Embrz - Breathe
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The document discusses ideas for designing a digipak for an album by the artist EMBRZ. It notes that the digipak should have an indie and electronic style while conveying the organic nature of EMBRZ's music. Research was done to incorporate images that maintain the electronic aspect of the track. The digipak may link to a video being created, using real-life images while balancing the electronic theme. It was decided the digipak would focus more on artwork than text, aiming to represent the electronic genre upfront through a mix of the visual, electronic, and organic elements.
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Example digipak
This document discusses the key elements that make up a digipak, including a large eye-catching main image, tracklist, album artwork, artists, record label, and other extra information. It also notes that digipaks consistently use colors throughout and provides examples of digipaks for Funky Jams and Rihanna's Loud album. The conclusion recognizes that this task identified the key parts of digipaks and provided the foundation for producing one.
Individual project proposal
The document outlines plans for an individual music video project. It will feature the artist Verity High-Five and explore themes of social constructs and class through a narrative style. Scenes will show characters from different social backgrounds dealing with circumstances in their lives. The video will also include performance style scenes of the artist and band playing the instrumental track. Inspiration is drawn from music videos highlighting social issues. The project will employ actors, require copyrights and permissions, and be produced on a micro-budget with filming planned for January.
Nucleya
Nucleya has earned the respect and admiration of fans and peers alike. His track for The Dewarists Bangla Bass was a proof of his ability to twist and turn Indian sounds into bass-heavy anthems, and became one of the most popular tracks of the second season. Nucleya added his name to yet another Bollywood project, the Yash Raj Film production, Mere Dad Ki Maruti, which had a special stomp version of the title track.
http://nucleya99.blogspot.in/
LeDrew_Matt_PPP
The document discusses the importance of imagination and creativity in music. It argues that mainstream music has become repetitive and unoriginal, following patterns without changing. The author wants to open the music industry to new ideas by thinking outside the box and being different with their own unique and creative music, using their extensive composition skills and imagination without boundaries.
What are codes and conventions
Codes and conventions in media refer to the symbolic and technical elements that construct meaning. Symbolically, there are implied meanings that are not directly visible. Technically, elements include camera shots like close-ups, editing styles that cut between footage and music, and sound elements both diegetic and non-diegetic. Music videos can be categorized by style as performance, narrative, or animated videos. Camera shots emphasize facial features or narrative details. Editing cuts freely between shots and ensures footage and music align. Mise-en-scene considers costume, props, location, and facial expressions to further construct meaning.
What are codes and conventions
Codes and conventions in media refer to the symbolic and technical elements that construct meaning. Symbolically, there are implied meanings that are not directly visible. Technically, elements include camera shots like close-ups, editing styles that cut between footage and music, and sound elements both diegetic and non-diegetic. Music videos can be categorized by style as performance, narrative, or animated videos. Camera shots in music videos commonly use close-ups of faces and objects relevant to the lyrics, while editing focuses on smoothly transitioning footage to the rhythm of the music. Mise-en-scene considerations include costumes, props, locations, and facial expressions that establish genre and narrative.
Evaluation question part one - copy
The document discusses conventions for designing a digipak album cover. It notes that common conventions include including a barcode, record label, having the artist's name larger than the album name, using multiple fonts, and including close-up photos of the artist. It discusses digipaks by Nicole Scherzinger and Rihanna as inspiration. For their own digipak, the author followed conventions such as using a close-up of the artist Ariella on the front cover, having the artist name larger than the album name, including two fonts, and maintaining synergy with red throughout.
Independent record artist
Avicii is an electronic dance music artist signed to Ultra Music, a subsidiary of Sony Music, but is still considered independent as he produces music through other labels like 'le7els'. He interacts directly with fans through social media and releases albums digitally containing a small number of remixes rather than as physical copies. The artist employs a small management team and involves fans in creating songs by having them submit beats and sounds online.
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Example digipak
This document discusses the key elements that make up a digipak, including a large eye-catching main image, tracklist, album artwork, artists, record label, and other extra information. It also notes that digipaks consistently use colors throughout and provides examples of digipaks for Funky Jams and Rihanna's Loud album. The conclusion recognizes that this task identified the key parts of digipaks and provided the foundation for producing one.
Individual project proposal
The document outlines plans for an individual music video project. It will feature the artist Verity High-Five and explore themes of social constructs and class through a narrative style. Scenes will show characters from different social backgrounds dealing with circumstances in their lives. The video will also include performance style scenes of the artist and band playing the instrumental track. Inspiration is drawn from music videos highlighting social issues. The project will employ actors, require copyrights and permissions, and be produced on a micro-budget with filming planned for January.
Nucleya
Nucleya has earned the respect and admiration of fans and peers alike. His track for The Dewarists Bangla Bass was a proof of his ability to twist and turn Indian sounds into bass-heavy anthems, and became one of the most popular tracks of the second season. Nucleya added his name to yet another Bollywood project, the Yash Raj Film production, Mere Dad Ki Maruti, which had a special stomp version of the title track.
http://nucleya99.blogspot.in/
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The document discusses the importance of imagination and creativity in music. It argues that mainstream music has become repetitive and unoriginal, following patterns without changing. The author wants to open the music industry to new ideas by thinking outside the box and being different with their own unique and creative music, using their extensive composition skills and imagination without boundaries.
What are codes and conventions
Codes and conventions in media refer to the symbolic and technical elements that construct meaning. Symbolically, there are implied meanings that are not directly visible. Technically, elements include camera shots like close-ups, editing styles that cut between footage and music, and sound elements both diegetic and non-diegetic. Music videos can be categorized by style as performance, narrative, or animated videos. Camera shots emphasize facial features or narrative details. Editing cuts freely between shots and ensures footage and music align. Mise-en-scene considers costume, props, location, and facial expressions to further construct meaning.
What are codes and conventions
Codes and conventions in media refer to the symbolic and technical elements that construct meaning. Symbolically, there are implied meanings that are not directly visible. Technically, elements include camera shots like close-ups, editing styles that cut between footage and music, and sound elements both diegetic and non-diegetic. Music videos can be categorized by style as performance, narrative, or animated videos. Camera shots in music videos commonly use close-ups of faces and objects relevant to the lyrics, while editing focuses on smoothly transitioning footage to the rhythm of the music. Mise-en-scene considerations include costumes, props, locations, and facial expressions that establish genre and narrative.
Evaluation question part one - copy
The document discusses conventions for designing a digipak album cover. It notes that common conventions include including a barcode, record label, having the artist's name larger than the album name, using multiple fonts, and including close-up photos of the artist. It discusses digipaks by Nicole Scherzinger and Rihanna as inspiration. For their own digipak, the author followed conventions such as using a close-up of the artist Ariella on the front cover, having the artist name larger than the album name, including two fonts, and maintaining synergy with red throughout.
Independent record artist
Avicii is an electronic dance music artist signed to Ultra Music, a subsidiary of Sony Music, but is still considered independent as he produces music through other labels like 'le7els'. He interacts directly with fans through social media and releases albums digitally containing a small number of remixes rather than as physical copies. The artist employs a small management team and involves fans in creating songs by having them submit beats and sounds online.
Izzy Bizu - White Tiger (digipak)
This document discusses designing a digipak for a music album. It describes how the digipak needs to tie into a previous music video concept involving a singer and choreographed dancing. Bright colors like white and blue were used in the video, so the digipak design also needs bright colors to match and not contradict the video. Examples of digipaks with bright colors and images of singers on the front are provided. The digipak design should focus on the singer and dancers as in the original video and album cover, using a synthetic style with bright colors and potentially images from the music video set.
Digipak Implementation #1
The document discusses the design plans for a digipak packaging for a music album. The digipak will have three parts that fold inwards, with a CD and two booklets housed internally. The front and back covers will feature the artist name and album title/tracklist respectively. The inside fold will be blank. The booklets will feature lyrics on the left and background information on the right, placed in internal pouches with the CD in the center. Images from the music video will be used on the covers and inside fold.
Digipak conventions
The document discusses how the author's media product of a digipak for their music video uses, develops, and challenges conventions of real music digipaks. It used conventions by featuring the artists on all sides and keeping their names prominent. It developed conventions by using long shots of the artists instead of close ups and challenging conventions by placing the song titles in the middle of the back rather than the sides and featuring the main location from the video. The author felt these design choices made their digipak original while still realistic.
Digipak analysis powerpoint
The document analyzes and summarizes the key design elements of two different digipaks. For the first digipak, it notes the simple design with photos of the artist behind the discs and information about the album on the back cover. For the second digipak, it highlights the consistent color scheme and a single rose photo that spans across the three panels, making it look neat and professional. The analysis focuses on elements that could inform the design of the author's own digipak.
Add to photoshop editing
The document provides details on the process of creating a digipack template. It discusses each section created - front cover, back cover, left inside, spine, and CDs. For the front cover, the creator used overlapping images and text to convey a message about hiding one's true self. The back cover includes typical information like the tracklist and label logos. The left inside continues the theme of natural beauty versus makeup. The CDs and spine were rushed and need more research and design work. In conclusion, the creator plans to improve the CD/spine design and ensure visual continuity across the digipack sections.
My digipak
Here is the planning, contruciton, production of my digipak also, the way that I chose the different aspects of it.
Ideas, Sketches
The document discusses ideas for designing a DVD digipak. It includes measurements found online for a traditional digipak design. The author prefers taller designs that allow more versatile graphics. Examples of indie album covers are shown that use simple black and white designs with mirror images or just the band name. Sketches are provided of possible front and back layouts, with the middle design liked best for the front and bottom for the back.
How effective is the combination of you main tasks and ancillary tasks?
The author created a music video, poster, and digipak for a country rock artist as their main and ancillary tasks. They ensured these tasks had similarities like a black and white color scheme, silhouettes, and their "Cs Productions" logo to provide synergy and make the products recognizable to the target audience as being related. For the poster and digipak, they featured the artist's image prominently and included QR codes and RSS scans to promote the artist's website and album pre-order site. The digipak and poster had the same design elements and color scheme to clearly link the two products.
Digipak research and analysis
This document analyzes and summarizes the design elements of digipaks for two musical artists. For Two Door Cinema Club, the digipak features mysterious images without the band that provoke interest through a vintage, grainy filter. A cat with a crown draws the eye to the band name at the center. For Arctic Monkeys, recurring black and white filters reference indie rock. Images of the same man make direct eye contact or hide his face, creating mystery while still providing song information. In both cases, the absence of the artists themselves aims to intrigue audiences.
Digipak research
This document analyzes and describes the digipak for the album "The Heist" by Macklemore and Ryan Lewis. It notes the minimalist design uses black, gold, and white colors. The front features a simple snake skin pattern design. The back lists the songs and continues the color scheme. The insert provides artwork related to each song to give fans context and a connection to the music and artists. Overall, the design draws connections to Macklemore's style and music through imagery while diverging from conventions of typical hip hop digipaks.
Question 2
The combination of the main product, a digipak, and ancillary tasks like magazine advertisements is effective. The digipak uses consistent imagery from the music video across the front, back, and inside covers to encourage buying and learning more about the album. It also has a signature white and blue color scheme. The magazine ad features the first location from the music video and includes the digipak cover to connect the two. Black and white effects are used on the digipak panels to continue the dark theme of previous releases without compromising the images. Overall, the recurring themes across products will make the band recognizable to fans.
evaluation question one
The document compares the student's Digipak project to a professional Digipak from the indie band Arctic Monkeys. It finds several similarities between the two, including color scheme, camera shots used in images, lighting, ratio of text to images, font styles and placement. The student aimed to both emulate conventions of professional Digipaks, like the Arctic Monkeys one, but also challenge conventions by adding more images and crowding elements on the back cover of their Digipak.
The artic monkeys digipak anaylsis
The digipak for the Arctic Monkeys album "Whatever People Say I Am, That's What I'm Not" uses a grayscale black and white color scheme that presents a specific style. The front cover features the band's recognizable logo and a centrally-framed image of a man smoking, representing the album's rebellious indie rock genre. The back cover lists the track titles in an unusual but effective plain text style without numbers and shows the same man in a different pose, giving the impression he was not ready for the photo. The CD itself features a black and white image of cigarette butts that connects it visually to the album covers.
Digipak analysis
This summarizes the digipak for Macklemore and Ryan Lewis' album "The Heist".
The digipak has a minimalist design with black, gold, and white colors. The front features a simple snake skin pattern. The back lists the songs. The insert provides artwork related to each song to give fans context and a connection to the music and artists. While an unconventional design for a hip hop album, the minimalist style and references to the artists' styles and lyrics provide gratification for fans.
Digipack research
Digipaks are promotional packaging for albums that provide extra content beyond just the music. They typically include a CD along with additional materials like photos, lyrics, or DVDs in a folded cardboard design. Well-designed digipaks establish a consistent visual theme throughout and use imagery and symbols that relate to the artist's music or message, allowing fans a deeper connection to and understanding of the album. The author plans to create an original digipak with a cohesive theme to promote their own artist's music, video, and website.
Question 2 for media evaluation
The document discusses how the digipak and poster for a music album effectively complement the artist's music video through consistent imagery and style.
The digipak incorporates screenshots and locations from the music video to continue motifs of smoke, isolation, and the sense of movement. Each panel flows coherently through similar color palettes, compositions, and subject matter.
The poster also features an image used in the digipak to create further coherence across the package. Typography and layout balance the artist's name and release details.
Overall, the music video, digipak and poster work together through linked photography, subjects and designs to form a cohesive promotional package that effectively advertises the artist.
Digipak feedback and changes
The document summarizes feedback received on a draft digipak design and the changes made in response. The main points of feedback were to add missing elements like a barcode and copyright, make the back page less blank, and enlarge the guitar photo to cover the spine for consistency. Photos demonstrate these changes between the draft and final design, such as filling in blank space and using the guitar photo on the back and spine. Additional changes included relocating text to the top of the front cover for better attention-grabbing.
A2 practical coursework choice of briefs
This document provides information and options for two practical coursework assignments involving multimedia projects for music and film.
For the first assignment, the document discusses creating a website for a band, designing a digipak album packaging, and an advertisement for the digipak. It then examines conventions of artist websites through examples and discusses what a digipak is and provides digipak examples.
The second assignment involves creating a short film and choosing two additional elements between a poster, radio trailer, or film magazine review. The document explores film poster styles and notes that a radio trailer would likely involve voice acting, sound effects and music to engage listeners.
Question one
The document discusses how the media producer's digipak and music video both use and challenge conventions of real media texts.
The digipak follows conventions like a 4-panel layout but challenges conventions like positioning of the artist name and track listing. The music video uses conventions like close-ups of the performer but challenges conventions through its dark urban setting rather than bright locations typically seen.
Weak intertextual references to Bob Dylan and a stronger reference to Sinéad O'Connor through close-up shots are also made.
A2 Media Studies Initial Digipak Design and Initial Social Media Page Design
1) The document discusses initial designs for a digipak and social media page to promote a music video.
2) It includes rough sketches of the digipak showing front and back views, as well as 4 initial design versions using pictures from the music video shoot.
3) Plans for an Instagram page to promote the work are outlined, including using posts of initial digipak designs, stories of behind-the-scenes footage and location photos, and reels to showcase the music video in different ways.
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Izzy Bizu - White Tiger (digipak)
This document discusses designing a digipak for a music album. It describes how the digipak needs to tie into a previous music video concept involving a singer and choreographed dancing. Bright colors like white and blue were used in the video, so the digipak design also needs bright colors to match and not contradict the video. Examples of digipaks with bright colors and images of singers on the front are provided. The digipak design should focus on the singer and dancers as in the original video and album cover, using a synthetic style with bright colors and potentially images from the music video set.
Digipak Implementation #1
The document discusses the design plans for a digipak packaging for a music album. The digipak will have three parts that fold inwards, with a CD and two booklets housed internally. The front and back covers will feature the artist name and album title/tracklist respectively. The inside fold will be blank. The booklets will feature lyrics on the left and background information on the right, placed in internal pouches with the CD in the center. Images from the music video will be used on the covers and inside fold.
Digipak conventions
The document discusses how the author's media product of a digipak for their music video uses, develops, and challenges conventions of real music digipaks. It used conventions by featuring the artists on all sides and keeping their names prominent. It developed conventions by using long shots of the artists instead of close ups and challenging conventions by placing the song titles in the middle of the back rather than the sides and featuring the main location from the video. The author felt these design choices made their digipak original while still realistic.
Digipak analysis powerpoint
The document analyzes and summarizes the key design elements of two different digipaks. For the first digipak, it notes the simple design with photos of the artist behind the discs and information about the album on the back cover. For the second digipak, it highlights the consistent color scheme and a single rose photo that spans across the three panels, making it look neat and professional. The analysis focuses on elements that could inform the design of the author's own digipak.
Add to photoshop editing
The document provides details on the process of creating a digipack template. It discusses each section created - front cover, back cover, left inside, spine, and CDs. For the front cover, the creator used overlapping images and text to convey a message about hiding one's true self. The back cover includes typical information like the tracklist and label logos. The left inside continues the theme of natural beauty versus makeup. The CDs and spine were rushed and need more research and design work. In conclusion, the creator plans to improve the CD/spine design and ensure visual continuity across the digipack sections.
My digipak
Here is the planning, contruciton, production of my digipak also, the way that I chose the different aspects of it.
Ideas, Sketches
The document discusses ideas for designing a DVD digipak. It includes measurements found online for a traditional digipak design. The author prefers taller designs that allow more versatile graphics. Examples of indie album covers are shown that use simple black and white designs with mirror images or just the band name. Sketches are provided of possible front and back layouts, with the middle design liked best for the front and bottom for the back.
How effective is the combination of you main tasks and ancillary tasks?
The author created a music video, poster, and digipak for a country rock artist as their main and ancillary tasks. They ensured these tasks had similarities like a black and white color scheme, silhouettes, and their "Cs Productions" logo to provide synergy and make the products recognizable to the target audience as being related. For the poster and digipak, they featured the artist's image prominently and included QR codes and RSS scans to promote the artist's website and album pre-order site. The digipak and poster had the same design elements and color scheme to clearly link the two products.
Digipak research and analysis
This document analyzes and summarizes the design elements of digipaks for two musical artists. For Two Door Cinema Club, the digipak features mysterious images without the band that provoke interest through a vintage, grainy filter. A cat with a crown draws the eye to the band name at the center. For Arctic Monkeys, recurring black and white filters reference indie rock. Images of the same man make direct eye contact or hide his face, creating mystery while still providing song information. In both cases, the absence of the artists themselves aims to intrigue audiences.
Digipak research
This document analyzes and describes the digipak for the album "The Heist" by Macklemore and Ryan Lewis. It notes the minimalist design uses black, gold, and white colors. The front features a simple snake skin pattern design. The back lists the songs and continues the color scheme. The insert provides artwork related to each song to give fans context and a connection to the music and artists. Overall, the design draws connections to Macklemore's style and music through imagery while diverging from conventions of typical hip hop digipaks.
Question 2
The combination of the main product, a digipak, and ancillary tasks like magazine advertisements is effective. The digipak uses consistent imagery from the music video across the front, back, and inside covers to encourage buying and learning more about the album. It also has a signature white and blue color scheme. The magazine ad features the first location from the music video and includes the digipak cover to connect the two. Black and white effects are used on the digipak panels to continue the dark theme of previous releases without compromising the images. Overall, the recurring themes across products will make the band recognizable to fans.
evaluation question one
The document compares the student's Digipak project to a professional Digipak from the indie band Arctic Monkeys. It finds several similarities between the two, including color scheme, camera shots used in images, lighting, ratio of text to images, font styles and placement. The student aimed to both emulate conventions of professional Digipaks, like the Arctic Monkeys one, but also challenge conventions by adding more images and crowding elements on the back cover of their Digipak.
The artic monkeys digipak anaylsis
The digipak for the Arctic Monkeys album "Whatever People Say I Am, That's What I'm Not" uses a grayscale black and white color scheme that presents a specific style. The front cover features the band's recognizable logo and a centrally-framed image of a man smoking, representing the album's rebellious indie rock genre. The back cover lists the track titles in an unusual but effective plain text style without numbers and shows the same man in a different pose, giving the impression he was not ready for the photo. The CD itself features a black and white image of cigarette butts that connects it visually to the album covers.
Digipak analysis
This summarizes the digipak for Macklemore and Ryan Lewis' album "The Heist".
The digipak has a minimalist design with black, gold, and white colors. The front features a simple snake skin pattern. The back lists the songs. The insert provides artwork related to each song to give fans context and a connection to the music and artists. While an unconventional design for a hip hop album, the minimalist style and references to the artists' styles and lyrics provide gratification for fans.
Digipack research
Digipaks are promotional packaging for albums that provide extra content beyond just the music. They typically include a CD along with additional materials like photos, lyrics, or DVDs in a folded cardboard design. Well-designed digipaks establish a consistent visual theme throughout and use imagery and symbols that relate to the artist's music or message, allowing fans a deeper connection to and understanding of the album. The author plans to create an original digipak with a cohesive theme to promote their own artist's music, video, and website.
Question 2 for media evaluation
The document discusses how the digipak and poster for a music album effectively complement the artist's music video through consistent imagery and style.
The digipak incorporates screenshots and locations from the music video to continue motifs of smoke, isolation, and the sense of movement. Each panel flows coherently through similar color palettes, compositions, and subject matter.
The poster also features an image used in the digipak to create further coherence across the package. Typography and layout balance the artist's name and release details.
Overall, the music video, digipak and poster work together through linked photography, subjects and designs to form a cohesive promotional package that effectively advertises the artist.
Digipak feedback and changes
The document summarizes feedback received on a draft digipak design and the changes made in response. The main points of feedback were to add missing elements like a barcode and copyright, make the back page less blank, and enlarge the guitar photo to cover the spine for consistency. Photos demonstrate these changes between the draft and final design, such as filling in blank space and using the guitar photo on the back and spine. Additional changes included relocating text to the top of the front cover for better attention-grabbing.
A2 practical coursework choice of briefs
This document provides information and options for two practical coursework assignments involving multimedia projects for music and film.
For the first assignment, the document discusses creating a website for a band, designing a digipak album packaging, and an advertisement for the digipak. It then examines conventions of artist websites through examples and discusses what a digipak is and provides digipak examples.
The second assignment involves creating a short film and choosing two additional elements between a poster, radio trailer, or film magazine review. The document explores film poster styles and notes that a radio trailer would likely involve voice acting, sound effects and music to engage listeners.
Question one
The document discusses how the media producer's digipak and music video both use and challenge conventions of real media texts.
The digipak follows conventions like a 4-panel layout but challenges conventions like positioning of the artist name and track listing. The music video uses conventions like close-ups of the performer but challenges conventions through its dark urban setting rather than bright locations typically seen.
Weak intertextual references to Bob Dylan and a stronger reference to Sinéad O'Connor through close-up shots are also made.
A2 Media Studies Initial Digipak Design and Initial Social Media Page Design
1) The document discusses initial designs for a digipak and social media page to promote a music video.
2) It includes rough sketches of the digipak showing front and back views, as well as 4 initial design versions using pictures from the music video shoot.
3) Plans for an Instagram page to promote the work are outlined, including using posts of initial digipak designs, stories of behind-the-scenes footage and location photos, and reels to showcase the music video in different ways.
Similar to Embrz - Breathe (20)
How effective is the combination of you main tasks and ancillary tasks?
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A2 Media Studies Initial Digipak Design and Initial Social Media Page Design
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Chapter 6
Environmental Engineering: Environmental Pollution, Environmental Acts and Regulations, Functional Concepts of Ecology, Basics of Species, Biodiversity, Ecosystem, Hydrological Cycle; Chemical Cycles: Carbon, Nitrogen & Phosphorus; Energy Flow in Ecosystems.
Water Pollution: Water Quality standards, Introduction to Treatment & Disposal of Waste Water. Reuse and Saving of Water, Rain Water Harvesting. Solid Waste Management: Classification of Solid Waste, Collection, Transportation and Disposal of Solid. Recycling of Solid Waste: Energy Recovery, Sanitary Landfill, On-Site Sanitation. Air & Noise Pollution: Primary and Secondary air pollutants, Harmful effects of Air Pollution, Control of Air Pollution. . Noise Pollution Harmful Effects of noise pollution, control of noise pollution, Global warming & Climate Change, Ozone depletion, Greenhouse effect
Text Books:
1. Palancharmy, Basic Civil Engineering, McGraw Hill publishers.
2. Satheesh Gopi, Basic Civil Engineering, Pearson Publishers.
3. Ketki Rangwala Dalal, Essentials of Civil Engineering, Charotar Publishing House.
4. BCP, Surveying volume 1
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- 2. Digipak ideas • The main element of this digipak is that it has an ‘indie’ and maybe electronic style towards it. Along with this, the digipak will need to be conveying the organic act of which EMBRZ is. • Whilst I was doing research I needed to make sure that these images would keep the electronic side of this track. • To give some more visuals there are some ideas from different artists on the right.
- 3. Digipak ideas (2) • After looking through the potential ideas, I have remembered that the digipaks could link to the area of the video I would be making in my A2 course. This is the visual aspects to go with the singer. • Subsequently, I would need real life/in-action images, but there would need to be a middle between the electronic digipak and the visuals shown in it. These are again shown through other artist’s digipaks, which are shown on the right.
- 4. Digipak ideas (3) • In conclusion to all of my research (looking at the original artwork and the ideas from the past two slides) I have made a decision that the digipak will will be mainly focused on the artwork and not the actual name of the artist and the album. • This digipak will also be mare towards the electronic side of the artist to make sure that the arrests genre is shown straight away. • Another possible idea is by mixing these three aspects together to create one digipak (conveying the visual side, electronic side and the organic act) is to the right.