SlideShare a Scribd company logo

Tiwanaku
AD 500-1000







 “Imagination” and “engineering” = “Imagineering”
 Freedom to dream, create and do. Imagineering is a
state of mind.
Imagineering

 All Disney parks are fit to scale.
 Disneyland parks (space) are large enough to
accommodate guests, rides, attractions and everything
else you want and dream.
Location

 Make use (or don‟t make use) of the surrounding
environment.
 Consider the landscape (mountains, trees, animals,
plains)
 „‟ the climate (hot desert, humid jungle, ice polar caps,
subterranean)
 „‟ the sky (sun, moon, stars, celestial events)
 „‟ the waters (oceans, lakes, lagoons)
 Designers pay attention to how climate, weather, and
natural lighting affect the perception of architectural
form.
Environment

Themes and Mini-
Thresholds

 Imagineers take the existing environment (selected) and
transform a space into a story place.
 Structured entrances and exits, walkways and landscape.
 Designing an experience (within the lands, attractions and
shows) requires Imagineers to develop and design
sequences of experiences.
 “we position images in places where guests will most
naturally direct their attention, and we light them for
maximum effect.”
 “we devise sequences to reveal the stages of the story‟s
emotional journey.”
Visual Story Telling

 Disneyland‟s rides tell stories. In a vehicle, guests are
taken and directed to images (lighting, size, positions
relative to others, smell and height )
 While rides and shows may be controlled, the park
also allows guests to have an “uncontrolled”
experience. (i.e., Strolling down Main Street.)
 Main Street is an example of a guided “uncontrolled”
experience rather than a controlled experience. (guests
set their own pace, decided where to stop, what to
purchase etc. )
Controlled Experiences

 Color is a direct experience: people see color, and
they feel color‟s emotional effects. Color is just one of
many way to communicate ideas. (Hench, 103)
 Colors: draw in guests, catches the eyes, directs and
focuses attention.
 Color is a language: to which people respond--both
consciously and unconsciously.
 Guests have countless associations with color, some
very personal and some based on shared cultural
experiences.
Color

 Architecture design (replicate, borrow, innovate)
 Enclosed or open location
 Stage area and set
 Stage lighting
 Setting arrangements
 Location (inside or outside the center)
 Ideological message(s) embedded in the performance
 Indoor/outdoor amphitheater – the role of sound
Performance

 Characters are well known, act as symbols (i.e.,
fantasy, American entertainment, personal
connections/emotions )
 Characters appear in both two- and three-
dimensional forms.
 Seeing and experiencing the characters. Brought to
life. All things are possible.
The Characters

 The question was asked, “is there a market outside
the park?”
 Walt convinced corporations (Pepsi-Cola Company,
Ford Motor Company, and General Electric) to
sponsor the shows
Life Outside the Park
Disney trip may 19

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Disney trip may 19

  • 2.
  • 3.
  • 4.
  • 5.
  • 6.
  • 7.
  • 8.
  • 9.
  • 10.
  • 11.
  • 12.
  • 13.   “Imagination” and “engineering” = “Imagineering”  Freedom to dream, create and do. Imagineering is a state of mind. Imagineering
  • 14.
  • 15.
  • 16.
  • 17.   All Disney parks are fit to scale.  Disneyland parks (space) are large enough to accommodate guests, rides, attractions and everything else you want and dream. Location
  • 18.   Make use (or don‟t make use) of the surrounding environment.  Consider the landscape (mountains, trees, animals, plains)  „‟ the climate (hot desert, humid jungle, ice polar caps, subterranean)  „‟ the sky (sun, moon, stars, celestial events)  „‟ the waters (oceans, lakes, lagoons)  Designers pay attention to how climate, weather, and natural lighting affect the perception of architectural form. Environment
  • 20.   Imagineers take the existing environment (selected) and transform a space into a story place.  Structured entrances and exits, walkways and landscape.  Designing an experience (within the lands, attractions and shows) requires Imagineers to develop and design sequences of experiences.  “we position images in places where guests will most naturally direct their attention, and we light them for maximum effect.”  “we devise sequences to reveal the stages of the story‟s emotional journey.” Visual Story Telling
  • 21.   Disneyland‟s rides tell stories. In a vehicle, guests are taken and directed to images (lighting, size, positions relative to others, smell and height )  While rides and shows may be controlled, the park also allows guests to have an “uncontrolled” experience. (i.e., Strolling down Main Street.)  Main Street is an example of a guided “uncontrolled” experience rather than a controlled experience. (guests set their own pace, decided where to stop, what to purchase etc. ) Controlled Experiences
  • 22.   Color is a direct experience: people see color, and they feel color‟s emotional effects. Color is just one of many way to communicate ideas. (Hench, 103)  Colors: draw in guests, catches the eyes, directs and focuses attention.  Color is a language: to which people respond--both consciously and unconsciously.  Guests have countless associations with color, some very personal and some based on shared cultural experiences. Color
  • 23.   Architecture design (replicate, borrow, innovate)  Enclosed or open location  Stage area and set  Stage lighting  Setting arrangements  Location (inside or outside the center)  Ideological message(s) embedded in the performance  Indoor/outdoor amphitheater – the role of sound Performance
  • 24.   Characters are well known, act as symbols (i.e., fantasy, American entertainment, personal connections/emotions )  Characters appear in both two- and three- dimensional forms.  Seeing and experiencing the characters. Brought to life. All things are possible. The Characters
  • 25.   The question was asked, “is there a market outside the park?”  Walt convinced corporations (Pepsi-Cola Company, Ford Motor Company, and General Electric) to sponsor the shows Life Outside the Park

Editor's Notes

  1. Sacred snowcapped peaks -