ELAICH - Educational Linkage Approach in Cultural Heritage.
For more information and presentations, please visit: http://elaich.technion.ac.il/
Elaich module 7 topic 7.3 - Example 1 of study and documentation of a historic site
[1] O documento discute a importância da reflexão sobre políticas públicas e como elas são construídas e avaliadas. [2] Ele explica que políticas públicas são sistemas de ação do governo e passam por fases como identificação de problemas, formulação de soluções, tomada de decisões e implementação. [3] O documento também aborda os atores envolvidos na formulação de políticas e os instrumentos utilizados, como regulamentação e subsídios.
O documento discute a responsabilidade penal em âmbito ambiental e de consumo no Brasil. A lei 9605/1998 regula os crimes ambientais e estabelece a responsabilidade de pessoas físicas e jurídicas. A estrutura do delito inclui uma conduta, seu enquadramento legal, ilicitude e culpabilidade. A teoria finalista é aceita pela maioria dos penalistas brasileiros para analisar os crimes. A responsabilidade da pessoa jurídica ocorre quando a infração é cometida por decisão de seu representante, no interesse da entidade.
O documento discute conceitos-chave de política e ciência política, como poder, Estado, soberania e sociedade. Aborda as teorias clássicas sobre a origem do Estado de autores como Hobbes, Locke e Rousseau, e os papéis do Estado de acordo com diferentes doutrinas. Também define os três poderes do Estado e diferentes regimes de governo.
1. O documento descreve a história da política de turismo no Brasil de 1937 a 2013, desde as primeiras menções legais até a criação do Ministério do Turismo.
2. As políticas iniciais eram indiretas e focadas na proteção do patrimônio, mas aos poucos o turismo passou a ter estruturas dedicadas como a Embratur e o Ministério do Turismo.
3. Diferentes governos tiveram abordagens variadas, desde mais protecionistas a desenvolvimentistas, e o planejamento passou de quantitativo a
O documento discute conceitos fundamentais do turismo, como a evolução do conceito de turismo ao longo do tempo, os componentes do sistema turístico, a demanda e a oferta turística, a segmentação e os impactos do turismo. Também aborda temas como a cadeia produtiva, arranjos produtivos e tendências futuras do setor turístico.
Archaeological And Paleontological Research Sites In Ethiopia Afar.PdfArlene Smith
This document provides a historical overview of archaeological and paleontological research in Ethiopia. It discusses early accounts from Greek visitors in the 6th century AD and travelers/missionaries from the 16th-18th centuries who visited sites like Aksum and reported on monuments. The first planned excavations began in 1868 by British soldiers at Adulis. In the early 20th century, Italian and Swedish archaeologists conducted surveys and excavations. The most significant early work was the German Aksum Expedition from 1906-1908. Subsequently, archaeological work was carried out by Italians, French-Ethiopian teams, Americans, and British in the mid-20th century. In recent decades, paleontological surveys have expanded to
The document reports on archaeological investigations conducted in March-April 2011 at the site of Wakarida in Tigrai, Ethiopia. A French-Ethiopian team conducted geophysical surveys, test excavations, and surface collections. They established a preliminary site grid and topography. Oral histories from local people suggest earliest settlers came from South Arabia during times of famine and conflict. Archaeological remains may date from the Pre-Aksumite and Aksumite periods between the 8th century BC to 7th century AD. The team's work provides a foundation for further investigations to better understand the history and chronology of ancient civilization in Ethiopia.
Elaich module 7 topic 7.3 - Example 2 of study and documentation of a histori...elaich
This document summarizes the final projects of four student teams participating in the ELAICH Pilot Course in Haifa, Israel. Each team conducted a two-day site study at the Senior Synagogue in Tiberias, where they created precise drawings, mapped building materials and their deterioration, and analyzed specific architectural elements like windows and entrances. The teams' graphic materials documented their findings and were presented in this document.
[1] O documento discute a importância da reflexão sobre políticas públicas e como elas são construídas e avaliadas. [2] Ele explica que políticas públicas são sistemas de ação do governo e passam por fases como identificação de problemas, formulação de soluções, tomada de decisões e implementação. [3] O documento também aborda os atores envolvidos na formulação de políticas e os instrumentos utilizados, como regulamentação e subsídios.
O documento discute a responsabilidade penal em âmbito ambiental e de consumo no Brasil. A lei 9605/1998 regula os crimes ambientais e estabelece a responsabilidade de pessoas físicas e jurídicas. A estrutura do delito inclui uma conduta, seu enquadramento legal, ilicitude e culpabilidade. A teoria finalista é aceita pela maioria dos penalistas brasileiros para analisar os crimes. A responsabilidade da pessoa jurídica ocorre quando a infração é cometida por decisão de seu representante, no interesse da entidade.
O documento discute conceitos-chave de política e ciência política, como poder, Estado, soberania e sociedade. Aborda as teorias clássicas sobre a origem do Estado de autores como Hobbes, Locke e Rousseau, e os papéis do Estado de acordo com diferentes doutrinas. Também define os três poderes do Estado e diferentes regimes de governo.
1. O documento descreve a história da política de turismo no Brasil de 1937 a 2013, desde as primeiras menções legais até a criação do Ministério do Turismo.
2. As políticas iniciais eram indiretas e focadas na proteção do patrimônio, mas aos poucos o turismo passou a ter estruturas dedicadas como a Embratur e o Ministério do Turismo.
3. Diferentes governos tiveram abordagens variadas, desde mais protecionistas a desenvolvimentistas, e o planejamento passou de quantitativo a
O documento discute conceitos fundamentais do turismo, como a evolução do conceito de turismo ao longo do tempo, os componentes do sistema turístico, a demanda e a oferta turística, a segmentação e os impactos do turismo. Também aborda temas como a cadeia produtiva, arranjos produtivos e tendências futuras do setor turístico.
Archaeological And Paleontological Research Sites In Ethiopia Afar.PdfArlene Smith
This document provides a historical overview of archaeological and paleontological research in Ethiopia. It discusses early accounts from Greek visitors in the 6th century AD and travelers/missionaries from the 16th-18th centuries who visited sites like Aksum and reported on monuments. The first planned excavations began in 1868 by British soldiers at Adulis. In the early 20th century, Italian and Swedish archaeologists conducted surveys and excavations. The most significant early work was the German Aksum Expedition from 1906-1908. Subsequently, archaeological work was carried out by Italians, French-Ethiopian teams, Americans, and British in the mid-20th century. In recent decades, paleontological surveys have expanded to
The document reports on archaeological investigations conducted in March-April 2011 at the site of Wakarida in Tigrai, Ethiopia. A French-Ethiopian team conducted geophysical surveys, test excavations, and surface collections. They established a preliminary site grid and topography. Oral histories from local people suggest earliest settlers came from South Arabia during times of famine and conflict. Archaeological remains may date from the Pre-Aksumite and Aksumite periods between the 8th century BC to 7th century AD. The team's work provides a foundation for further investigations to better understand the history and chronology of ancient civilization in Ethiopia.
Elaich module 7 topic 7.3 - Example 2 of study and documentation of a histori...elaich
This document summarizes the final projects of four student teams participating in the ELAICH Pilot Course in Haifa, Israel. Each team conducted a two-day site study at the Senior Synagogue in Tiberias, where they created precise drawings, mapped building materials and their deterioration, and analyzed specific architectural elements like windows and entrances. The teams' graphic materials documented their findings and were presented in this document.
The Museum possesses the largest collection of the world famous Gandhara Sculptures after Lahore. There is also a well appointed library in the Museum, which meets the needs of the scholars and students through its stock of 4600 books and references of arts and allied subjects.
government museum of art gallery chandigharmeygnanasivan
The Government Museum & Art Gallery in Chandigarh, India was designed by Le Corbusier and opened in 1968. It houses the second largest collection of Gandhara sculptures after Lahore, Pakistan due to the partition of India and Pakistan in 1947. The museum collection was originally in Lahore but was divided, with 60% remaining in Pakistan and 40% coming to India, including the Gandhara sculptures. The museum aims to collect, exhibit, and protect artifacts for public education and enjoyment.
The document summarizes the 4th meeting of the HEFORE project, which took place in Tallinn, Estonia from June 29th to July 3rd, 2011. Participants from several European countries attended and engaged in workshops on pedagogical cards and museum accessibility. They visited cultural institutions and participated in evaluations of the program. On the final day, participants took a bus tour of the natural and cultural sites of Lahemaa National Park and the village of Käsmu.
the article on the tomb of Nefertari ALYA AL HADDABI.docxrtodd17
the article on the tomb of Nefertari
ALYA AL HADDABI
introduction
The article selected is “The stability of the tomb of Nefertari 1904-1987”.
Authors of the article are Wilson-Yand and George Burns.
The article aimed at explaining the importance of the tomb of Nefertari as well as factors that led to deterioration of the tomb of Nefertari .
introduction
The digging of the tomb of Nefertari began after Ramesses II become the pharaoh of Egypt
Nefertari was the favorite queen of ramesses ii.
The tomb was discovered in 1904 in Egypt.
Currently is among the most elegant and most preserved tombS (Habicht et al., 2016).
The tomb of queen Nefertari is of concern to most people because of the valued artistic treasures found in the tomb.
Review of the article
There has been an international concern about the preservation of the tomb of Nefertari because of the artistic value found in the tomb.
The tomb has some of the best examples of the nineteenth-dynasty wall
paintings.
Degradation and deterioration of the tomb of Nefertari happened between the year 1904- 1987.
Most of the article did not cover the effects of the damages caused on the tomb adequately.
However the article covered some of the causes attributed to influence the degradation and deterioration of the tomb of Nefertari.
Review of the article
The Article addresses the paint loss and some of the minor losses that happened to the tomb before 1904.
Little has been covered about the massive damage that occurred between 1904- 1971.
The aim of the Authors is to provide an in-depth understanding of the damages that have occurred to the tomb of Nefertari.
History of the destruction
Destruction on the tomb occurred prior to its discovery in 1904 all the way up to 1971.
The information found through the study is useful to the international objective of conserving the tomb of Nefertari as an archeological site (Wilson-Yang, & Burns, 1989).
When preserved the tomb acted as the main source of tourist attraction to the country
Causes of the destruction
The main issue responsible for the deterioration of the tomb of Nefertari is loss of paint and plaster strata.
The article identifies the two factors as the main reason for the damages and deterioration of the value of the tomb of Nefertari.
Causes of deterioration
One of the causes of deterioration of the tomb according to the article is flood water.
It is thought that flood water entered the tomb through the underground walls.
Absorption of water by the walls caused the paintings to fade.
The tomb is a major tourist attraction. Therefore, if the government does not protect the tomb, it is risking collection of revenue from the tomb.
Importance of the tomb
The tomb has some of the most valuable nineteenth-dynasty wall paintings, An artistic treasure of Egypt
The walls are painted with attractive and vibrant colors
THE Attractiveness attracts tourist FROM across the world
It is One of the major indicators for economic .
the article on the tomb of Nefertari ALYA AL HADDABI.docxfelicitytaft14745
the article on the tomb of Nefertari
ALYA AL HADDABI
introduction
The article selected is “The stability of the tomb of Nefertari 1904-1987”.
Authors of the article are Wilson-Yand and George Burns.
The article aimed at explaining the importance of the tomb of Nefertari as well as factors that led to deterioration of the tomb of Nefertari .
introduction
The digging of the tomb of Nefertari began after Ramesses II become the pharaoh of Egypt
Nefertari was the favorite queen of ramesses ii.
The tomb was discovered in 1904 in Egypt.
Currently is among the most elegant and most preserved tombS (Habicht et al., 2016).
The tomb of queen Nefertari is of concern to most people because of the valued artistic treasures found in the tomb.
Review of the article
There has been an international concern about the preservation of the tomb of Nefertari because of the artistic value found in the tomb.
The tomb has some of the best examples of the nineteenth-dynasty wall
paintings.
Degradation and deterioration of the tomb of Nefertari happened between the year 1904- 1987.
Most of the article did not cover the effects of the damages caused on the tomb adequately.
However the article covered some of the causes attributed to influence the degradation and deterioration of the tomb of Nefertari.
Review of the article
The Article addresses the paint loss and some of the minor losses that happened to the tomb before 1904.
Little has been covered about the massive damage that occurred between 1904- 1971.
The aim of the Authors is to provide an in-depth understanding of the damages that have occurred to the tomb of Nefertari.
History of the destruction
Destruction on the tomb occurred prior to its discovery in 1904 all the way up to 1971.
The information found through the study is useful to the international objective of conserving the tomb of Nefertari as an archeological site (Wilson-Yang, & Burns, 1989).
When preserved the tomb acted as the main source of tourist attraction to the country
Causes of the destruction
The main issue responsible for the deterioration of the tomb of Nefertari is loss of paint and plaster strata.
The article identifies the two factors as the main reason for the damages and deterioration of the value of the tomb of Nefertari.
Causes of deterioration
One of the causes of deterioration of the tomb according to the article is flood water.
It is thought that flood water entered the tomb through the underground walls.
Absorption of water by the walls caused the paintings to fade.
The tomb is a major tourist attraction. Therefore, if the government does not protect the tomb, it is risking collection of revenue from the tomb.
Importance of the tomb
The tomb has some of the most valuable nineteenth-dynasty wall paintings, An artistic treasure of Egypt
The walls are painted with attractive and vibrant colors
THE Attractiveness attracts tourist FROM across the world
It is One of the major indicators for economic .
Casestudy on National Museum , New DelhiDivya Mishra
The National Museum in New Delhi is located near major transportation hubs like the Central Secretariat metro station and Indira Gandhi International Airport. It is surrounded by important government buildings and has stone sculptures, paintings, and landscaping around it. The three-floor museum contains numerous exhibition spaces, as well as an auditorium, library, offices, and conservation laboratory. Special lighting and flooring designs were used in different galleries. While the building utilized reinforced concrete and red sandstone, it lacked sufficient parking and had poor fire exit accessibility.
The document provides an overview of mural art traditions in India, beginning with early traditions at sites like Ajanta, Ellora, Bagh, and later traditions under dynasties like the Chola. It discusses the history, themes, techniques, and materials of important mural art centers in India. Key points include the use of natural pigments like ochres and lapis lazuli, application over plaster on cave walls or plain temple walls, and depictions of religious, political, and secular themes through narratives and figures. Mural traditions evolved over time, with regional styles developing under the Pallava and Chola that built upon earlier Gupta and Vakataka styles seen at Ajanta.
This document provides an overview of Korean art and culture for educators. It includes background information on Korean history and religions, an overview of Korean art history, descriptions of key artworks in the Metropolitan Museum's collection, and classroom resources. The materials aim to introduce teachers and students to Korea's rich artistic heritage and encourage the use of the Museum's new Arts of Korea gallery in lessons.
Arts of korea (metropolitan museum) esame salviati 2 da 4cfuguest44a901
The document provides an introduction to Korean art and culture for educators. It includes a timeline of Korean history, overviews of Korean religions and history, descriptions of key art forms and materials, and lesson plans for teaching about Korean art. Images and background information on specific artworks in the Metropolitan Museum's collection are also presented to support classroom learning.
1) Various approaches are used to interpret evidence from artifacts in order to understand how they were made and used, including archaeological analysis, scientific analysis, ethnographic analogy, and experimental archaeology.
2) Stone tools were made through processes like knapping and were used as tools for hunting, butchery, and other tasks. Organic materials like bone, antler, wood, and plant fibers were also used to make tools and structures, and their forms and functions have been studied through replication experiments.
3) The evolution of stone tool technologies progressed from simple Oldowan tools in the Lower Paleolithic to more advanced blade-making in the Upper Paleolithic, showing increasing complexity over time.
History of architecture (PREHISTORIC ARCHITECTURE)Aarti Pal
This document provides an overview of early human architecture and structures from prehistoric times. It describes how early humans began constructing shelters and personal spaces as they spread across the globe. Examples discussed include natural shelters like caves as well as early megalithic structures like menhirs, dolmens, cromlechs, and tumuli. The largest and most well-known structure, Stonehenge, is also summarized in its early stages of construction, highlighting how it was built in different phases using large stones transported from far distances, with astronomical alignments. Overall, the document traces some of the earliest examples of human-made architecture from prehistoric eras.
ELAICH - Educational Linkage Approach in Cultural Heritage.
For more information and presentations, please visit: http://elaich.technion.ac.il/
Historic materials of architectural surfaces: Mosaics
Elaich module 2 topic 2.6 advanced - Diagnostic study of the Hagia Sophia mos...elaich
The diagnostic study evaluated the preservation state of the Hagia Sophia's dome mosaics through material characterization and diagnosis of decay. Laboratory analysis was performed on samples of 6th century and 10th century glass tesserae and their bedding mortars. The 6th century tesserae showed bubbles, microcracking, and scratches attributed to production techniques and exposure. Analysis found gold and silver were used. The 10th century tesserae contained a copper-zinc alloy simulating silver. Bedding mortar samples were also analyzed. Additionally, non-destructive techniques like infrared thermography were used to diagnose decay both in the laboratory and in situ on the monument.
The document proposes adapting the Old Chinese Temple in Johor Bahru, Malaysia into a Cultural Learning Centre. It begins with an introduction to the site's history and a dilapidation survey identifying defects like peeling paint and mould. The proposal is to convert vacant spaces into a communal kitchen, makerspaces for crafts workshops, and a digital gallery to promote Chinese culture while preserving the prayer hall. The adaptive reuse aims to connect older and younger generations and different communities through learning traditional arts and crafts at the temple.
The document discusses challenges presented by the new Australian history curriculum. It addresses how to approach teaching overviews of historical periods within the curriculum framework. Specifically, it suggests planning courses by looking at how overview content fits with depth studies, using key inquiry questions to focus teaching and learning, and integrating overviews throughout the year to tell a broader historical story.
The document summarizes the creation of a memorial monument in Jerusalem dedicated to the victims of the September 11th terrorist attacks in the United States. Artist Eliezer Weishoff was commissioned to design and oversee the construction of the monument. The 6-meter tall bronze sculpture took over 8 years to complete due to various bureaucratic and permitting obstacles. It depicts an American flag and is surrounded by stone slabs engraved with the names of the nearly 3,000 victims. The monument was officially inaugurated in November 2009 in a ceremony in Jerusalem.
This document provides information about a course on the history of information design and visualization. It introduces the instructor, Paul Kahn, and describes the course themes, assignments, and schedule. The course will explore nine functional themes of information design through history, with a focus on how data has been transformed into visual information across cultures. Students will make in-class presentations on different themes and historical examples. They will also write a research paper analyzing a historical information design technique. The first theme is "Cosmology & theological narrative," and students are assigned to teams to present on topics within this theme, such as religious murals and bas-reliefs from various cultures.
Apply Development PlanCreate a 700- to 1,050-word development.docxarmitageclaire49
Apply: Development Plan
Create a 700- to 1,050-word development plan that includes the following:
· Assess the legalities of training.
· Determine whether the plan could offend any of the protected classes.
· Evaluate whether you will use the plan as the sole weighting for promoting and determining the eligibility of employees for the opportunity to move forward at work.
· Conduct a cultural assessment of your terminology.
· Consider the various aspects of EEOC.
Cite any sources according to APA formatting guidelines.
INSTRUCTIONS
Just a quick note to make sure you all went to the V&A (Jameel Collection and South Asian Galleries) yesterday or before and you found your visit interesting. If you haven't been yet, please make sure you go as soon as possible to complete your first written graded assignment for our course.
2000 words
WEEK 6, TUESDAY 19 FEBRUARY:
Student-led activity.
This session will take place without the instructor. Students are required to visit the Jameel Gallery AND the South Asian Gallery (on Islamic art and Mughal objects) at the Victoria and Albert Museum, London.
Students are then asked to submit ONLINE, by SUNDAY 3 MARCH, a written GALLERY REVIEW on their visit (2,000 – 3,000 words.), in which they:
- Briefly outline the main features of their chosen exhibiting space;
- Choose and discuss at least FIVE art pieces, providing a short art-historical analysis, a relevant bibliography and set of illustrations for each of them;
- Briefly consider the interaction between Western and non-Western art.
Make sure you describe all your chosen objects in a way that is meaningful and art-historically relevant (facts and dates).
Your report should reflect both the academic research behind the curating of your chosen space (how well is it curated, in your opinion?) and your own personal ideas (it should be a mixture of both).
Finally, don’t forget to structure your essay rigorously,
weave your observations within a coherent and cohesive framework,
and provide original and meaningful conclusions.
Students who fail to visit this museum and submit their written report will be marked as absent and receive an F for this assignment.
STRUCTURE
(title)
Jameel Gallery Review
2000 words (5 pieces)
INTRODUCTION and thesis (150)
(Briefly outline the main features of their chosen exhibiting space, describe the two pictures below of the gallery space called the jameel gallery) its spacious its white, the center is the ardabil carpet (talk a bit about it)
Explain how the objects are displayed in glass cubes arround the room and there is a main piece in the center
The vibrant collection spans from the early Islamic period (the 7th century) to the early 20th century and include holdings of metalwork, ceramics, architectural woodwork and textiles. Highlights include the Ardabil Carpet, the world's oldest dated carpet and one of the largest, most beautiful and historically important. CENTER PIECE OF THE .
The Indus Valley Civilization was a Bronze Age civilization that flourished between 3300-1300 BCE in what is now Pakistan and northwest India. It included over 1,000 settlements of varying size, from small villages to large cities. Notable cities included Harappa and Mohenjo-Daro, which featured advanced architecture and infrastructure like planned streets, wells, and drainage systems. The civilization developed an urbanized culture and trade networks but suddenly declined around 1300 BCE for unknown reasons. While much remains unknown about the Indus Valley Civilization, it was one of the most developed ancient civilizations.
The Museum possesses the largest collection of the world famous Gandhara Sculptures after Lahore. There is also a well appointed library in the Museum, which meets the needs of the scholars and students through its stock of 4600 books and references of arts and allied subjects.
government museum of art gallery chandigharmeygnanasivan
The Government Museum & Art Gallery in Chandigarh, India was designed by Le Corbusier and opened in 1968. It houses the second largest collection of Gandhara sculptures after Lahore, Pakistan due to the partition of India and Pakistan in 1947. The museum collection was originally in Lahore but was divided, with 60% remaining in Pakistan and 40% coming to India, including the Gandhara sculptures. The museum aims to collect, exhibit, and protect artifacts for public education and enjoyment.
The document summarizes the 4th meeting of the HEFORE project, which took place in Tallinn, Estonia from June 29th to July 3rd, 2011. Participants from several European countries attended and engaged in workshops on pedagogical cards and museum accessibility. They visited cultural institutions and participated in evaluations of the program. On the final day, participants took a bus tour of the natural and cultural sites of Lahemaa National Park and the village of Käsmu.
the article on the tomb of Nefertari ALYA AL HADDABI.docxrtodd17
the article on the tomb of Nefertari
ALYA AL HADDABI
introduction
The article selected is “The stability of the tomb of Nefertari 1904-1987”.
Authors of the article are Wilson-Yand and George Burns.
The article aimed at explaining the importance of the tomb of Nefertari as well as factors that led to deterioration of the tomb of Nefertari .
introduction
The digging of the tomb of Nefertari began after Ramesses II become the pharaoh of Egypt
Nefertari was the favorite queen of ramesses ii.
The tomb was discovered in 1904 in Egypt.
Currently is among the most elegant and most preserved tombS (Habicht et al., 2016).
The tomb of queen Nefertari is of concern to most people because of the valued artistic treasures found in the tomb.
Review of the article
There has been an international concern about the preservation of the tomb of Nefertari because of the artistic value found in the tomb.
The tomb has some of the best examples of the nineteenth-dynasty wall
paintings.
Degradation and deterioration of the tomb of Nefertari happened between the year 1904- 1987.
Most of the article did not cover the effects of the damages caused on the tomb adequately.
However the article covered some of the causes attributed to influence the degradation and deterioration of the tomb of Nefertari.
Review of the article
The Article addresses the paint loss and some of the minor losses that happened to the tomb before 1904.
Little has been covered about the massive damage that occurred between 1904- 1971.
The aim of the Authors is to provide an in-depth understanding of the damages that have occurred to the tomb of Nefertari.
History of the destruction
Destruction on the tomb occurred prior to its discovery in 1904 all the way up to 1971.
The information found through the study is useful to the international objective of conserving the tomb of Nefertari as an archeological site (Wilson-Yang, & Burns, 1989).
When preserved the tomb acted as the main source of tourist attraction to the country
Causes of the destruction
The main issue responsible for the deterioration of the tomb of Nefertari is loss of paint and plaster strata.
The article identifies the two factors as the main reason for the damages and deterioration of the value of the tomb of Nefertari.
Causes of deterioration
One of the causes of deterioration of the tomb according to the article is flood water.
It is thought that flood water entered the tomb through the underground walls.
Absorption of water by the walls caused the paintings to fade.
The tomb is a major tourist attraction. Therefore, if the government does not protect the tomb, it is risking collection of revenue from the tomb.
Importance of the tomb
The tomb has some of the most valuable nineteenth-dynasty wall paintings, An artistic treasure of Egypt
The walls are painted with attractive and vibrant colors
THE Attractiveness attracts tourist FROM across the world
It is One of the major indicators for economic .
the article on the tomb of Nefertari ALYA AL HADDABI.docxfelicitytaft14745
the article on the tomb of Nefertari
ALYA AL HADDABI
introduction
The article selected is “The stability of the tomb of Nefertari 1904-1987”.
Authors of the article are Wilson-Yand and George Burns.
The article aimed at explaining the importance of the tomb of Nefertari as well as factors that led to deterioration of the tomb of Nefertari .
introduction
The digging of the tomb of Nefertari began after Ramesses II become the pharaoh of Egypt
Nefertari was the favorite queen of ramesses ii.
The tomb was discovered in 1904 in Egypt.
Currently is among the most elegant and most preserved tombS (Habicht et al., 2016).
The tomb of queen Nefertari is of concern to most people because of the valued artistic treasures found in the tomb.
Review of the article
There has been an international concern about the preservation of the tomb of Nefertari because of the artistic value found in the tomb.
The tomb has some of the best examples of the nineteenth-dynasty wall
paintings.
Degradation and deterioration of the tomb of Nefertari happened between the year 1904- 1987.
Most of the article did not cover the effects of the damages caused on the tomb adequately.
However the article covered some of the causes attributed to influence the degradation and deterioration of the tomb of Nefertari.
Review of the article
The Article addresses the paint loss and some of the minor losses that happened to the tomb before 1904.
Little has been covered about the massive damage that occurred between 1904- 1971.
The aim of the Authors is to provide an in-depth understanding of the damages that have occurred to the tomb of Nefertari.
History of the destruction
Destruction on the tomb occurred prior to its discovery in 1904 all the way up to 1971.
The information found through the study is useful to the international objective of conserving the tomb of Nefertari as an archeological site (Wilson-Yang, & Burns, 1989).
When preserved the tomb acted as the main source of tourist attraction to the country
Causes of the destruction
The main issue responsible for the deterioration of the tomb of Nefertari is loss of paint and plaster strata.
The article identifies the two factors as the main reason for the damages and deterioration of the value of the tomb of Nefertari.
Causes of deterioration
One of the causes of deterioration of the tomb according to the article is flood water.
It is thought that flood water entered the tomb through the underground walls.
Absorption of water by the walls caused the paintings to fade.
The tomb is a major tourist attraction. Therefore, if the government does not protect the tomb, it is risking collection of revenue from the tomb.
Importance of the tomb
The tomb has some of the most valuable nineteenth-dynasty wall paintings, An artistic treasure of Egypt
The walls are painted with attractive and vibrant colors
THE Attractiveness attracts tourist FROM across the world
It is One of the major indicators for economic .
Casestudy on National Museum , New DelhiDivya Mishra
The National Museum in New Delhi is located near major transportation hubs like the Central Secretariat metro station and Indira Gandhi International Airport. It is surrounded by important government buildings and has stone sculptures, paintings, and landscaping around it. The three-floor museum contains numerous exhibition spaces, as well as an auditorium, library, offices, and conservation laboratory. Special lighting and flooring designs were used in different galleries. While the building utilized reinforced concrete and red sandstone, it lacked sufficient parking and had poor fire exit accessibility.
The document provides an overview of mural art traditions in India, beginning with early traditions at sites like Ajanta, Ellora, Bagh, and later traditions under dynasties like the Chola. It discusses the history, themes, techniques, and materials of important mural art centers in India. Key points include the use of natural pigments like ochres and lapis lazuli, application over plaster on cave walls or plain temple walls, and depictions of religious, political, and secular themes through narratives and figures. Mural traditions evolved over time, with regional styles developing under the Pallava and Chola that built upon earlier Gupta and Vakataka styles seen at Ajanta.
This document provides an overview of Korean art and culture for educators. It includes background information on Korean history and religions, an overview of Korean art history, descriptions of key artworks in the Metropolitan Museum's collection, and classroom resources. The materials aim to introduce teachers and students to Korea's rich artistic heritage and encourage the use of the Museum's new Arts of Korea gallery in lessons.
Arts of korea (metropolitan museum) esame salviati 2 da 4cfuguest44a901
The document provides an introduction to Korean art and culture for educators. It includes a timeline of Korean history, overviews of Korean religions and history, descriptions of key art forms and materials, and lesson plans for teaching about Korean art. Images and background information on specific artworks in the Metropolitan Museum's collection are also presented to support classroom learning.
1) Various approaches are used to interpret evidence from artifacts in order to understand how they were made and used, including archaeological analysis, scientific analysis, ethnographic analogy, and experimental archaeology.
2) Stone tools were made through processes like knapping and were used as tools for hunting, butchery, and other tasks. Organic materials like bone, antler, wood, and plant fibers were also used to make tools and structures, and their forms and functions have been studied through replication experiments.
3) The evolution of stone tool technologies progressed from simple Oldowan tools in the Lower Paleolithic to more advanced blade-making in the Upper Paleolithic, showing increasing complexity over time.
History of architecture (PREHISTORIC ARCHITECTURE)Aarti Pal
This document provides an overview of early human architecture and structures from prehistoric times. It describes how early humans began constructing shelters and personal spaces as they spread across the globe. Examples discussed include natural shelters like caves as well as early megalithic structures like menhirs, dolmens, cromlechs, and tumuli. The largest and most well-known structure, Stonehenge, is also summarized in its early stages of construction, highlighting how it was built in different phases using large stones transported from far distances, with astronomical alignments. Overall, the document traces some of the earliest examples of human-made architecture from prehistoric eras.
ELAICH - Educational Linkage Approach in Cultural Heritage.
For more information and presentations, please visit: http://elaich.technion.ac.il/
Historic materials of architectural surfaces: Mosaics
Elaich module 2 topic 2.6 advanced - Diagnostic study of the Hagia Sophia mos...elaich
The diagnostic study evaluated the preservation state of the Hagia Sophia's dome mosaics through material characterization and diagnosis of decay. Laboratory analysis was performed on samples of 6th century and 10th century glass tesserae and their bedding mortars. The 6th century tesserae showed bubbles, microcracking, and scratches attributed to production techniques and exposure. Analysis found gold and silver were used. The 10th century tesserae contained a copper-zinc alloy simulating silver. Bedding mortar samples were also analyzed. Additionally, non-destructive techniques like infrared thermography were used to diagnose decay both in the laboratory and in situ on the monument.
The document proposes adapting the Old Chinese Temple in Johor Bahru, Malaysia into a Cultural Learning Centre. It begins with an introduction to the site's history and a dilapidation survey identifying defects like peeling paint and mould. The proposal is to convert vacant spaces into a communal kitchen, makerspaces for crafts workshops, and a digital gallery to promote Chinese culture while preserving the prayer hall. The adaptive reuse aims to connect older and younger generations and different communities through learning traditional arts and crafts at the temple.
The document discusses challenges presented by the new Australian history curriculum. It addresses how to approach teaching overviews of historical periods within the curriculum framework. Specifically, it suggests planning courses by looking at how overview content fits with depth studies, using key inquiry questions to focus teaching and learning, and integrating overviews throughout the year to tell a broader historical story.
The document summarizes the creation of a memorial monument in Jerusalem dedicated to the victims of the September 11th terrorist attacks in the United States. Artist Eliezer Weishoff was commissioned to design and oversee the construction of the monument. The 6-meter tall bronze sculpture took over 8 years to complete due to various bureaucratic and permitting obstacles. It depicts an American flag and is surrounded by stone slabs engraved with the names of the nearly 3,000 victims. The monument was officially inaugurated in November 2009 in a ceremony in Jerusalem.
This document provides information about a course on the history of information design and visualization. It introduces the instructor, Paul Kahn, and describes the course themes, assignments, and schedule. The course will explore nine functional themes of information design through history, with a focus on how data has been transformed into visual information across cultures. Students will make in-class presentations on different themes and historical examples. They will also write a research paper analyzing a historical information design technique. The first theme is "Cosmology & theological narrative," and students are assigned to teams to present on topics within this theme, such as religious murals and bas-reliefs from various cultures.
Apply Development PlanCreate a 700- to 1,050-word development.docxarmitageclaire49
Apply: Development Plan
Create a 700- to 1,050-word development plan that includes the following:
· Assess the legalities of training.
· Determine whether the plan could offend any of the protected classes.
· Evaluate whether you will use the plan as the sole weighting for promoting and determining the eligibility of employees for the opportunity to move forward at work.
· Conduct a cultural assessment of your terminology.
· Consider the various aspects of EEOC.
Cite any sources according to APA formatting guidelines.
INSTRUCTIONS
Just a quick note to make sure you all went to the V&A (Jameel Collection and South Asian Galleries) yesterday or before and you found your visit interesting. If you haven't been yet, please make sure you go as soon as possible to complete your first written graded assignment for our course.
2000 words
WEEK 6, TUESDAY 19 FEBRUARY:
Student-led activity.
This session will take place without the instructor. Students are required to visit the Jameel Gallery AND the South Asian Gallery (on Islamic art and Mughal objects) at the Victoria and Albert Museum, London.
Students are then asked to submit ONLINE, by SUNDAY 3 MARCH, a written GALLERY REVIEW on their visit (2,000 – 3,000 words.), in which they:
- Briefly outline the main features of their chosen exhibiting space;
- Choose and discuss at least FIVE art pieces, providing a short art-historical analysis, a relevant bibliography and set of illustrations for each of them;
- Briefly consider the interaction between Western and non-Western art.
Make sure you describe all your chosen objects in a way that is meaningful and art-historically relevant (facts and dates).
Your report should reflect both the academic research behind the curating of your chosen space (how well is it curated, in your opinion?) and your own personal ideas (it should be a mixture of both).
Finally, don’t forget to structure your essay rigorously,
weave your observations within a coherent and cohesive framework,
and provide original and meaningful conclusions.
Students who fail to visit this museum and submit their written report will be marked as absent and receive an F for this assignment.
STRUCTURE
(title)
Jameel Gallery Review
2000 words (5 pieces)
INTRODUCTION and thesis (150)
(Briefly outline the main features of their chosen exhibiting space, describe the two pictures below of the gallery space called the jameel gallery) its spacious its white, the center is the ardabil carpet (talk a bit about it)
Explain how the objects are displayed in glass cubes arround the room and there is a main piece in the center
The vibrant collection spans from the early Islamic period (the 7th century) to the early 20th century and include holdings of metalwork, ceramics, architectural woodwork and textiles. Highlights include the Ardabil Carpet, the world's oldest dated carpet and one of the largest, most beautiful and historically important. CENTER PIECE OF THE .
The Indus Valley Civilization was a Bronze Age civilization that flourished between 3300-1300 BCE in what is now Pakistan and northwest India. It included over 1,000 settlements of varying size, from small villages to large cities. Notable cities included Harappa and Mohenjo-Daro, which featured advanced architecture and infrastructure like planned streets, wells, and drainage systems. The civilization developed an urbanized culture and trade networks but suddenly declined around 1300 BCE for unknown reasons. While much remains unknown about the Indus Valley Civilization, it was one of the most developed ancient civilizations.
Similar to Elaich module 7 topic 7.3 - Example 1 of study and documentation of a historic site (20)
The document provides guidelines for students to study and document a historic site as part of an educational program called ELAICH. It outlines 3 levels of documentation - Level A involves taking photographs, Level B involves on-site sketching, and Level C involves taking precise measurements to produce detailed drawings. Level A is the basic requirement, while Level C is the most advanced. The goal is for students to apply their educational knowledge to accurately observe, describe, and analyze deterioration and other issues at the historic site in order to help preservation experts.
ELAICH - Educational Linkage Approach in Cultural Heritage.
For more information and presentations, please visit: http://elaich.technion.ac.il/
How to monitor cultural heritage after the conservation treatments
The document discusses an educational linkage approach in cultural heritage called eLAICH. It describes eLAICH as an e-learning platform that provides educational content in various digital formats like PowerPoint, PDF, and Word. eLAICH aims to create online educational materials linked to cultural heritage through different media channels.
Elaich module 4 topic 4.8 - Reverse engineering for compatible and performing...elaich
ELAICH - Educational Linkage Approach in Cultural Heritage.
For more information and presentations, please visit: http://elaich.technion.ac.il/
Reverse engineering for compatible and performing restoration materials – case studies
Reimagining Your Library Space: How to Increase the Vibes in Your Library No ...Diana Rendina
Librarians are leading the way in creating future-ready citizens – now we need to update our spaces to match. In this session, attendees will get inspiration for transforming their library spaces. You’ll learn how to survey students and patrons, create a focus group, and use design thinking to brainstorm ideas for your space. We’ll discuss budget friendly ways to change your space as well as how to find funding. No matter where you’re at, you’ll find ideas for reimagining your space in this session.
ISO/IEC 27001, ISO/IEC 42001, and GDPR: Best Practices for Implementation and...PECB
Denis is a dynamic and results-driven Chief Information Officer (CIO) with a distinguished career spanning information systems analysis and technical project management. With a proven track record of spearheading the design and delivery of cutting-edge Information Management solutions, he has consistently elevated business operations, streamlined reporting functions, and maximized process efficiency.
Certified as an ISO/IEC 27001: Information Security Management Systems (ISMS) Lead Implementer, Data Protection Officer, and Cyber Risks Analyst, Denis brings a heightened focus on data security, privacy, and cyber resilience to every endeavor.
His expertise extends across a diverse spectrum of reporting, database, and web development applications, underpinned by an exceptional grasp of data storage and virtualization technologies. His proficiency in application testing, database administration, and data cleansing ensures seamless execution of complex projects.
What sets Denis apart is his comprehensive understanding of Business and Systems Analysis technologies, honed through involvement in all phases of the Software Development Lifecycle (SDLC). From meticulous requirements gathering to precise analysis, innovative design, rigorous development, thorough testing, and successful implementation, he has consistently delivered exceptional results.
Throughout his career, he has taken on multifaceted roles, from leading technical project management teams to owning solutions that drive operational excellence. His conscientious and proactive approach is unwavering, whether he is working independently or collaboratively within a team. His ability to connect with colleagues on a personal level underscores his commitment to fostering a harmonious and productive workplace environment.
Date: May 29, 2024
Tags: Information Security, ISO/IEC 27001, ISO/IEC 42001, Artificial Intelligence, GDPR
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Find out more about ISO training and certification services
Training: ISO/IEC 27001 Information Security Management System - EN | PECB
ISO/IEC 42001 Artificial Intelligence Management System - EN | PECB
General Data Protection Regulation (GDPR) - Training Courses - EN | PECB
Webinars: https://pecb.com/webinars
Article: https://pecb.com/article
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For more information about PECB:
Website: https://pecb.com/
LinkedIn: https://www.linkedin.com/company/pecb/
Facebook: https://www.facebook.com/PECBInternational/
Slideshare: http://www.slideshare.net/PECBCERTIFICATION
it describes the bony anatomy including the femoral head , acetabulum, labrum . also discusses the capsule , ligaments . muscle that act on the hip joint and the range of motion are outlined. factors affecting hip joint stability and weight transmission through the joint are summarized.
Chapter wise All Notes of First year Basic Civil Engineering.pptxDenish Jangid
Chapter wise All Notes of First year Basic Civil Engineering
Syllabus
Chapter-1
Introduction to objective, scope and outcome the subject
Chapter 2
Introduction: Scope and Specialization of Civil Engineering, Role of civil Engineer in Society, Impact of infrastructural development on economy of country.
Chapter 3
Surveying: Object Principles & Types of Surveying; Site Plans, Plans & Maps; Scales & Unit of different Measurements.
Linear Measurements: Instruments used. Linear Measurement by Tape, Ranging out Survey Lines and overcoming Obstructions; Measurements on sloping ground; Tape corrections, conventional symbols. Angular Measurements: Instruments used; Introduction to Compass Surveying, Bearings and Longitude & Latitude of a Line, Introduction to total station.
Levelling: Instrument used Object of levelling, Methods of levelling in brief, and Contour maps.
Chapter 4
Buildings: Selection of site for Buildings, Layout of Building Plan, Types of buildings, Plinth area, carpet area, floor space index, Introduction to building byelaws, concept of sun light & ventilation. Components of Buildings & their functions, Basic concept of R.C.C., Introduction to types of foundation
Chapter 5
Transportation: Introduction to Transportation Engineering; Traffic and Road Safety: Types and Characteristics of Various Modes of Transportation; Various Road Traffic Signs, Causes of Accidents and Road Safety Measures.
Chapter 6
Environmental Engineering: Environmental Pollution, Environmental Acts and Regulations, Functional Concepts of Ecology, Basics of Species, Biodiversity, Ecosystem, Hydrological Cycle; Chemical Cycles: Carbon, Nitrogen & Phosphorus; Energy Flow in Ecosystems.
Water Pollution: Water Quality standards, Introduction to Treatment & Disposal of Waste Water. Reuse and Saving of Water, Rain Water Harvesting. Solid Waste Management: Classification of Solid Waste, Collection, Transportation and Disposal of Solid. Recycling of Solid Waste: Energy Recovery, Sanitary Landfill, On-Site Sanitation. Air & Noise Pollution: Primary and Secondary air pollutants, Harmful effects of Air Pollution, Control of Air Pollution. . Noise Pollution Harmful Effects of noise pollution, control of noise pollution, Global warming & Climate Change, Ozone depletion, Greenhouse effect
Text Books:
1. Palancharmy, Basic Civil Engineering, McGraw Hill publishers.
2. Satheesh Gopi, Basic Civil Engineering, Pearson Publishers.
3. Ketki Rangwala Dalal, Essentials of Civil Engineering, Charotar Publishing House.
4. BCP, Surveying volume 1
This slide is special for master students (MIBS & MIFB) in UUM. Also useful for readers who are interested in the topic of contemporary Islamic banking.
This document provides an overview of wound healing, its functions, stages, mechanisms, factors affecting it, and complications.
A wound is a break in the integrity of the skin or tissues, which may be associated with disruption of the structure and function.
Healing is the body’s response to injury in an attempt to restore normal structure and functions.
Healing can occur in two ways: Regeneration and Repair
There are 4 phases of wound healing: hemostasis, inflammation, proliferation, and remodeling. This document also describes the mechanism of wound healing. Factors that affect healing include infection, uncontrolled diabetes, poor nutrition, age, anemia, the presence of foreign bodies, etc.
Complications of wound healing like infection, hyperpigmentation of scar, contractures, and keloid formation.
Beyond Degrees - Empowering the Workforce in the Context of Skills-First.pptxEduSkills OECD
Iván Bornacelly, Policy Analyst at the OECD Centre for Skills, OECD, presents at the webinar 'Tackling job market gaps with a skills-first approach' on 12 June 2024
How to Setup Warehouse & Location in Odoo 17 InventoryCeline George
In this slide, we'll explore how to set up warehouses and locations in Odoo 17 Inventory. This will help us manage our stock effectively, track inventory levels, and streamline warehouse operations.
हिंदी वर्णमाला पीपीटी, hindi alphabet PPT presentation, hindi varnamala PPT, Hindi Varnamala pdf, हिंदी स्वर, हिंदी व्यंजन, sikhiye hindi varnmala, dr. mulla adam ali, hindi language and literature, hindi alphabet with drawing, hindi alphabet pdf, hindi varnamala for childrens, hindi language, hindi varnamala practice for kids, https://www.drmullaadamali.com
LAND USE LAND COVER AND NDVI OF MIRZAPUR DISTRICT, UPRAHUL
This Dissertation explores the particular circumstances of Mirzapur, a region located in the
core of India. Mirzapur, with its varied terrains and abundant biodiversity, offers an optimal
environment for investigating the changes in vegetation cover dynamics. Our study utilizes
advanced technologies such as GIS (Geographic Information Systems) and Remote sensing to
analyze the transformations that have taken place over the course of a decade.
The complex relationship between human activities and the environment has been the focus
of extensive research and worry. As the global community grapples with swift urbanization,
population expansion, and economic progress, the effects on natural ecosystems are becoming
more evident. A crucial element of this impact is the alteration of vegetation cover, which plays a
significant role in maintaining the ecological equilibrium of our planet.Land serves as the foundation for all human activities and provides the necessary materials for
these activities. As the most crucial natural resource, its utilization by humans results in different
'Land uses,' which are determined by both human activities and the physical characteristics of the
land.
The utilization of land is impacted by human needs and environmental factors. In countries
like India, rapid population growth and the emphasis on extensive resource exploitation can lead
to significant land degradation, adversely affecting the region's land cover.
Therefore, human intervention has significantly influenced land use patterns over many
centuries, evolving its structure over time and space. In the present era, these changes have
accelerated due to factors such as agriculture and urbanization. Information regarding land use and
cover is essential for various planning and management tasks related to the Earth's surface,
providing crucial environmental data for scientific, resource management, policy purposes, and
diverse human activities.
Accurate understanding of land use and cover is imperative for the development planning
of any area. Consequently, a wide range of professionals, including earth system scientists, land
and water managers, and urban planners, are interested in obtaining data on land use and cover
changes, conversion trends, and other related patterns. The spatial dimensions of land use and
cover support policymakers and scientists in making well-informed decisions, as alterations in
these patterns indicate shifts in economic and social conditions. Monitoring such changes with the
help of Advanced technologies like Remote Sensing and Geographic Information Systems is
crucial for coordinated efforts across different administrative levels. Advanced technologies like
Remote Sensing and Geographic Information Systems
9
Changes in vegetation cover refer to variations in the distribution, composition, and overall
structure of plant communities across different temporal and spatial scales. These changes can
occur natural.
LAND USE LAND COVER AND NDVI OF MIRZAPUR DISTRICT, UP
Elaich module 7 topic 7.3 - Example 1 of study and documentation of a historic site
1. Educational Linkage Approach In Cultural Heritage Basic Course FINAL PROJECT IN THE COURSE ELAICH PILOT COURSE IN HAIFA, ISRAEL Study of the Residential Compound & Senior Synagogue, Tiberias Adopt a site Example of free-hand sketch (Level “B”) Educational Toolkit
3. Slide The project was made possible with a supervision of conservation and education experts form the Technion, Israel Institute of Technology Dr. Anna Lobovikov-Katz , Arch. Asya Natapov , Participation of The Hebrew Reali School Haifa, Orel Neman - Science Director in Campus Matos Noga Cohavi - Pedagogy Director and Jewish Peoplehood Program Director Kind assistance of the Israel Antiquity Authority, the Society for Preservation of Israel Heritage Sites Team 1: Nadav David, Itai Shechter, Dan Moav Team 2: Nesi Bahar, Eden Segal, Tohar Leibowitz Team 3: Team 4: Eyal Laster, Guy Haran, Yuval Goldberg Final Project: A 2-day site work at the Senior Synagogue, Tiberias Eden Garion, Hagar Pikkel, Itay Eldar, Rotem Erez ELAICH - Educational Linkage Approach in Cultural Heritage ELAICH Pilot Course in Haifa, Israel, October -December 2010
4. Slide Team 4 Team 2 Team 1 Final Project: A 2-day site work at the Senior Synagogue, Tiberias ELAICH - Educational Linkage Approach in Cultural Heritage ELAICH Pilot Course in Haifa, Israel, October -December 2010 Team 3
5. Slide Team 2 Indoor Window Team 1 Arch in the Niche Team 3 Site Entrance Team 4 Synagogue Entrance Final Project: A 2-day site work at the Senior Synagogue, Tiberias ELAICH - Educational Linkage Approach in Cultural Heritage ELAICH Pilot Course in Haifa, Israel, October -December 2010
6. Slide Historical background Tiberias was founded sometime around 20 CE in the Judea Province of Rome by Roman-Jewish client king Herod Antipas, who made it the capital of his realm in Galilee. [ It had a Jewish majority, living alongside a heterogeneous population. It was named in honor of the Roman Emperor Tiberius. As the Ottoman Empire expanded along the southern Mediterranean coast Many Conversos , ( Marranos and Moriscos ) and Sephardi Jews fled in fear to the Ottoman provinces, settling in Palestine. Tiberias obtained a permit to establish Jewish autonomy there Early 19th century Tiberius was under Turkish rule. An earthquake in 1837, centered in Tzfat, caused the destruction of most buildings in Tiberius. The same year “Senor " (Rabbi Chaim Shmuel Hacohen Konorti) and Jacob Nino establish a small synagogue on the Sea of Galilee. The Rabbi, born in Sofia in 1792, came to Tiberius at the age of 45. He is considered one of the greatest 19 th century scholars in Tiberius and left his mark on the city's community. He was responsible for the major restoration of the ruins of the city after the great earthquake. Traveling over the years as rabbinic courier to collect donations in Jewish communities, he also gathered rare books and manuscripts which he brought to the synagogue in Tiberias. The structural form is a small synagogue at the center with extended family living quarters built around it. ELAICH - Educational Linkage Approach in Cultural Heritage ELAICH Pilot Course in Haifa, Israel, October -December 2010
7. Final Project: A 2-day site work at the El Senor Synagogue, Tiberias Arch in the Niche Eden Garion, Hagar Pikkel, Itay Eldar, Rotem Erez Team 1 ELAICH - Educational Linkage Approach in Cultural Heritage ELAICH Pilot Course in Haifa, Israel, October -December 2010
8. Team 3 Part 1: Description and analysis Materials: rocks • basalt Team 1 1 • limestone # 1 - (stated) in disabilities face 2 • limestone # 2 - cornerstones 3 • limestone # 3 4 • limestone # 4 - (the length between 1-15 cm.) ELAICH - Educational Linkage Approach in Cultural Heritage ELAICH Pilot Course in Haifa, Israel, October -December 2010
9. Team 3 Part 1: Description and analysis Plaster: • No. 1 - gray, thin grains, uniform, crumbles easily, and airy • No. 2 - reddish brown, uneven, coarse-grained tiny black and white stones, not peeling Lime colors: white, green, blue and yellow Bonding material: • Material # 1 - light brown, crumbles easily, relatively uniform texture and brown and white grains • Material # 2 - light gray material with coarse grains in white and black • Material # 3 - gray, hard, dirty white stones Weathering: • bright spots (Gear No. 1, Stones No.: 1,6,8,9,11) • dark spots (Stones No.: 3,7,10,12) • precipitation (rows 1-3 on the right (counting from the base of the lower spectrum), stone No. 5, down from the base of the inner arc) • Cement - gray, hard, uniform, mostly fills the center Team 1 ELAICH - Educational Linkage Approach in Cultural Heritage ELAICH Pilot Course in Haifa, Israel, October -December 2010
10. Part 1: Description and analysis Physical Description: Bottom spectrum base width 195 cm. Lower arch curve base 190 cm. Inset niche - height 215 cm. Inset niche - height’s base 26 cm. Higher arch base width 360 cm. (Secondary arch height 158 cm) Upper arch height 334 cm. Internal application has an internal width bar of two layers of rock. First, wide stone discs about 7 cm, mostly black. It’s space double rainbow at a depth of 40 cm niche in the wall. Ceiling of the room convex cross. Walls of the room are not straight due to the "patchwork" building. The other side of the wall of the building is exposed only at a height of 141 cm. The second layer (outer) rectangular black stones and rocks are newer and visibility yellow. Some of the yellow stones look natural and appear undressed, these crumble. There are also dressed yellow stones that do not crumble. Both are called limestone No. 3. In the same area there is no stable bonding material, and the far-right rock is loose. Also in the same plane (inner width) are "Deputy“ stones, these are small black or white limestone disks (limestone No. 4). A wall was built on the outside of the arch after the arch built, and after it was filled in with stones..The cornerstones are intact (limestone No. 2). These are yellowish white. They are about 16 +6 cm width and about 20 cm long. In the inner arc are 3 spots of (green and blue) bonding material, and patches of white quicklime. Colored cement can also be found on the older color. Overall there are about 15 layers of paint. There are sections where there are deep cracks in cement , some as much as 2-3 cm between the stones ement. ELAICH - Educational Linkage Approach in Cultural Heritage ELAICH Pilot Course in Haifa, Israel, October -December 2010 Team 3
11. ELAICH - Educational Linkage Approach in Cultural Heritage Part 1: Description and analysis The upper stones are powdering onto the lower stones where there is also wind-blown sand (from sand storms) which entered thru open doorway. In the third row from the bottom on the left is an unusual stone. It Is white with orange spots and is called limestone No. 1. The upper arch wall cement covering can be found at a height of 220 cm with little stones. There is a space of 2.2 to 3 cm between the cement and the wall. There is a newer cement filling in the middle. Sides of the upper spectrum are not equal. Height 125 cm, width 116 cm on the left and 50 cm on the right. The stones at the bottom are large, mostly black squares (Except the fill stones). Larger stones are at the bottom, gradually getting smaller toward the top. They are arranged in rows in till mid-height and then the stones can be seen filling sequence of black stones, medium, and dressed not straight. At the top right corner of the connection can be seen two arches to 84 cm. Third row from bottom on the right side shows a basalt covered with other materials. Both sides the wall are not straight. *Perhaps the external vault arch (top arch) was built before by the fact that blocks are still in the vault. Most spots are in the submerged part of the wall, and dampness is mostly in the western part (right corner). In this area most of the rain comes from the west. Various types of stones indicate later construction, additions and stabilization at different times. Some of the stones have worn and have holes (ex. stone # 4). ELAICH - Educational Linkage Approach in Cultural Heritage ELAICH Pilot Course in Haifa, Israel, October -December 2010 Team 1
12. Part 2: Graphic material - Precise geometrical drawing ELAICH - Educational Linkage Approach in Cultural Heritage ELAICH Pilot Course in Haifa, Israel, October -December 2010 26 cm 40 cm 50 cm 50 cm 11.Cm of filling small stones Smaller stones + fallimg mortar Team 1
13. Final Project: A 2 day site work at the Signor Synagogue, Tiberias Indoor Window Tohar Leibowitz Eden Segal Nesi Bahar Team 2 ELAICH - Educational Linkage Approach in Cultural Heritage ELAICH Pilot Course in Haifa, Israel, October -December 2010
14. Part 1: Description and analysis Team 2 Stones : There are small and large stones. Various stones have a different slope- some are straight and some are not. The window is surrounded by limestone and rest of the wall are made of basalt. The stones are not placed in the precise order. This indicates that these stones might have been cornerstones of the building and not intended to be used for a wall. Lack of bonding materials in many places causes the stones to deteriorate. There are only two types of rocks: limestone and basalt. The left wall, which constructed from basalt, was built later. We can conclude this observing the gap between two walls. Window and its surrounding: Crack and gaps can be seen in stones. Nails which stuck from the mortal are destroying the material and weakened it. Another thing that destroys the stone is attached wooden frame with nails and wooden poles. The window doesn’t serve as a window; it was sealed and turned into niche.The wooden frame is straight, but wall stones are not. Each pair of wooden frame have an equal width. Arc base of the window has a length of 32 cm. Plaster’s color: There are about ten layers of plaster with different color. Each layer represents a different time period: 1 . White 2 . Pink 3 . White 4 . Mustard 5 . Blue light 6 . Black 7 . Blue light 8 . Blue 9 . White 10 . Blue light ELAICH - Educational Linkage Approach in Cultural Heritage ELAICH Pilot Course in Haifa, Israel, October -December 2010
15. Part 1: Description and analysis Deterioration types – comparison with other teams ELAICH - Educational Linkage Approach in Cultural Heritage ELAICH Pilot Course in Haifa, Israel, October -December 2010 Team 2
16. Slide Team 3 Site Entrance Nadav David, Itai Shechter, Dan Moav Final Project: A 2-day site work at the Signor Synagogue, Tiberias ELAICH - Educational Linkage Approach in Cultural Heritage ELAICH Pilot Course in Haifa, Israel, October -December 2010
17.
18. Part 1: Description and analysis Team 3 11 . Upper part of the arch is completely covered cement and plaster 12 . Mostly covered with plaster. Because of the plaster it is hard to know the stone is attached to stone no. 14 13 . Basalt stone, covered with several layers of plaster 14 . Covered with white plaster. It’s impossible to know if the stone is attached to stone number 12 or they are the same stone 15 . Large stone, with cavities on the bottom and leftovers of green plaster 16 . Basalt stone with white plaster on the bottom and blue plaster on the top 17 . Large broken stone with layers of white plaster. In addition there is a crack and cavities on the left side 18 . Big "spot" of concrete which extends to the left side of the stones 19-21. Basalt stone, different from the others is seen underneath 19 .Stone white and green mortar 20 . Very powdering stone. Layers of plaster covers area that crumbled in the past. 21 . Stone with the remains of plaster 22 . Iron stuck at the bottom of the stone. Everything is covered with plaster so you never know how many stones are there. On the right side there are some spots of cement. ELAICH - Educational Linkage Approach in Cultural Heritage ELAICH Pilot Course in Haifa, Israel, October -December 2010
19. Final Project: A 2-day site work at the Signor Synagogue, Tiberias Synagogue Entrance Eyal Laster, Guy Haran, Yuval Goldberg Team 4 ELAICH - Educational Linkage Approach in Cultural Heritage ELAICH Pilot Course in Haifa, Israel, October -December 2010
20. Slide Part 1: Description and analysis 1 . From the left of the window there is a deep cavity about is 4 cm depth. Plaster cover is crumbling all around the window and there is a lot of moisture. The cavity is caused moisture penetrated the stone. With no care the stone continues to fell apart. 2 . 60 cm above the floor level and 20 cm from the door there are cavities 2 cm depth and plaster breakdown throughout the surface. There are areas where you can see the original plaster layers beneath plaster colors of green and blue painted with white color. 3 . Stones exposed all over the door and there are long plaster cracks above the door. Upper stone of the door arch looks new, it is probably replaced. ELAICH - Educational Linkage Approach in Cultural Heritage ELAICH Pilot Course in Haifa, Israel, October -December 2010 Team 4
21. Team 1 Part 4 - Field book Geometrical drawing ELAICH - Educational Linkage Approach in Cultural Heritage ELAICH Pilot Course in Haifa, Israel, October -December 2010 Team 1
22. Part 4 - Field book Building materials Team 3 Team 1 ELAICH - Educational Linkage Approach in Cultural Heritage ELAICH Pilot Course in Haifa, Israel, October -December 2010
23. Part 4 - Field book Team 1 ELAICH - Educational Linkage Approach in Cultural Heritage ELAICH Pilot Course in Haifa, Israel, October -December 2010 Team 1
24. Part 4 : Field book Team 1 Geometrical drawing Arch measures Deteriorations types Building materials ELAICH - Educational Linkage Approach in Cultural Heritage ELAICH Pilot Course in Haifa, Israel, October -December 2010 Team 2
25. Part 4 : Field book Team 3 ציור כללי של המקום ELAICH - Educational Linkage Approach in Cultural Heritage ELAICH Pilot Course in Haifa, Israel, October -December 2010
26. Slide 13 Part 4 : Field book Team 1 ELAICH - Educational Linkage Approach in Cultural Heritage ELAICH Pilot Course in Haifa, Israel, October -December 2010 Team 4