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Maharaja Krishnakumarsinhji Bhavnagar University
Department of English
Date: 4st April 2023
Sem 4। Batch 2022-24
Presentation on
“Navigating Narratives:
A Narratological Exploration of Nonlinear
Storytelling in Film”
Dissertation
Presented by
Ghanshyam Katariya
Navigating
Narratives:
A Narratological
Exploration of
Nonlinear Storytelling
in Film
Chapter 1: Introduction
Chapter 2: Literary Review
Chapter 3: Core Analysis of Films - Exploring
Memory, Identity, and Nonlinear Narratives
Chapter List
Chapter 4: Core Analysis of Films - Multiple
Perspectives and Fragmented Narratives in films
Chapter 5: Conclusion
Chapter 1: Introduction
● What is Cinema
● Significance of cinematic
Narration
● Evolution of Storytelling in
Films
● What is Narratology
● Narratology and Non-Linear
Storytelling
Chapter 2: Literary Review
● Narration in film
● Nonlinear cinema
● Nonlinear storytelling techniques in
films
● Research gap on nonlinear
narratives in film
● Hypothesis
Chapter 3: Core Analysis of Films - Exploring Memory,
Identity, and Nonlinear Narratives in ‘Memento’(2000)
and ‘Eternal Sunshine of the Spotless Mind’ (2004)
● Background and context
● Narrative structure and nonlinearity
● Multiple perspectives and moral
ambiguity
● Truth, subjectivity, and unreliable
memory
● Challenging audience perceptions
and interpretations
Chapter 4: Core Analysis of Films - Multiple
Perspectives and Fragmented Narratives in films
‘Pulp Fiction’ (1994) and ‘Rashomon’ (1950)
● Background and context
● Narrative structure and nonlinearity
● Multiple perspectives and moral ambiguity
● Truth, subjectivity, and unreliable memory
● Challenging audience perceptions and
interpretations
Comparative Analysis
● Memento & Eternal Sunshine of the
Spotless Mind
● Pulp Fiction & Rashomon
Chapter 5: Conclusion
● Summary of findings
● Significance of nonlinear
storytelling
● Future research directions
Bibliography
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Thank You

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  • 1. Maharaja Krishnakumarsinhji Bhavnagar University Department of English Date: 4st April 2023 Sem 4। Batch 2022-24 Presentation on “Navigating Narratives: A Narratological Exploration of Nonlinear Storytelling in Film” Dissertation Presented by Ghanshyam Katariya
  • 3. Chapter 1: Introduction Chapter 2: Literary Review Chapter 3: Core Analysis of Films - Exploring Memory, Identity, and Nonlinear Narratives Chapter List Chapter 4: Core Analysis of Films - Multiple Perspectives and Fragmented Narratives in films Chapter 5: Conclusion
  • 4. Chapter 1: Introduction ● What is Cinema ● Significance of cinematic Narration ● Evolution of Storytelling in Films ● What is Narratology ● Narratology and Non-Linear Storytelling
  • 5. Chapter 2: Literary Review ● Narration in film ● Nonlinear cinema ● Nonlinear storytelling techniques in films ● Research gap on nonlinear narratives in film ● Hypothesis
  • 6. Chapter 3: Core Analysis of Films - Exploring Memory, Identity, and Nonlinear Narratives in ‘Memento’(2000) and ‘Eternal Sunshine of the Spotless Mind’ (2004) ● Background and context ● Narrative structure and nonlinearity ● Multiple perspectives and moral ambiguity ● Truth, subjectivity, and unreliable memory ● Challenging audience perceptions and interpretations
  • 7. Chapter 4: Core Analysis of Films - Multiple Perspectives and Fragmented Narratives in films ‘Pulp Fiction’ (1994) and ‘Rashomon’ (1950) ● Background and context ● Narrative structure and nonlinearity ● Multiple perspectives and moral ambiguity ● Truth, subjectivity, and unreliable memory ● Challenging audience perceptions and interpretations
  • 8. Comparative Analysis ● Memento & Eternal Sunshine of the Spotless Mind ● Pulp Fiction & Rashomon
  • 9. Chapter 5: Conclusion ● Summary of findings ● Significance of nonlinear storytelling ● Future research directions
  • 10. Bibliography Aprahamian, Steve. “File:Memento Timeline Plot vs Story.jpg.” Wikimedia Commons, 2 October 2009, https://commons.wikimedia.org/wiki/File:Memento_Timeline_Plot_vs_Story.jpg. Accessed 21 March 2024. Bolewski, Christin. “Nonlinear narratives: crossing borders between contemporary film, art and digital media practice.” Loughborough University Research Repository, 2 October 2015, https://repository.lboro.ac.uk/articles/journal_contribution/Nonlinear_narratives_crossing_borders_between_contemporary_film_ art_and_digital_media_practice/9335429 . Accessed 24 February 2024. Booker, M. Keith. “PULP FICTION (1994, directed by Quentin Tarantino), Comments on Culture.” bookerhorror.com, 2021, https://bookerhorror.com/pulp-fiction-1994-directed-by-quentin-tarantino/. Accessed 22 March 2024. Bordwell, David. Poetics of Cinema. Taylor & Francis, 2012 “CINEMA Definition & Usage Examples.” Dictionary.com, https://www.dictionary.com/browse/cinemas. Accessed 8 February 2024. Brown, Larry A. How Films Tell Stories: The Narratology of Cinema. Creative Arts Press, 2016. Buckland, Warren, editor. Puzzle Films: Complex Storytelling in Contemporary Cinema. Wiley, 2009. Davis, Blair, et al., editors. Rashomon Effects: Kurosawa, Rashomon and Their Legacies. Taylor & Francis, 2015. Eckhard, Petra, et al., editors. Landscapes of Postmodernity: Concepts and Paradigms of Critical Theory. Lit, 2010. Eenoo, Cedric van. “Storytelling: Time, Space, Intervals.” opus.lib.uts.edu.au, OPUS Open Publications of UTS Scholars, 2018, https://opus.lib.uts.edu.au/bitstream/10453/124122/1/01front.pdf. Accessed 22 March 2024. Erll, Astrid, and Ann Rigney, editors. Mediation, Remediation, and the Dynamics of Cultural Memory. Walter de Gruyter, 2009.
  • 11. Gondry, Michel, director. Eternal Sunshine of the Spotless Mind. Anonymous Content, 2004. Heckmann, Chris. “History of Film Timeline — All Eras of Film History Explained.” StudioBinder, 1 January 2023, https://www.studiobinder.com/blog/the-history-of-film-timeline/. Accessed 8 February 2024. Howley, Kevin. “Breaking, Making, and Killing Time in Pulp Fiction.” University of Nottingham, 2004, https://www.nottingham.ac.uk/scope/documents/2004/may-2004/howley.pdf . Accessed 25 February 2024. Hven, Steffen. “Memento and the Embodied Fabula: Narrative Comprehension Revisited.” Sciendo, Acta Universitatis Sapientiae, Film and Media Studies, 6 April 2016, https://sciendo.com/article/10.1515/ausfm-2015-0017 . Accessed 25 February 2024. Johnson, Gigy. “Deriving meaning from chaos:Narrative analysis of Eternal sunshine of the spotless mind.” mbanimit.ac.in/, Naipunnya A Collection of Multidisciplinary Research Papers, 16 June 2020, http://mbanimit.ac.in/naac1/Uploads/20200616124421_combinepdf.pdf . Accessed 25 February 2024. Klein, Andy. “Everything you wanted to know about "Memento."” Salon.com, 28 June 2001, https://www.salon.com/2001/06/28/memento_analysis/. Accessed 21 March 2024. Kurosawa, Akira, director. Rashomon. Daiei Film, 1950. Lapointe, Sierra. ““Meet Me in Montauk”: Michel Gondry's Incorporation of Avant-Garde Surrealist Practices in Eternal Sunshine of the Spotless Mind (2004).” Offscreen, February 2022, https://offscreen.com/view/ameet-me-in-montauka-michel-gondryas- incorporation-of-avant-garde-surrealist-practices-in-eternal-sunshine-of-the-spotless-mind-2004. Accessed 22 March 2024. Little, William G. “Surviving "Memento."” jstor.org, Narrative, 2005, https://www.jstor.org/stable/20107363. Accessed 22 March 2024. Livingston, Paisley, and Carl R. Plantinga, editors. The Routledge Companion to Philosophy and Film. Routledge, 2011.
  • 12. Nolan, Christopher, director. Memento. Summit Entertainment, 2000. Nowell-Smith, Geoffrey, editor. The Oxford History of World Cinema. Oxford University Press, 1996. Nungesser, Verena-Susanna. “I Forgot to Remember (to Forget): Personal Memories in Memento (2000) and Eternal Sunshine of the Spotless Mind (2004).” Wikipedia, degruyterbrill.com, 2009, https://www.degruyter.com/document/doi/10.1515/9783110217384.1.31/pdf?licenseType=restricted. Accessed 22 March 2024. Paiella, Giorgina Samira. “Eternal Sunshine of the Spotless Mind, Memory Erasure, and the Problem of Personal Identity.” PhilArchive, 30 March 2020, https://philarchive.org/archive/PAIESO. Accessed 24 March 2024. Pearce, Celia. “The Ins & Outs of Non-Linear Storytelling.” dl.acm.org, Association for Computing Machinery New York, NY, United States, 6 May 2021, https://dl.acm.org/doi/pdf/10.1145/178951.178956 . Accessed 24 February 2024. Pratt, Sean. “Rashomon.” SBIFF, 3 November 2020, https://sbiff.org/election/. Accessed 25 March 2024. Pu, Marina HS. “The Discussion Between Puzzle Film and Non- Linear Narrative Film.” Diamond Scientific Publishing, https://www.dpublication.com/wp-content/uploads/2022/08/22-2470.pdf . Accessed 24 February 2024. Redfern, Nick. “(PDF) Film style and narration in Rashomon.” ResearchGate, 2014, https://www.researchgate.net/profile/Nick-Redfern- 3/publication/261703042_Film_style_and_narration_in_Rashomon/links/00b7d53557f82691d1000000/Film-style-and-narration-in- Rashomon.pdf?_sg%5B0%5D=started_experiment_milestone&origin=journalDetail. Accessed 25 March 2024. Rombes, Nicholas, editor. New Punk Cinema. Edinburgh University Press, 2019. Said, Nur Aainaa Amira Mohd, et al. “Joel’s Self-Redemption in the Unnatural Narrative Structure of Charlie Kaufman’s Eternal Sunshine of the Spotless Mind (2004).” Pertanika, 26 March 2021, http://119.40.116.186/resources/files/Pertanika%20PAPERS/JSSH%20Vol.%2029%20(1)%20Mar.%202021/26%20JSSH-7053-2020.pdf . Accessed 25 February 2024. Seemann, Joshua. “BENEFITS OF NONLINEAR STORYTELLING IN FILM AND TELEVISION.” ScholarWorks, 2017, https://scholarworks.calstate.edu/downloads/0p096885m . Accessed 24 February 2024.
  • 13. SHARMA, RASAGY, and VENKATESH RAJAMANICKAM. “Using Interactive Data Visualization to Explore Non-Linear Movie Narratives.” Parsons Institute for Information Mapping, 1 January 2015, http://piim.newschool.edu/journal/issues/2015/01/pdfs/ParsonsJournalForInformationMapping_Rasagy_Sharma.pdf . Accessed 24 February 2024. Sikov, Ed. Film Studies: An Introduction. Columbia University Press, 2010. Sudhakaran, Sareesh. “Why is Rashomon a Great Film?” Wolfcrow, 21 June 2021, https://wolfcrow.com/why-is-rashomon-a-great-film/. Accessed 25 March 2024. Suganya, V., and B. Padmanabhan. “THE INTERPOLATION OF MEMORY AND NONLINEAR NARRATIVE STRUCTURE IN SARA BAUME'S A LINE MADE BY WALKING.” jetir.org, Journal of Emerging Technologies and Innovative Research, 2019, https://www.jetir.org/papers/JETIR1905C79.pdf. Accessed 22 March 2024. Tarantino, Quentin, director. Pulp Fiction. A Band Apart, 1994. Thompson, Kristin. Storytelling in Film and Television. Harvard University Press, 1999. JSTOR, https://doi.org/10.2307/j.ctv1dp0tvx. Accessed 7 Feb. 2024. Tseng, Chiaoi, and John A. Bateman. “Multimodal narrative construction in Christopher Nolan’s Memento a description of analytic method.” journals.sagepub.com, SAGE Publications, 6 January 2023, https://journals.sagepub.com/doi/10.1177/1470357211424691. Accessed 22 March 2024. Wang, Qiong. “A Brief Analysis on the Narrative Art of Pulp Fiction.” Paradigm Press, 6 February 2023, https://www.paradigmpress.org/as/article/download/447/390 . Accessed 25 February 2024.