Deon Visual Art
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Richard Deon's artwork is inspired by outdated 1950s American social studies textbooks and the book "Visualized Civics" that promoted conformity and a consensus history. Deon takes the imagery from these sources and reassembles them into new scenarios that represent the paradoxes of today's society defined by relativism and individualism. One of his goals is to deconstruct the conformity promoted in 1950s images. The exhibition features Deon's paintings, prints, and planes that recontextualize iconic figures and structures from the 1950s to comment on modern society.
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Letters From The Inside Essay. Letters from the Inside by John Marsden - snomass
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Letters From The Inside Essay.pdf
Letters From The Inside Essay. Letters from the Inside by Sherone Lewis. Letters from the Inside by John Marsden - 9781742611488. Letters from the Inside by John Marsden. Letters from the Inside - AbeBooks. 11 Letter writing samples ideas | letter writing samples, letter .... Expository Reading and Writing: August 2016. Letters From the Inside by John Marsden. Children's Books - Reviews - Letters from the Inside | BfK No. 89. Letters From The Inside Essay Help. Beginning Of Quotes In Essay Example. QuotesGram. Grade 3 Unit 6 Week 2 Day 1. Letter Writing – Cambridge University Amnesty International. Letters from the inside by John Marsden | Open Library. Letters From the Inside by John Marsden — Reviews, Discussion .... Letters From the Inside Study Guide. How to write a introductory paragraph for an essay word Logan - How to ....
Art Education Admission Essay
The document is an admission essay for an Art Education graduate program at New York University. It discusses the applicant's passion for art and art education, experience teaching art, and belief that the NYU program will help them gain the skills needed to be an effective art educator. The applicant's undergraduate study focused on painting and drawing, and they have found teaching art to be very rewarding.
CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS.pptx
Contemporary art refers to art created in recent times that reflects the current social, political, and cultural context. It is diverse in style, medium, and subject matter and can include genres such as painting, sculpture, installation, photography, video art, performance art, and digital art. Contemporary art is influenced by the world the artist inhabits and aims to express perspectives on various contexts through different artistic mediums and approaches.
Time in place: New genre public art a decade later
The document summarizes a reading about how public art has evolved from earlier forms to new genre public art, which focuses on community engagement and social issues. It discusses key terms like dialogic art, civic art, and relation aesthetics. Case studies of public art projects are presented that highlight history, engage communities, and tackle social issues. The reading argues new genre public art is process-based and dependent on audience interaction over long periods. This relates to the Botanica project, which aims to engage communities through interactive art and raise awareness of social issues.
Social Sculpture
This document discusses how social media has turned people's online activities and interactions into a form of art. It explores the concept of a "total work of art" or Gesamtkunstwerk where all of society is sculpted through human interactions and media. Some view social media as a threat to traditional art, but it has opened new opportunities for artists by providing an open platform and the ability to reach vast audiences. The document examines several social media art projects and argues that if online data and social networks stimulate emotions or intellect, then social media can be considered a new canvas for art.
Art Analysis Form
The document compares and contrasts two mixed media artworks - End by Terry Peterson, featuring a mummified fish sculpture, and Forlakeph by Gioia Fonda, consisting of items placed in a glass jar. Both works use different materials and styles to express themselves, with the fish sculpture taking a ritualistic form through its wrapped subject and wood frame, while the jar artwork comments on social and environmental issues through found objects. The analysis examines the elements, symbolism, and functions of the two very different yet similarly exploratory pieces.
Thesis
This document provides an overview and analysis of Alfredo Jaar's Rwanda Project from 1994-2000. It begins with an introduction to Jaar as an artist and discusses installation art and conceptual art as relevant contexts. It then provides historical background on Rwanda leading up to the 1994 genocide. The chapter examines five specific artworks from the Rwanda Project: Signs of Life (1994), Rwanda Rwanda (1994), Newsweek (1995), Real Pictures (1996), and The Eyes of Gutete Emerita (1996). Through these works, Jaar sought to present an alternative representation of the genocide to mainstream media imagery by focusing on survivor stories and reflections.
ARTalk Tuesday Jacob Lawrence
The Gallery of Light @ Beth Or presents A deep dive into the works of Jacob Lawrence by Cathi Rivera.
Inspired by the exhibition at the Lowe Art Museum @ the University of Miami.
09.10 elementsinto modernism-1
This document provides information about art history concepts and assignments. It discusses four songs from the 1980s, elements of art like shape and line, and strategies for analyzing images through denotative and connotative meanings. It also outlines an upcoming exhibition review assignment and provides details on submitting the assignment. Key events in art history are reviewed, including the transition from Renaissance to Modernism.
Art for change It is often taken for granted that art f.docx
Art for change?
It is often taken for granted that art functions as a tool and a vehicle of social change;
indeed, it was just this theme that we took up in our first discussion board posting. While the
vocal majority seemed to agree that art could foster social change, many of us, when
encountering work such as Warhol’s 200 One Dollar Bills or Marcel Duchamp’sFountain
might find ourselves wondering exactly what type of change such work could really make.
Does a painting that takes money for its subject do anything to unsettle a culture that seems
more and more to place the individual pursuit of money above the needs of the community?
Does a urinal inscribed with a forged signature (see Duchamp’s work mentioned above) do
anything more than offer a paltry challenge to the taste of a leisured class?
It was precisely the complicity of market system art like Duchamp’s and the American Pop
artists like Warhol, Jasper Johns, and Robert Rauschenberg with the oppressive class that
was at the heart of a 1973 protest staged in front of another landmark Sotheby’s auction. On
that October day a group of New York City taxi drivers and artists stood before the renowned
auction house to call down Robert C. Scull who they claimed made his fortune robbing
cabbies and hawking art. Some of the artists marching in solidarity with the taxi cab drivers
rushed out to a nearby hardware store to by a snow shovel to sell at exorbitant price, poking
fun at Duchamp’s In Advance of the Broken Arm. Is this critique of art’s complicity with big
money an apt one?
The idea that the art market is synonymous with ‘business as usual’ is an idea that is as
pervasive today as ever—if not more so. As Eleanor Heartney reminds us in her lecture on
art and labour, one move made by activists of the recent Occupy Wall Street movement was
to set up occupations in a number of New York City’s museums. The organizers of the
Occupy Museums march declared in a public statement that “for the past decade and more,
artists and art lovers have been the victims of the intense commercialization and co-optation
or art.” They further claimed that “art is for everyone, across all classes and cultures and
communities” and not merely for the cultural elite, or the 1%. The artist activists closed their
statement by exhorting museums to open their minds and their hearts: “Art is for everyone!”
they claimed. “The people are at your door!”
These two protests demonstrate an abiding and perhaps growing suspicion of the received
idea that market system art can change things. But while market system art is placed under
intense scrutiny, a growing field of artists and educators have been working to disseminate
the practices and techniques of art making in order to sow the seeds of change. This
community based art (sometimes referred to as ‘dialogical art’ or ‘community arts’) seeks to
place in the hands of the marginalized, the worker, or, in the words of the.
Similar to Deon Visual Art (20)
Culture and Consciousness: Designing for Social Justice
Culture and Consciousness: Designing for Social Justice
Art for change It is often taken for granted that art f
Art for change It is often taken for granted that art f
Letters From The Inside Essay. Letters from the Inside by John Marsden - snomass
Letters From The Inside Essay. Letters from the Inside by John Marsden - snomass
CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS.pptx
CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS.pptx
Time in place: New genre public art a decade later
Time in place: New genre public art a decade later
Art for change It is often taken for granted that art f.docx
Art for change It is often taken for granted that art f.docx
More from Richard Deon
Sivananda
The Yoga Teacher Training Course (TTC) is a 200-hour program that provides comprehensive instruction in all aspects of yoga practice and teaching. It aims to transform participants on physical, mental, and spiritual levels. Graduates receive RYT-200 certification and are equipped to become peaceful leaders who can teach yoga and promote inner peace. The TTC draws from ancient yoga teachings while integrating modern aspects of practice, and takes place in an authentic ashram setting that supports immersion and personal growth.
VassarInnovators
This document provides a summary of several Vassar innovators and their accomplishments. It begins by mentioning that Matthew Vassar's original intention was to build a hospital, but it was Milo P. Jewett's wife who suggested establishing the first college for women instead, making her one of the earliest Vassar innovators. The summary then briefly describes several other notable Vassar alumni and their innovations, including discovering the gluon particle, establishing conservation fellowships, founding the Student Conservation Association, and using soccer to educate youth in Africa about HIV/AIDS. It concludes by highlighting Gotham Writers' Workshop, which was cofounded by a Vassar alum and has helped thousands learn writing skills.
Vassar Quarterly
This flyer promotes an alumni cruise on the Amazon river from March 7-14, 2011. The trip will allow alumni to explore the mystery and diversity of the Amazon rainforest in a luxurious and modern river ship guided by expert naturalists. Vassar anthropology professor Lucy Johnson, who has re
Marist Magazine2
The document discusses Marist College partnering with the FDR Presidential Library to provide public access to historical documents and photographs through a new digital repository called FRANKLIN. It launched with 350,000 pages of archival documents and 2,000 photographs from the Roosevelt era. The repository is hosted on Marist's servers and allows open online access to the FDR Library's digitized collections. The document also provides brief updates on other recent news from Marist College.
Marist Magazine1
The document summarizes recent events at Marist College:
1) Zipcar vehicles have been added on campus to provide transportation options for students without cars. Students can reserve these vehicles online or via mobile app for low hourly and daily rates.
2) NBC News has partnered with Marist College's Marist Poll to conduct polling in key states during the 2012 Republican primary season. The partnership will provide insight into public opinion and the primary race.
3) Award-winning sportscaster Mike Breen and ESPN writer Ian O'Connor '86 launched the new Marist College Center for Sports Communication with a seminar for students. They discussed careers in sports media and the importance of experience and professionalism.
More from Richard Deon (6)
Deon Visual Art
- 1. Paradox & Conformity Paintings, Prints & Planes by Richard Deon The Exhibition: Paradox and Conformity— Paintings, Prints & Planes by Richard Deon Richard Deon’s work is deeply inspired by his childhood education when he was taught history from outdated American social studies textbooks that included illustrations reflecting the so-called “consensus history” of the 1950s in the United States. A major influence for the artist has been the book Visualized Civics, published to teach—through illustrations and text—social behaviors and concepts to the young generation of American citizens of the time. Through Deon’s contemporary use of imagery found in Visualized Civics, the original scenes from the book lose their rational, didactic meaning. What remains are isolated figures and structures assembled into new scenarios through visual and conceptual collages that can be defined as a sort of social surrealism. Deon’s works reflect a language based on recursive imagery, and while always identical in form, the key figures change meaning in relation to the context of each new work. The conformity promoted in the 1950s through familiar and reassuring images is deconstructed in Deon’s work and represent paradoxical conditions of today’s society, where relativism and individualism have become the new and uncertain principles of our lives. —Bartholomew F. Bland, Curator of Exhibitions, Hudson River Museum, Yonkers, New York Contact: Richard Deon 7 Berkshire Road Dover Plains, NY 12522 845.877.3445 deonr@aol.com www.richarddeon.com Cover: Reseller, acrylic on canvas, 6’ 5½” x 8’. Overleaf: “Paradox and Conformity” Installation view at Hudson River Museum, Yonkers, NY. Richard Deon: A Short Biography The work of Richard Deon has been featured in solo and group exhibitions in museums and galleries in the United States and in Europe, including the Rosemary Duffy Larson Gallery at Broward College, Davie, FL; Daum Museum of Contemporary Art in Sedalia, MO; the Hudson River Museum in Yonkers, NY; the Housatonic Museum of Art in Bridgeport, CT; and CCC Strozzina at the Palazzo Strozzi, Florence, Italy. In addition, his public art commissions include: the NY Metropolitan Transit Authority; the Department of Transportation/Public Art Fund, and The Urban Center in New York City; the Norton Museum of Art in West Palm Beach, FL; and SGC International, Washington University in St. Louis. In addition, Deon’s work is in public and corporate collections, including those of the Daum Museum of Contemporary Art in Sedalia, MO; the Museum of Modern Art /Franklin Furnace Artist Book Collection, and Pfizer, Inc., in New York City; and the Roland Gibson Collection, State University of New York, Potsdam.
- 2. www.richarddeon.com Left: Writ Large, billboard installed above Good Citizen Gallery, Saint Louis, MO, 14' x 48'. Photo by Jordan Seiler. Center: The Quick Response Squadron, Mixed media. Group of five. 8' x 13½' each. Installation view, Foreman Gallery, Hartwick College, Oneonta, NY. Right: “Paradox & Conformity: Paintings, Prints & Planes by Richard Deon,” installation view at Rosemary Duffy Larson Gallery, Broward College, Davie, FL. Center: Mal Occhio, acrylic on synthetic canvas, 20' 6" x 10' 5". Right: Untitled Volcano (Birth by Averaging), acrylic on synthetic canvas, 10' 11" x 20' 6". Peace Deal on Wheels, acrylic on wood, 42" x 34" x 8". Photo by Herb Yeates.