Emblem books at the royal library copenhagen
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Presentation of emblem books in the collections of The Royal Library, Copenhagen, given at the Round table
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STYLE featuring:
Drama/theatricality
Intensity of emotion to draw in viewer
Extreme skill
Naturalism
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Dark and light contrasts (chiaroscuro)
Off-balance
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St. Peter’s Basilica & Piazza, Vatican, Rome
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https://www.youtube.com/watch?v=iSH2H0xZPOw
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https://www.youtube.com/watch?v=1JNjZTx_OsQ
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https://www.youtube.com/watch?v=ixo_SLkblB4
Caravaggio
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https://www.google.com/culturalinstitute/beta/asset/the-adolescent-bacchus/dAEBrgRq5AvsQA
Caravaggio
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https://www.google.com/culturalinstitute/beta/asset/der-ungl%C3%A4ubige-thomas/OAEjjQkNdRL9sg
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Giovanni Battista Gaulli
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Jusepe de Ribera, Martyrdom of St. Bartholomew, 1634. Oil on canvas, 1.05 x 1.14 m.
Diego Velázquez, Water Carrier of Seville, c. 1619. Oil on canvas, 41 ½” x 31 ½” . Victoria and Albert Museum, London.
Diego Velázquez, The Surrender at Breda (The Lances), 1634-1635. Oil on canvas, 10’7/8” x 12’ ½”. Museo del Prado, Madrid.
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Counter-Reformation
Art as propaganda
Art as reinvigorator of belief/practice
Spiritual ecstasy
Sculpture: Bernini
St. Teresa of Avila in Ecstasy, Cornaro Chapel, Church of Santa Maria della Vittoria, Rome. 1645-1652. Marble, 11’ 6”.
What IS Baroque?
STYLE featuring:
Drama/theatricality
Intensity of emotion to draw in viewer
Extreme skill
Naturalism
Using gestures and expressions to tell a story
Dark and light contrasts (chiaroscuro)
Off-balance
Bringing the everyday into religious scenes
Baroque in Europe
France: resurgence of classicism
Monarchy
Counter-Reformation
Netherlands: portraiture, still life, landscape, and genre
St. Peter’s Basilica & Piazza, Vatican, Rome
Pope Paul V Borghese (pontificate 1605-1621)
Longitudinal nave and new facade
Carlo Maderno, Façade of St. Peter’s, 1607-1626
Gianlorenzo Bernini (1598-1680)
Baldacchino, St. Peter’s Basilica, Vatican, Rome. 1624-1633. Gilt bronze, 100’.
Cathedra Petri, 1657-1666, gilt bronze, marble, stucco, and glass.
https://www.youtube.com/watch?v=iSH2H0xZPOw
Bernini
https://www.youtube.com/watch?v=1JNjZTx_OsQ
David. 1623, Marble, 5’ 7”, Galleria Borghese, Rome.
Francesco Borromini, Façade of the Church of San Carlo alle Quattro Fontane, Rome, 1638-67.
Dome and Plan, San Carlo alle Quattro Fontane
https://www.youtube.com/watch?v=ixo_SLkblB4
Caravaggio
Bacchus, 1595-1596. Oil on canvas, 37” x 33.5”, Galleria degli Uffizi, Florence.
https://www.google.com/culturalinstitute/beta/asset/the-adolescent-bacchus/dAEBrgRq5AvsQA
Caravaggio
Caravaggio, The Calling of St. Matthew, Contarelli Chapel, church of San Luigi dei Francesi, Rome. 1599-1600. Oil on canvas, 10’ 7.5” x 11’ 2”.
Tenebrism
Caravaggio
The Conversion of St. Paul, Cerasi Chapel, Santa Maria del Popolo, Rome, c. 1601. Oil on canvas, 7’ 6” x 5’ 8”
https://www.google.com/culturalinstitute/beta/asset/der-ungl%C3%A4ubige-thomas/OAEjjQkNdRL9sg
Artemisia Gentileschi
Judith Beheading Holofernes, c. 1619-20. Oil on canvas, 6’ 63/8” x 5’ 4”, Galleria degli Uffizi, Florence.
Giovanni Battista Gaulli
Worked for Bernini, who worshiped at Il Gesu
Illusionistic Baroque ceiling
Giovanni Battista Gaulli, The Triumph of the Name of Jesus and Fall of the Damned,
Vault of the church of Il Gesù, Rome, 1672-1685. Fresco with stucco figures
Quadratura
Di sotto in sù
Spain
Juan Sánchez Cotán, Still Life with Quince, Cabbage, Melon, and Cucumber, c. 1602. Oil on canvas, 27 1/8” x 33 ¼”. San Diego Museum of Art.
Jusepe de Ribera, Martyrdom of St. Bartholomew, 1634. Oil on canvas, 1.05 x 1.14 m.
Diego Velázquez, Water Carrier of Seville, c. 1619. Oil on canvas, 41 ½” x 31 ½” . Victoria and Albert Museum, London.
Diego Velázquez, The Surrender at Breda (The Lances), 1634-1635. Oil on canvas, 10’7/8” x 12’ ½”. Museo del Prado, Madrid.
Diego Velázquez.
17th Century Art in EuropeCounter-Reformation.docx
17th Century Art in Europe
Counter-Reformation
St. Ignatius of Loyola – Society of Jesus
Counter-Reformation
Art as propaganda
Art as reinvigorator of belief/practice
Spiritual ecstasy
Sculpture: Bernini
St. Teresa of Avila in Ecstasy, Cornaro Chapel, Church of Santa Maria della Vittoria, Rome. 1645-1652. Marble, 11’ 6”.
What IS Baroque?
STYLE featuring:
Drama/theatricality
Intensity of emotion to draw in viewer
Extreme skill
Naturalism
Using gestures and expressions to tell a story
Dark and light contrasts (chiaroscuro)
Off-balance
Bringing the everyday into religious scenes
Baroque in Europe
France: resurgence of classicism
Monarchy
Counter-Reformation
Netherlands: portraiture, still life, landscape, and genre
St. Peter’s Basilica & Piazza, Vatican, Rome
Pope Paul V Borghese (pontificate 1605-1621)
Longitudinal nave and new facade
Carlo Maderno, Façade of St. Peter’s, 1607-1626
Gianlorenzo Bernini (1598-1680)
Baldacchino, St. Peter’s Basilica, Vatican, Rome. 1624-1633. Gilt bronze, 100’.
Cathedra Petri, 1657-1666, gilt bronze, marble, stucco, and glass.
https://www.youtube.com/watch?v=iSH2H0xZPOw
Bernini
https://www.youtube.com/watch?v=1JNjZTx_OsQ
David. 1623, Marble, 5’ 7”, Galleria Borghese, Rome.
Francesco Borromini, Façade of the Church of San Carlo alle Quattro Fontane, Rome, 1638-67.
Dome and Plan, San Carlo alle Quattro Fontane
https://www.youtube.com/watch?v=ixo_SLkblB4
Caravaggio
Bacchus, 1595-1596. Oil on canvas, 37” x 33.5”, Galleria degli Uffizi, Florence.
https://www.google.com/culturalinstitute/beta/asset/the-adolescent-bacchus/dAEBrgRq5AvsQA
Caravaggio
Caravaggio, The Calling of St. Matthew, Contarelli Chapel, church of San Luigi dei Francesi, Rome. 1599-1600. Oil on canvas, 10’ 7.5” x 11’ 2”.
Tenebrism
Caravaggio
The Conversion of St. Paul, Cerasi Chapel, Santa Maria del Popolo, Rome, c. 1601. Oil on canvas, 7’ 6” x 5’ 8”
https://www.google.com/culturalinstitute/beta/asset/der-ungl%C3%A4ubige-thomas/OAEjjQkNdRL9sg
Artemisia Gentileschi
Judith Beheading Holofernes, c. 1619-20. Oil on canvas, 6’ 63/8” x 5’ 4”, Galleria degli Uffizi, Florence.
Giovanni Battista Gaulli
Worked for Bernini, who worshiped at Il Gesu
Illusionistic Baroque ceiling
Giovanni Battista Gaulli, The Triumph of the Name of Jesus and Fall of the Damned,
Vault of the church of Il Gesù, Rome, 1672-1685. Fresco with stucco figures
Quadratura
Di sotto in sù
Spain
Juan Sánchez Cotán, Still Life with Quince, Cabbage, Melon, and Cucumber, c. 1602. Oil on canvas, 27 1/8” x 33 ¼”. San Diego Museum of Art.
Jusepe de Ribera, Martyrdom of St. Bartholomew, 1634. Oil on canvas, 1.05 x 1.14 m.
Diego Velázquez, Water Carrier of Seville, c. 1619. Oil on canvas, 41 ½” x 31 ½” . Victoria and Albert Museum, London.
Diego Velázquez, The Surrender at Breda (The Lances), 1634-1635. Oil on canvas, 10’7/8” x 12’ ½”. Museo del Prado, Madrid.
Diego Velázquez ...
Gothic art student slides
Depicts an episode from the life of Saint Francis of Assisi where he created a live nativity scene in 1223 at Greccio, Italy to bring the Christmas story to life for the townspeople in a more experiential way. The fresco shows Saint Francis in the center preaching to the gathered crowd as a manger containing hay and oxen and an ass recreate the scene from Christ's birth, making the religious story more tangible and meaningful. This work and the Church of Saint Francis where it is housed aimed to visually represent the life and teachings of Saint Francis through art in order to inspire devotion among pilgrims to Assisi
Steven Reid
This document provides an overview of the "Bridging the Continental Divide" project, which aims to digitize and analyze Latin texts from Jacobean Scotland. The project focuses on 13 poets featured in the 1637 publication Delitiae Poetarum Scotorum. Key research questions examine the status, role, and interaction of Latin with other languages in early modern Scottish culture. The overview discusses individual poets and texts, outlines the project website and resources, and proposes further public outreach to engage with the project findings.
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Emblem books at the royal library copenhagen
- 1. Emblem books at the Royal Library, Copenhagen - Society for Emblem Studies, 10th International Conference., Kiel, 27 July-1 August Anders Toftgaard, Research librarian, PhD.
- 3. Det Kongelige bibliotek The Royal Library National Library Copenhagen University Library and information services (CULIS)
- 4. The Royal Library Founded by Frederik III (King 1648- 1670) © Frederiksborgmuseet, Unknown artist
- 5. The Royal Library: 1665 started construction, inspired by Bibliothèque Mazarine
- 6. The University Library - Founded in 1482 - Donation by Christian IV
- 7. The University Library - Founded in 1482 - Donation of books by Christian IV, (who also gave it the new building with Trinity Church & The Round Tower (1636-1657))
- 8. The University Library Lost in the fire of Copenhagen in 1728
- 9. www.kb.dk
- 10. Emblem books in the Royal Library, Copenhagen The Royal Library The Royal Library Danish collection Foreign collection University Library
- 11. Emblem books in the Royal Library, Copenhagen The Royal Library The ”Old” Royal Library Danish collection Foreign collection University Library
- 12. Systematic catalogue initiated by Daniel Gotthilf Moldenhawer (1753 -1823)
- 13. Bibliography of French Emblem books, F 437
- 14. Alison Adams, "Les emblemes ou devises chrestiennes de Georgette de Montenay: edition de 1567", Bibliothèque d'Humanisme et Renaissance, T. 62, No. 3 (2000), pp. 637-639.
- 15. Provenances
- 16. Former Owner: Magnus Friis (1623-1675)
- 19. King Frederic IIIs library (1648-) Emblemas morales de Don Juan de Horozco, Saragosa, 1603-1604.
- 22. Johann Friedrich II zu Sachsen
- 23. Provenances Book: Jeronimo Ruscelli, Le imprese illustri, Venice, 1584 Former owner: Schloss Gottorf
- 24. Schloss Gottorf
- 25. Provenances Book: J. Cats: Proteus ofte Minne- beelden verandert in Sinne- beelden bound with b) Emblemata D. Jacobi Catsii ; in linguam Anglicam transfusa.. [S.l.], [1627]; c) Emblemata moralia et æconomica : Virgilius omnia vertuntur, certe vertuntur amores.. [S.l.], 1627]; d) [Officium puellarum]/ [Jacob Catz]. [S.l.], [1627]. - e) Galathee ofte Harder Minne Klachte. / van J. Catz. [S.l.], [1627] f) Spiegel van den ouden ende nieuwen tijdt : bestaende uyt spreeck-woorden ende sin- spreucken. / door J. Cats. Graven-Hage : by Isaac Burchoorn, 1632
- 26. Provenances Book: Jean-Jacques Boissard, Theatrum vitæ humanæ, 1596 Former owner: Asmund Thygesen (d. 1645), pastor
- 27. Provenances Book: Pierre Coustau, Le Pegme, Lyon, 1560 Former owner: Bernstorff
- 28. Provenances Book: Alciati: Emblemi, Padova, 1626 Owner: P.O. Brøndsted (Rome, 1821)
- 29. Emblem books as alba amicorum
- 30. Emblem books as alba amicorum • Thott 391 8º • Thott 396 8º • Thott 447 8º • Thott 448, 8º • Thott 1288 4to • NKS 1289 oktav Alciati, Emblemata. [s.a.] Alciati, Emblemata, Lyon, 1554 Alciati, Emblemata, Lyon, 1554 Hadr. Junii Emblemata. Antwerp, 1569 Boissard Emblemata. Frankfurt1593 Alciati, Emblemata, Leiden, 1591
- 31. Emblem books as alba amicorum 4 available online (as pdf-files) • Thott 391 8º • Thott 396 8º • Thott 447 8º • Thott 448, 8º • Thott 1288 4to • NKS 1289 oktav Alciati, Emblemata. [s.a.] Alciati, Emblemata, Lyon, 1554 Alciati, Emblemata, Lyon, 1554 Hadr. Junii Emblemata. Antwerp, 1569 Boissard Emblemata. Frankfurt1593 Alciati, Emblemata, Leiden, 1591
- 32. Thott 391, 8º
- 33. Thott 391, 8º Bernhard’s album
- 34. Thott 391, 8º
- 35. Thott 391, 8º
- 36. Thott 391, 8º
- 38. Thott 448, 8º
- 39. Thott 448, 8º
- 43. Emblemata dvodecim, Avthore Andrea Petreio Hafniae: Impressit Andreæ Gutteruitz, 1582
- 46. Anders Toftgaard atof@kb.dk Twitter: @Atoftgaard Slides and list of emblem books at: www.slideshare.net/atoftga ard Photos from the Photografic Studio, KB