The 3-page document summarizes the design elements of a rock album's digipak packaging for the album "The Black Parade" by My Chemical Romance. Key elements include:
1) Dark color scheme of black and grey reflects the album's dark themes of illness, death, and suffering.
2) Disturbing images of skeletons and decaying figures represent the narrative of the album's journey towards an inevitable death.
3) Lyrics are displayed like Victorian newspaper articles, reinforcing the album's theatrical themes of freak shows and death.
4) Recurring motifs like a red string and images of the band standing tall amidst former parade members, suggest confronting and
The digipak uses dark imagery and colors to depict the themes of illness, death, and suffering explored in the album. Skeletal figures marching in a "Black Parade" represent the inevitable march to death. When opened, the booklet contains posters, lyrics styled as newspaper articles, and images that continue the narrative of journeying to death. Recurring motifs like a red string and the band themselves standing tall amidst the parade suggest resisting and shedding light on issues. Overall, the digipak's visuals and presentation synergistically reinforce the album's themes through Gothic, Victorian influences.
The digipak uses dark imagery and colors to depict the themes of illness, suffering, and death explored in the album. Skeletal figures marching in a "Black Parade" represent the inevitable march towards death. Lyrics are displayed like newspaper articles, continuing the theme. When opened, the digipak reveals more imagery and lyrics that expand upon the album's narrative of a journey towards the afterlife. Recurring symbols like a red string reference the disturbance of death throughout the cohesive design.
This document analyzes the cover of a band's first album. It notes that typically a first album cover features a picture of the artists so the public can associate them with the band. This cover challenges conventions by not featuring the band prominently. Instead, it shows the band in a shop window, which is unusual. The cover is also very imagery-heavy with unusual elements that would attract attention compared to other albums on shelves. The folk-rock genre of the band is reflected through the instruments and clothes depicted. Overall, the unconventional cover is analyzed as a strategy to stand out and attract buyers to the new band.
The album cover for the indie rock band The Kooks uses a simple design with red, black, and white colors. It features photos of the band members sitting together playing instruments. The simple, minimalist design conveys that the band focuses on their music over mainstream appeal. Consistent use of the three colors and font creates cohesion across the front, back, and inside of the album cover.
The album cover features two elevators in shadow to represent the album title "Levels" and relate to the number one hit song of the same name. The title is largest to draw attention as the most important element. The artist name "Magnetic Man" is in a futuristic font atypical of electronic/dance music. The letter "M" appears to be breaking apart, reflecting the album or artist.
The digipak features the band name in capital red letters to match the magazine advert and establish branding consistency. Panoramic images show the two main characters sitting together, initially suggesting innocence but warning that not all is as it seems. Track listings appear as a poster to reinforce the link between advert and digipak. Red color and motifs are used throughout to symbolize themes of danger, love, and lust relating to the narrative across products. Images appear stuck on to mimic the music video and indie aesthetic while hinting that the relationship is not what it seems.
The digipack for The Kooks album "Inside In / Inside Out" uses a consistent black, white, and red color scheme throughout. Photos on the cover and inside show the band practicing and performing in a casual, unposed manner to portray themselves as focused on their music rather than appearances. The images and product details are arranged to clearly display the band name and album title while maintaining the simple, monochromatic aesthetic.
The album cover for The Kooks' "Inside In Inside Out" uses a simple color scheme of red, black, and white throughout. It features an informal photo of the band rehearsing on the front cover and a blurred photo from the drummer's perspective on the back. The monochrome photos and custom font create continuity across the minimalist design and portray the band's indie image.
The digipak uses dark imagery and colors to depict the themes of illness, death, and suffering explored in the album. Skeletal figures marching in a "Black Parade" represent the inevitable march to death. When opened, the booklet contains posters, lyrics styled as newspaper articles, and images that continue the narrative of journeying to death. Recurring motifs like a red string and the band themselves standing tall amidst the parade suggest resisting and shedding light on issues. Overall, the digipak's visuals and presentation synergistically reinforce the album's themes through Gothic, Victorian influences.
The digipak uses dark imagery and colors to depict the themes of illness, suffering, and death explored in the album. Skeletal figures marching in a "Black Parade" represent the inevitable march towards death. Lyrics are displayed like newspaper articles, continuing the theme. When opened, the digipak reveals more imagery and lyrics that expand upon the album's narrative of a journey towards the afterlife. Recurring symbols like a red string reference the disturbance of death throughout the cohesive design.
This document analyzes the cover of a band's first album. It notes that typically a first album cover features a picture of the artists so the public can associate them with the band. This cover challenges conventions by not featuring the band prominently. Instead, it shows the band in a shop window, which is unusual. The cover is also very imagery-heavy with unusual elements that would attract attention compared to other albums on shelves. The folk-rock genre of the band is reflected through the instruments and clothes depicted. Overall, the unconventional cover is analyzed as a strategy to stand out and attract buyers to the new band.
The album cover for the indie rock band The Kooks uses a simple design with red, black, and white colors. It features photos of the band members sitting together playing instruments. The simple, minimalist design conveys that the band focuses on their music over mainstream appeal. Consistent use of the three colors and font creates cohesion across the front, back, and inside of the album cover.
The album cover features two elevators in shadow to represent the album title "Levels" and relate to the number one hit song of the same name. The title is largest to draw attention as the most important element. The artist name "Magnetic Man" is in a futuristic font atypical of electronic/dance music. The letter "M" appears to be breaking apart, reflecting the album or artist.
The digipak features the band name in capital red letters to match the magazine advert and establish branding consistency. Panoramic images show the two main characters sitting together, initially suggesting innocence but warning that not all is as it seems. Track listings appear as a poster to reinforce the link between advert and digipak. Red color and motifs are used throughout to symbolize themes of danger, love, and lust relating to the narrative across products. Images appear stuck on to mimic the music video and indie aesthetic while hinting that the relationship is not what it seems.
The digipack for The Kooks album "Inside In / Inside Out" uses a consistent black, white, and red color scheme throughout. Photos on the cover and inside show the band practicing and performing in a casual, unposed manner to portray themselves as focused on their music rather than appearances. The images and product details are arranged to clearly display the band name and album title while maintaining the simple, monochromatic aesthetic.
The album cover for The Kooks' "Inside In Inside Out" uses a simple color scheme of red, black, and white throughout. It features an informal photo of the band rehearsing on the front cover and a blurred photo from the drummer's perspective on the back. The monochrome photos and custom font create continuity across the minimalist design and portray the band's indie image.
The digipak maintains a consistent color theme of white, red, and black throughout. On the front cover, the name of the artist "Distorture" and album "Revere" are displayed prominently to allow for easy recognition. The back cover lists the track names in order of the album. Inside panels continue the color theme and graphic imagery that represents the dark nature of the band's musical style.
This document analyzes the cover of a band's first album. It notes that typically a first album would feature a picture of the artists to familiarize audiences with the band. However, this cover challenges conventions by featuring the band in a shop window setting instead. While unusual, this controversial imagery would attract attention compared to other albums on shelves. The cover is mostly imagery with some text identifying the band and album in a bold font. Overall, the unconventional cover aims to stand out and attract buyers through its unique visual style that also reflects the band's folk rock genre.
This document analyzes and compares the representations of gender in the CD digipacks of Evanescence's "Fallen" and Five Finger Death Punch's "American Capitalist". For Evanescence, the focus is solely on the lead female singer, Amy Lee, suggesting the album targets females. Symbolism in the album art links to biblical tales. In contrast, Five Finger Death Punch's packaging depicts the male band members living luxurious lifestyles surrounded by women and cars, aiming to attract young male audiences with aspirations of wealth and popularity. Differences in visual styles and themes aim to appeal to different gender audiences.
This document analyzes and compares the representations of gender in the CD digipacks of Evanescence's "Fallen" and Five Finger Death Punch's "American Capitalist". For Evanescence, the focus is solely on the lead female singer, Amy Lee, suggesting the album targets females. Symbolism in the album art links to biblical tales. In contrast, Five Finger Death Punch's digipack depicts the male band members living lavish lifestyles surrounded by women and cars, promoting an aspirational dream for their largely male audience. Color schemes and designs were chosen to match the tone and themes of the songs on each album.
The document provides an analysis of the cover art and design elements of a CD album. It notes that the cover uses shades of green and white with a darker green in the corners to create a light effect, suggestive of trance music. The album name "Common Dreads" is in a readable font below to indicate the title. Elements of the logo, imagery of a lion, and a parental advisory label provide clues about the genres and maturity level of the music. Track listings and copyright details are also described.
The document provides an analysis of the cover art and design elements of a CD album. It notes that the cover uses shades of green and white with a darker green in the corners to create a light effect, suggestive of trance music. The album name "common dreads" is written in a smaller font below the logo to identify the album. The logo and font styles are analyzed as being futuristic and interesting yet readable. The cover imagery and themes are interpreted as being aimed at teenagers.
The document analyzes several digipak advertisements from various rock/metal bands featured in music magazines. It discusses design elements like imagery, color schemes, and information included that effectively promote the bands, their albums, and related tours. Interviews with bands in the magazines complement the advertisements and further promote new music releases to readers and potential buyers.
The magazine cover features the band Green Day in black clothing against a white background. The masthead "KERRANG" is in bold white font at the top to grab attention, as is the band name below in the same color scheme. This contrasts with the dark clothing of the band members and establishes the magazine's focus on rock music. Promotional images on the side advertise downloadable posters while information at the bottom like the barcode and artist listings provide less important details. The central image draws readers in by having the lead singer stare at the camera, using lighting to create a strong mood.
The document discusses four drum and bass albums. Albums 1 and 2 feature realistic images as backgrounds while albums 3 and 4 have more sci-fi and futuristic themes. This suggests the music on albums 3 and 4 is more technical with fewer vocals, implying the music is more advanced. The second paragraph analyzes a digipak cover combining reality and futuristic elements, consistent with the genre. It uses the artist's star image to sell products and features cascading letters emphasizing the sci-fi feel. Flipping the color scheme from the original indicates the album is a bit different.
The document analyzes and summarizes the design elements of a music album digipak, including the fonts, colors, images, and placements of elements like the band name, album title, and track listing. Specifically, it notes that the band name is prominently displayed on the front in an unusual font and color to draw attention, while the album title and track listing are placed more subtly on the back in simpler fonts. Warm, comforting colors are used throughout to create an appealing aesthetic.
The document provides details on the cover designs of albums and mixtapes from various hip hop artists including Eminem, Nas, Tupac, and others. It analyzes elements like the photo shots, backgrounds, font styles, colors, and layouts used on the fronts and backs of the covers. Key techniques discussed that help capture audience attention include using contrasting colors, unusual font placements, and images or details that represent the theme or message of the album. The document suggests cover design elements that could be replicated to attract audiences, such as an emphasis on title fonts or backgrounds related to the music's content.
The document describes the design of an album sleeve and inner artwork. It notes that the front cover keeps things simple with just the band's image and name. The back includes typical information like the tracklist and barcode. The inner sleeve features sepia-toned photographs of the band and handwritten lyrics, giving it a rustic, authentic feel that builds intimacy with listeners. Expressionless photos also suggest the band's serious approach to music. Overall, the minimal yet consistent design across the sleeve establishes brand identity while the inner images create mystery and connection.
The digipak for Foo Fighters' album Wasting Light uses a consistent black and red color scheme throughout. Graphically manipulated close-up images of the band members dominate the front and inside panels, suggesting they are the ones "wasting light." Stereotypical rock genre imagery like aggression and rebellion are conveyed. Inside pages continue the graphic treatment on performance photos. The sleeve and disc incorporate yellow to contrast against the black and continue connotations of light. Credits are given prominently but not obtrusively. The back repeats the columnar track listing and includes production company logos and links.
The magazine article analyses focus on key elements like mastheads, cover lines, images and copy layout.
The NME article summary focuses on Dizzee Rascal, with a long close-up image of him contributing to street art. The headline uses different sized handwritten fonts. Copy is in 4 columns around a radio image.
The Kerrang article summary features an exclusive interview with My Chemical Romance. The pull quote title spans both pages in bold red and white fonts. Images include a band member performing and in the studio.
The Q article summary profiles Lana Del Rey across both pages. The title uses two fonts to appear as two titles. Images show the artist in dramatic makeup against pale backgrounds
The cover features a crying woman with tape over her mouth, conveying sadness and victimization common in metal genres. It is in black and white to set an atmospheric and edgy tone. Photos on the bottom show the band and crowd to demonstrate popularity. The fonts give impressions of darkness, higher class, and importance to different elements. Overall the design captures a melancholy tone through its images and use of black and white.
This document provides details on the design of an album cover. It summarizes:
1) Key elements are prominently displayed including the artist name "Nero" at the top left, the album title "Welcome Reality" at the top right, and song titles on the back.
2) Design elements like bold text, positioning, and imagery are used to emphasize importance and convey the dark, aggressive nature of the music.
3) Professional touches like a barcode and Universal Studios logo are included to lend an air of quality and affiliation.
The album cover uses a simple yet effective design that highlights the punk genre of the band Paramore. A central image of the band and bright orange text are used on the front cover to draw attention. The title "Riot!" is repeated throughout in a scratched font style consistent with the rock theme. Production credits on the back cover are in plain text to provide important information in a way that still matches the overall controversial style. The spine displays only necessary identification details in a style that ties into the design. Interior pages feature lyrics and band member photos with the scratched title font carrying the punk motif across all elements of the packaging.
The Kerrang! magazine front cover features the band You Me At Six prominently to promote them as the main selling point. Additional bands are advertised to entice readers interested in the rock genre. Black and white colors keep with the magazine's style while accent colors like red and green are used to draw attention to special sections like a free poster and feature articles on other bands. The layout is designed to highlight the key attractions while maintaining Kerrang!'s recognizable brand identity.
This document analyzes the digipak for Florence + The Machine's "Lungs" album. [1] The digipak background uses floral fabrics and fonts that suggest femininity, matching the implied female target audience and frontwoman. [2] Symbolic imagery of lungs on the digipak and album relate the two while representing life. [3] Feminine fonts, flowers, and a depiction of the frontwoman enhance the feminine and natural themes throughout.
This document analyzes the digipak for Florence + The Machine's "Lungs" album. [1] The digipak background uses floral fabrics and fonts that suggest femininity, matching the implied female target audience and frontwoman. [2] Symbolic imagery of lungs on the digipak and album relate the two while representing life. [3] Feminine fonts, flowers, and a depiction of the frontwoman enhance the feminine and natural themes throughout.
This document outlines a group project to create an interactive installation telling the story of hip hop. It will include three short films focused on hip hop music, street art/culture, and dance. The dance film will feature Shake Dance Academy and include interviews. All content will be displayed through an interactive timeline on an iPad stand installed in their designated space, along with posters and speakers. The group has conducted research and recce's of locations to inform their design and content collection.
The document discusses conventions in rock music videos and how the student's music video for the band In Transmission adheres to and challenges some of these conventions. The student analyzed nine frames from their video and explained how each frame represents different conventions such as performance shots, close-ups, varied camera angles, and establishing settings and time frames. The student also compared their video and album packaging designs to real examples to demonstrate how they both conform to and subvert genre conventions.
The digipak maintains a consistent color theme of white, red, and black throughout. On the front cover, the name of the artist "Distorture" and album "Revere" are displayed prominently to allow for easy recognition. The back cover lists the track names in order of the album. Inside panels continue the color theme and graphic imagery that represents the dark nature of the band's musical style.
This document analyzes the cover of a band's first album. It notes that typically a first album would feature a picture of the artists to familiarize audiences with the band. However, this cover challenges conventions by featuring the band in a shop window setting instead. While unusual, this controversial imagery would attract attention compared to other albums on shelves. The cover is mostly imagery with some text identifying the band and album in a bold font. Overall, the unconventional cover aims to stand out and attract buyers through its unique visual style that also reflects the band's folk rock genre.
This document analyzes and compares the representations of gender in the CD digipacks of Evanescence's "Fallen" and Five Finger Death Punch's "American Capitalist". For Evanescence, the focus is solely on the lead female singer, Amy Lee, suggesting the album targets females. Symbolism in the album art links to biblical tales. In contrast, Five Finger Death Punch's packaging depicts the male band members living luxurious lifestyles surrounded by women and cars, aiming to attract young male audiences with aspirations of wealth and popularity. Differences in visual styles and themes aim to appeal to different gender audiences.
This document analyzes and compares the representations of gender in the CD digipacks of Evanescence's "Fallen" and Five Finger Death Punch's "American Capitalist". For Evanescence, the focus is solely on the lead female singer, Amy Lee, suggesting the album targets females. Symbolism in the album art links to biblical tales. In contrast, Five Finger Death Punch's digipack depicts the male band members living lavish lifestyles surrounded by women and cars, promoting an aspirational dream for their largely male audience. Color schemes and designs were chosen to match the tone and themes of the songs on each album.
The document provides an analysis of the cover art and design elements of a CD album. It notes that the cover uses shades of green and white with a darker green in the corners to create a light effect, suggestive of trance music. The album name "Common Dreads" is in a readable font below to indicate the title. Elements of the logo, imagery of a lion, and a parental advisory label provide clues about the genres and maturity level of the music. Track listings and copyright details are also described.
The document provides an analysis of the cover art and design elements of a CD album. It notes that the cover uses shades of green and white with a darker green in the corners to create a light effect, suggestive of trance music. The album name "common dreads" is written in a smaller font below the logo to identify the album. The logo and font styles are analyzed as being futuristic and interesting yet readable. The cover imagery and themes are interpreted as being aimed at teenagers.
The document analyzes several digipak advertisements from various rock/metal bands featured in music magazines. It discusses design elements like imagery, color schemes, and information included that effectively promote the bands, their albums, and related tours. Interviews with bands in the magazines complement the advertisements and further promote new music releases to readers and potential buyers.
The magazine cover features the band Green Day in black clothing against a white background. The masthead "KERRANG" is in bold white font at the top to grab attention, as is the band name below in the same color scheme. This contrasts with the dark clothing of the band members and establishes the magazine's focus on rock music. Promotional images on the side advertise downloadable posters while information at the bottom like the barcode and artist listings provide less important details. The central image draws readers in by having the lead singer stare at the camera, using lighting to create a strong mood.
The document discusses four drum and bass albums. Albums 1 and 2 feature realistic images as backgrounds while albums 3 and 4 have more sci-fi and futuristic themes. This suggests the music on albums 3 and 4 is more technical with fewer vocals, implying the music is more advanced. The second paragraph analyzes a digipak cover combining reality and futuristic elements, consistent with the genre. It uses the artist's star image to sell products and features cascading letters emphasizing the sci-fi feel. Flipping the color scheme from the original indicates the album is a bit different.
The document analyzes and summarizes the design elements of a music album digipak, including the fonts, colors, images, and placements of elements like the band name, album title, and track listing. Specifically, it notes that the band name is prominently displayed on the front in an unusual font and color to draw attention, while the album title and track listing are placed more subtly on the back in simpler fonts. Warm, comforting colors are used throughout to create an appealing aesthetic.
The document provides details on the cover designs of albums and mixtapes from various hip hop artists including Eminem, Nas, Tupac, and others. It analyzes elements like the photo shots, backgrounds, font styles, colors, and layouts used on the fronts and backs of the covers. Key techniques discussed that help capture audience attention include using contrasting colors, unusual font placements, and images or details that represent the theme or message of the album. The document suggests cover design elements that could be replicated to attract audiences, such as an emphasis on title fonts or backgrounds related to the music's content.
The document describes the design of an album sleeve and inner artwork. It notes that the front cover keeps things simple with just the band's image and name. The back includes typical information like the tracklist and barcode. The inner sleeve features sepia-toned photographs of the band and handwritten lyrics, giving it a rustic, authentic feel that builds intimacy with listeners. Expressionless photos also suggest the band's serious approach to music. Overall, the minimal yet consistent design across the sleeve establishes brand identity while the inner images create mystery and connection.
The digipak for Foo Fighters' album Wasting Light uses a consistent black and red color scheme throughout. Graphically manipulated close-up images of the band members dominate the front and inside panels, suggesting they are the ones "wasting light." Stereotypical rock genre imagery like aggression and rebellion are conveyed. Inside pages continue the graphic treatment on performance photos. The sleeve and disc incorporate yellow to contrast against the black and continue connotations of light. Credits are given prominently but not obtrusively. The back repeats the columnar track listing and includes production company logos and links.
The magazine article analyses focus on key elements like mastheads, cover lines, images and copy layout.
The NME article summary focuses on Dizzee Rascal, with a long close-up image of him contributing to street art. The headline uses different sized handwritten fonts. Copy is in 4 columns around a radio image.
The Kerrang article summary features an exclusive interview with My Chemical Romance. The pull quote title spans both pages in bold red and white fonts. Images include a band member performing and in the studio.
The Q article summary profiles Lana Del Rey across both pages. The title uses two fonts to appear as two titles. Images show the artist in dramatic makeup against pale backgrounds
The cover features a crying woman with tape over her mouth, conveying sadness and victimization common in metal genres. It is in black and white to set an atmospheric and edgy tone. Photos on the bottom show the band and crowd to demonstrate popularity. The fonts give impressions of darkness, higher class, and importance to different elements. Overall the design captures a melancholy tone through its images and use of black and white.
This document provides details on the design of an album cover. It summarizes:
1) Key elements are prominently displayed including the artist name "Nero" at the top left, the album title "Welcome Reality" at the top right, and song titles on the back.
2) Design elements like bold text, positioning, and imagery are used to emphasize importance and convey the dark, aggressive nature of the music.
3) Professional touches like a barcode and Universal Studios logo are included to lend an air of quality and affiliation.
The album cover uses a simple yet effective design that highlights the punk genre of the band Paramore. A central image of the band and bright orange text are used on the front cover to draw attention. The title "Riot!" is repeated throughout in a scratched font style consistent with the rock theme. Production credits on the back cover are in plain text to provide important information in a way that still matches the overall controversial style. The spine displays only necessary identification details in a style that ties into the design. Interior pages feature lyrics and band member photos with the scratched title font carrying the punk motif across all elements of the packaging.
The Kerrang! magazine front cover features the band You Me At Six prominently to promote them as the main selling point. Additional bands are advertised to entice readers interested in the rock genre. Black and white colors keep with the magazine's style while accent colors like red and green are used to draw attention to special sections like a free poster and feature articles on other bands. The layout is designed to highlight the key attractions while maintaining Kerrang!'s recognizable brand identity.
This document analyzes the digipak for Florence + The Machine's "Lungs" album. [1] The digipak background uses floral fabrics and fonts that suggest femininity, matching the implied female target audience and frontwoman. [2] Symbolic imagery of lungs on the digipak and album relate the two while representing life. [3] Feminine fonts, flowers, and a depiction of the frontwoman enhance the feminine and natural themes throughout.
This document analyzes the digipak for Florence + The Machine's "Lungs" album. [1] The digipak background uses floral fabrics and fonts that suggest femininity, matching the implied female target audience and frontwoman. [2] Symbolic imagery of lungs on the digipak and album relate the two while representing life. [3] Feminine fonts, flowers, and a depiction of the frontwoman enhance the feminine and natural themes throughout.
This document outlines a group project to create an interactive installation telling the story of hip hop. It will include three short films focused on hip hop music, street art/culture, and dance. The dance film will feature Shake Dance Academy and include interviews. All content will be displayed through an interactive timeline on an iPad stand installed in their designated space, along with posters and speakers. The group has conducted research and recce's of locations to inform their design and content collection.
The document discusses conventions in rock music videos and how the student's music video for the band In Transmission adheres to and challenges some of these conventions. The student analyzed nine frames from their video and explained how each frame represents different conventions such as performance shots, close-ups, varied camera angles, and establishing settings and time frames. The student also compared their video and album packaging designs to real examples to demonstrate how they both conform to and subvert genre conventions.
The video for "Kiss and Tell" by You Me At Six establishes a party atmosphere through shots of mess and revelry. It portrays a carefree attitude through bold colors and dancing fans. Close-ups of the singer are used at emotional peaks in the song to highlight his expression. Analyzing this video provided lessons on techniques like varying shot types and lengths, using lighting and color, and involving the audience to make an effective music video.
The document summarizes the process of creating a mood board using the online collage maker Photovisi. It describes the 3 step process: 1) selecting a template, 2) adding photos from the user's computer, and 3) saving/downloading the completed collage. Key details include choosing a basic template to spread images out in varying sizes, adding sepia-toned images to a plain white background for contrast, arranging and editing the images, and quickly downloading the finished collage.
The document describes how a video was edited to remove strong language by using downloaded bleep sound effects. Specifically, it notes that bleep sounds were not available in the iMovie editing program, so a website called Sound Jay was used to find and download a free bleep mp3 file. This file was then copied and pasted into the audio track of the video to cover instances of strong language.
The front cover of the album features a central image of the band in a rough punk style. The bold orange text of the album title "riot" stands out against the dark background and repetition of the title around the page helps it be easily remembered. Production credits on the back cover are written plainly to make them stand out from the rest of the piece. Inside pages feature lyrics and photos of band members with the same scratched font style as the rest of the packaging.
This digipak for the album "Sinner's Never Sleep" by the band You Me at Six has a punk style that continues the criminal theme from their "Loverboy" music video. The cover features a mugshot-style photo holding an ID board with the title. Interior panels include fingerprints of band members, photos set in abandoned buildings, and mugshots/photofits of each band member, continuing the criminal motif. While following typical album packaging conventions, the gritty black and white aesthetic and inclusion of personalized photos relates to the band's audience.
This digipak for the album "Sinner's Never Sleep" by the band You Me at Six has a punk style that continues the criminal theme from their "Loverboy" music video. The cover features a mugshot-style photo holding an ID board with the title. Interior panels include fingerprints of band members, photos set in abandoned buildings, and mugshot-style photos of each band member paired with inaccurate photofits on the back. While continuing the criminal theme throughout, many elements are quite predictable for a rock album.
1. The bold, black scratchy
FRONT
Clearly displays album title, in different text is a dominant feature
The overall colour on the page clearly
font to the one used for the band. Want
scheme of black and displaying the who's
the album title to stand out?
grey allows the band digipak it is and its title
to be instantly (establishing the band).
recognised as a rock This scratched text echoes
or metal band due to the signs of an angry
the formidable patient writing furiously in
typecast of the a diary. Perhaps the album
music. is a form of diary
The image of a expressing the patient's
skeleton marching in (the band's alter ego)
disturbing, a skeleton anger at either their illness
dressed in black and or treatment. The font
marching hints at the resembles the hand of
albums title 'The someone who is enraged
Black Parade'. We which corresponds with
assume this image of the genre.
the patient discussed
From the parental advisory sticker located Colours used reflect dark
in the songs and the
on the bottom left it is clear that myterious tone of the
image thus, depicts
lyrically, the album contains, explicit album. Contrast of white
his inevitable march
language and strong themes which and black mimin contrast
to death.
suggests the band conform to traditional of life and death?
2. The tracks are clearly displayed in the
BACK right column much like the titles of
newspaper articles perhaps indicating
the album sheds light on important
issues. The back panel, as
The image with most digipaks,
again is contains track
disturbing names and
but the de- numbers, running
robing of the order, production
character details. Minor
suggests his details such as
decaying production
condition as companies, record
the album labels etc tend to be
progresses smaller in font than
and eventual other information
death. The grey scale colour scheme is displayed this is
continuous throughout but the figure because such
which is now slouched and appears to be information is of
rotting represents the narrative of the little relevance to
album. many fans.
3. COVER REVERSE
This is the first
covering insert
of the digipak
(reverse of the This is the first
front) and again image that
hints at the appears as the
characters digipak booklet is
march to opened and
death, we suggests the ‘black
assume the parade’ begins
others here- this gives
displayed in the the impression the
image also album follows a
suffer from journey and this is
illnesses and the start.
like him are on
a march to
death. The The red string stands out in stark contrast to
image is inline the black and grey theme of the digipak.
with the black The red string carried by the skeleton of girl
and white disturbs the continuous black and white
theme colour theme throughout perhaps indicating
displayed the disturbance of death or ilness.
throughout.
4. Like the track list on the back, INSERT PANELS
the inside lyrics also take the Throughout the digipak there
form on a Victorian style are clear links between the
newspaper article in which visuals and images used and
themes freak shows were the albums motif.
common.
The image’s off tone This is the flat open digipak booklet. The open booklet
beige colour also carries contains posters and lyrics from the album. The lyrics are
a Victorian style displayed in a newspaper article fashion with a large image
theme, with the grand of the 'Black Parade' this suggests that each song depicts a
clock. The image depicts new part of addition to the parade and also adds to the
the grand march to overall dramatic appearance of the digipak.
5. The reverse of the INSERT PANELS When the digipak is unfolded a
digipak booklet opens poster is revealed with an
out as a poster of the The image depicts the skies
image from the video of
band standing tall opening up above the band and
‘Welcome to the Black Parade’
amongst the parade. the parade members, suggests the
creating a synergistic link
The band themselves band are taking a stand against
between the album and a track.
are dressed in military death?
style attire which adds
The image
to the gothic
of the
undertone of the
band
albums theme.
connotes
horror and
First time the band fear
are introduced- is especially
this done to with the
appeal to fans? military
style dress.
The former parade members surround them, this image suggests they are now in
the afterlife and the black and white colour theme is constant throughout. The
band themselves stand tall which highlights their presence and perhaps shows
them as saviours having shed light on the issues of illness, suffering and death
throughout the album
6. The disc also contains
DISC production details this is done
The red string is for copyright purposes.
used here
Track names are
again, a recurring
repeated shown
image throughout
circling the disc, is
the digipak which
this suggesting the
stands out against
eternity of life? Or
the black/grey
that the story
colour
continues
scheme, could be
rope used by the Images of sky riser
victims? buildings connotes
ideas of suicide or
even the
Important materialistic worlds
institutional the band are
information is critical of.
also The kite flying off
embedded on suggests freedom
the disc as and liberation
this is perhaps as the
separate from band shed light on
the digipak. such issues.