Eminem video plan
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The document provides details on the mise-en-scene, editing, and shots needed to recreate the original music video. It calls for a dark, gritty aesthetic with black clothing and dark lighting to match the song's mood. The majority of shots will be close-ups and medium shots cut together quickly, switching between narrative and performance footage taken in locations like toilets, empty roads, and garages. A breakdown lists each shot by type and location to replicate in the new video.
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2) Shots were sped up to add urgency and pace, and fades were used between location changes. Black screens with diegetic sounds were inserted to let the audience use their imagination.
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The document discusses different types of film editing techniques. It describes editing as the process of selecting and joining shots together to create a finished film. A skilled film editor must be able to tell a story through editing and guide the film through post-production. Editing techniques discussed include continuity editing to smoothly flow scenes together, the 180 degree rule for camera placement, match on action cuts, and shot-reverse-shot editing for conversations. Other techniques covered are elliptical, graphic, parallel, and montage editing. Common transitions between shots like cuts, fades, dissolves, wipes, and irises are also explained.
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The document discusses production elements for promoting the film "I Am Legend", including:
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2) Sound editing in the trailer features an enhanced soundtrack, moments when music dies down for tension, and voice-overs to explain the story.
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The document discusses the principles of film editing, including its history and various techniques. It notes that editing has evolved from simply recording events in sequence to intentionally selecting and combining shots. Key techniques mentioned include cuts, dissolves, match cuts, wipes, montages, and parallel editing. The document also provides examples of how editing is used in the film "The Challenge" to make certain scenes more engaging or conceal actions. It highlights Richard Halsey as a favorite editor, particularly for his work on the film "Beaches."
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This document discusses various editing techniques used to manipulate tempo, time, and meaning in films. It explores how shot length, transitions, timing, and sequencing can speed up or slow down pacing. Specific techniques like collage, shot reverse shot, and establishing shots are examined. Examples from films like The Shining, Fight Club, and Lord of the Rings are provided to illustrate editing principles in action.
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The document discusses various film techniques used in a horror movie trailer, including low and high camera angles, POV shots, fast pacing during danger scenes and slow pacing to build tension in editing. For mise en scene, the creepy contact lenses and torn clothing of the main character fit the horror genre. The soundtrack "Darkness is Coming" creates an eerie atmosphere that contrasts with the scenes.
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The document outlines a shoot for a dance video containing 12 shots. The first 4 shots feature an unidentified masked person saying "Somebody" and "Be Somebody" while staring into the camera. Shots 5-8 then feature Danella without a mask saying the same phrases. Shots 9-12 follow the same format but feature Shantelle instead. For each person, the shots include changing locations but maintaining a close-up, tripod-mounted perspective with zooming.
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This document discusses various principles and techniques of film editing that are used to construct meaning, including joining images (montage), controlling tempo, precise timing of cuts, use of shot reverse shot patterns, eye-line matching, continuity editing, and following the 180-degree rule. It provides examples from films like Psycho, Casino Royale, and Mean Girls to illustrate how editors manipulate elements like the speed of cuts, audio-visual synchronization, and camera angles to influence the audience's experience and understanding of the story.
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The document provides descriptions of various scenes and elements in a film production. It describes how the black writing stands out on a white background in the opening credits. It then discusses how shaky white writing stands out from a black background. Later sections summarize shots from inside a barn to establish the film's location, describe a running sequence with fast-paced editing and tension-building music, and mention a loud scream following the end title.
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The document discusses various techniques used in film editing to manipulate tempo, timing, and narrative sequencing. It provides examples of how editing can rapidly cut between shots, use different shot transitions like fades or cuts, condense or expand time through montages, and draw attention to specific details with close-ups or shot reverse shots. Pioneer filmmaker Alfred Hitchcock was an early innovator of editing techniques in his films like Psycho.
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The opening film techniques employed in The Shining include a title painted in white on a black background to connote impending doom, a bird's-eye view tracking shot of a car to follow its movement and suggest its importance, and matching cuts with non-diegetic music to create a surreal feeling until dialogue begins in the second scene. Character mise-en-scène includes smart clothing and a red tie worn by one character that hints at future tragedy.
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Editing is the process of modifying raw footage to create a narrative for the final product. It involves techniques like chronological and non-chronological ordering, establishing shot continuity, and using transitions. The 180-degree rule and shot-reverse-shot are important principles for smooth editing. Digital editing software has made the process simpler compared to analogue editing. Smartphone apps now allow amateur editors to create professional-looking videos using their mobile devices.
5 video analysis
This document provides an analysis of the mise-en-scene elements in 5 music videos. It describes the settings, lighting, costumes, camera angles and movements, and editing styles used in each video. The videos analyzed are "Lift" by Poets of the Fall, "Wake Me Up When September Ends" by Green Day, "Gallan" by Ali Zafar, "Lollipop" by Mika, and "Irtiqa" by Xulfi and Vasay Chaudhry. For each video, the document examines how the visual elements contribute to the overall story and tone.
Mtv awards sweeding task extention
The document discusses the winning music videos for the 2015 MTV VMA awards for Best Editing and Best Cinematography. For Best Editing, Beyoncé's "7/11" won for its use of reversing footage, speeding up clips, and cutaways to transition between shots. For Best Cinematography, Flying Lotus' "Never Catch Me" won for its extensive use of moving camera shots like pans, zooms, and handheld shots to keep the video engaging.
Aha purpose of editing new upload new
Editing is essential to organize raw film footage and ensure the audience understands the narrative. It puts everything in a logical order, removes unnecessary clips, and adds elements like music, color correction, and transitions. The main purposes of editing are to make the story and timeline clear, keep the audience engaged through techniques like parallel editing between storylines, and ensure continuity between shots through careful matching of details. Digital editing software now makes the process faster and more precise compared to historical analogue methods.
music video assignment 2 - Sam Fielden
The document provides guidance for a music video assignment, including sections on idea generation, research, and potential techniques. It suggests selecting a song and generating 3 ideas for interpreting it using different styles seen in previous sessions. 5 example music videos are then summarized, noting camera work, editing, art design, and performance to provide inspiration. Potential songs and techniques for the assignment are also listed. The document is intended to be added to throughout the pre-production phase of creating an original music video.
Cinematography & Mise-en-scene
The document provides guidance on analyzing cinematography techniques and their effects. It defines micro-features like editing, cinematography, sound, and mise-en-scene that communicate meaning. It then details various camera shots and angles, explaining how they focus attention and influence perception of characters. Movement techniques like pans, zooms, and tracking shots are also outlined. The document instructs analyzing sequences using these techniques and their effects on conveying meaning and atmosphere.
Film Language: Camera angles and shot size introduction for Film Studies. Als...
A long PDF that has been used to introduce GCSE Film Students to the complicated process of identifying and explaining the use of camera shot sizes and angles. This is a fairly detailed series of slides which I have used in school for a couple of classes now. As it is a PDF the clips do not play but where possible I've labelled what the film is. Similarly, as it was designed to be used in lessons the overall 'structure' is somewhat disjointed and is missing slides that includes answers or ideas that were discussed in lessons. In order to help where possible, I've included large versions of worksheets so that these can be clipped and printed out if necessary. Many thanks for taking a look and please feel free to take a look at my other uploads as you will find plenty there on other aspects of Film Studies.
Hello monsta analysis
The video features YouTubers Markiplier, Minx, and Boyinaband expressing their desire to be friends with famous video game horror villains like Slenderman and Pyramid Head from Silent Hill. Through a montage of pictures and gameplay clips set to an original song, the YouTubers describe friendly activities they would do with the monsters, such as going on a road trip in Slenderman's van. The video relies on intertextual references to the various horror villains through pictures and direct mentions of their names.
STORYBOARD.pptx
The document outlines the assessment standards for pass, merit, and distinction for learning outcomes related to storyboarding. For a pass, learners can identify basic storyboard components and produce a very basic storyboard. For a merit, learners can identify most components and produce a storyboard with some details. For a distinction, learners can correctly identify all components and produce a fully realized storyboard with labeling and explanations of how shots create meaning.
Film: Introduction to mi-en-scene - for schoolchildren
Mis-en-scene refers to everything that appears before the camera, including setting, subjects, and composition. Setting establishes the location and can imply genre. Costumes and subjects like characters reveal information about them. Composition arranges lighting and subjects. Cinematography involves technical elements like camera shots and lighting. Common shots include close-ups, medium shots, and long shots. Angles like low angles can make a subject appear powerful while Dutch angles suggest disruption. Lighting uses key, fill, and back lights to illuminate a scene. Together, these film techniques visually convey information to the audience without words.
How to analyze tv drama
This document provides guidance on analyzing representations in TV dramas through technical elements like camera shots, angles, editing, sound, and mise-en-scène. It defines various camera shots like establishing shots, close-ups, and point-of-view shots. It also outlines different camera angles, movements, compositional techniques, editing transitions and strategies, uses of sound, and aspects of mise-en-scène like production design, lighting, and color. The analysis is meant to discuss how a TV drama constructs representations of topics like gender, age, ethnicity, and more through its visual and technical storytelling elements.
26. & 77. Pro Forma
- As a director, you are in charge of almost every aspect of the film including the story, visual style, and performances.
- You have directed your own short films for class projects and YouTube videos to gain experience working as a director.
- Your most creative directorial work was a short film about staying home during the pandemic, which you shot on your phone and converted to black and white with a square aspect ratio to create a dark, claustrophobic mood.
- You enjoy the creative freedom and control of crafting your own vision as the director. Sometimes directions to actors need clarification.
WCC FILM 100 - Editing
The document discusses concepts and techniques of continuity editing in classical cinema. It defines continuity editing as emphasizing narrative logic over expressiveness by showing how events unfold linearly and telling a clear story visually. Elements of continuity editing discussed include establishing shots, shot/reverse shot patterns, the 180-degree rule, eyeline matches, match cuts, and transitions like cuts and dissolves. Examples are provided of how continuity editing directs viewer attention and uses techniques like cross-cutting to build suspense.
Film editing techniques
This document provides information on film and video editing techniques. It defines film editing and describes concepts like montage and juxtaposition. It lists different types of cuts and edits that can be used, including examples, and discusses relationships between shots. It also defines continuity editing and the Hollywood method. The document analyzes a scene from Inglorious Bastards to demonstrate spatial relationships and the use of cross-cutting/parallel editing.
Musicvideopresentation
This document outlines a media plan for a music video titled "Still Here" by A2 Media Music. It discusses the narrative structure, locations, characters, props, editing techniques, demographic target, and codes and conventions that will be used. The video will tell a story through performance shots and narrative scenes showing the band members embarking on a journey together through an urban environment. It aims to appeal to indie/britpop fans through its gritty visual style and experimental editing.
Textual Analysis: Firestarter - Torre Florim
The document provides an analysis of the technical elements of a music video titled "Firestarter" by Torre Florim. It summarizes the camerawork, sound, editing, and mise-en-scene of the video. The camerawork includes establishing shots, wide angles, mid-shots, and close-ups. While the man is singing, the sound is actually non-diegetic as it comes from off-screen. The editing pace increases as the video progresses and scene changes align with the music. Mise-en-scene features the man in a black suit by a pool with artificial and natural lighting.
Mobile video - the basics: filming, story and equipment - Sue Morrow - Columb...
Mobile video - the basics: filming, story and equipment - Sue Morrow - Columb...News Leaders Association's NewsTrain
Sue Morrow, assistant multimedia director at The Sacramento Bee, prepared this presentation on shooting news video on a smartphone. She created it for Columbus, Ohio, NewsTrain on Oct. 21, 2017. It is accompanied by a handout on tripods and microphones: "Tools for shooting video on your smartphone." NewsTrain is a training initiative of Associated Press Media Editors (APME). More info: http://bit.ly/NewsTrainSimilar to Eminem video plan (20)
Film Language: Camera angles and shot size introduction for Film Studies. Als...
Film Language: Camera angles and shot size introduction for Film Studies. Als...
Film: Introduction to mi-en-scene - for schoolchildren
Film: Introduction to mi-en-scene - for schoolchildren
Mobile video - the basics: filming, story and equipment - Sue Morrow - Columb...
Mobile video - the basics: filming, story and equipment - Sue Morrow - Columb...
Eminem video plan
- 2. MISE EN SCENE. The mise en scene aspect of the video will need to portray a gritty story as is in the original video, with dark clothing and, ideally, a dark setting to mirror the mood of the song. Costume: Lighting: Ideally dark to reflect the mood of the song. • Black hat • Black hoodie Locations: • Toilets. • Empty road. • Garages.
- 3. EDITING The majority of shots used in this video are either close ups of medium shots, the close ups being narrative and the medium shots being performance. Much of the video is edited in jump cuts and very quickly switches between narrative and performance shots.
- 4. The following is a breakdown of all the shots I will replicate when making the video, including the type of shot and whether it is narrative or performance. The video is cut very quickly and all shots are likely to last no more than 3 seconds.
- 5. NARRATIVE Close up. Location: Toilets
- 6. LIP SYNC Medium shot.
- 7. NARRATIVE Close up. Location: Toilets
- 8. LIP SYNC Medium shot. Location: road
- 9. NARRATIVE Close up, character in profile. Location: Toilets
- 10. LIP SYNC Medium shot. Location: road
- 11. LIP SYNC Medium shot. Location: garages
- 12. LIP SYNC Medium shot. Location: road
- 13. Medium shot. Location: road
- 14. NARRATIVE Close up of characters feet. Location: Toilets
- 15. Medium shot. Location: garages
- 16. NARRATIVE Close up shot. Location: Toilets
- 17. NARRATIVE Close up. Shot zooms into the eye and transitions to next shot. Location: Toilets
- 18. NARRATIVE Close up. Location: Toilets
- 19. NARRATIVE Close up of characters feet. Location: Toilets
- 20. LIP SYNC Medium shot. Location: road
- 21. NARRATIVE Still medium shot of cubicle. Location: Toilets
- 22. NARRATIVE Close up. Location: Toilets
- 23. LIP SYNC Medium shot. Location: road
- 24. LIP SYNC Medium shot. Location: road
- 25. NARRATIVE Close up. Location: Toilets
- 26. LIP SYNC Medium shot. Location: road
- 27. LIP SYNC Medium shot. Location: road