The document discusses how race and ethnicity are portrayed in digital media. It notes that early avatars and online representations often assumed whiteness and misrepresented people of color. While the internet initially offered anonymity, race now influences digital media in more subtle ways. Between the late 1990s and early 2000s, the introduction of graphic avatars allowed for "identity tourism" but initially lacked diversity. The document also discusses the "digital divide" and how lower income and minority groups experience more online racism, as well as how digital media can both promote issues like racism and xenophobia but also be used to discuss race and gender issues.
Participants on the margins in #BlackLivesMatterLynn Clark
This was a presentation for the Association of Internet Researchers on how students of color who were new to politics utilized social media and made decisions about whether or not to be involved in a school walkout related to #blacklivesmatter. It introduces the concept of artifacts of engagement as a way of discussing the significance of photos, stories, and curated content passed along between friends on Snapchat, Facebook, and Twitter.
The Racial State Week 13: Race, digital technology and social media Alana Lentin
Increasingly, digital technology and social media are becoming important for changing understandings of race and racism. Algorithms, interfaces, and the design of platforms and websites, such as dating apps or face recognition software generate racial information of various kinds. Cyber-racism is becoming more and more of a danger with the far right using the internet to target people of colour and antiracist activists. Social media and technology are also becoming important sites for antiracist resistance. We will examine these developments and consider what impact digital technology and social media have on our daily lives as the divide between the ‘virtual’ and the ‘real’ is all but non-existent.
Skillful Digital Activism: Cultivating Media Ecologies for Transformative Soc...Vicki Callahan
“Skillful Digital Activism: Designing Strategies for Transformative Social Change”
This presentation explores the conceptual frameworks and practical strategies employed in social change campaigns that have utilized digital media as a crucial component of their organizing tool kit. Moving beyond the hazards of superficial social media engagement, or the justly maligned “clicktivism,” to transformative and long term impact, I examine a range of case studies that have worked to develop a “horizontal,” rather than top down, rich media ecology, which networks diverse groups, fosters community, and promotes real change. Whether using virtual reality, interactive documentaries, or DIY tools, projects such as Half the Sky, Lunch Love Community, Food Inc, Triangle Fire Archive, Through the Lens Darkly/Digital Diaspora, VozMob, and #BlackLivesMatter are all pioneering digital tools and strategies in the struggle for social justice. While their philosophies and strategies might be different each campaign mark a shift from a broadcast to a participant focused model where advocacy and engagement are connected. This work was presented at Dublin City University on November 10, 2015 and also an earlier version of this was at the Performance, Protest, and Politics Conference at University College Cork in August 2015. These presentations with part of my Fulbright Research award for 2015-2016.
Helen DeMichiel and Patricia Zimmerman, “Documentary as Open Space,” in Brian Winston’s The Documentary Film Book (Palgrave McMillan, 2013)
Sasha Constanza-Chock, Out of the Shadows and Into the Streets: Transmedia Organizing and the Immigrant Rights Movement (MIT Press, 2014)
Henry Jenkins, Sam Ford, and Joshua Green, Spreadable Media: Creating Value and Meaning in Networked Culture (NYU Press, 2013)
Deborah Willis (ed.), Picturing Us: African American Identity in Photography (The New Press, 1996).
Participants on the margins in #BlackLivesMatterLynn Clark
This was a presentation for the Association of Internet Researchers on how students of color who were new to politics utilized social media and made decisions about whether or not to be involved in a school walkout related to #blacklivesmatter. It introduces the concept of artifacts of engagement as a way of discussing the significance of photos, stories, and curated content passed along between friends on Snapchat, Facebook, and Twitter.
The Racial State Week 13: Race, digital technology and social media Alana Lentin
Increasingly, digital technology and social media are becoming important for changing understandings of race and racism. Algorithms, interfaces, and the design of platforms and websites, such as dating apps or face recognition software generate racial information of various kinds. Cyber-racism is becoming more and more of a danger with the far right using the internet to target people of colour and antiracist activists. Social media and technology are also becoming important sites for antiracist resistance. We will examine these developments and consider what impact digital technology and social media have on our daily lives as the divide between the ‘virtual’ and the ‘real’ is all but non-existent.
Skillful Digital Activism: Cultivating Media Ecologies for Transformative Soc...Vicki Callahan
“Skillful Digital Activism: Designing Strategies for Transformative Social Change”
This presentation explores the conceptual frameworks and practical strategies employed in social change campaigns that have utilized digital media as a crucial component of their organizing tool kit. Moving beyond the hazards of superficial social media engagement, or the justly maligned “clicktivism,” to transformative and long term impact, I examine a range of case studies that have worked to develop a “horizontal,” rather than top down, rich media ecology, which networks diverse groups, fosters community, and promotes real change. Whether using virtual reality, interactive documentaries, or DIY tools, projects such as Half the Sky, Lunch Love Community, Food Inc, Triangle Fire Archive, Through the Lens Darkly/Digital Diaspora, VozMob, and #BlackLivesMatter are all pioneering digital tools and strategies in the struggle for social justice. While their philosophies and strategies might be different each campaign mark a shift from a broadcast to a participant focused model where advocacy and engagement are connected. This work was presented at Dublin City University on November 10, 2015 and also an earlier version of this was at the Performance, Protest, and Politics Conference at University College Cork in August 2015. These presentations with part of my Fulbright Research award for 2015-2016.
Helen DeMichiel and Patricia Zimmerman, “Documentary as Open Space,” in Brian Winston’s The Documentary Film Book (Palgrave McMillan, 2013)
Sasha Constanza-Chock, Out of the Shadows and Into the Streets: Transmedia Organizing and the Immigrant Rights Movement (MIT Press, 2014)
Henry Jenkins, Sam Ford, and Joshua Green, Spreadable Media: Creating Value and Meaning in Networked Culture (NYU Press, 2013)
Deborah Willis (ed.), Picturing Us: African American Identity in Photography (The New Press, 1996).
D i s t ri bu t e d B l ac k n e s sC R I T I C A L OllieShoresna
D i s t ri bu t e d B l ac k n e s s
C R I T I C A L C U L T U R A L C O M M U N I C A T I O N
General Editors: Jonathan Gray, Aswin Punathambekar, Adrienne Shaw
Founding Editors: Sarah Banet- Weiser and Kent A. Ono
Dangerous Curves: Latina Bodies in the Media
Isabel Molina- Guzmán
The Net Effect: Romanticism, Capitalism, and the Internet
Thomas Streeter
Our Biometric Future: Facial Recognition Technology and
the Culture of Surveillance
Kelly A. Gates
Critical Rhetorics of Race
Edited by Michael G. Lacy and Kent A. Ono
Circuits of Visibility: Gender and Transnational Media Cultures
Edited by Radha S. Hegde
Commodity Activism: Cultural Resistance in Neoliberal Times
Edited by Roopali Mukherjee and Sarah Banet- Weiser
Arabs and Muslims in the Media: Race and Representation after 9/11
Evelyn Alsultany
Visualizing Atrocity: Arendt, Evil, and the Optics of Thoughtlessness
Valerie Hartouni
The Makeover: Reality Television and Reflexive Audiences
Katherine Sender
Authentic™: The Politics of Ambivalence in a Brand Culture
Sarah Banet- Weiser
Technomobility in China: Young Migrant Women and Mobile Phones
Cara Wallis
Love and Money: Queers, Class, and Cultural Production
Lisa Henderson
Cached: Decoding the Internet in Global Popular Culture
Stephanie Ricker Schulte
Black Television Travels: African American Media around the Globe
Timothy Havens
Citizenship Excess: Latino/as, Media, and the Nation
Hector Amaya
Feeling Mediated: A History of Media Technology and Emotion in America
Brenton J. Malin
The Post- Racial Mystique: Media and Race in the Twenty- First Century
Catherine R. Squires
Making Media Work: Cultures of Management in the Entertainment Industries
Edited by Derek Johnson, Derek Kompare, and Avi Santo
Sounds of Belonging: U.S. Spanish- Language Radio and Public Advocacy
Dolores Inés Casillas
Orienting Hollywood: A Century of Film Culture between Los Angeles and Bombay
Nitin Govil
Asian American Media Activism: Fighting for Cultural Citizenship
Lori Kido Lopez
Struggling For Ordinary: Media and Transgender Belonging in Everyday Life
Andre Cavalcante
Wife, Inc.: The Business of Marriage in the Twenty- First Century
Suzanne Leonard
Homegrown: Identity and Difference in the American War on Terror
Piotr Szpunar
Dot- Com Design: The Rise of a Useable, Social, Commercial Web
Megan Sapnar Ankerson
Postracial Resistance: Black Women, Media, and the Uses of Strategic Ambiguity
Ralina L. Joseph
Netflix Nations: The Geography of Digital Distribution
Ramon Lobato
The Identity Trade: Selling Privacy and Reputation Online
Nora A. Draper
Media & Celebrity: An Introduction to Fame
Susan J. Douglas and Andrea McDonnell
Fake Geek Girls: Fandom, Gender, and the Convergence Culture Industry
Suzanne Scott
Locked Out: Regional Restrictions in Digital Entertainment Culture
Evan Elkins
The Digital City: Media and the Social Production of Place
Germaine R. Halegoua
Distributed Blackness: African American Cybercultures
André Brock Jr.
Distributed Blac ...
D i s t ri bu t e d B l ac k n e s sC R I T I C A L OllieShoresna
D i s t ri bu t e d B l ac k n e s s
C R I T I C A L C U L T U R A L C O M M U N I C A T I O N
General Editors: Jonathan Gray, Aswin Punathambekar, Adrienne Shaw
Founding Editors: Sarah Banet- Weiser and Kent A. Ono
Dangerous Curves: Latina Bodies in the Media
Isabel Molina- Guzmán
The Net Effect: Romanticism, Capitalism, and the Internet
Thomas Streeter
Our Biometric Future: Facial Recognition Technology and
the Culture of Surveillance
Kelly A. Gates
Critical Rhetorics of Race
Edited by Michael G. Lacy and Kent A. Ono
Circuits of Visibility: Gender and Transnational Media Cultures
Edited by Radha S. Hegde
Commodity Activism: Cultural Resistance in Neoliberal Times
Edited by Roopali Mukherjee and Sarah Banet- Weiser
Arabs and Muslims in the Media: Race and Representation after 9/11
Evelyn Alsultany
Visualizing Atrocity: Arendt, Evil, and the Optics of Thoughtlessness
Valerie Hartouni
The Makeover: Reality Television and Reflexive Audiences
Katherine Sender
Authentic™: The Politics of Ambivalence in a Brand Culture
Sarah Banet- Weiser
Technomobility in China: Young Migrant Women and Mobile Phones
Cara Wallis
Love and Money: Queers, Class, and Cultural Production
Lisa Henderson
Cached: Decoding the Internet in Global Popular Culture
Stephanie Ricker Schulte
Black Television Travels: African American Media around the Globe
Timothy Havens
Citizenship Excess: Latino/as, Media, and the Nation
Hector Amaya
Feeling Mediated: A History of Media Technology and Emotion in America
Brenton J. Malin
The Post- Racial Mystique: Media and Race in the Twenty- First Century
Catherine R. Squires
Making Media Work: Cultures of Management in the Entertainment Industries
Edited by Derek Johnson, Derek Kompare, and Avi Santo
Sounds of Belonging: U.S. Spanish- Language Radio and Public Advocacy
Dolores Inés Casillas
Orienting Hollywood: A Century of Film Culture between Los Angeles and Bombay
Nitin Govil
Asian American Media Activism: Fighting for Cultural Citizenship
Lori Kido Lopez
Struggling For Ordinary: Media and Transgender Belonging in Everyday Life
Andre Cavalcante
Wife, Inc.: The Business of Marriage in the Twenty- First Century
Suzanne Leonard
Homegrown: Identity and Difference in the American War on Terror
Piotr Szpunar
Dot- Com Design: The Rise of a Useable, Social, Commercial Web
Megan Sapnar Ankerson
Postracial Resistance: Black Women, Media, and the Uses of Strategic Ambiguity
Ralina L. Joseph
Netflix Nations: The Geography of Digital Distribution
Ramon Lobato
The Identity Trade: Selling Privacy and Reputation Online
Nora A. Draper
Media & Celebrity: An Introduction to Fame
Susan J. Douglas and Andrea McDonnell
Fake Geek Girls: Fandom, Gender, and the Convergence Culture Industry
Suzanne Scott
Locked Out: Regional Restrictions in Digital Entertainment Culture
Evan Elkins
The Digital City: Media and the Social Production of Place
Germaine R. Halegoua
Distributed Blackness: African American Cybercultures
André Brock Jr.
Distributed Blac ...
Operation “Blue Star” is the only event in the history of Independent India where the state went into war with its own people. Even after about 40 years it is not clear if it was culmination of states anger over people of the region, a political game of power or start of dictatorial chapter in the democratic setup.
The people of Punjab felt alienated from main stream due to denial of their just demands during a long democratic struggle since independence. As it happen all over the word, it led to militant struggle with great loss of lives of military, police and civilian personnel. Killing of Indira Gandhi and massacre of innocent Sikhs in Delhi and other India cities was also associated with this movement.
Read| The latest issue of The Challenger is here! We are thrilled to announce that our school paper has qualified for the NATIONAL SCHOOLS PRESS CONFERENCE (NSPC) 2024. Thank you for your unwavering support and trust. Dive into the stories that made us stand out!
The Roman Empire A Historical Colossus.pdfkaushalkr1407
The Roman Empire, a vast and enduring power, stands as one of history's most remarkable civilizations, leaving an indelible imprint on the world. It emerged from the Roman Republic, transitioning into an imperial powerhouse under the leadership of Augustus Caesar in 27 BCE. This transformation marked the beginning of an era defined by unprecedented territorial expansion, architectural marvels, and profound cultural influence.
The empire's roots lie in the city of Rome, founded, according to legend, by Romulus in 753 BCE. Over centuries, Rome evolved from a small settlement to a formidable republic, characterized by a complex political system with elected officials and checks on power. However, internal strife, class conflicts, and military ambitions paved the way for the end of the Republic. Julius Caesar’s dictatorship and subsequent assassination in 44 BCE created a power vacuum, leading to a civil war. Octavian, later Augustus, emerged victorious, heralding the Roman Empire’s birth.
Under Augustus, the empire experienced the Pax Romana, a 200-year period of relative peace and stability. Augustus reformed the military, established efficient administrative systems, and initiated grand construction projects. The empire's borders expanded, encompassing territories from Britain to Egypt and from Spain to the Euphrates. Roman legions, renowned for their discipline and engineering prowess, secured and maintained these vast territories, building roads, fortifications, and cities that facilitated control and integration.
The Roman Empire’s society was hierarchical, with a rigid class system. At the top were the patricians, wealthy elites who held significant political power. Below them were the plebeians, free citizens with limited political influence, and the vast numbers of slaves who formed the backbone of the economy. The family unit was central, governed by the paterfamilias, the male head who held absolute authority.
Culturally, the Romans were eclectic, absorbing and adapting elements from the civilizations they encountered, particularly the Greeks. Roman art, literature, and philosophy reflected this synthesis, creating a rich cultural tapestry. Latin, the Roman language, became the lingua franca of the Western world, influencing numerous modern languages.
Roman architecture and engineering achievements were monumental. They perfected the arch, vault, and dome, constructing enduring structures like the Colosseum, Pantheon, and aqueducts. These engineering marvels not only showcased Roman ingenuity but also served practical purposes, from public entertainment to water supply.
The Indian economy is classified into different sectors to simplify the analysis and understanding of economic activities. For Class 10, it's essential to grasp the sectors of the Indian economy, understand their characteristics, and recognize their importance. This guide will provide detailed notes on the Sectors of the Indian Economy Class 10, using specific long-tail keywords to enhance comprehension.
For more information, visit-www.vavaclasses.com
Welcome to TechSoup New Member Orientation and Q&A (May 2024).pdfTechSoup
In this webinar you will learn how your organization can access TechSoup's wide variety of product discount and donation programs. From hardware to software, we'll give you a tour of the tools available to help your nonprofit with productivity, collaboration, financial management, donor tracking, security, and more.
Instructions for Submissions thorugh G- Classroom.pptxJheel Barad
This presentation provides a briefing on how to upload submissions and documents in Google Classroom. It was prepared as part of an orientation for new Sainik School in-service teacher trainees. As a training officer, my goal is to ensure that you are comfortable and proficient with this essential tool for managing assignments and fostering student engagement.
Palestine last event orientationfvgnh .pptxRaedMohamed3
An EFL lesson about the current events in Palestine. It is intended to be for intermediate students who wish to increase their listening skills through a short lesson in power point.
2. The topic of race & ethnicity in Digital Media has been the subject of many
studies, including the ‘whiteness’ of early avatars and the misrepresentation of
people of color on social media platforms.
3. According to Michael Omi and Howard Winant, “Racial categories and the meaning
of race are given concrete expression by the specific social relations and historical
context in which they are embedded,” (2007, 15).
Basically, race is defined by the way it is portrayed in digital media.
In the beginning, the internet held the potential for users to be whoever they wanted
to be, aside from their ethnic identities, in a “utopia of anonymity.” Today, we see
that race influences digital media in more subtle ways.
At first, when users chose not to identify their ethnic background online, ‘whiteness’
was automatically assumed. Writer Lisa Nakamura states that when users chose
to identify themselves by their ethnicity, this was often interpreted as a threat.
Nakamura also coined the phrase, “identity tourism” which is a way to refer to users
constructing online profiles pretending to be another race.
4. Late 1990s-Early 2000s...
Between the late 1990s and the early 2000s, the move to graphic avatars occurred.
Although, at first, their were issues with the lack of variety/color, more diverse
options became available which allowed identit tourism to take place.
5. The Digital Divide:
Activists and scholarly thinkers were afraid that these digital media ad avatars would
cause discourse, especially since many ‘poor’ people and people of color use them. A
large amount of racism occurs via the internet, and it is important not to
marginalize the lower class, rather we should provide them with media literacy.
“It is important to try not to add separation”- Nakamura.
A few more things…
Digital media is not just used to promote racism and separation, it has also been used
in the spreading of sexual misconduct and xenophobia. “The affordance of digital
culture produces new forms of enacting white supremacy,” (Jessie Daniels).
On the opposite side of things, digital media is also used to offer an opportunity to
discuss prevalent race and gender issues (i.e. blogs, forums, digital artwork, etc.).
6. Questions:
Have you ever experienced a racial attack while enjoying social/digital media?
If your ‘followers’ did not have graphic avatars would you automatically assume
they were white? If not, what would you assume?
If you could make one change in digital media, what would it be?