Development Challenges, South-South Solutions is the monthly e-newsletter for the United Nations Development Programme’s South-South Cooperation Unit (www.southerninnovator.org). It has been published every month since 2006.
ISSN 2227-3905
Stories by David South
Design and Layout: UNDP South-South Cooperation Unit
Follow @SouthSouth1
This document discusses the unorganized and unregulated art market in India. It outlines the various components of the art market including artists, art galleries, art fairs, collectors, consultants and more. It notes that the Indian art market is estimated to be worth Rs. 15,000 crore and grew at 30-35% annually in recent years, making it one of the most buoyant art markets in the world. However, it also notes issues like fakes in the market and prices of some artists declining. Overall, it presents the art market as becoming more professionalized and global.
This document provides an overview of the art market in India. It discusses how the Indian art market is large but unorganized and unregulated. It also outlines some of the key components of the art market including artists, galleries, collectors, critics and more. Several important art galleries and fairs are mentioned both in India and abroad. The document notes that the Indian art market is estimated to be worth Rs. 15,000 crore and has been growing significantly in recent years. It closes by discussing some challenges like fakes as well as opportunities for continued growth in the professionalism and understanding of art.
The document summarizes three models of private art patronage in Hong Kong:
1) The Well-Heeled Collector - Alex Errera founded Artshare.com and The New Circle, a group for young art patrons, to connect Hong Kong collectors with international collectors.
2) Agent Provocateurs - The Ambassadors of Design founded Design Trust to provide grants for cultural and research projects to support alternative voices in design.
3) The Art Investor - Hamilton Tang chairs the first artist pension trust in Hong Kong, modeling it after the Artist Pension Trust in New York to invest in art as a business.
A thought provoking lecture on the parameters in which cultural opportunities are questioned and considered.
Can Art get people back to work? is a good discussion. Thesis: art and creativity positive forces which can be used to boosting morale, self esteem and empower people.
Development Challenges, South-South Solutions is the monthly e-newsletter for the United Nations Development Programme’s South-South Cooperation Unit (www.southerninnovator.org). It has been published every month since 2006.
Stories by David South
Design and Layout: UNDP South-South Cooperation Unit
Development Challenges, South-South Solutions is the monthly e-newsletter for the United Nations Development Programme’s South-South Cooperation Unit (www.southerninnovator.org). It has been published every month since 2006.
Stories by David South
Design and Layout: UNDP South-South Cooperation Unit
Follow @SouthSouth1
Development Challenges, South-South Solutions is the monthly e-newsletter for the United Nations Development Programme’s South-South Cooperation Unit (www.southerninnovator.org). It has been published every month since 2006.
Stories by David South
Design and Layout: UNDP South-South Cooperation Unit
Follow @SouthSouth1
This document discusses the unorganized and unregulated art market in India. It outlines the various components of the art market including artists, art galleries, art fairs, collectors, consultants and more. It notes that the Indian art market is estimated to be worth Rs. 15,000 crore and grew at 30-35% annually in recent years, making it one of the most buoyant art markets in the world. However, it also notes issues like fakes in the market and prices of some artists declining. Overall, it presents the art market as becoming more professionalized and global.
This document provides an overview of the art market in India. It discusses how the Indian art market is large but unorganized and unregulated. It also outlines some of the key components of the art market including artists, galleries, collectors, critics and more. Several important art galleries and fairs are mentioned both in India and abroad. The document notes that the Indian art market is estimated to be worth Rs. 15,000 crore and has been growing significantly in recent years. It closes by discussing some challenges like fakes as well as opportunities for continued growth in the professionalism and understanding of art.
The document summarizes three models of private art patronage in Hong Kong:
1) The Well-Heeled Collector - Alex Errera founded Artshare.com and The New Circle, a group for young art patrons, to connect Hong Kong collectors with international collectors.
2) Agent Provocateurs - The Ambassadors of Design founded Design Trust to provide grants for cultural and research projects to support alternative voices in design.
3) The Art Investor - Hamilton Tang chairs the first artist pension trust in Hong Kong, modeling it after the Artist Pension Trust in New York to invest in art as a business.
A thought provoking lecture on the parameters in which cultural opportunities are questioned and considered.
Can Art get people back to work? is a good discussion. Thesis: art and creativity positive forces which can be used to boosting morale, self esteem and empower people.
Development Challenges, South-South Solutions is the monthly e-newsletter for the United Nations Development Programme’s South-South Cooperation Unit (www.southerninnovator.org). It has been published every month since 2006.
Stories by David South
Design and Layout: UNDP South-South Cooperation Unit
Development Challenges, South-South Solutions is the monthly e-newsletter for the United Nations Development Programme’s South-South Cooperation Unit (www.southerninnovator.org). It has been published every month since 2006.
Stories by David South
Design and Layout: UNDP South-South Cooperation Unit
Follow @SouthSouth1
Development Challenges, South-South Solutions is the monthly e-newsletter for the United Nations Development Programme’s South-South Cooperation Unit (www.southerninnovator.org). It has been published every month since 2006.
Stories by David South
Design and Layout: UNDP South-South Cooperation Unit
Follow @SouthSouth1
Tom Aageson is an expert on cultural entrepreneurism and the creative economy. He argues that developing the creative economy requires an integrated approach across state departments, including education. He emphasizes supporting cultural entrepreneurs and developing their skills. Aageson also stresses the importance of teaching creativity at the elementary level, especially for economically disadvantaged children, to help address poverty. He advocates shifting away from "arts education" and toward developing a concept of teaching creativity in various forms.
Tom Aagesons 2008 WESTAF Conference RemarksTom Aageson
Tom Aageson is the director of the Museum of New Mexico Foundation and an expert on cultural entrepreneurism. He advocates for developing creative economic policy that integrates culture, economic development, education, and other sectors. Aageson discusses strategies for supporting cultural entrepreneurs and converting cultural capital into cultural enterprises. He emphasizes teaching creativity at the elementary school level to help disadvantaged children overcome poverty.
The document discusses trends in the cultural economy and their impact on hybrid or creative communities. It defines the cultural economy as including sectors like artisans, performing arts, film, tourism, and design. Emerging trends include more emphasis on creativity in schools, more home-based work using technology, and a preference to live near family over relocating. New types of housing incorporate live/work spaces, artist centers, and performance spaces. Successful projects blend these trends, like artists' housing with job training and entrepreneur programs, to strengthen both cultural enterprises and communities.
Presentatie van Elizabeth Currid bij Creative Cities Amsterdam Area (CCAA). Haar boek The Warhol Economy omvat een onderzoek naar de schijnbaar toevallige samenloop van omstandigheden in de creatieve industrie in New York die tot briljante samenwerking leidde (zoals Stephen Sprouse voor Louis Vuitton).
Pamela Herel, Tremeceia Jelks & Kristian Safford. Week 3 team assignment for MGT 6681 Organizational Development and Change Term I 2018, Troy University.
The Whitehouse Projects began 5 years ago in Peru when founder Jim Cossio witnessed street artists creating works directly on gallery walls that would later be painted over. This inspired Cossio to create traveling art events where street and fine artists create works during the event that are then available for purchase through a silent auction. Any unsold works are painted over at the end of the night. The events bring different types of artists together and allow attendees to observe the art creation process and potentially purchase works, with proceeds going to charity. Whitehouse Projects has expanded and will be holding events in several US cities in 2014-2015.
Emerging economies like China, UAE, Brazil, and others are experiencing a boom in new museums, art galleries, and cultural institutions as their middle classes grow and governments seek to enhance their global cultural profiles. While investments aim to promote economic growth and national identity, questions remain around justifying large public spending on culture when basic needs remain unmet and the long-term sustainability of the new cultural offerings. Western institutions are also partnering with emerging markets through deals that benefit both parties.
Tom Aageson, Economic Development CourseTom Aageson
The document summarizes the economic impact of cultural and creative industries on local communities. It discusses how cultural industries contributed to 6.2% of the UK's GDP in 2007 and how cities and states across the US are investing in their cultural economies. It also outlines how cultural entrepreneurs generate revenue through cultural activities and how their innovative solutions create sustainable cultural enterprises that benefit communities.
The document discusses strategies for supporting cultural entrepreneurs through five key areas: cultural industries policy, education and training, investment strategies, creating markets, and sharing wisdom. It provides examples of developing cultural entrepreneurship education and mentorship programs. It also gives examples of funding initiatives and investment funds that provide financing for cultural enterprises and entrepreneurs.
Brandon Odums, also known as 'Bmike', is a local artist from New Orleans who has made an impact in his community and around the country through his art. After studying film in college, he began doing graffiti and filming music videos in New Orleans. After Hurricane Katrina, he started an art space that grew in popularity and fame, eventually being called ProjectBe. This led to larger opportunities like creating art for Oprah Winfrey and Nike campaigns. Bmike has become very successful through his art studio StudioBe and continues working on large murals and projects around the world.
Shakopee Fire Station Art and Community Center ProposalMike Haeg
The proposal suggests converting a soon-to-be decommissioned fire station in downtown Shakopee, Minnesota into an arts and community center. The center would bring life and culture to the area by serving as a gathering place, showcasing local arts, and hosting community events. It would utilize the existing spaces like the briefing room for meetings and the north and rear bays for a coffee shop and artist studios. Funding could come from grants for arts and economic development from organizations like the NEA and ArtPlace America. The proposal argues that this would work by building on the growing local art scene and successful models of other community art centers that have revitalized other small cities.
Sangeeta Thapa is an art curator in Nepal who discusses her work showcasing Nepali art both nationally and internationally. She notes that while the Nepali art scene has grown more vibrant over the years, a lack of funding and government support has limited her ability to take Nepali art abroad and grow her gallery. Political instability has also negatively impacted art sales in Nepal. She emphasizes the need to educate young people about Nepal's rich cultural heritage through schools, museums, and digital media.
Charisma Arts as an Egyptian social enterprise with the vision of usinf Arts to empower the community conducted an artistic social festival about Accepting diversity in Egypt called Box of colors
This document provides information about a cultural tourism seminar presented by Tom Aageson and Alice Loy, co-founders of the Global Center for Cultural Entrepreneurship. The seminar focused on cultural entrepreneurship and building business. It was held on June 2, 2011 at the Institute of American Indian Arts in Santa Fe, New Mexico. The document includes background information on cultural entrepreneurship and examples of investments in local cultural economies.
New Mexico Econ. Develop. Course May 2008Tom Aageson
The document discusses the economic impact of arts, culture, and heritage on local economies. It notes that arts and cultural enterprises generate significant employment, attract residents and businesses, and boost tourism. Investments in arts and culture increase community expenditures and tax revenues. The role of cultural entrepreneurs in connecting artists to markets is also examined, as well as how artists' centers and spaces can support artistic networks and development.
(Silver city) nm econ. develop. course may 2008Tom Aageson
This document discusses the economic impact of arts, culture, and heritage on local economies. It notes that arts and cultural industries generate significant revenue, employment, and tax income for communities. The cultural entrepreneur plays an important role in connecting artists and cultural creators to markets. Arts and cultural activities improve personal well-being, build social cohesion, stimulate economic development, and attract businesses and residents. Communities that invest in arts spaces see economic and cultural benefits as they are able to retain and attract creative talent.
The document discusses the economic impact of arts and cultural enterprises on local economies. It provides examples from studies that found arts and cultural industries generated over $1 billion in revenues and employed over 12,000 workers in Santa Fe County, representing a significant portion of the local economy. Cultural enterprises help diversify local economies and bring in outside money. Museums are highlighted as examples of cultural enterprises that can catalyze economic development through activities like shops, licensing programs, and special events.
The document discusses the economic impact of arts and cultural enterprises on local economies. It finds that such enterprises create jobs, income, tax revenue, and new capital while enhancing quality of life. A study of Santa Fe County found that arts and cultural industries generated over $1 billion in revenues, employed over 12,000 workers, and attracted most of their funds from outside the county. Museums are highlighted as cultural enterprises that attract new money to the economy and enhance communities. Cultural entrepreneurs are described as visionaries who generate revenue through cultural activities and create economically sustainable cultural enterprises.
Editor-in-Chief: David South
In 1994 a huge schism had grown in Canada between youth and the wider media. Young people were not reflected anywhere and their views were ignored. That is, until Watch Magazine exploded onto the streets of Toronto and into the halls of the city’s high schools. I was hired by Youth Culture to be the Editor-in-Chief for this unique business: a magazine staffed by high school students but covering the wider worlds of pop music, culture, fashion, politics and the arts.
You can read more about my current and past work here: www.davidsouthconsulting.com
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Tom Aageson is an expert on cultural entrepreneurism and the creative economy. He argues that developing the creative economy requires an integrated approach across state departments, including education. He emphasizes supporting cultural entrepreneurs and developing their skills. Aageson also stresses the importance of teaching creativity at the elementary level, especially for economically disadvantaged children, to help address poverty. He advocates shifting away from "arts education" and toward developing a concept of teaching creativity in various forms.
Tom Aagesons 2008 WESTAF Conference RemarksTom Aageson
Tom Aageson is the director of the Museum of New Mexico Foundation and an expert on cultural entrepreneurism. He advocates for developing creative economic policy that integrates culture, economic development, education, and other sectors. Aageson discusses strategies for supporting cultural entrepreneurs and converting cultural capital into cultural enterprises. He emphasizes teaching creativity at the elementary school level to help disadvantaged children overcome poverty.
The document discusses trends in the cultural economy and their impact on hybrid or creative communities. It defines the cultural economy as including sectors like artisans, performing arts, film, tourism, and design. Emerging trends include more emphasis on creativity in schools, more home-based work using technology, and a preference to live near family over relocating. New types of housing incorporate live/work spaces, artist centers, and performance spaces. Successful projects blend these trends, like artists' housing with job training and entrepreneur programs, to strengthen both cultural enterprises and communities.
Presentatie van Elizabeth Currid bij Creative Cities Amsterdam Area (CCAA). Haar boek The Warhol Economy omvat een onderzoek naar de schijnbaar toevallige samenloop van omstandigheden in de creatieve industrie in New York die tot briljante samenwerking leidde (zoals Stephen Sprouse voor Louis Vuitton).
Pamela Herel, Tremeceia Jelks & Kristian Safford. Week 3 team assignment for MGT 6681 Organizational Development and Change Term I 2018, Troy University.
The Whitehouse Projects began 5 years ago in Peru when founder Jim Cossio witnessed street artists creating works directly on gallery walls that would later be painted over. This inspired Cossio to create traveling art events where street and fine artists create works during the event that are then available for purchase through a silent auction. Any unsold works are painted over at the end of the night. The events bring different types of artists together and allow attendees to observe the art creation process and potentially purchase works, with proceeds going to charity. Whitehouse Projects has expanded and will be holding events in several US cities in 2014-2015.
Emerging economies like China, UAE, Brazil, and others are experiencing a boom in new museums, art galleries, and cultural institutions as their middle classes grow and governments seek to enhance their global cultural profiles. While investments aim to promote economic growth and national identity, questions remain around justifying large public spending on culture when basic needs remain unmet and the long-term sustainability of the new cultural offerings. Western institutions are also partnering with emerging markets through deals that benefit both parties.
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The document summarizes the economic impact of cultural and creative industries on local communities. It discusses how cultural industries contributed to 6.2% of the UK's GDP in 2007 and how cities and states across the US are investing in their cultural economies. It also outlines how cultural entrepreneurs generate revenue through cultural activities and how their innovative solutions create sustainable cultural enterprises that benefit communities.
The document discusses strategies for supporting cultural entrepreneurs through five key areas: cultural industries policy, education and training, investment strategies, creating markets, and sharing wisdom. It provides examples of developing cultural entrepreneurship education and mentorship programs. It also gives examples of funding initiatives and investment funds that provide financing for cultural enterprises and entrepreneurs.
Brandon Odums, also known as 'Bmike', is a local artist from New Orleans who has made an impact in his community and around the country through his art. After studying film in college, he began doing graffiti and filming music videos in New Orleans. After Hurricane Katrina, he started an art space that grew in popularity and fame, eventually being called ProjectBe. This led to larger opportunities like creating art for Oprah Winfrey and Nike campaigns. Bmike has become very successful through his art studio StudioBe and continues working on large murals and projects around the world.
Shakopee Fire Station Art and Community Center ProposalMike Haeg
The proposal suggests converting a soon-to-be decommissioned fire station in downtown Shakopee, Minnesota into an arts and community center. The center would bring life and culture to the area by serving as a gathering place, showcasing local arts, and hosting community events. It would utilize the existing spaces like the briefing room for meetings and the north and rear bays for a coffee shop and artist studios. Funding could come from grants for arts and economic development from organizations like the NEA and ArtPlace America. The proposal argues that this would work by building on the growing local art scene and successful models of other community art centers that have revitalized other small cities.
Sangeeta Thapa is an art curator in Nepal who discusses her work showcasing Nepali art both nationally and internationally. She notes that while the Nepali art scene has grown more vibrant over the years, a lack of funding and government support has limited her ability to take Nepali art abroad and grow her gallery. Political instability has also negatively impacted art sales in Nepal. She emphasizes the need to educate young people about Nepal's rich cultural heritage through schools, museums, and digital media.
Charisma Arts as an Egyptian social enterprise with the vision of usinf Arts to empower the community conducted an artistic social festival about Accepting diversity in Egypt called Box of colors
This document provides information about a cultural tourism seminar presented by Tom Aageson and Alice Loy, co-founders of the Global Center for Cultural Entrepreneurship. The seminar focused on cultural entrepreneurship and building business. It was held on June 2, 2011 at the Institute of American Indian Arts in Santa Fe, New Mexico. The document includes background information on cultural entrepreneurship and examples of investments in local cultural economies.
New Mexico Econ. Develop. Course May 2008Tom Aageson
The document discusses the economic impact of arts, culture, and heritage on local economies. It notes that arts and cultural enterprises generate significant employment, attract residents and businesses, and boost tourism. Investments in arts and culture increase community expenditures and tax revenues. The role of cultural entrepreneurs in connecting artists to markets is also examined, as well as how artists' centers and spaces can support artistic networks and development.
(Silver city) nm econ. develop. course may 2008Tom Aageson
This document discusses the economic impact of arts, culture, and heritage on local economies. It notes that arts and cultural industries generate significant revenue, employment, and tax income for communities. The cultural entrepreneur plays an important role in connecting artists and cultural creators to markets. Arts and cultural activities improve personal well-being, build social cohesion, stimulate economic development, and attract businesses and residents. Communities that invest in arts spaces see economic and cultural benefits as they are able to retain and attract creative talent.
The document discusses the economic impact of arts and cultural enterprises on local economies. It provides examples from studies that found arts and cultural industries generated over $1 billion in revenues and employed over 12,000 workers in Santa Fe County, representing a significant portion of the local economy. Cultural enterprises help diversify local economies and bring in outside money. Museums are highlighted as examples of cultural enterprises that can catalyze economic development through activities like shops, licensing programs, and special events.
The document discusses the economic impact of arts and cultural enterprises on local economies. It finds that such enterprises create jobs, income, tax revenue, and new capital while enhancing quality of life. A study of Santa Fe County found that arts and cultural industries generated over $1 billion in revenues, employed over 12,000 workers, and attracted most of their funds from outside the county. Museums are highlighted as cultural enterprises that attract new money to the economy and enhance communities. Cultural entrepreneurs are described as visionaries who generate revenue through cultural activities and create economically sustainable cultural enterprises.
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Editor-in-Chief: David South
In 1994 a huge schism had grown in Canada between youth and the wider media. Young people were not reflected anywhere and their views were ignored. That is, until Watch Magazine exploded onto the streets of Toronto and into the halls of the city’s high schools. I was hired by Youth Culture to be the Editor-in-Chief for this unique business: a magazine staffed by high school students but covering the wider worlds of pop music, culture, fashion, politics and the arts.
You can read more about my current and past work here: www.davidsouthconsulting.com
El documento describe cómo las mujeres aprenden las normas comerciales a través de la venta en mercados callejeros. Esto les brinda independencia económica y habilidades empresariales. Sin embargo, enfrentan desventajas como comprar en pequeñas cantidades y pagar precios más altos. El uso de teléfonos móviles en Nigeria y un sistema de pedidos en Sudáfrica han ayudado a las mujeres a superar estas desventajas y aumentar sus ingresos.
El documento describe cómo el turismo puede ayudar a los excombatientes después de un conflicto, brindando ejemplos de Aceh, Indonesia, donde antiguos guerrilleros ahora son guías turísticos, y de Rwanda, donde el turismo está ayudando a curar las heridas del genocidio al tiempo que genera ingresos. También menciona cómo el turismo se ha convertido en una importante atracción en lugares como los túneles Cu Chi en Vietnam que solían usarse por el Vietcong.
El documento describe cómo Cuba ha tenido éxito cultivando alimentos en áreas urbanas para abordar su crisis alimentaria. Cuba ahora produce la mayoría de las verduras que consume a través de huertas urbanas que usan métodos orgánicos. Esto ha creado empleos y mejorado la nutrición de los cubanos. Los cultivos urbanos han ayudado a Cuba a reducir su dependencia de importaciones de alimentos a un costo alto.
Este documento discute el potencial de la juventud urbana como fuente de crecimiento económico. Actualmente, la mayoría de los jóvenes que viven en ciudades de países en desarrollo trabajan en empleos informales y con bajos salarios para sobrevivir. Sin embargo, si se les brindan oportunidades para desarrollar trabajos de calidad, los jóvenes pueden impulsar un sustancial crecimiento económico. El documento también describe varios programas y concursos que buscan promover el emprendimiento entre los
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Development Challenges, South-South Solutions: December 2009 Issue
1. Decemeber 2009 | Subscribe | Unsubscribe | Contact Us
Southern Art Hubs Grab Attention for Creative
Economy
Regeneration - of poor neighbourhoods, districts, even
whole countries after a conflict - is both a challenge and
a key to transforming lives. One approach that has a
track record is turning to artists and creative people to
re-imagine a neighbourhood or country's culture, and
restore pride and vitality to places beaten down by life's
hardships.
The tool to do this is the creative economy. The
"interface between creativity, culture, economics and
technology in a contemporary world dominated by
images, sounds, texts and symbols" (UNCTAD) is seen
as away for emerging economies to leapfrog into high-
growth areas in the world economy.
Two approaches offer inspiring examples: a Brazilian art
gallery owner is single-handedly remaking the Brazilian
market for contemporary art. And in Cambodia, a new
wave of young artists are creating a stir in the
global art scene.
Galeria Leme (http://www.galerialeme.com/home.php?
lang=ing) is located in a graffiti-strewn, down-at-heel
neighbourhood in Sao Paulo, Brazil.
Brazil has seen impressive economic growth in the past
decade. The country is Latin America's biggest economy
and had reached growth of 5.1 percent in 2008 before
being hit by the global recession.
The gallery pursues several goals at once: its mission is
to draw attention to socially and politically engaging
contemporary Brazilian
art, but it also aims to increase awareness of the art
market in Brazil and help in the revitalization of the
gallery's neighbourhood.
The gallery is a concrete box designed by Paulo Mendes
da Rocha
(http://en.wikipedia.org/wiki/Paulo_Mendes_da_Rocha),
an award-winning Brazilian architect. Founded in 2004
by former banker Eduardo Leme, the
gallery has fashioned itself into being the leading
authority on contemporary art in Brazil. Leme used to
work in the financial sector
before moving into running a gallery, and has applied his
understanding of markets and how to create demand.
This in turn has grabbed international attention, and had
the global art world beating a path to this
neighbourhood. In short, it creates a buzz
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Afropolitan: African Fashion
Scene Bursting with Energy
Brewing Prosperity Creates
Good Jobs
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2. that soon feeds on itself and draws in more people to the
scene.
It's a formula that has worked well in many other places,
where a successful gallery fosters a scene and draws in
audiences, buyers and
new businesses. Soon, a creative economy comes alive
and that means serious money. Both New York and
London have shown how this can work. In New York
City, the creative economy employs over 278,000 people
(2002).
Sao Paulo is the commercial hub of Brazil's
contemporary art market. But previously, buyers had to
search all over the city to find the works they wanted to
buy.
"I think it is a really good moment for Brazilian art,"
Leme said."Brazilian art is fantastic. Due to our
miscellaneous (sic) of culture
and people and all these kind of things. Brazil is almost a
continent. You have art made of wood, made of metal,
made of plastic films, all the materials. More and more, I
am seeing Brazilians moving onto the international
markets, the prices are moving up. The number of
fellows from museums that are coming down here to see
what's going on, it's fantastic.
"To run this business you not just to have good stuff:
you need to understand to whom you should sell also,"
Leme told the magazine
Monocle. "I mean also not just Sao Paulo is a rich and
big city that you have a lot of collectors. There is a lot of
social stuff you have to understand to be in this specific
business.
"My challenge is to increase the Brazilian market. I have
this kind of ambition. More partners, more people talking
about art, if more people talking about art I am going to
receive more feedback and I am going to
grow the terms. Not just as a business but also as a man
I will have more things on my mind, more information.
And the financial market, the
more money you make the richest you are. Here, it is
not just that: my point of view is that the more
challenge is the thing, the more goals I make I am going
to be richer in this business."
Another scene has taken off in formerly war-ravaged
Cambodia in Southeast Asia. The country was notorious
for the horrors of the
Killing Fields in the 1970s
(http://en.wikipedia.org/wiki/The_Killing_Fields), where
the extremist Khmer Rouge government executed people
and Cambodian artists suffered greatly. As a result, the
art community was devastated for many years.
Thirty years on, a new generation of artists has emerged
from the recent years of peace. This new wave is getting
attention across Asia for its
innovation.
Artist Pich Sopheap is one of the pioneers. By founding
the Cambodian contemporary art association
3. saklapel.org with Linda Saphan, he has focused the
Cambodian art scene through group exhibitions and
promotion. Another tool he uses to build the scene up
has been the Visual Art Open(VAO), an annual event
since 2005 featuring work by Cambodian artists.
This has had the effect of building a strong community of
artists within the country who can support each other. It
also makes it easier for
outside art buyers to discover who is working in the
country's art scene.
Sopheap works in a variety of media including oil
painting, photography and sculpture. He manipulates
bamboo and rattan to shape his sculptures.
"I think for me sculpture with this material is just
because it is cheap. It's easy to use, it is very relevant.
The subject matter is in the work already. For me it is
discovering new forms that resonant with the
atmosphere, with the conditions of this country,"
Sopheap told the
BBC.
Sopheap's family fled from the Khmer Rouge in the
1970s. He spent his early life in the United States, where
he trained in art. When he
returned to Cambodia a few years ago, he found the art
scene very small and weak.
"Cambodia is a young country when it comes to modern
art. It takes a while for new blood to come back and
actually make something that
concerns the present time," believes Sopheap. "And we
are very young, in our early 30s. Before that there was
almost none that was known. We are making our own
way - it is all up to us. We show in different cafes, we
show in bars, we show in gift shops. And when we do
those kind of exhibitions it is kind of exciting, it is not
really a gallery, a cold place, people go by and it exposes
to a lot of foreigners."
A Cambodian-trained artist, Leang Seckon
(http://saklapel.org/vao/artists/leang_seckon/), takes
these approaches further, using sewing, painting,
metalwork and collage in ways that
reference Cambodian traditions, from apsara ballet
(http://en.wikipedia.org/wiki/Apsara_Dance) to fortune-
telling, while subtly commenting on modern culture,
society and politics. Seckon now has shows in Britain,
Japan and Norway, and has become one of the country's
most successful artistic exports.
"To begin with I was not a professional artist and I didn't
realize I could jump from low to high level so fast.
Things have changed so
quickly for me. If I do one style of art it makes me feel
so bored. But if I mix it up with other techniques like
sewing and collage, it makes
it more interesting for me. I don't know if you can call
that real Cambodian art but I didn't copy or learn it from
anyone: I created it
myself."
4. "This is a very important point for me: I can show all my
work to the international community. In the countries I
go to, I tell them the same thing. Cambodia has new,
young artists - we haven't disappeared: the young
ones have been growing up."
His approach is to stay away from cliched Cambodian
art.
"I just think we work really hard," says Sopheap on the
group's success to date. "I just think we work really hard
and get together and organize exhibitions ourselves for
the most part. It is just artists working hard and they are
hungry and they are fearless and when that energy is
happening, people from the outside start to actually
pronounce our name correctly and afterward they come
to town and just by accident they find this little scene,
and they are very interested in it because it is raw."
LinksLinksLinksLinks
Global Creative Economy Convergence Summit 2009:
The summit is about the successful and emerging
creative technologies and initiatives that are driving
economic growth locally, nationally and internationally.
Website: http://www.gcecs2009.com/
Creative Economy Report 2008. An economic and
statistical assessment of creative industries world-wide
as well as an overview of how developing countries can
benefit from trade in creative products and services
produced by UNCTAD and the Special Unit for South-
South Cooperation in UNDP.
Website:
http://www.unctad.org/en/docs/ditc20082cer_en.pdf
An article about artists in the Caribbean and how they
are using online networks to connect and earn income.
Website:
http://globalvoicesonline.org/2009/07/23/trinidad-
and-tobago-online-art-networks/
Afropolitan: African Fashion Scene Bursting with Energy
Fashion is a significant global business: some estimates place the world's clothing
industry at US $900 billion a year. Clothing - like food - is something everyone
requires, so fashion can be an accessible way for small-scale entrepreneurs and
craftspeople to earn income and eventually tap into larger marketplaces. Through
clever use of the internet and online shopping, small-scale fashion designers and
clothing makers can access global markets and earn income from around the
world. Initiatives like ShopAfrica53 (http://www.shopafrica53.com/) are helping
people to get online and establish small web shops.
The Democratic Republic of Congo is the size of western Europe. A bitter, decade-
long civil war that officially ended in the rest of the country in 2003, and that has
claimed several million lives through fighting and disease, still burns on in the
eastern border provinces of Ituri, North Kivu and South Kivu. As a result, Congo is
now home to the world's largest UN peacekeeping mission.
In the face of this civil strife, a group of very fashionable gentlemen bring colour
5. and style to the country while also pioneering a way to make money and improve
standards of dress in the country. Members of "La sape," or La Societe des
Ambianceurs et Personnes Elegantes
(http://fr.wikipedia.org/wiki/Société_des_ambianceurs_et_des_personnes_élégantes)
-- the society of tastemakers and elegant people -- wear designer fashions either
bought in Europe, or handmade in Congo.
They are inspired by Paris's society world of parties, social events and fashion as
they see it in magazines. It is a hybrid style: French colonialism (the Congo is a
former French colony) mixed with individual interpretations of the in 'look'.
All in the last place in the world you would expect to find such cutting-edge
fashion: a place where slums and warfare are the everyday norm.
The gentlement of La Sape are featured in the new book Gentlemen of Bacongo
(http://www.trolleybooks.com/bookSingle.php?bookId=118) by photographer
Daniele Tamagni. He chronicles in loving detail this bright fashion phenomenon.
The cover of the book features a man in an elegantly tailored lipstick pink suit and
pink bowler hat - testament to the eye-catching styles on display.
But rather than a local fancy, the look refined by these gentlemen has become
the inspiration for designers in Europe, like Britain's Paul Smith
(http://www.paulsmith.co.uk/).
"A Congolese sapeur is a happy man even if he does not eat, because wearing
proper clothes feeds the soul and gives pleasure to the body," Tamagni said.
They also are the living embodiment of a distinctive modern African style.
Their suits are either designer or handmade copies. The sapeurs have strict rules
to go with their style: never wear more than three colours together for example.
Tamagni says there is more to the phenomenon than just appearances. Sapeur
Salvador Hassan "thinks that a real sapeur needs to be cultivated and speak
fluently, but also have a solid moral ethic: that means beyond the appearance
and vanity of smart, expensive clothing there is the moral nobility of the
individual."
Says Hassan, "The label is not important, what is important is to be able to dress
depending on the taste of the individual."
For a sapeur, the saints are Pierre Cardin, Roberto Cavalli, Dior, Fendi, Gaultier,
Gucci, Issey Miyake, Prada, Yves Saint Laurent, Versace and Yohji Yamamoto.
Unlike the followers of some other fashion styles, they do not worship violence
and gang warfare.
Some find the clothes in shops in Brazzaville and Kinshasa but most try to get
them from Paris.
So how do they afford these clothes that sometimes cost in the thousands when
most are unemployed? They have turned their passion for fashion into a business
too. They rent the clothes out for around US $25 a day to earn income. They also
save their money to travel back and forth to Europe selecting the best clothes,
which they then carry back to Congo and sell for a good profit.
In another development, African fashion magazines are also playing their role in
shifting perceptions.
The African look has attracted a new wave of magazines to capture it and
promote it. The new glossy magazine titles - Arise
(http://www.arisemagazine.net/) (published in London), HauTe
(http://www.fashionafrica.com/), Helm (http://www.facebook.com/pages/HELM-
Magazine/41931572531) and True Love - are good examples of this new wave.
6. "Honestly, upwardly mobile African readers are crying out for this magazine,"
Helen Jennings, editor of Arise, told the New York Times. Arise is a Nigerian style
monthly started by Nigerian media mogul Nduka Obaigbena, who also publishes
Nigeria's leading newspaper, This Day.
"Because the local magazines aren't as high-end or progressive, and no other
international titles speak directly to an African readership, Arise has really caused
a stir," said Jennings.
Jennings calls the magazine's mix of content "afropolitan": blending pan-African
and global content.
The magazine's debut issue features the models Alek Wek, Naomi Campbell and
Liya Kebede. Stories run the gamut from electronic music to football academies,
and the rise of Nollywood, Nigeria's home-grown film industry.
It features African designers and is distributed in seven countries to 60,000
readers.
Along with new magazines, more and more African designers are now getting
attention on Africa's - and the world's - catwalks. They include Lisete Silvandira
Bento Pires Pote, who started as a designer in 1998 and has been featured in
many fashion shows in Angola and around the world. Her clothes are now worn by
singers and actors.
Other Angolan fashion designers include Elisabeth Santos, Vadinho Pina, Tekasala
Ma'at Nzinga and Shunnoz Fiel (whose appearance in a World Press Photo is
drawing attention to the Angolan fashion scene)
(http://www.worldpressphoto.org/index.php?
option=com_photogallery&task=view&id=1463&Itemid=224).
From Botswana, Koketso Chiepe has been so successful, she opened a fashion
shop in London this past summer. Chrystalix is a Cameroonian fashion designer
who uses raw materials found in the Equatorial forests of her country. Another
Cameroonian design label is Kreyann and sells from its boutique in Douala
clothing made from rich materials like silk.
In Ghana, young pioneer Aisha Obuobi has revitalized the use of African prints in
fashion (http://www.youtube.com/watch?v=0M2rEQ0Wehw).
A list of fashion weeks across the global South
(http://en.wikipedia.org/wiki/Fashion_week) offers many opportunities to witness
this creative surge across the continent.
LinksLinksLinksLinks
The online service CafePress is a specially designed one-stop shop that lets
entrepreneurs upload their designs, and then sell them via their online payment
and worldwide shipping service.
Website: http://www.cafepress.com/cp/info/sell/
Once inspired to get into the global fashion business, check out this business
website for all the latest news, jobs and events.
Website: http://us.fashionmag.com/news/index.php
iFashion: This web portal run from South Africa has all the latest business news
on fashion in Africa and profiles of up-and-coming designers.
Website: http://www.ifashion.co.za/index.php?
option=com_frontpage&Itemid=1
Arise Africa Fashion Week: The place to be seen and to see.
Website: http://www.africanfashioninternational.com/africaFashionWeek/
A gallery of photos of the la sape is here:
7. Website: http://www.viewbookphotostory.com/2009/10/sape/
Brewing Prosperity Creates Good Jobs
AIn the Democratic Republic of Congo – home to the world’s largest United
Nations peacekeeping mission and decades of bloody civil war – a brewery has
not only survived, it has thrived to become a popular brand throughout central
Africa. By being a success, the Brasimba brewery has brought prosperity and
high-quality jobs to Congo’s second largest city, Lubumbashi
(http://en.wikipedia.org/wiki/Lubumbashi), and proven that a modern business
can do well there despite the obstacles.
The Brasimba brewery has an ultra-modern factory
(http://www.viddler.com/explore/kaysha/videos/298/) complete with high-tech
laboratories to constantly test the quality of the beer. It employs 700 people –
most of whom are Congolese - and produces 250,000 bottles of Simba beer every
day, according to Monocle magazine. The company’s beer brands are Simba Biere
du Lion and Tembo Biere and its slogan is a proud Notre Biere (Our Beer).
Lubumbashi is a city described by the BBC as without “child beggars, without
potholes and where there are no festering mounds of rubbish.”
A study of the economic impact of breweries in Uganda and Honduras found that
more than 100 local jobs, from farmers to truck drivers, depended on every
person employed by a brewery
(http://www.inclusivebusiness.org/2009/10/sabmiller-impact-assessment.html).
Markets across the South are seen as growth areas for beer companies: China’s
beer consumers now outnumber those in the U.S. By 2003, world sales of beer
reached 148 billion hectolitres (Euromonitor). Overall, it is forecast that global
beer consumption will rise by 3.5 percent by 2015, mostly in the South.
Apart from creating steady employment, breweries also help to improve the
development of the advertising and marketing businesses of a community as they
promote their various brands, and they support local activities like sport with
team sponsorship. They also offer a local example of how to run a modern
beverage business, with mechanized production, distribution systems and
laboratories to ensure hygiene and quality standards are maintained.
Brasimba has been operating in Lubumbashi for eight decades, through the twists
and turns of the country’s history. The city has prospered from its copper mines
and wisely used that wealth to improve the city’s general prosperity.
The brewery has successfully become a regional favourite, producing beer that is
drunk not only in the surrounding Katanga province, but also in Zimbabwe and
Zambia. It's an impressive accomplishment for a company operating in such a
turbulent environment. Distribution of the beer by truck is not easy, with the trip
taking between six days and two weeks depending on the weather and the
condition of the roads.
And the beer is not cheap, at around US $1.48 for a big bottle -- a sure sign there
is money to be made.
The healthy economic environment has also spawned a beer war with rivals
Bralima, owned by the multinational Heineken. With five breweries in Congo and
its head office in the capital Kinshasa, Heineken claims the lessons it has learned
in Congo are helping it to change its marketing and business strategies far away
in the United States.
It recently transferred its commercial director of Congo operations to head up
operations in the United States. Heineken Chief Executive Officer Jean-Francois
van Boxmeer told the Bloomberg news agency that working in Africa was
8. “certainly worth three times Harvard Business School.”
Heineken’s market share doubled in the Democratic Republic of Congo in just four
years and Africa has become a significant market for the brewer.
LinksLinksLinksLinks
Small businesses looking to develop their brand can find plenty of free advice
and resources here:
Website: www.brandingstrategyinsider.com
A Brandchannel: The world’s only online exchange about branding, packed with
resources, debates and contacts to help businesses intelligently build their
brand. Website:
Website: www.brandchannel.com
Just Food is a web portal packed with the latest news on the global food
industry and packed with events and special briefings to fill entrepreneurs in on
the difficult issues and constantly shifting market demands.
Website: http://www.just-food.com
Digital Mapping to put Slums on the Map
Mobile phones are more and more part of daily life in the South’s slums – even for the
poorest people. One result is that it has now become possible to undertake digital mapping
initiatives to truly find out who is where and what is actually going on.
About one-third of the world’s urban dwellers live in slums, and the United Nations
estimates that the number of people living in such conditions will double by 2030 as a
result of rapid urbanization in developing countries. How to improve their living conditions
and raise their standard of living is the big challenge of the 21st century.
With just over five years until the 2015 deadline to meet the Millennium Development
Goals (http://www.undp.org/mdg/), and the current economic downturn reversing some
gains, any tool that can make development decisions more precise has to be a benefit.
People are now turning to the growing penetration of digital technologies into slums and
poor areas to find solutions. With mobile phones available across much of the global South,
and plans underway to expand access to broadband internet even in poorly served Africa, it
is becoming possible to develop a digital picture of a slum area and map its needs and
population.
Put to the right use, this powerful development tool can fast-track the delivery of aid and
also better connect people to markets and government services.
In November, an NGO called Map Kibera (www.mapkibera.org) began work on an
ambitious project to digitally map Africa’s largest slum, Kibera in Nairobi, Kenya .
The partners behind Map Kibera are Humanitarian OpenStreetMap, JumpStart
International, WhereCampAfrica, the Social Development Network, Pamoja Trust, Hands on
Kenya and others.
Estimates place the number of residents in Kibera at one million, but nobody really knows
how many live there (UN-HABITAT). The slum is typical of such deprived areas, lacking in
health and water resources and plagued by chaotic traffic and housing. Few fully grasp
where everything is in the sprawl.
While data does exist on the slum, it is not shared or collated into one source. The Map
Kibera project uses an open-source software programme, OpenStreetMap
(http://www.openstreetmap.org/), to allow users to edit and add information as it is
9. gathered. This information is then free to use by anybody wanting to grasp what is actually
happening in Kibera: residents, NGOs, private companies and government officials.
This will literally put Kibera on Kenya’s map.
The mapping team started with 12 young people recruited in Kibera to start the work in
November of this year. They will be trained and also receive support from the growing
Nairobi technology community.
"The project will provide open-source data that will help illustrate the living conditions in
Kibera," said Map Kibera’s Mikel Maron. "Without basic knowledge of the geography of
Kibera it is impossible to have an informed discussion on how to improve the lives of
residents of Kibera."
Workshops will communicate with local residents and show them the findings available
from the map. Paper maps will be distributed to residents and then updated as new
information comes in. It is critical local people are kept informed to build trust and avoid
conflict. As can be seen from the Google Street Views
(http://www.google.co.uk/help/maps/streetview/) controversy, nobody likes to be mapped
without their permission or consent.
Like Kenya, Brazil has a long history of sprawling slums sprouting around its cities. Called
favelas, they are complex places, with both rudimentary dwellings and elaborate mansions.
Walking into a favela can be a journey through the dreams and aspirations of generations
of people, often reflected in their dwellings. Favelas have many services, including
hospitals, and there are restaurants and coffee shops. In short, while they are not in the
official development plans, the favelas are vibrant economic entities and home to hundreds
of thousands of people.
But since they are chaotic and undocumented by official maps, the economic and social
development of the favelas is hindered as even basic services like mail delivery are difficult
to provide.
An NGO called Rede Jovem (http://www.redejovem.org.br/) is deploying youths armed
with GPS (global positioning system)-equipped
(http://en.wikipedia.org/wiki/Global_Positioning_System) mobile phones to map the
favelas of Rio de Janerio. To start with, they are mapping five favelas: Complexo do
Alemão, Cidade de Deus, Morro do Pavão-Pavãozinho, Morro Santa Marta and Complexo da
Maré.
"The main goal was to mark public interest spots on a map and show places like schools
and institutions and hospitals and restaurants," Natalia Santos, the executive coordinator
for Rede Jovem, told MobileActive (www.mobileactive.org) . "We wanted to spread the
news about what slums do have, so all the people can get to know that the slum is not just
a place for violence and marginality and robbery."
The mapping process works like this: the mappers physically travel around the favela and
upload information on each, individual landmark (restaurants, roads etc.) as they go. They
use Nokia N95s mobile phones that are connected to Google Maps
(www.maps.google.com).
According to Santos, reporters enter the information on the map displayed on the phone,
and they can video or photograph to add more detail. They are using Wikimapa
(www.wikimapa.org.br), and Twitter (www.twitter.com) to log the information.
As Rede Jovem recruited young mappers, they discovered an interesting fact: the male
reporters (aged between 17 and 25) were frightened to enter a favela with a mobile phone
for fear of either being mugged or being stopped by the police. Because of this fact, all the
mappers are young women.
They are ambitious for the future despite their funds running out in December. "We want
everyone who has a cell phone with GPS to be a wikireporter," said Santos .
How important it is to the favela residents to be recognised like this can’t be overstated. "I
10. think they are very happy because they're seeing that they exist," said Santos. "And the
mailman says that now he can deliver the mail."
LinksLinksLinksLinks
Mobile Active.org: MobileActive.org is a community of people and organizations using
mobile phones for social impact. They are committed to increasing the effectiveness of
NGOs around the world who recognize that the over 4 billion mobile phones provide
unprecedented opportunities for organizing, communications, and service and
information delivery.
Website: www.mobileactive.org
Google Android: Get inventing! This software enables anyone to start making applications
for mobile phones. And it offers a platform for developers to then sell the applications to
others.
Website: www.android.com/
shahidi: is a website that was developed to map reports of violence in Kenya after the
post-election fallout at the beginning of 2008. The new Ushahidi Engine is being created
to use the lessons learned from Kenya to create a platform that allows anyone around
the world to set up their own way to gather reports by mobile phone, email and the web
– and map them. It is being built so that it can grow with the changing environment of
the web, and to work with other websites and online tools.
Website: http://blog.ushahidi.com/
Textually.org: is the entry point of three weblogs devoted to cell phones and mobile
content, focusing on text messaging and cell phone usage around the world, tracking the
latest news and social impact of these new technologies.
Website: www.textually.org/
Betavine Social Exchange has launched. It's a matching site for NGOs looking for mobile
solutions, and developers who can help build them, all brought to you by Vodafone.
Window on the World
Morbid Symptoms:Health Under CapitalismMorbid Symptoms:Health Under CapitalismMorbid Symptoms:Health Under CapitalismMorbid Symptoms:Health Under Capitalism
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Website: http://www.merlinpress.co.uk/
Trading PlacesTrading PlacesTrading PlacesTrading Places ---- the Merchants of Nairobithe Merchants of Nairobithe Merchants of Nairobithe Merchants of Nairobi
by Steve Bloom, Publisher: Thames & Hudson
Steve Bloom create’s a unique portrait of the small traders of Nairobi. This is a place where
slick advertising has made few inroads and shopping malls and supermarkets remain a
rarity. As across Africa, that is an opportunity for an outpouring of creativity. Businessmen
and women paint their own hoardings and signs, or call in friends who happen to be handy
with a paintbrush.
Website: http://www.stevebloomshop.com/acatalog/Trading_Places__2009_.html
Zunami! The South A frican ElectionZunami! The South A frican ElectionZunami! The South A frican ElectionZunami! The South A frican Election
edited by John Daniel and Roger Southall, Publisher: Jacana Media.
The South African general elections of April 2009 were the most momentous and important
since the 'miracle' elections for a democratic Parliament in 1994.
Website: http://www.loot.co.za/shop/main.jsppage=detail&id=7312731082928
Aid fo r Trade at a Glance 2009: Maintaining MomentumAid fo r Trade at a Glance 2009: Maintaining MomentumAid fo r Trade at a Glance 2009: Maintaining MomentumAid fo r Trade at a Glance 2009: Maintaining Momentum
Publisher: OECD
It examines trends and developments, and presents a comprehensive analysis of donor and
partner country engagement.
11. Website:
http://www.oecd.org/document/56/0,3343,en_2649_34665_4283506437413,00.html
Latin American Eco nomic Outlook 2010Latin American Eco nomic Outlook 2010Latin American Eco nomic Outlook 2010Latin American Eco nomic Outlook 2010
Publisher: OECD
The OECD Latin American Economic Outlook 2010 provides a fresh analysis of economic
trends in the region with a particular focus on the role that international migration and
remittances play in shaping the current context.
Website: http://www.oecdbookshop.org/oecd/display.asp?
sf1=identifiers&st1=412009031P1&LANG=EN
Repo rt on the State of Food Inse curity in Rural IndiaRepo rt on the State of Food Inse curity in Rural IndiaRepo rt on the State of Food Inse curity in Rural IndiaRepo rt on the State of Food Inse curity in Rural India
Publisher: M S Swaminathan Research Foundation and the World Food Programme
Giving a broad indicative picture of the level of food insecurity in different states and the
operation of the nutrition safety net programmes.
Website: http://www.networkideas.org/focus/nov2009/fo23_Food.htm
OECD Investment Policy R eviews: Vietnam 2009OECD Investment Policy R eviews: Vietnam 2009OECD Investment Policy R eviews: Vietnam 2009OECD Investment Policy R eviews: Vietnam 2009
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A cross-cutting analysis of the main development challenges in the region and offers
suggestions on how to meet them. It provides an overview of West Africa’s abundant
resources, examining not only economic and natural resources but also human, social and
cultural capital. Finally, it presents the perspectives of six prominent West Africans involved
in the development of their region.
Website: http://www.oecdbookshop.org/oecd/display.asp?
sf1=identifiers&st1=9789264059757
Pedal to the Metal: Structural R efo rms to Boost Lo ngPedal to the Metal: Structural R efo rms to Boost Lo ngPedal to the Metal: Structural R efo rms to Boost Lo ngPedal to the Metal: Structural R efo rms to Boost Lo ng ---- Te rm Growth inTe rm Growth inTe rm Growth inTe rm Growth in
Mexico and S pur Re covery fro m the CrisisMexico and S pur Re covery fro m the CrisisMexico and S pur Re covery fro m the CrisisMexico and S pur Re covery fro m the Crisis
Publisher: OECD
Website: http://titania.sourceoecd.org/vl=3278130/cl=46/nw=1/rpsv/cgi-bin/wppdf?
file=5ks771363kjb.pdf
Understanding the Wo rld Trade CollapseUnderstanding the Wo rld Trade CollapseUnderstanding the Wo rld Trade CollapseUnderstanding the Wo rld Trade Collapse
Publisher: OECD
Website: http://titania.sourceoecd.org/vl=3278130/cl=46/nw=1/rpsv/cgi-bin/wppdf?
file=5ks8bdvm8g42.pdf
Nollywo odNollywo odNollywo odNollywo od
by Pieter Hugo, Publisher: Prestel USA
Website: www.amazon.com
The Venturesome Eco nomy: How I nnovatio n Sustains Prosperity in aThe Venturesome Eco nomy: How I nnovatio n Sustains Prosperity in aThe Venturesome Eco nomy: How I nnovatio n Sustains Prosperity in aThe Venturesome Eco nomy: How I nnovatio n Sustains Prosperity in a
More Co nnected Wo rldMore Co nnected Wo rldMore Co nnected Wo rldMore Co nnected Wo rld
by Amar Bhide, Publisher: Princeton University Press. Website:
Website: www.amazon.com
Article o n ho w progressive capitalism ends povertyArticle o n ho w progressive capitalism ends povertyArticle o n ho w progressive capitalism ends povertyArticle o n ho w progressive capitalism ends poverty
Website: http://www.marketoracle.co.uk/Article15543.html
AfricaAfricaAfricaAfrica ’’’’ s Private S ector: W hats Private S ector: W hats Private S ector: W hats Private S ector: W hat ’’’’ s Wrong with the Business Enviro nments Wrong with the Business Enviro nments Wrong with the Business Enviro nments Wrong with the Business Enviro nment
and What to Do About Itand What to Do About Itand What to Do About Itand What to Do About It
by Vijaya Ramachandran, Alan Gelb and Manju Kedia Shah, Publisher: Center for Global
Development. Why has private business yet to take off in much of sub-Saharan Africa?
Website:Website: www.cgdev.org
DDDD eeee ssss iiii gggg nnnn iiii nnnn gggg HHHH iiii gggg hhhh ---- dddd eeee nnnn ssss iiii tttt yyyy CCCC iiii tttt iiii eeee ssss ffff oooo rrrr SSSS oooo cccc iiii aaaa llll aaaa nnnn dddd EEEE nnnn vvvv iiii rrrr oooo nnnn mmmm eeee nnnn tttt aaaa llll
12. SustainabilitySustainabilitySustainabilitySustainability
edited by Edward Ng, Publisher: Earthscan.
Website: http://www.earthscan.co.uk/?tabid=21001
ICT for Economic Gro wth: A Dynamic Eco syste m Driving the GlobalICT for Economic Gro wth: A Dynamic Eco syste m Driving the GlobalICT for Economic Gro wth: A Dynamic Eco syste m Driving the GlobalICT for Economic Gro wth: A Dynamic Eco syste m Driving the Global
RecoveryRecoveryRecoveryRecovery
Publisher: World Economic Forum. An analysis of how information and communication
technologies (ICT) can serve as fundamental enablers for the global economic recovery.
Demonstrating the importance of ICT as a catalyst for growth, the report highlights the
industry’s complex and interdependent relationships, new collaborative business
opportunities and the need for stable policy frameworks to ensure sustained investment,
innovation and fair competition. Website:
Website: http://www.weforum.org/en/media/Latest%20Press%20Releases/PR_ICT09
Portfo lios of the Poor: H ow the W orldPortfo lios of the Poor: H ow the W orldPortfo lios of the Poor: H ow the W orldPortfo lios of the Poor: H ow the W orld ’’’’ s Poo r Live on $2 a Days Poo r Live on $2 a Days Poo r Live on $2 a Days Poo r Live on $2 a Day
by Daryl Collins, Jonathan Morduch, Stuart Rutherford and Orlanda Ruthven, Publisher:
Princeton University Press. Financial diaries from households in Bangladesh, India and
South Africa.
Website: www.amazon.com
La ChinAfriqueLa ChinAfriqueLa ChinAfriqueLa ChinAfrique
by Michel Beuret, Serge Michel and Paolo Woods, Publisher: Grasset and Fasquelle.
Portraits of China’s involvement in recent years on the continent of Africa.
Website: http://www.Amazon.fr
Factory Girls: Vo ices from the Heart of Modern ChinaFactory Girls: Vo ices from the Heart of Modern ChinaFactory Girls: Vo ices from the Heart of Modern ChinaFactory Girls: Vo ices from the Heart of Modern China
by Leslie Chang, Publisher: Picador.
Website: www.amazon.com
When China Rules the WorldWhen China Rules the WorldWhen China Rules the WorldWhen China Rules the World
by Martin Jacques, Publisher: Penguin. Website: www.amazon.com
The End of Certainty: Towards a New Internationalism by Stephen Chan, Publisher: Zed
Books.
Website: www.zedbooks.co.uk/the_end_of_certainty
Small Change: Billions of dollars and a Nobel Prize late r, it looks likeSmall Change: Billions of dollars and a Nobel Prize late r, it looks likeSmall Change: Billions of dollars and a Nobel Prize late r, it looks likeSmall Change: Billions of dollars and a Nobel Prize late r, it looks like
‘‘‘‘ microlendingmicrolendingmicrolendingmicrolending ’’’’ doesndoesndoesndoesn ’’’’ t actually do much to fight povertyt actually do much to fight povertyt actually do much to fight povertyt actually do much to fight poverty
by Drake Bennett, Publisher: Boston Globe.
Website: http://www.boston.com/
Money and Mandarin lessons fuel China's African invasion: From LiberiaMoney and Mandarin lessons fuel China's African invasion: From LiberiaMoney and Mandarin lessons fuel China's African invasion: From LiberiaMoney and Mandarin lessons fuel China's African invasion: From Liberia
to Ethio pia, Be ijing is constructing a 21st century empire thousands o fto Ethio pia, Be ijing is constructing a 21st century empire thousands o fto Ethio pia, Be ijing is constructing a 21st century empire thousands o fto Ethio pia, Be ijing is constructing a 21st century empire thousands o f
miles from homemiles from homemiles from homemiles from home
by Daniel Howden.
Website: http://www.independent.co.uk/news/world/africa/money-and-mandarin-lessons-
fuel-chinas-african-invasion-1802827.html
Upcoming Events
2010
February
Clear Profit 9/10: The Annual Forum for Responsible Investors andClear Profit 9/10: The Annual Forum for Responsible Investors andClear Profit 9/10: The Annual Forum for Responsible Investors andClear Profit 9/10: The Annual Forum for Responsible Investors and
Investees: CALL FOR PAPERSInvestees: CALL FOR PAPERSInvestees: CALL FOR PAPERSInvestees: CALL FOR PAPERS
London, UK (25 February 2010)
Clear Profit's 4th annual conference is being designed to provide a fresh perspective on key
challenges faced by responsible investors and investees. Attendees have included leading
figures in responsible investment and corporate responsibility, NGO finance and campaign
professionals, and senior policy makers. For the first time the conference will offer multiple
streams, allowing delegates the chance to consider a wide range of topics in breakaway
round table sessions. As a basis for building the programme, we would like to invite
potential speakers to make a session proposal. Just two or three paragraphs will do. If you
13. would like to make such a proposal, register your interest in attending, or find out more
about the benefits of sponsoring, please email event@clear-profit.com
Website: http://www.clear-profit.com/events.html
March
World Urban Fo rum 5World Urban Fo rum 5World Urban Fo rum 5World Urban Fo rum 5
Rio de Janeiro, Brazil (22-26 March 2010)
In the space of a few short years, the World Urban Forum has turned into the world’s
premier conference on cities. The Forum was established by the United Nations to examine
one of the most pressing problems facing the world today: rapid urbanization and its
impact on communities, cities, economies, climate change and policies.
Website: http://mirror.unhabitat.org/categories.asp?catid=584
Globe 2010Globe 2010Globe 2010Globe 2010
Vancouver, BC, Canada (24-26 March 2010)
This series of events is dedicated to bringing together professionals from the environment
sector. Every two years, corporate executives, government representatives, environmental
senior managers, urban planners and financial executives meet to discuss emerging
priorities and opportunities in the business of the environment. GLOBE 2010 will host
12,000 participants, 2,200 conference delegates, 500 exhibitors, 200 speakers and dozens
of international delegations from over 70 countries. The Conference will focus on major
themes such as Corporate Sustainability, Climate Change and Energy, Finance and
Sustainability, Building Better Cities, and the Future of the Automotive Industry.
Website: www.globe2010.com
April
IAIA10: Transitioning to the Green EconomyIAIA10: Transitioning to the Green EconomyIAIA10: Transitioning to the Green EconomyIAIA10: Transitioning to the Green Economy
Geneva, Switzerland (6-10 April 2010)
To transition toward green economies, assessments must first demonstrate the types of
green investments that best fit local, national, and regional environments. Impact
assessments have the power to influence and shape green policy, which will in turn play a
major role in addressing the global crises. IAIA10 will focus on the following sectors that
have the potential for sustainable green investment.
Website: http://www.iaia.org/iaia10/default.aspx
May
Challenge BibendumChallenge BibendumChallenge BibendumChallenge Bibendum –––– Rio 2010Rio 2010Rio 2010Rio 2010
Rio de Janeiro, Brazil (30 May to 2 June 2010)
Ever since the inaugural edition in 1998, Challenge Bibendum has set out to provide a
forum which addresses road transport issues (energy supply and associated geo-political
tensions, greenhouse gas emissions, road safety, urban pollution and traffic congestion) at
all levels and has worked with a wide range of transport stakeholders to mobilise support
to speed up the implementation of all possible solutions for a more sustainable road
mobility.
Website: www.challengebibendum.com
June
Green B usiness Africa Summit and Expo 2010Green B usiness Africa Summit and Expo 2010Green B usiness Africa Summit and Expo 2010Green B usiness Africa Summit and Expo 2010
Nairobi, Kenya (2-4 June 2010)
The Green Business Africa Summit & Expo will bring to the mainstream issues around
sustainability in the business environment as well as green corporate social responsibility
(CSR). The Summit will provide business leaders at all levels with insight in developing and
enhancing profitable and sustainable business enterprises and practices.
Website: www.greenbusinessafricaexpo.com
Sustainable Ocean Summit 2010Sustainable Ocean Summit 2010Sustainable Ocean Summit 2010Sustainable Ocean Summit 2010
Belfast, UK (15-17 June 2010)
Leaders from ocean industries dependent on marine space, services and resources will
14. gather to develop cross-sectoral business action on Corporate Ocean Responsibility, as part
of the global industry alliance on ocean sustainability catalyzed by the World Ocean
Council. Sustainable Ocean Summit participants will include: shipping, oil and gas,
fisheries, marine tourism, renewable ocean energy, shipbuilding, marine technology, ports,
dredging, seabed mining, seabed cables/pipelines, and others, as well as maritime
insurance, finance and legal services.
Website: www.oceancouncil.org
APPLY N OW! World Habitat Awards 2010/2011:APPLY N OW! World Habitat Awards 2010/2011:APPLY N OW! World Habitat Awards 2010/2011:APPLY N OW! World Habitat Awards 2010/2011:
The World Habitat Awards were established in 1985 by the Building and Social Housing
Foundation as part of its contribution to the United Nations International Year of Shelter for
the Homeless. Two awards are given annually to projects from the global North as well as
the South that provide practical and innovative solutions to current housing needs and
problems. Every year an award of £10,000 is presented to each of the two winners at the
annual United Nations global celebration of World Habitat Day. Travel and accommodation
costs are also met for one representative of each winning project to attend the awards
ceremony.
Transitions Online (TOL) is pleased to announce the launch
of the 2009 TOL Photo Competition.
The topic is “20 Years After the Fall of the Iron Curtain”,
and TOL encourages participants to submit photographs that
best capture the changes over the past 20 years in Central
and Eastern Europe.
DEADLINE: December 13, 2009.
Website: http://www.worldhabitatawards.org/enter/apply.cfm?lang=00
Website: http://www.tol.cz/look/TOL/article.tpl?
IdLanguage=1&IdPublication=18&NrIssue=1&NrSection=70&NrArticle=20946
African Economic Outlo okAfrican Economic Outlo okAfrican Economic Outlo okAfrican Economic Outlo ok
EDUCATING AFRICA: Pan African Awards for Entrepreneurship in Education 2009
Now in its third year, the EDUCATING AFRICA Pan-African Awards for Entrepreneurship in
Education continue to seek to identify the very best organizations which have risen to this
challenge; to highlight their models, and to reward their achievements. As well as a first
prize of $10,000 and two runners-up prizes of $5,000, there are up to 50 awards of $1,000
available for the best entry from every country on the continent.
DEADLINE: December 31, 2009
Website: http://bit.ly/3rtAQT
Appeal for H elpAppeal for H elpAppeal for H elpAppeal for H elp
MobileActive.org are updating their database of mobile applications used for health, social
development, agriculture, advocacy, education, civic media, human rights, and other civil
society areas. If you have or are developing a mobile application used in any area of social
development, please enter it in the MobileActive database. There is currently no
comprehensive database of mobile applications for social development available but they
are building it with people’s help.
Website: http://www.zoomerang.com/Survey/survey-intro.zgi?p=WEB228VQ3HV6D3
Mobile Tech4So cialChangeMobile Tech4So cialChangeMobile Tech4So cialChangeMobile Tech4So cialChange
They have also set up a Wiki with the latest notices about upcoming events around the
world.
Website: http://mobiletech4socialchange.pbworks.com/
Training Opportunities
Ongoing
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16. BizzloungeBizzloungeBizzloungeBizzlounge
Bizzlounge is where people committed to ethical behaviour meet, who want to
establish and maintain business contacts in an exclusive and relaxed environment.
Website: bizzlounge.com
Business A ction for AfricaBusiness A ction for AfricaBusiness A ction for AfricaBusiness A ction for Africa
Business Action for Africa is a network of businesses and business organisations working
collectively to accelerate growth and poverty reduction in Africa.
Website: businessactionforafrica.blogspot.com
Business F ights PovertyBusiness F ights PovertyBusiness F ights PovertyBusiness F ights Poverty
Business Fights Poverty is a professional network for all those passionate about fighting
world poverty through the power of good business.
Website: businessfightspoverty.ning.com
Business in De velopment Network (B iD)Business in De velopment Network (B iD)Business in De velopment Network (B iD)Business in De velopment Network (B iD)
The BiD Network Foundation runs the BiD Challenge to contribute to sustainable economic
development by stimulating entrepreneurship in developing countries.
Website: www.bidnetwork.org
Catalo gue of Poverty NetworksCatalo gue of Poverty NetworksCatalo gue of Poverty NetworksCatalo gue of Poverty Networks
UNDP is organizing an online catalogue of Poverty Networks as a means to facilitate access
to knowledge and sharing this to a wider audience in 189 countries. Poverty Networks are
web-based platforms that provide space for sharing and disseminating development-
related information and initiatives. Below you will find information on IPC s collaborating
networks, which help foster dialogue between researchers, policymakers, civil society and
multilateral organisations.
Website: www.undp-povertycentre.org
Connections fo r Development ( CfD)Connections fo r Development ( CfD)Connections fo r Development ( CfD)Connections fo r Development ( CfD)
CfD is a UK, Black and Minority Ethnic (BME) led, membership based
organisation committed to ensuring that UK BME communities, and the organisations they
are involved in, are supported in the process of shaping and delivering policy and
projects that affect their countries of origin or interest collectively our world
Website: www.cfdnetwork.co.uk
Develo pment CrossingDevelo pment CrossingDevelo pment CrossingDevelo pment Crossing
Development Crossing was set up in 2006 by a small group of friends with
diverse backgrounds ranging from business consulting to international development. In a
world where the environment, corporate responsibility, and sustainable development
are becoming increasingly intertwined, our goal was to create a site where individuals that
shared our passion could keep up-to-date with relevant happenings in the world and
connect with like-minded individuals. The idea behind Development Crossing is to provide a
social network that brings together people from a variety of sectors, countries and
professions to discuss corporate social responsibility and sustainable development.
Website: www.developmentcrossing.com
Develo pmentAid.o rgDevelo pmentAid.o rgDevelo pmentAid.o rgDevelo pmentAid.o rg
The one-stop-information-shop for the developmental sector, DevelopmentAid.org is
a membership organization that brings together information for
developmental professionals, NGOs, consultancy firms and donors.
Website: www.developmentaid.org
dgCommunities on the Develo pment GatewaydgCommunities on the Develo pment GatewaydgCommunities on the Develo pment GatewaydgCommunities on the Develo pment Gateway
dgCommunities, a free online service by the Development Gateway Foundation is
devoted to knowledge-sharing and collaboration for people working to reduce poverty in
the developing world.
Website: topics.developmentgateway.org
Diaspora African Fo rumDiaspora African Fo rumDiaspora African Fo rumDiaspora African Fo rum
This Forum exists ''to invite and encourage the full participation of Africans in the Diaspora
in the building of the African Union, in its capacity as an important part of the Continent''.
We will provide the vital linkage for Diaspora Africans to become involved in Africa's
development as well as reap the fruits of African unity.
Website: www.diasporaafricanforum.org
17. Eldis CommunitiesEldis CommunitiesEldis CommunitiesEldis Communities
Eldis aims to share the best in development, policy, practice and research. The
Eldis Community is a free on-line community where you can meet others involved
in international development and discuss the issues that are important to you.
Website: community.eldis.org
Enterprise Development ExchangeEnterprise Development ExchangeEnterprise Development ExchangeEnterprise Development Exchange
The Enterprise Development Exchange links related communities of practice to
advance sustainable poverty eradication. It is facilitated by The SEEP Network through
the Value Initiative.
Website: edexchange.seepnetwork.org
Food S ecurity and Nutrition (FSN) Fo rumFood S ecurity and Nutrition (FSN) Fo rumFood S ecurity and Nutrition (FSN) Fo rumFood S ecurity and Nutrition (FSN) Fo rum
The FSN Forum is a global community of FSN practitioners. It bridges the knowledge divide
among the different communities involved in FSN policies and strategies - such as
academics, researchers and development practitioners - to improve cooperation
and impacts; members in many countries across the world s five continents.
Website: http://km.fao.org/fsn/
Global Develo pment MattersGlobal Develo pment MattersGlobal Develo pment MattersGlobal Develo pment Matters
Global Development Matters is designed to engage U.S. citizens and leaders in examining
how rich world policies affect global poverty reduction. There is an Election '08 blog.
Website: www.globaldevelopmentmatters.org
GTZGTZGTZGTZ ---- Communities Sustainable Econo mic DevelopmentCommunities Sustainable Econo mic DevelopmentCommunities Sustainable Econo mic DevelopmentCommunities Sustainable Econo mic Development
The GTZ-Communities Sustainable Economic Development are open to all
practitioners, counterparts, research institutions, donors and interested consultants
worldwide facilitating an inter agency exchange of experiences and best practices. This
weekly updated website provides you with recent news and lessons learned from GTZ as
well as from other development agencies and research institutions in the field of
economic development. Its core is a comprehensive database. Participation in this
open community is free of charge. However, registration is necessary.
Website: Africa | Middle East and North Africa | Asia
LED knowledgeLED knowledgeLED knowledgeLED knowledge
This website is an online space for sharing the experiences and resources of people and
organizations supporting local economic development processes at the local level. LED
Knowledge is the result of a joint effort of the ILO-LED programme team based in Geneva,
and the ILO training arm, the International Training Centre, based in Turin, Italy.
Website: www.ledknowledge.org
Network of Networks Impact Evaluation Initiative (Nonie)Network of Networks Impact Evaluation Initiative (Nonie)Network of Networks Impact Evaluation Initiative (Nonie)Network of Networks Impact Evaluation Initiative (Nonie)
Nonie is a network of networks for impact evaluation comprised of the DAC
Evaluation Network, The United Nations Evaluation Group (UNEG), the Evaluation
Cooperation Group (ECG), and a fourth network drawn from the regional evaluation
associations. Its purpose is to foster a program of impact evaluation activities based on a
common understanding of the meaning of impact evaluation and approaches to conducting
impact evaluation.
Website: www.worldbank.org/ieg/nonie/
TakingITGlobal.orgTakingITGlobal.orgTakingITGlobal.orgTakingITGlobal.org
TakingITGlobal.org is an online community that connects youth to find inspiration, access
information, get involved, and take action in their local and global communities.
Website: profiles.takingitglobal.org
XING Group Microfinance I ndustryXING Group Microfinance I ndustryXING Group Microfinance I ndustryXING Group Microfinance I ndustry
In this new XING Group, microfinance professionals from all over the globe link and discuss
topics of interest. Use this forum to discuss financial technology, find employment, identify
training opportunities and events, and share knowledge resources with fellow members of
the microfinance industry. XING is an online networking tool to manage all personal
contacts and to find interesting new business contacts. It's amazing how quickly it
facilitates contact with key people.
Website: www.xing.com/
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18. AfDevinfo tracks the mechanics of political and economic development across Sub Saharan
Africa. They draw together a diverse range of publicly available data and present it as an
accessible and ever expanding online database.
Website: www.afdevinfo.com
Growing Inclusive Marke ts (GIM)Growing Inclusive Marke ts (GIM)Growing Inclusive Marke ts (GIM)Growing Inclusive Marke ts (GIM)
The Growing Inclusive Markets Initiative has created a set of data, information
and analytical products that will increase understanding of the markets of the
poor, including existing opportunities and challenges.
Website: www.growinginclusivemarkets.org
Fellowship Opportunities
Africa Entrepreneurship PlatformAfrica Entrepreneurship PlatformAfrica Entrepreneurship PlatformAfrica Entrepreneurship Platform
This ground breaking initiative is created as a forum to showcase innovative ideas and
businesses from Africa that have the ability to scale internationally driving job creation and
sustainable economic development between Africa and the Americas.
Website: www.sacca.biz
Piramal Foundation in IndiaPiramal Foundation in IndiaPiramal Foundation in IndiaPiramal Foundation in India
Has established a US $25,000 prize for ideas that help advance full access to effective
public health care in India. The Piramal Prize is a $25,000 Social Entrepreneurship
Competition focused on democratizing health care in India that seeks to encourage and
support bold entrepreneurial ideas which can profoundly impact access to higher standards
of health for India s rural and marginalized urban communities. The award recognizes
high-impact, scalable business models and innovative solutions that directly or indirectly
address India s health-care crisis.
Website: www.piramalprize.org/
The Pio neers of Prosperity Grant and AwardThe Pio neers of Prosperity Grant and AwardThe Pio neers of Prosperity Grant and AwardThe Pio neers of Prosperity Grant and Award
This competition is a partnership between the OTF Group and the John F. Templeton
Foundation of the United States, and promotes companies in East Africa by identifying local
role models that act as examples of sustainable businesses in their country/region. It is
open to businesses from Kenya, Uganda, Tanzania, Burundi and Rwanda.
Website: pioneersofprosperity.org
African Writers FundAfrican Writers FundAfrican Writers FundAfrican Writers Fund
Together with the Ford Foundation, the Fund supports the work of independent creative
writers living on the continent. The Fund recognizes the vital role that poets and novelists
play in Africa by anticipating and reflecting the cultural, economic and political forces that
continuously shape and reshape societies.
Website: www.trustafrica.org
Joint N AM S T CentreJoint N AM S T CentreJoint N AM S T CentreJoint N AM S T Centre ---- ICCS Fellowship ProgrammeICCS Fellowship ProgrammeICCS Fellowship ProgrammeICCS Fellowship Programme
Centre for Science and Technology of the Non-Aligned and Other Developing Countries
(NAM ST Centre) and International Center for Chemical Sciences (ICCS), (H.E.J. Research
Institute of Chemistry and Dr. Panjwani Center for Molecular Medicine and Drug Research),
University of Karachi, Karachi, Pakistan.
Email: namstct@vsnl.com
Website: www.scidev.net
Develo pment Executive Group De vex Netwo rking W ebsiteDevelo pment Executive Group De vex Netwo rking W ebsiteDevelo pment Executive Group De vex Netwo rking W ebsiteDevelo pment Executive Group De vex Netwo rking W ebsite
Over 90,000 global experts can network and connect and learn about more than 47,000
registered projects.
Website: www.devex.org
Oxford Said Business S cho ol Youth Business Develo pment Co mpetitionOxford Said Business S cho ol Youth Business Develo pment Co mpetitionOxford Said Business S cho ol Youth Business Develo pment Co mpetitionOxford Said Business S cho ol Youth Business Develo pment Co mpetition
Open to youth between 16 and 21 across the world, the competition is run by students at
Oxford University to promote social enterprise. A prize fund of £2,000 in seed capital is up
for grabs. It calls itself the world s first global youth development competition .
Website: More Information
US$250,000 for Best Lab D esignUS$250,000 for Best Lab D esignUS$250,000 for Best Lab D esignUS$250,000 for Best Lab D esign
AMD and Architecture for Humanity have announced a prize of $250,000 for the best
design for a computer lab that can be adapted and implemented in third-world countries.
19. Website: www.openarchitecturenetwork.org
PhD Plant Breeding Scholarships at the University of GhanaPhD Plant Breeding Scholarships at the University of GhanaPhD Plant Breeding Scholarships at the University of GhanaPhD Plant Breeding Scholarships at the University of Ghana
The University of Ghana has been awarded a project support grant by the Alliance for a
Green Revolution in Africa (a joint venture between the Bill and Melinda Gates Foundation
and the Rockefeller Foundation, for the establishment of a West African Centre for Crop
Improvement (WACCI). This is available to scientists working at NARIs, universities and
international centres in West Africa. Women scientists are especially encouraged to apply
for a fellowship under this programme.
Website: www.acci.org.za
Institute o f Social S tudies in The HagueInstitute o f Social S tudies in The HagueInstitute o f Social S tudies in The HagueInstitute o f Social S tudies in The Hague
A collaboration between 25 international think tanks in international development,
www.focuss.info is a search engine for indexing and social book marking online resources
in international development.
Website: http://focuss.info/
Genesis: IndiaGenesis: IndiaGenesis: IndiaGenesis: India s Premier Social Entrepreneurship Competitions Premier Social Entrepreneurship Competitions Premier Social Entrepreneurship Competitions Premier Social Entrepreneurship Competition
A social entrepreneurship competition aiming to bring together social entrepreneurs,
students, NGOs, innovators, incubators, corporations and financiers and encourage them to
come up with innovative ideas which are socially relevant and feasible.
Website: http://genesis.iitm.ac.in
Echoing Green: S ocial Entrepre neurs F undEchoing Green: S ocial Entrepre neurs F undEchoing Green: S ocial Entrepre neurs F undEchoing Green: S ocial Entrepre neurs F und
They are looking for social entrepreneurs developing new solutions to social problems. They
are accepting applications for their 2008 fellowships (two-year funding of up to US $90,000
for 20 entrepreneurs.
Website: www.echoinggreen.org
Funding
UNESCO: Internatio nal Centre for SouthUNESCO: Internatio nal Centre for SouthUNESCO: Internatio nal Centre for SouthUNESCO: Internatio nal Centre for South ---- South CoSouth CoSouth CoSouth Co ---- operation in Scie nce ,operation in Scie nce ,operation in Scie nce ,operation in Scie nce ,
Te chnology and InnovationTe chnology and InnovationTe chnology and InnovationTe chnology and Innovation
The International Centre for South-South Co-operation in Science, Technology and
Innovation was inaugurated in Kuala Lumpur in May 2008. The centre functions under the
auspices of UNESCO. It facilitates the integration of a developmental approach into national
science and technology and innovation policies, and provides policy advice. In parallel to
organizing capacity-building and the exchange of experience and best practices, the centre
conducts research and tackles specific problems in science, technology and innovation
policy-making in developing countries.
Website: www.unesco.org
FundingFundingFundingFunding ---- Google .o rgGoogle .o rgGoogle .o rgGoogle .o rg
While SMEs in rich countries represent half of GDP, they are largely absent from the formal
economies of developing countries. Today, there are trillions of investment dollars chasing
returns and SMEs are a potentially high impact, high return investment. However, only a
trickle of this capital currently reaches SMEs in developing countries. Our goal is to
increase this flow.
Website: www.google.org
Challenge InnoCentiveChallenge InnoCentiveChallenge InnoCentiveChallenge InnoCentive
A challenge to the world s inventors to find solutions to real scientific and technological
problems affecting the poor and vulnerable.
Website: http://www.innocentive.com
Global Social Benefit Incubator: A US $20,000 Bottom of the PyramidGlobal Social Benefit Incubator: A US $20,000 Bottom of the PyramidGlobal Social Benefit Incubator: A US $20,000 Bottom of the PyramidGlobal Social Benefit Incubator: A US $20,000 Bottom of the Pyramid
Scho larshipScho larshipScho larshipScho larship
Offered by Santa Clara University s Global Social Benefit Incubator, it selects 15 to 20
enterprises from developing countries and provides an eight-month mentoring process.
This ends with a 10-day process in Santa Clara, where entrepreneurs work with their
mentors.
Website: http://www.socialedge.org
Job Opportunities
20. Africa Recruit Job Compendium
Africa Union
CARE
Christian Children s Fund
ECOWAS
International Crisis Group
International Medical Corps
International Rescue Committee
Internews
IREX
Organization for International
Migration
Oxfam
Relief Web Job Compendium (UN
OCHA) (1)
Relief Web Job Compendium (UN
OCHA) (2)
Save the Children
The Development Executive Group job
compendium
Trust Africa
UN Jobs
UNDP
UNESCO
UNICEF
World Bank
World Wildlife Fund (Cameroon)
Please feel free to send your comments, feedback and/or suggestions to Cosmas
Gitta [cosmas.gitta@undp.org] Chief, Division for Policy, Special Unit for South-
South Cooperation