When we were planning our music video, we wanted to aim it at a certain age group which
had conveniently been our target audience. The age group we hoped the video will appeal
to had been the older teenagers aged between 17-20 years of age and mostly of male
genders. We had researched the statistics in age and gender of people using drugs and the
results reflected more on the older teenage group and the statistics had been largely
dominated by males rather than females. This is why we used mostly male characters in the
video, as it reflected on those statistics that had been looked up on. The music video we
created reflected a bit on Professor Green’s original video where it showed hooded
criminals causing violence around council estates.
The music video contained different ethnicities including black and white people as it
showed the impact of drugs on certain people’s lives regardless of what background they
came from. The modern stereotype was black people are the ones promoting and using
drugs, but we found that to be incorrect as anyone can use them. We represented different
social groups to the audience to show them that anyone from any background can be under
the influence of drugs and it doesn’t always necessarily mean people from lower class
backgrounds are the ones addicted to drugs. We wanted to show the target audience that
we’re not being one sided and biased with our characters nationality in relation to being on
4. Zayd Hillawi
drugs, so we tried to be more fair and honest in showing them that lots of different racial
backgrounds deal with the use of drugs or dealing in it. We also tried using the black
character as a form of sympathy for the audience as he had ended up being the stab victim,
but we also used him in order to show the audience that stereotyping black people is wrong
because they could end up being the victims at the hands of non black people which the
main character had been. This was recognised by a few of the audience in the feedback
reviews and it gained many plaudits as they recognised what our intentions were.
We built many different elements into our script when developing it that would show the
video is targeted at the specific age group of our audience. We used a wide range of camera
shots to show items of clothing’s worn by the characters as it represents the stereotype that
we was aiming to show. We showed a close up shot of white trainers being worn and laces
being tied by the character, this was meant to show the audience how teenagers wear
trainers all the time and the different brands they like. We also showed numerous close ups
and medium long shots of the main character wearing his hoodie along with tilted shots of
the drug dealer the character gets the cocaine off. We also used the alleyways, council
estate houses and sleazy bars to promote the locations of where these sorts of teenagers
hang around to do their wrongdoings. This was all to show the audience how some
teenagers these days dress up and go to these places to do drugs and other crimes, and it
received many positive views as many had connoted the conventions well.
The digipak and magazine advert had received a mixture of positive and negative reviews, as
did the music video too. The digipak got the positive reviews about the pictures and the
mixture of colours used as it looked appealing and it highlighted different points shown on
the video too but the pictures had been crammed together too much so the digipak images
were a bit squashed and a bit out of place. The texts that describe the name of the artist
had not looked right and the colours used for the font was wrong as it did not stand out
from the images. The same problem with the magazine advert had been the background
didn’t look right but the fonts and colours had been better compared to the Digipak. The
music video got mostly positive reviews than negative, the audience had responded well to
the conventions we had implemented in the video. They liked some of the camera shots
that showed the character doing some terrible things and also the props used looked very
realistic such as the cocaine. The criticisms we received was that we didn’t include detailed
shots of Soho so it explores the scene more, and the stabbing scene didn’t look realistic
enough either to some. I feel this video can be a success in the current market if we worked
on the criticisms and improved the video, it does lack a bit of realistic things and that is
always needed to catch the viewer’s eye. The digipak would also be attractive once it is
worked on with the criticism given, but I don’t think a label might find it attractive for
release as it may be too violent for a music video and could offend some people by bringing
up the debate of teenagers and the stereotyping of drugs and alcohol.
5. Zayd Hillawi
Q4. How did you use new media technologies in the research, planning, construction and
evaluation stages?
We used many different new media technologies during our project and it helped us in
many ways on the practical and theory side of things. When we started the project we had
to set about doing the research part of things so it prepares us for when we start shooting
the music video scenes. Google was a massive help as always because it helped us find out
how to make digipaks and magazine adverts, we also used it for research on statistics on
knife crime and debates on teenagers being involved with drugs and other sorts of crime.
YouTube was a great source to look through different music videos whilst we was deciding
what one to use for our project, we looked through hundreds of music videos to listen to
and break as many down as possible to a suitable choice. We also uploaded our final video
on to it in order to advertise it for our target audience and gain feedback on it. The
researching of digipaks helped us build on a good design that reflects our music video, the
research showed what should be displayed on it and how it should be laid out so it looks eye
catching and appealing too for our target audience. Facebook was a great form of
communication with different members of the target audience, because it has tools that
allow us to advertise our music video on it so the viewers can watch the video and give us
reasonable answers for the audience feedback. The use of blogging was also something
we’ve gotten used to now and it’s helped increase our skills in using it for future use as well.
It has many tools to make present our work in a professional manner and make it look eye
catching as well. It stored all our theory and practical work in a great way and the tools it
offered in helping us present it were fantastic.
When we moved on from the theory side of the project, we started planning the practical
and that had been shooting the video at last. We decided we need a camera and a tripod to
aid us in the filming, the tripod would help us steady the camera shots and it also offers
great options in having a long handle so we can tilt the camera for use of effect in the video.
The camera we used was a Panasonic HDC-SD80 full HD digital camera and the reason we
chose it as it was light so we can carry it around easily and not cause strain on the arm. It’s
also a HD camera which means it offers great image quality when we edit the clips and it’ll
also show the target audience a crisp and better view of the music video. It also shows how
we’re very fond of the advancing world of technology and how it helped us out in many
ways. The tripod we picked was also great as the camera fit onto it perfectly but the only
criticism we had with it is the constant adjusting of the legs when filming different scenes as
it wobbled at times and looked unbalanced too so adjusting it correctly was a bit tiring. We
had to keep doing it right so the camera shots weren’t canted or out of place. The camera
had great battery life and it was very easy to use, the instruction booklet wasn’t even
needed so that goes to show how great it was for us. Since it was light and not painful on
the arm, we used it for some handheld shots in order to stop wasting time with the tripod
adjustments. The handheld shots weren’t unbalanced and the shots had not been too shaky
as well so it worked out well at the end. The best part of that type of camera was using it for
6. Zayd Hillawi
point of view shots as it was easy to use with the strap on the side to insert your hand in for
holding, and it helped give us ideas in where those sorts of shots would be useful for.
The editing facilities were very much top class and elegant. We had been very much used to
using them now and gained experience with them throughout last year. The editing
program Final Cut Pro provided us with everything we needed in different ranges of tools to
help the video flow and not lack any form of continuity. It helped us out in fixing any errors
in the shots and the uploading of the music file for the background was very much easy as
well. The only criticism we had of the software was at the beginning when we had just
started to use it and the camera shots hadn’t moved onto the program properly so we had
to transfer them one by one which took a long time and wasted valuable editing time.
Moving on with the digipak and magazine advert designs, we had used Adobe Photoshop
CS4 and were given tutorials that would help us develop our skills with it and get us used to
it as well. We learnt about different sorts of tools that can edit images and increasing a size
of one etc. I found Photoshop hard to use even with the tutorials and I didn’t enjoy using it
to create the leaflet, I found it too complex and I needed a bit of help in designing it to the
way I had intended it to on my initial design.