Drum microphone techniques
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This document discusses stereo drum microphone techniques including the AB/spaced pair technique, XY/coincident pair technique, and Glyn Johns/recorderman technique. It provides tips for minimizing or maximizing room sound using overhead microphones. It also notes that avoiding phase coherency problems with kick and snare drums requires keeping them centered between overhead mics. Finally, it lists frequency ranges for achieving different qualities in the sound of kick drums, snare drums, toms, and cymbals.
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