Dh
•Download as PPTX, PDF•
0 likes•453 views
The document discusses how a music video for an indie/folk band incorporated characteristics of the genre. It describes using natural outdoor settings and props like guitars and banjos popular in folk music. Shots were kept short to portray an upbeat, happy feel typical of the genre. While the lyrics did not allow for direct visual connections, the tone and atmosphere were conveyed through the pacing and duration of scenes matching the emotion in the music. The band's name incorporated cassettes to identify the artist and establish a theme, and the video avoided objectifying women commonly found in other genres.
Report
Share
Report
Share
Recommended
The Star Image of Our Artist
The document discusses strategies for presenting a new artist as "organic" rather than "synthetic" in their debut music video. It recommends that the artist be shown playing guitar casually dressed, without dancing, to emphasize their authenticity and focus on the music. Comparable artists like Hozier, Tom Odell and George Ezra are cited as exemplifying this organic style through self-written songs, natural voices, and simple, guitar-based performances. The target audience for this organic indie style is suggested to be broader than for synthetic artists, ranging from ages 15-40.
Props For Our Music Video
The document discusses props needed for a music video, including a guitar for the singer to hold, a photo album for the singer and girlfriend to look through containing pictures of their memories, sparklers for a night scene overlooking a landscape, a lantern for the singer and girlfriend to hold while walking through a forest at night, a calendar with the girlfriend's dates with her boyfriend circled, a picnic blanket for a scene of the couple having a picnic, and a bouquet of flowers for the singer to give his girlfriend. The props are described as being inexpensive options that will suit the purposes needed within the story and scenes of the music video.
Q1 media evaluation
1. In what ways does your media product use, develop or challenge forms and conventions of real media products?
Indie Music Video Conventions
This document discusses conventions commonly seen in indie music videos. It is typical for indie videos to focus on live performances of the main artist/group to showcase their talent. While performances were traditionally the central focus, many indie videos now also include narratives to give deeper meaning to the music and help audiences connect. Effective techniques for indie videos include close-up shots of the artist, location filming on budgets in studios and outdoor areas, and vintage filters or black and white to portray an old-fashioned style.
Evaluation task 1 Codes and Conventions
This document discusses the conventions used in the media product's music video, album, and website to develop forms and conventions of real country music products. Specifically, it focuses on using close-ups of the singer in the chorus, wide shots to establish the natural setting, slow paced editing to match the mellow song, natural lighting, pastel costumes and props to reflect the organic genre, outdoor locations for the artist to lip sync, and direct address from the singer to make the audience feel a close connection. The album cover includes the artist holding an acoustic guitar in black and white to represent the emotional music. Similarly, the website incorporates natural elements and links the themes to the latest release to connect the audience to the artist.
Props
The document discusses props that a group wants to include in a music video for one of their songs. They found props like flags were effective in conveying themes of patriotism and nostalgia. They created a poster design featuring these themes to include in wider shots. Ideas for props included beer, crisps, and a car to help portray the atmosphere and show actors traveling. The finished poster successfully represented the themes and style of the band through images like the union jack flag, silhouetted crowd, and rustic, disheveled aesthetic.
Emma Brand music video.
The media product uses several conventions of real music videos and albums. It includes a narrative and band performance shown through cross-cutting and parallel editing, as seen in indie rock videos. Location shots include graffiti, a house, park and streets to further the narrative. Visual effects like ghosting are used to add dream-like qualities and sync with the music. A split screen shows two perspectives of the main character. Shot types include close-ups and long shots of the band. The digipak and magazine advert feature band photos and information consistently to promote the single and album.
Goodwin's features
The document summarizes aspects of a music video production for a class assignment. It discusses:
1) How the lyrics of the chosen song did not relate strongly to the visuals as the song lacked lyrics and had a beat-driven style, allowing the visuals to tell their own story. However, one lyric is briefly linked to a scene.
2) How the upbeat music enhanced the engaging visuals, which changed in sync with the beat using snappy editing.
3) How the main character's style of skinny jeans, hat, jacket and shoes portrayed the intended indie/alternative genre.
Recommended
The Star Image of Our Artist
The document discusses strategies for presenting a new artist as "organic" rather than "synthetic" in their debut music video. It recommends that the artist be shown playing guitar casually dressed, without dancing, to emphasize their authenticity and focus on the music. Comparable artists like Hozier, Tom Odell and George Ezra are cited as exemplifying this organic style through self-written songs, natural voices, and simple, guitar-based performances. The target audience for this organic indie style is suggested to be broader than for synthetic artists, ranging from ages 15-40.
Props For Our Music Video
The document discusses props needed for a music video, including a guitar for the singer to hold, a photo album for the singer and girlfriend to look through containing pictures of their memories, sparklers for a night scene overlooking a landscape, a lantern for the singer and girlfriend to hold while walking through a forest at night, a calendar with the girlfriend's dates with her boyfriend circled, a picnic blanket for a scene of the couple having a picnic, and a bouquet of flowers for the singer to give his girlfriend. The props are described as being inexpensive options that will suit the purposes needed within the story and scenes of the music video.
Q1 media evaluation
1. In what ways does your media product use, develop or challenge forms and conventions of real media products?
Indie Music Video Conventions
This document discusses conventions commonly seen in indie music videos. It is typical for indie videos to focus on live performances of the main artist/group to showcase their talent. While performances were traditionally the central focus, many indie videos now also include narratives to give deeper meaning to the music and help audiences connect. Effective techniques for indie videos include close-up shots of the artist, location filming on budgets in studios and outdoor areas, and vintage filters or black and white to portray an old-fashioned style.
Evaluation task 1 Codes and Conventions
This document discusses the conventions used in the media product's music video, album, and website to develop forms and conventions of real country music products. Specifically, it focuses on using close-ups of the singer in the chorus, wide shots to establish the natural setting, slow paced editing to match the mellow song, natural lighting, pastel costumes and props to reflect the organic genre, outdoor locations for the artist to lip sync, and direct address from the singer to make the audience feel a close connection. The album cover includes the artist holding an acoustic guitar in black and white to represent the emotional music. Similarly, the website incorporates natural elements and links the themes to the latest release to connect the audience to the artist.
Props
The document discusses props that a group wants to include in a music video for one of their songs. They found props like flags were effective in conveying themes of patriotism and nostalgia. They created a poster design featuring these themes to include in wider shots. Ideas for props included beer, crisps, and a car to help portray the atmosphere and show actors traveling. The finished poster successfully represented the themes and style of the band through images like the union jack flag, silhouetted crowd, and rustic, disheveled aesthetic.
Emma Brand music video.
The media product uses several conventions of real music videos and albums. It includes a narrative and band performance shown through cross-cutting and parallel editing, as seen in indie rock videos. Location shots include graffiti, a house, park and streets to further the narrative. Visual effects like ghosting are used to add dream-like qualities and sync with the music. A split screen shows two perspectives of the main character. Shot types include close-ups and long shots of the band. The digipak and magazine advert feature band photos and information consistently to promote the single and album.
Goodwin's features
The document summarizes aspects of a music video production for a class assignment. It discusses:
1) How the lyrics of the chosen song did not relate strongly to the visuals as the song lacked lyrics and had a beat-driven style, allowing the visuals to tell their own story. However, one lyric is briefly linked to a scene.
2) How the upbeat music enhanced the engaging visuals, which changed in sync with the beat using snappy editing.
3) How the main character's style of skinny jeans, hat, jacket and shoes portrayed the intended indie/alternative genre.
Evaluation task 1 Codes and Conventions
This document analyzes the media product of a music video for a country/singer-songwriter artist. It discusses several conventions used from real music videos in the genre, including close-ups of the singer in the chorus to emphasize the lyrics, wide shots to establish location, natural lighting and slow pacing to match the mellow song. Costumes were pastel colors and props included an old piano. The location shots and performance scenes aimed to portray an authentic, organic artist. The album and website design incorporated similar natural, rustic elements to represent the artist and genre.
Evaluation activity 2
The document evaluates how effectively the combination of a music video and accompanying digipak and promotional materials work together. It discusses how the artist's image and surroundings are kept consistent across the different elements, including clothing, settings, colors and themes like nostalgia. Elements like fonts, photographs and graffiti are also incorporated uniformly to create a cohesive identity for the artist and strengthen the connection between the various products. The evaluation concludes that this consistency is effective in clearly representing the artist as local and relatable to their target audience.
Media defining a music video andrew goodwin
The document summarizes Andrew Goodwin's analysis of key aspects of music videos from his 1992 book "Dancing in the Distraction Factory". Goodwin identified five aspects for analyzing music videos: 1) relating the lyrics and visuals through the "thought through beat", 2) using narrative and performance, 3) technical elements like camerawork and editing, 4) the relationship between the song and visuals, and 5) promoting the star image. He believed these elements were important for engaging audiences and promoting songs through music videos.
Music video analysis pp
This music video for the song "Tidal Wave" by Sub Focus featuring Alpines demonstrates several characteristics of music video analysis. It relates the lyrics about love and tidal waves to imagery of the ocean. Shots of the female singer lip syncing the lyrics and locations by the sea reflect the themes in the song. The editing and visuals are also synchronized with the tempo and beats of the music. Both artists are prominently featured, promoting themselves and their album which uses similar motifs. The video can be considered both a performance and conceptual video type.
How effective is the combination of your main
The music video, album, and poster for the artist's project titled "Multiple Personality" are effectively connected through their shared theme. The music video depicts the artist playing three different characters, representing the theme. The album cover features four shots of the artist with different expressions and colors, mirroring the music video. Pictures from the same photo shoot were used in both the album and poster to link them while still standing out individually.
Music video analysis - The XX
The music video for The XX's song "Islands" is primarily a performance-based video that focuses on the band singing and dancers moving to the music. It emphasizes repetition through continuous zooming shots that match the repetitive lyrics and beat. While it deviates from using close-ups of instruments, the focus on performance still establishes the band's indie genre. The relationship between the music and visuals is largely amplifying, with the dancers' moves and changing shots synchronizing with shifts in the music.
Question 2
The document discusses creating continuity and synergy across various music products for a band called Crystal Whites, including their magazine advert, digipak, CD, lyric booklet, and music video. Key elements that provide continuity include using the same images, fonts, color schemes, and representations of the band members across products. Social media logos on the magazine advert promote the music video and band profile pages allow audiences to learn more about Crystal Whites.
Goodwin's Theory - Kids in Glass Houses
1. The document analyzes the music video for "Matters At All" by the indie rock band Kids in Glass Houses according to William Goodwin's theory of key elements in music videos.
2. It finds that the video demonstrates genre characteristics of indie rock through its focus on live performance elements and close-ups of band members.
3. The relationship between lyrics and visuals is both illustrative, showing memories from the past, and amplifying, emphasizing impactful lyrics.
Conventions of Jazz, Folk and Acoustic
This document discusses conventions for jazz, folk, and acoustic music videos. It outlines conventions like location, costumes, lighting, and editing for each genre. Jazz conventions include bright lights, sophisticated costumes, and old-fashioned settings and microphones. Folk often uses shadows, spotlighting of artists, exaggerated playing, and black and white editing. Acoustic focuses on emotional facial expressions, slow pacing, isolated settings, and editing to set mood. Examples are given of artists following or challenging these conventions. The conclusion advocates including aspects of each genre while making the video unique.
evaluation
The document discusses how a group created an indie music video that both used conventions of the genre as well as challenged some conventions. It followed typical indie music video conventions like using dark color themes for the artist's costume, including close-up shots of the solo female artist performing, and using different lighting and camera angles. However, it challenged conventions by not including a band playing instruments and by depicting the artist in a cheerful mood rather than a darker mood typical of indie. The group edited the video nonlinearly to tell an unpredictable storyline that kept viewers engaged and used repeated and varied shots along with speed and slow motion effects to build intensity.
Evaluation 1
The document discusses different genres in the music industry and how they influence conventions in music videos. It focuses on the genre of indie/folk music exemplified by Ben Howard. Key conventions of indie music videos mentioned include a mixture of narrative and performance, simplistic style and locations, visuals relating to the music, use of instruments, and dance emphasizing the soundtrack. The author created a music video for Ben Howard's song "Diamonds" attempting to portray these conventions through locations in a forest, artistic performance with a guitar, and use of dance.
Question 1
This document summarizes the key ways in which the media product uses and develops conventions of real music videos and media products. It discusses conventions of music videos such as demonstrating genre characteristics and relationships between lyrics, music, and visuals. It then describes how the media product incorporates these conventions, such as through shots that reference other music videos and the use of close-ups, angles, and imagery that establish the indie/rock genre. Overall, the document conveys how the media product was influenced by real examples but adapted them in an original way.
Evaluation task 1
The document discusses forms and conventions used in the music video for "Rihanna" by Clean Bandit, comparing it to other music videos.
It analyzes the media form, conventions, locations, lighting, camera work, performances, and editing of the video. Studio filming was used with additional lighting effects. Close-ups were important to focus on the artists. Long shots showed the band and instrumentalists. Cross-dissolve was used to link scenes.
The document also discusses the digipak design for the single, comparing it to Ellie Goulding's use of brighter colors. For the website, it analyzed Lorde's site but chose brighter colors to attract a younger audience for the childlike
Evaluation Question 1
Our media product is a music video for a pop/rock song. We used various conventions of the genre including the artist miming the lyrics and including a storyline with other actors. We incorporated different camera techniques like close-ups, camera movements, and lighting effects. While drawing from conventions, we also aimed to challenge them by including dancing, which is uncommon for this genre. The mise-en-scene features naturalistic settings, costumes, makeup and lighting that enhance the mood of the song and story.
Media final write up
The video will feature the song "Lover of the Light" by Mumford and Sons. Scenes will be filmed of a band performing in a recording studio and front room. Close-up shots of the instruments will show the piano and guitar being played. There will also be extreme long shots of the sky to showcase natural beauty. The narrative follows the lead singer admiring the sky's light, practicing the song, and then performing. Light will parallel the music through high and low key lighting, while the sky and natural setting represent happiness, positivity, and escape from mundane life.
Charlie simpson – young pilgrim
The album cover features a simple layout with a central image of the artist in a natural field setting, playing a guitar. This relates to the folk/rock genre and ties into the natural locations and guitar playing featured in the artist's music videos. The camera uses a long shot to clearly show the natural location, guitar prop, and casual costume, linking these visual elements to the genre and theme of the artist's songs. Natural green and blue colors dominate the cover, as is common for this genre, with darker tones at the bottom graduating to lighter tones at the top. The fonts used for the artist and album names are a serif and sans-serif respectively, keeping with the simple style appropriate for this genre.
Evaluation
The document discusses the evaluation of a music video created for an R&B/Funky House genre. It examines how the video uses, develops, and challenges conventions of the genre. It discusses the narrative, use of lighting, costumes, editing techniques, sound, camera angles and how they adhere to or develop typical conventions. Feedback is also discussed, noting the video was generally well-received by the target audience but could improve on eye contact from the artist. New media technologies like digital cameras, video cameras and computers were used in planning, research, and production.
Evaluation
The document discusses how the creator's music video for an R&B/Funky House song effectively uses, develops, and challenges conventions of the genre. It sticks closely to conventions like using a simple breakup narrative that audiences can relate to, but also challenges expectations in some ways, like showing the female's emotions more than the male's. Elements like lighting, costumes, editing techniques, and camera angles were chosen specifically to fit genre conventions while advancing the story. The combination of the music video and its promotional poster/DVD cover is also deemed effective because they share matching themes, locations, and symbolic elements to clearly link the pieces together for audiences.
Evaluation
The document discusses the use of new media technologies in the planning, research, and evaluation stages of creating a media product. During planning, the group used a digital camera to take photos of potential filming locations and test camera angles. They also used a video camera to practice filming and different camera shots. A computer was used for online research on possible genres, artists, and to design the DVD cover and promotional poster. Excel was used to analyze questionnaire results. YouTube, SlideShare, and Prezi were used to publish research findings. During production, a MacBook Pro was used to edit video footage and create the DVD cover and poster designs.
Written evaluation
The document provides an evaluation of a music video created for a class assignment. It discusses how the video uses, develops, and challenges conventions of the R&B/Funky House music video genre. It examines elements like narrative, mise-en-scene, costume, editing, sound, camera work, and how effectively the video and accompanying promotional materials were combined. Feedback from audiences was also positive overall, though some noted the artist could improve eye contact. New media technologies like digital cameras, video cameras, and computers were used extensively in planning, research, and production.
Evaluation 1
Our music video sticks closely to the conventions of EDM/house music videos through its use of a club-like setting with strobe lights, glow sticks, and costumes featuring black and white. It relates the lyrics to the visuals through the main artist's facial expressions and dance movements during certain parts of the song. The editing is done to match the fast tempo of the song. Inspiration was drawn from music videos like Disclosure's "Latch" for its narrative interpretation of lyrics, Calvin Harris' "How Deep Is Your Love" for its lighting effects, and Rihanna's "We Found Love" for its blending of narrative and performance elements. Overall, the video aims to capture the feel of a typical E
Evaluation
The document evaluates the effectiveness of combining a music video with ancillary texts like a digipak and advert for promoting a fictional band called North Picaro. It discusses how the music video, digipak, and advert use consistent colors, fonts, and visual elements like splattered paint to create a cohesive brand identity and connect all the media products. The combination of the main music video with supplemental materials is deemed effective at promoting the band's image and genre while appealing to a wide audience regardless of gender.
More Related Content
What's hot
Evaluation task 1 Codes and Conventions
This document analyzes the media product of a music video for a country/singer-songwriter artist. It discusses several conventions used from real music videos in the genre, including close-ups of the singer in the chorus to emphasize the lyrics, wide shots to establish location, natural lighting and slow pacing to match the mellow song. Costumes were pastel colors and props included an old piano. The location shots and performance scenes aimed to portray an authentic, organic artist. The album and website design incorporated similar natural, rustic elements to represent the artist and genre.
Evaluation activity 2
The document evaluates how effectively the combination of a music video and accompanying digipak and promotional materials work together. It discusses how the artist's image and surroundings are kept consistent across the different elements, including clothing, settings, colors and themes like nostalgia. Elements like fonts, photographs and graffiti are also incorporated uniformly to create a cohesive identity for the artist and strengthen the connection between the various products. The evaluation concludes that this consistency is effective in clearly representing the artist as local and relatable to their target audience.
Media defining a music video andrew goodwin
The document summarizes Andrew Goodwin's analysis of key aspects of music videos from his 1992 book "Dancing in the Distraction Factory". Goodwin identified five aspects for analyzing music videos: 1) relating the lyrics and visuals through the "thought through beat", 2) using narrative and performance, 3) technical elements like camerawork and editing, 4) the relationship between the song and visuals, and 5) promoting the star image. He believed these elements were important for engaging audiences and promoting songs through music videos.
Music video analysis pp
This music video for the song "Tidal Wave" by Sub Focus featuring Alpines demonstrates several characteristics of music video analysis. It relates the lyrics about love and tidal waves to imagery of the ocean. Shots of the female singer lip syncing the lyrics and locations by the sea reflect the themes in the song. The editing and visuals are also synchronized with the tempo and beats of the music. Both artists are prominently featured, promoting themselves and their album which uses similar motifs. The video can be considered both a performance and conceptual video type.
How effective is the combination of your main
The music video, album, and poster for the artist's project titled "Multiple Personality" are effectively connected through their shared theme. The music video depicts the artist playing three different characters, representing the theme. The album cover features four shots of the artist with different expressions and colors, mirroring the music video. Pictures from the same photo shoot were used in both the album and poster to link them while still standing out individually.
Music video analysis - The XX
The music video for The XX's song "Islands" is primarily a performance-based video that focuses on the band singing and dancers moving to the music. It emphasizes repetition through continuous zooming shots that match the repetitive lyrics and beat. While it deviates from using close-ups of instruments, the focus on performance still establishes the band's indie genre. The relationship between the music and visuals is largely amplifying, with the dancers' moves and changing shots synchronizing with shifts in the music.
Question 2
The document discusses creating continuity and synergy across various music products for a band called Crystal Whites, including their magazine advert, digipak, CD, lyric booklet, and music video. Key elements that provide continuity include using the same images, fonts, color schemes, and representations of the band members across products. Social media logos on the magazine advert promote the music video and band profile pages allow audiences to learn more about Crystal Whites.
Goodwin's Theory - Kids in Glass Houses
1. The document analyzes the music video for "Matters At All" by the indie rock band Kids in Glass Houses according to William Goodwin's theory of key elements in music videos.
2. It finds that the video demonstrates genre characteristics of indie rock through its focus on live performance elements and close-ups of band members.
3. The relationship between lyrics and visuals is both illustrative, showing memories from the past, and amplifying, emphasizing impactful lyrics.
Conventions of Jazz, Folk and Acoustic
This document discusses conventions for jazz, folk, and acoustic music videos. It outlines conventions like location, costumes, lighting, and editing for each genre. Jazz conventions include bright lights, sophisticated costumes, and old-fashioned settings and microphones. Folk often uses shadows, spotlighting of artists, exaggerated playing, and black and white editing. Acoustic focuses on emotional facial expressions, slow pacing, isolated settings, and editing to set mood. Examples are given of artists following or challenging these conventions. The conclusion advocates including aspects of each genre while making the video unique.
evaluation
The document discusses how a group created an indie music video that both used conventions of the genre as well as challenged some conventions. It followed typical indie music video conventions like using dark color themes for the artist's costume, including close-up shots of the solo female artist performing, and using different lighting and camera angles. However, it challenged conventions by not including a band playing instruments and by depicting the artist in a cheerful mood rather than a darker mood typical of indie. The group edited the video nonlinearly to tell an unpredictable storyline that kept viewers engaged and used repeated and varied shots along with speed and slow motion effects to build intensity.
Evaluation 1
The document discusses different genres in the music industry and how they influence conventions in music videos. It focuses on the genre of indie/folk music exemplified by Ben Howard. Key conventions of indie music videos mentioned include a mixture of narrative and performance, simplistic style and locations, visuals relating to the music, use of instruments, and dance emphasizing the soundtrack. The author created a music video for Ben Howard's song "Diamonds" attempting to portray these conventions through locations in a forest, artistic performance with a guitar, and use of dance.
Question 1
This document summarizes the key ways in which the media product uses and develops conventions of real music videos and media products. It discusses conventions of music videos such as demonstrating genre characteristics and relationships between lyrics, music, and visuals. It then describes how the media product incorporates these conventions, such as through shots that reference other music videos and the use of close-ups, angles, and imagery that establish the indie/rock genre. Overall, the document conveys how the media product was influenced by real examples but adapted them in an original way.
Evaluation task 1
The document discusses forms and conventions used in the music video for "Rihanna" by Clean Bandit, comparing it to other music videos.
It analyzes the media form, conventions, locations, lighting, camera work, performances, and editing of the video. Studio filming was used with additional lighting effects. Close-ups were important to focus on the artists. Long shots showed the band and instrumentalists. Cross-dissolve was used to link scenes.
The document also discusses the digipak design for the single, comparing it to Ellie Goulding's use of brighter colors. For the website, it analyzed Lorde's site but chose brighter colors to attract a younger audience for the childlike
Evaluation Question 1
Our media product is a music video for a pop/rock song. We used various conventions of the genre including the artist miming the lyrics and including a storyline with other actors. We incorporated different camera techniques like close-ups, camera movements, and lighting effects. While drawing from conventions, we also aimed to challenge them by including dancing, which is uncommon for this genre. The mise-en-scene features naturalistic settings, costumes, makeup and lighting that enhance the mood of the song and story.
Media final write up
The video will feature the song "Lover of the Light" by Mumford and Sons. Scenes will be filmed of a band performing in a recording studio and front room. Close-up shots of the instruments will show the piano and guitar being played. There will also be extreme long shots of the sky to showcase natural beauty. The narrative follows the lead singer admiring the sky's light, practicing the song, and then performing. Light will parallel the music through high and low key lighting, while the sky and natural setting represent happiness, positivity, and escape from mundane life.
Charlie simpson – young pilgrim
The album cover features a simple layout with a central image of the artist in a natural field setting, playing a guitar. This relates to the folk/rock genre and ties into the natural locations and guitar playing featured in the artist's music videos. The camera uses a long shot to clearly show the natural location, guitar prop, and casual costume, linking these visual elements to the genre and theme of the artist's songs. Natural green and blue colors dominate the cover, as is common for this genre, with darker tones at the bottom graduating to lighter tones at the top. The fonts used for the artist and album names are a serif and sans-serif respectively, keeping with the simple style appropriate for this genre.
What's hot (16)
Similar to Dh
Evaluation
The document discusses the evaluation of a music video created for an R&B/Funky House genre. It examines how the video uses, develops, and challenges conventions of the genre. It discusses the narrative, use of lighting, costumes, editing techniques, sound, camera angles and how they adhere to or develop typical conventions. Feedback is also discussed, noting the video was generally well-received by the target audience but could improve on eye contact from the artist. New media technologies like digital cameras, video cameras and computers were used in planning, research, and production.
Evaluation
The document discusses how the creator's music video for an R&B/Funky House song effectively uses, develops, and challenges conventions of the genre. It sticks closely to conventions like using a simple breakup narrative that audiences can relate to, but also challenges expectations in some ways, like showing the female's emotions more than the male's. Elements like lighting, costumes, editing techniques, and camera angles were chosen specifically to fit genre conventions while advancing the story. The combination of the music video and its promotional poster/DVD cover is also deemed effective because they share matching themes, locations, and symbolic elements to clearly link the pieces together for audiences.
Evaluation
The document discusses the use of new media technologies in the planning, research, and evaluation stages of creating a media product. During planning, the group used a digital camera to take photos of potential filming locations and test camera angles. They also used a video camera to practice filming and different camera shots. A computer was used for online research on possible genres, artists, and to design the DVD cover and promotional poster. Excel was used to analyze questionnaire results. YouTube, SlideShare, and Prezi were used to publish research findings. During production, a MacBook Pro was used to edit video footage and create the DVD cover and poster designs.
Written evaluation
The document provides an evaluation of a music video created for a class assignment. It discusses how the video uses, develops, and challenges conventions of the R&B/Funky House music video genre. It examines elements like narrative, mise-en-scene, costume, editing, sound, camera work, and how effectively the video and accompanying promotional materials were combined. Feedback from audiences was also positive overall, though some noted the artist could improve eye contact. New media technologies like digital cameras, video cameras, and computers were used extensively in planning, research, and production.
Evaluation 1
Our music video sticks closely to the conventions of EDM/house music videos through its use of a club-like setting with strobe lights, glow sticks, and costumes featuring black and white. It relates the lyrics to the visuals through the main artist's facial expressions and dance movements during certain parts of the song. The editing is done to match the fast tempo of the song. Inspiration was drawn from music videos like Disclosure's "Latch" for its narrative interpretation of lyrics, Calvin Harris' "How Deep Is Your Love" for its lighting effects, and Rihanna's "We Found Love" for its blending of narrative and performance elements. Overall, the video aims to capture the feel of a typical E
Evaluation
The document evaluates the effectiveness of combining a music video with ancillary texts like a digipak and advert for promoting a fictional band called North Picaro. It discusses how the music video, digipak, and advert use consistent colors, fonts, and visual elements like splattered paint to create a cohesive brand identity and connect all the media products. The combination of the main music video with supplemental materials is deemed effective at promoting the band's image and genre while appealing to a wide audience regardless of gender.
Evaluation
The document discusses the evaluation of a media portfolio that includes a music video and print work for an R&B artist. It summarizes how the media product uses conventions of real music videos, such as a focus on style over substance and portraying the artist as a sex symbol. While mostly sticking to conventions, it also challenges some, like setting the video in a woodland rather than beach setting. The print work also follows conventions like using the artist's image but experiments with colors and effects. Feedback showed the music video successfully portrayed the emotions of the slow song through its editing, shots and setting.
Media Evaluation
The document summarizes how the media product challenges and develops conventions of real music videos based on Andrew Goodwin's theories. Key points:
1. The music video matches the editing pace to the music but uses longer shots for calmer parts to match the song's feelings.
2. A narrative format was chosen to represent the song's heartbreak theme over more upbeat styles.
3. Greyscale and slow motion shots signify memories, connecting the visuals to lyrics.
4. Continuity of style, colors, fonts and natural themes across products builds the artist's branding identity.
Andrew Goodwins Music Video Conventions
The document discusses how a student's media product used conventions of real music videos. It examines how the student's music video incorporated conventions like genre, star identification, voyeurism, lyrics and visuals, and locations. It aimed to use a calming purple filter and dull flashback filter to convey the indie pop genre. Close-up shots were used for star identification. Scenes focused on the female form for voyeurism. Locations in nature were chosen to emphasize traveling after loss. The lyrics were directly matched to visuals like dancing in the moonlight. Intertextual references and star iconography were not included to focus on telling the story of two normal girls in love through memories. The promotional package matched the music
Evalution task 1
The document provides details about the production of a music video. It summarizes the key elements of the music video's narrative, performance style, camera work, lighting, length, costumes/props, digipack design, and website design. The music video utilized a strong narrative, artistic camera work like whip pans, lighting to indicate the passage of time, stereotypes to concisely tell a complex love story within 3 minutes, and styled costumes/props to clearly portray the narrative with a dramatic star image for a new artist.
Andrew Goodwins Music Video Conventions
The document discusses how a music video for an indie pop song used several conventions of real music videos, including genre, star identification, voyeurism, lyrics and visuals, and locations. It provides examples of how each convention was implemented, such as using filters to establish the genre, close-ups for star identification, shots emphasizing the female form for voyeurism, matching lyrics and visuals, and varying locations to represent themes. Intertextuality and star iconography were not used. The promotional package for the song followed conventions for design and coordinated with the music video.
Evaluation - Question One, Nicole Atkinson
This document summarizes how the media product uses and challenges conventions of the indie folk music genre. It uses conventions such as close-up shots of the singer, natural lighting, fade transitions, and woodland locations. It challenges conventions by incorporating abstract visual effects, increasing contrast of landscape shots, and including a jump cut at the end rather than a fade. The document provides examples of how other indie folk music videos have used the same conventions in their cinematography, locations, effects, and transitions.
Evaluation 1
The document discusses conventions used in music videos and how the media product challenges or develops those conventions. It discusses using close-up shots of objects to introduce a narrative, focusing on the artist over the song title, and using camera angles to convey meaning. It also discusses designing a digipak for an album, including photos and reviews, and creating a poster to promote the artist and album. Overall, it examines how the media product draws from real conventions but also challenges them to tell its intended story and promote the new artist.
Evaluation
The document discusses how the media product, a music video, uses conventions from real music videos. It establishes the setting at the beginning, uses close-ups and varied shots cut together through editing at a fast pace like real music videos. Feedback was received from the audience but not described.
Q1
The document discusses the music video created by the author for their media production. Some key points:
- The music video uses conventions like lip syncing to match the singer's movements to the song. This helps connect the audience to the emotion of the young female artist.
- Mise-en-scene aims to capture the artist's emotion and sadness through minimal props and high key lighting/color backdrops.
- The video challenges conventions by not having a storyline and using contrasting colors compared to the emotions in the song.
- Influences include other music videos with solo young female artists that help structure the video without a relationship between visuals and lyrics.
Evaluation Task 1
The document discusses how the media product conforms to and challenges conventions of real media products. It summarizes how it used close-ups and mid-shots of a boy in a dunce hat to emphasize emotions and attitudes, conforming to conventions used in videos by The Chemical Brothers and The Prodigy. It also used long shots and wide shots of a meth lab setting to appeal to target audiences and conform to symbolic conventions. Fast-paced editing, jump cuts, and neon lighting were used to emphasize the fast tempo and trippy theme of the music, conforming to conventions from other artists' music videos. The digipak and website designs conformed to typical conventions but took inspiration from other artists like The Chemical Brothers
A2 Media: The Evaluation
The document discusses the process of creating a music video with consideration of codes and conventions. It aimed to tell a simple narrative storyline about a young relationship that would engage the target audience of older teenagers. Elements like costumes, locations, lighting, actors, and editing were used purposefully according to conventions of the genre and to portray the artist and storyline professionally. Sound was also an important convention, using mostly non-diegetic music but with diegetic piano playing at the beginning and end to set the scene. Overall the document emphasizes using research of conventions to thoughtfully include various technical and artistic elements into the music video.
Evaluation question 1
The document describes the various techniques used in creating a music video for an alternative rock song, including:
- Using a dark, apocalyptic aesthetic for the setting, costumes, lighting, and color correction to match the mood of the song.
- Incorporating conventions from apocalyptic films like long shots of the empty landscape.
- Having long shots to match the slow pace of the song and adding a lonely atmosphere.
- Including a narrative of a character alone in the apocalyptic world who finds hope with another person.
- Designing a website, digipak, and music video inspired by other alternative rock bands to target a wide audience.
Question 1
The document discusses conventions used in a student music video project based on Andrew Goodwin's seven conventions for music videos. It describes how the video incorporated conventions of genre, star identification, voyeurism, lyrics and visuals, and locations to tell the story of two lovers. It also discusses challenges to conventions like not including inter-textual references or following all conventions. Inspiration was drawn from music videos by Lana Del Rey, Florence and the Machine, and Ed Sheeran that also challenged conventions.
Evaluation question 1: Shauna Penfold
This document discusses how the music video project represented various elements:
1) The relationship between lyrics and visuals by mirroring lyrics like "Deeper than the darker sea" with images of jumping in a pool.
2) The relationship between music and visuals by editing visuals like duplicated dancing to match the beat of the song.
3) Representation of the artist through different images showing two sides of her personality in the magazine ad and inside the album digipack.
4) Definition of the genre by using editing techniques like color saturation of lips seen in popular music videos.
Similar to Dh (20)
Recently uploaded
一比一原版巴斯大学毕业证(Bath毕业证书)学历如何办理
原版办理【微信号:BYZS866】【巴斯大学毕业证(Bath毕业证书)】【微信号:BYZS866】《成绩单、外壳、雅思、offer、真实留信官方学历认证（永久存档/真实可查）》采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
【关于学历材料质量】
我们承诺采用的是学校原版纸张（原版纸质、底色、纹路、）我们工厂拥有全套进口原装设备，特殊工艺都是采用不同机器制作，仿真度基本可以达到100%，所有成品以及工艺效果都可提前给客户展示，不满意可以根据客户要求进行调整，直到满意为止！
【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信号BYZS866】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信号BYZS866】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
留信网服务项目：
1、留学生专业人才库服务（留信分析）
2、国（境）学习人员提供就业推荐信服务
3、留学人员区块链存储服务
【关于价格问题（保证一手价格）】
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
选择实体注册公司办理，更放心，更安全！我们的承诺：客户在留信官方认证查询网站查询到认证通过结果后付款，不成功不收费！
06-12-2024-BudapestDataForum-BuildingReal-timePipelineswithFLaNK AIM
06-12-2024-BudapestDataForum-BuildingReal-timePipelineswithFLaNK AIM
by
Timothy Spann
Principal Developer Advocate
https://budapestdata.hu/2024/en/
https://budapestml.hu/2024/en/
tim.spann@zilliz.com
https://www.linkedin.com/in/timothyspann/
https://x.com/paasdev
https://github.com/tspannhw
https://www.youtube.com/@flank-stack
milvus
vector database
gen ai
generative ai
deep learning
machine learning
apache nifi
apache pulsar
apache kafka
apache flink
一比一原版(GWU,GW文凭证书)乔治·华盛顿大学毕业证如何办理
毕业原版【微信:176555708】【(GWU,GW毕业证书)乔治·华盛顿大学毕业证】【微信:176555708】成绩单、外壳、offer、留信学历认证（永久存档真实可查）采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
【我们承诺采用的是学校原版纸张（纸质、底色、纹路），我们拥有全套进口原装设备，特殊工艺都是采用不同机器制作，仿真度基本可以达到100%，所有工艺效果都可提前给客户展示，不满意可以根据客户要求进行调整，直到满意为止！】
【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信176555708】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信176555708】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
留信网服务项目：
1、留学生专业人才库服务（留信分析）
2、国（境）学习人员提供就业推荐信服务
3、留学人员区块链存储服务
→ 【关于价格问题（保证一手价格）】
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
选择实体注册公司办理，更放心，更安全！我们的承诺：客户在留信官方认证查询网站查询到认证通过结果后付款，不成功不收费！
The Ipsos - AI - Monitor 2024 Report.pdf
According to Ipsos AI Monitor's 2024 report, 65% Indians said that products and services using AI have profoundly changed their daily life in the past 3-5 years.
Analysis insight about a Flyball dog competition team's performance
Insight of my analysis about a Flyball dog competition team's last year performance. Find more: https://github.com/rolandnagy-ds/flyball_race_analysis/tree/main
Learn SQL from basic queries to Advance queries
Dive into the world of data analysis with our comprehensive guide on mastering SQL! This presentation offers a practical approach to learning SQL, focusing on real-world applications and hands-on practice. Whether you're a beginner or looking to sharpen your skills, this guide provides the tools you need to extract, analyze, and interpret data effectively.
Key Highlights:
Foundations of SQL: Understand the basics of SQL, including data retrieval, filtering, and aggregation.
Advanced Queries: Learn to craft complex queries to uncover deep insights from your data.
Data Trends and Patterns: Discover how to identify and interpret trends and patterns in your datasets.
Practical Examples: Follow step-by-step examples to apply SQL techniques in real-world scenarios.
Actionable Insights: Gain the skills to derive actionable insights that drive informed decision-making.
Join us on this journey to enhance your data analysis capabilities and unlock the full potential of SQL. Perfect for data enthusiasts, analysts, and anyone eager to harness the power of data!
#DataAnalysis #SQL #LearningSQL #DataInsights #DataScience #Analytics
Orchestrating the Future: Navigating Today's Data Workflow Challenges with Ai...
Navigating today's data landscape isn't just about managing workflows; it's about strategically propelling your business forward. Apache Airflow has stood out as the benchmark in this arena, driving data orchestration forward since its early days. As we dive into the complexities of our current data-rich environment, where the sheer volume of information and its timely, accurate processing are crucial for AI and ML applications, the role of Airflow has never been more critical.
In my journey as the Senior Engineering Director and a pivotal member of Apache Airflow's Project Management Committee (PMC), I've witnessed Airflow transform data handling, making agility and insight the norm in an ever-evolving digital space. At Astronomer, our collaboration with leading AI & ML teams worldwide has not only tested but also proven Airflow's mettle in delivering data reliably and efficiently—data that now powers not just insights but core business functions.
This session is a deep dive into the essence of Airflow's success. We'll trace its evolution from a budding project to the backbone of data orchestration it is today, constantly adapting to meet the next wave of data challenges, including those brought on by Generative AI. It's this forward-thinking adaptability that keeps Airflow at the forefront of innovation, ready for whatever comes next.
The ever-growing demands of AI and ML applications have ushered in an era where sophisticated data management isn't a luxury—it's a necessity. Airflow's innate flexibility and scalability are what makes it indispensable in managing the intricate workflows of today, especially those involving Large Language Models (LLMs).
This talk isn't just a rundown of Airflow's features; it's about harnessing these capabilities to turn your data workflows into a strategic asset. Together, we'll explore how Airflow remains at the cutting edge of data orchestration, ensuring your organization is not just keeping pace but setting the pace in a data-driven future.
Session in https://budapestdata.hu/2024/04/kaxil-naik-astronomer-io/ | https://dataml24.sessionize.com/session/667627
原版制作(unimelb毕业证书)墨尔本大学毕业证Offer一模一样
学校原件一模一样【微信：741003700 】《(unimelb毕业证书)墨尔本大学毕业证》【微信：741003700 】学位证，留信认证（真实可查，永久存档）原件一模一样纸张工艺/offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原。
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
【主营项目】
一.毕业证【q微741003700】成绩单、使馆认证、教育部认证、雅思托福成绩单、学生卡等！
二.真实使馆公证(即留学回国人员证明,不成功不收费)
三.真实教育部学历学位认证（教育部存档！教育部留服网站永久可查）
四.办理各国各大学文凭(一对一专业服务,可全程监控跟踪进度)
如果您处于以下几种情况：
◇在校期间，因各种原因未能顺利毕业……拿不到官方毕业证【q/微741003700】
◇面对父母的压力，希望尽快拿到；
◇不清楚认证流程以及材料该如何准备；
◇回国时间很长，忘记办理；
◇回国马上就要找工作，办给用人单位看；
◇企事业单位必须要求办理的
◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
Population Growth in Bataan: The effects of population growth around rural pl...
A population analysis specific to Bataan.
一比一原版兰加拉学院毕业证(Langara毕业证书)学历如何办理
原版办【微信号:BYZS866】【兰加拉学院毕业证(Langara毕业证书)】【微信号:BYZS866】《成绩单、外壳、雅思、offer、真实留信官方学历认证（永久存档/真实可查）》采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
【我们承诺采用的是学校原版纸张（纸质、底色、纹路）我们拥有全套进口原装设备，特殊工艺都是采用不同机器制作，仿真度基本可以达到100%，所有工艺效果都可提前给客户展示，不满意可以根据客户要求进行调整，直到满意为止！】
【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信号BYZS866】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信号BYZS866】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
留信网服务项目：
1、留学生专业人才库服务（留信分析）
2、国（境）学习人员提供就业推荐信服务
3、留学人员区块链存储服务
【关于价格问题（保证一手价格）】
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
选择实体注册公司办理，更放心，更安全！我们的承诺：客户在留信官方认证查询网站查询到认证通过结果后付款，不成功不收费！
一比一原版(UO毕业证)渥太华大学毕业证如何办理
UO毕业证录取书【微信95270640】购买（渥太华大学毕业证成绩单硕士学历）Q微信95270640代办UO学历认证留信网伪造渥太华大学学位证书精仿渥太华大学本科/硕士文凭证书补办渥太华大学 diplomaoffer,Transcript购买渥太华大学毕业证成绩单购买UO假毕业证学位证书购买伪造渥太华大学文凭证书学位证书,专业办理雅思、托福成绩单，学生ID卡，在读证明，海外各大学offer录取通知书，毕业证书，成绩单，文凭等材料:1:1完美还原毕业证、offer录取通知书、学生卡等各种在读或毕业材料的防伪工艺（包括 烫金、烫银、钢印、底纹、凹凸版、水印、防伪光标、热敏防伪、文字图案浮雕，激光镭射，紫外荧光，温感光标）学校原版上有的工艺我们一样不会少，不论是老版本还是最新版本，都能保证最高程度还原，力争完美以求让所有同学都能享受到完美的品质服务。
文凭办理流程：
1客户提供办理信息：姓名生日专业学位毕业时间等（如信息不确定可以咨询顾问：微信95270640我们有专业老师帮你查询）；
2开始安排制作毕业证成绩单电子图；
3毕业证成绩单电子版做好以后发送给您确认；
4毕业证成绩单电子版您确认信息无误之后安排制作成品；
5成品做好拍照或者视频给您确认；
6快递给客户（国内顺丰国外DHLUPS等快读邮寄）。
7完成交易删除客户资料
高精端提供以下服务：
一：渥太华大学渥太华大学毕业证文凭证书全套材料从防伪到印刷水印底纹到钢印烫金
二：真实使馆认证（留学人员回国证明）使馆存档
三：真实教育部认证教育部存档教育部留服网站可查
四：留信认证留学生信息网站可查
五：与学校颁发的相关证件1:1纸质尺寸制定（定期向各大院校毕业生购买最新版本毕,业证成绩单保证您拿到的是鲁昂大学内部最新版本毕业证成绩单微信95270640）
A.为什么留学生需要操作留信认证?
留信认证全称全国留学生信息服务网认证,隶属于北京中科院。①留信认证门槛条件更低,费用更美丽,并且包过,完单周期短,效率高②留信认证虽然不能去国企,但是一般的公司都没有问题,因为国内很多公司连基本的留学生学历认证都不了解。这对于留学生来说,这就比自己光拿一个证书更有说服力,因为留学学历可以在留信网站上进行查询!
B.为什么我们提供的毕业证成绩单具有使用价值？
查询留服认证是国内鉴别留学生海外学历的唯一途径但认证只是个体行为不是所有留学生都操作所以没有办理认证的留学生的学历在国内也是查询不到的他们也仅仅只有一张文凭。所以这时候我们提供的和学校颁发的一模一样的毕业证成绩单就有了使用价值。只硕大的蛇皮袋手里拎着长铁钩正站在门口朝黑色的屋内张望不好坏人小偷山娃一怔却也灵机一动立马仰起头双手拢在嘴边朝楼上大喊：“爸爸爸——有人找——那人一听朝山娃尴尬地笑笑悻悻地走了山娃立马“嘭的一声将铁门锁死心却咚咚地乱跳当山娃跟父亲说起这事时父亲很吃惊抚摸着山娃的头说还好醒得及时要不家早被人掏空了到时连电视也没得看啰不过父亲还是夸山娃能临危不乱随机应变有胆有谋山娃笑笑说那都是书上学的看童话和小说时多
Experts live - Improving user adoption with AI
Bekijk de slides van onze sessie Enhancing Modern Workplace Efficiency op Experts Live 2024.
University of New South Wales degree offer diploma Transcript
澳洲UNSW毕业证书制作新南威尔士大学假文凭定制Q微168899991做UNSW留信网教留服认证海牙认证改UNSW成绩单GPA做UNSW假学位证假文凭高仿毕业证申请新南威尔士大学University of New South Wales degree offer diploma Transcript
一比一原版(UCSB文凭证书)圣芭芭拉分校毕业证如何办理
毕业原版【微信:176555708】【(UCSB毕业证书)圣芭芭拉分校毕业证】【微信:176555708】成绩单、外壳、offer、留信学历认证（永久存档真实可查）采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
【我们承诺采用的是学校原版纸张（纸质、底色、纹路），我们拥有全套进口原装设备，特殊工艺都是采用不同机器制作，仿真度基本可以达到100%，所有工艺效果都可提前给客户展示，不满意可以根据客户要求进行调整，直到满意为止！】
【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信176555708】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信176555708】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
留信网服务项目：
1、留学生专业人才库服务（留信分析）
2、国（境）学习人员提供就业推荐信服务
3、留学人员区块链存储服务
→ 【关于价格问题（保证一手价格）】
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
选择实体注册公司办理，更放心，更安全！我们的承诺：客户在留信官方认证查询网站查询到认证通过结果后付款，不成功不收费！
STATATHON: Unleashing the Power of Statistics in a 48-Hour Knowledge Extravag...
"Join us for STATATHON, a dynamic 2-day event dedicated to exploring statistical knowledge and its real-world applications. From theory to practice, participants engage in intensive learning sessions, workshops, and challenges, fostering a deeper understanding of statistical methodologies and their significance in various fields."
一比一原版(UCSF文凭证书)旧金山分校毕业证如何办理
毕业原版【微信:176555708】【(UCSF毕业证书)旧金山分校毕业证】【微信:176555708】成绩单、外壳、offer、留信学历认证（永久存档真实可查）采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
【我们承诺采用的是学校原版纸张（纸质、底色、纹路），我们拥有全套进口原装设备，特殊工艺都是采用不同机器制作，仿真度基本可以达到100%，所有工艺效果都可提前给客户展示，不满意可以根据客户要求进行调整，直到满意为止！】
【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信176555708】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信176555708】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
留信网服务项目：
1、留学生专业人才库服务（留信分析）
2、国（境）学习人员提供就业推荐信服务
3、留学人员区块链存储服务
→ 【关于价格问题（保证一手价格）】
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
选择实体注册公司办理，更放心，更安全！我们的承诺：客户在留信官方认证查询网站查询到认证通过结果后付款，不成功不收费！
"Financial Odyssey: Navigating Past Performance Through Diverse Analytical Lens"
Embark on a captivating financial journey with 'Financial Odyssey,' our hackathon project. Delve deep into the past performance of two companies as we employ an array of financial statement analysis techniques. From ratio analysis to trend analysis, uncover insights crucial for informed decision-making in the dynamic world of finance."
Recently uploaded (20)
DATA COMMS-NETWORKS YR2 lecture 08 NAT & CLOUD.docx
DATA COMMS-NETWORKS YR2 lecture 08 NAT & CLOUD.docx
06-12-2024-BudapestDataForum-BuildingReal-timePipelineswithFLaNK AIM
06-12-2024-BudapestDataForum-BuildingReal-timePipelineswithFLaNK AIM
Analysis insight about a Flyball dog competition team's performance
Analysis insight about a Flyball dog competition team's performance
Udemy_2024_Global_Learning_Skills_Trends_Report (1).pdf
Udemy_2024_Global_Learning_Skills_Trends_Report (1).pdf
Orchestrating the Future: Navigating Today's Data Workflow Challenges with Ai...
Orchestrating the Future: Navigating Today's Data Workflow Challenges with Ai...
A presentation that explain the Power BI Licensing
A presentation that explain the Power BI Licensing
Population Growth in Bataan: The effects of population growth around rural pl...
Population Growth in Bataan: The effects of population growth around rural pl...
University of New South Wales degree offer diploma Transcript
University of New South Wales degree offer diploma Transcript
STATATHON: Unleashing the Power of Statistics in a 48-Hour Knowledge Extravag...
STATATHON: Unleashing the Power of Statistics in a 48-Hour Knowledge Extravag...
"Financial Odyssey: Navigating Past Performance Through Diverse Analytical Lens"
"Financial Odyssey: Navigating Past Performance Through Diverse Analytical Lens"
Dh
- 1. Andrew Godwin’s Theory How we incorporated this into our video.
- 2. Demonstrating genre characteristics In the album pack, we incorporated the genre in our images because we are showing nature in the location which is a big part of this genre as it is seen to be in most videos. We are showing the simplistic ways in which this genre promote their identity because we use little colour and not much complex detail within the design as when doing our research this is what we found was popular. In the album cover and the navigation buttons on our website you can see that we used cassettes throughout. This is because we felt that cassettes represent the folk genre as they’re associated with the old style playing methods as people then did listen to a lot of folk. We liked the idea of having a running theme within our digipak.
- 3. In our video, the setting of our video shows genre characteristics through the use of the outdoor setting. The fact we added the hay scenes was because when people think of folk music they think of farmers and barns so we thought it would be a good incorporation into our video if we added that effect. The props the band uses greatly signifies their genre because of the fact they are the popular instruments found in the genre itself. The shots we used in the video related to the genre because we made them of a short duration to portray a happy feel as we made it really upbeat to the pace of the music which is how folk/indie music attempts to make the audience feel.
- 4. Music and Visuals relationship We found that we didn’t use any lyric and visual similarities because of the lyrics themselves not really giving us an opportunity to use this method. However, in most of the indie/folk genre music videos they don’t really use these features and attempt to make videos that are different from what they’re singing so they don’t make the video to generic. This is different in the pop genre because they sing mostly about love etc therefore making it easier for themselves to create a lyric visual relationship as it wouldn’t be too hard to pursue.
- 5. Tone and atmosphere appears in the visuals In our video the tone of the song in different parts is clear because of the duration of the scenes and speed of the cutting between them. At the beginning when the characters start singing the duration of the scenes is long because the tone is very slow within the song and we needed to create the atmosphere to match. Towards the end of the song the cutting pace speeds up to signify the end of the song but also because the beat of the music speeds up to so we needed to replicate that. The atmosphere of the song is very happy and upbeat therefore throughout the song we made sure that our characters appeared happy and were smiling.
- 6. Towards the end of the song when the cutting starts being fast paced to match the tone of the song.
- 7. Making an identity for the artist Similarly with this was the point I made about using the cassettes on the website and on the album cover. As The Cassettes is our band name we decided that it would be a good opportunity to incorporate the image of that into our whole package.
- 8. Voyeuristic imagery We decided to go against the voyeuristic imagery of women within our video because it wasn’t appropriate for our genre. In the indie/folk genre the songs don’t seem to represent a sexualised need to represent women in this way and therefore they are presented s equals within the songs and music videos which is why we decided to have both characters playing an instrument so they appeared to have the same role in the band.