1) Since their preliminary project, the author has improved their photography skills. They have learned to use proper lighting and camera settings to produce brighter, sharper images with subjects making eye contact.
2) The author has gotten better at image editing and manipulation in Photoshop. They have learned techniques like using the Polygonal Lasso Tool to remove backgrounds cleanly.
3) The author's layout and design skills have advanced. They now follow magazine design principles better by placing key information in prominent areas. Font choice and text effects are also more appropriate to the genre.
3D Printing and Permissionless Innovation (Adam Thierer March 2016)Adam Thierer
presentation by Adam Thierer of the Mercatus Center at George Mason University. Made at Univ. of Minnesota Law School symposium on "Legal Concerns in 3D Printing" on March 4, 2016.
QiCrafting is an insights and innovation consultancy that helps brands find new opportunities around wellness.
Qi means “Life Energy” in Chinese, and our mission is to infuse new life energy into brands, by helping brands to enable people to fill their own lives with energy, with wellness.
We use proven techniques from brand marketing, design thinking, storytelling, and crowdsourcing to help brands in four areas: brand purpose, brand futures, brand design and brand stories.
Our current research focus is on exploring emerging opportunities at the intersection of quantified self and holistic wellness.
We are based in Shanghai, but our experience and network are international, and we will be delighted to work with brands and agencies anywhere in the world.
For more, see: http://qicrafting.com
3D Printing and Permissionless Innovation (Adam Thierer March 2016)Adam Thierer
presentation by Adam Thierer of the Mercatus Center at George Mason University. Made at Univ. of Minnesota Law School symposium on "Legal Concerns in 3D Printing" on March 4, 2016.
QiCrafting is an insights and innovation consultancy that helps brands find new opportunities around wellness.
Qi means “Life Energy” in Chinese, and our mission is to infuse new life energy into brands, by helping brands to enable people to fill their own lives with energy, with wellness.
We use proven techniques from brand marketing, design thinking, storytelling, and crowdsourcing to help brands in four areas: brand purpose, brand futures, brand design and brand stories.
Our current research focus is on exploring emerging opportunities at the intersection of quantified self and holistic wellness.
We are based in Shanghai, but our experience and network are international, and we will be delighted to work with brands and agencies anywhere in the world.
For more, see: http://qicrafting.com
BSidesLV 2016 - Powershell - Hunting on the Endpoint - GerritzChristopher Gerritz
BSides Las Vegas 2016 Talk: Powershell-fu: Hunting on the Endpoint. Presented the PSHunt framework (which will be released on Github) and methodology for hunting on the endpoint using Powershell across an enterprise or on an individual system.
1. Looking back at your preliminary
task, what do you feel you have
learnt in the progression from it to
the full product?
Question 7
2. Since completing the ancillary project, my ability to use the correct lighting when taking a
photograph has improved dramatically. The main image on my ancillary project cover is
blurred and appears flat against the page due to the ISO setting of my camera and the
natural light. After practising using a Digital SLR camera and soft box lighting in a studio, I
have been able to create photographs which are bright, in focus and stand out against
the page. Another way in which my photography as improved is through my use of
composition and direct address. The image on my ancillary project does not address my
reader through eye contact because the camera prop covers the model’s face. Since
completing market research and analysing existing band images, I have found that by
using direct address, you are involving your audience in your magazine, therefore I
ensured that nothing was obscuring my model’s faces on my final product so that I could
address my readers in this way.
3. My ability to manipulate text and images through
Photoshop is another skill that I have improved
since composing my ancillary product. In
particular, I have learned to use the Polygonal
Lasso Tool to successfully remove the
background from my images. I have developed
this skill from the ancillary project by altering
how feathered the edges were to produce a
more clean cut and refined finish. This allowed
me to edit my images to a higher quality.
I have also developed the way in which I use and
manipulate font so that it is specific to the genre
of my magazine, for example, serif font for a rock
genre. In the ancillary project, I used the basic
fonts provided by Photoshop which were
inappropriate to a magazine cover because they
were thin and did not stand out from the page.
For my final product, I have taken fonts from
dafont.com and manipulated them using the
Stroke Tool before applying them to my
magazine. By doing this, I have produced text
that stands out and works well alongside the
images and genre of my magazine. Examples of the font from my ancillary
project (top) and final cover page (bottom)
4. The layout of my ancillary project does not successfully reflect that of a magazine
because I have not completely followed the Guttenberg Design Principle. Although the
masthead, main image and cover lines are in the primary optical and strong fallow
areas, there is a lot of negative space in the weak fallow area and several secondary
images in the terminal area. On my final product I have ensured that I have used the
Guttenberg Design Principle appropriately. I have done this by placing the important
information such as the masthead, cover lines and main image in the primary optical
and strong fallow areas where the reader will look to first. I have only placed part of
the main image and the barcode in the terminal area because it is the last place that
the reader will look and this information is the least important to them. I have,
however, broken the layout conventions on my cover by situating the main cover line
in the weak fallow area. This works for my magazine because the cover line is large
and stands out therefore it still catches the reader’s eye when they pick up the
magazine.