Deborah Buck is an artist, designer, and tastemaker whose eclectic style skillfully mixes high and low aesthetic elements. She founded Buck House to showcase fine art and design alongside her collection of antiques, and has designed diverse spaces including homes, offices, and art galleries that bring together pieces from different eras, places and styles into resonant wholes. Buck is widely recognized for her unique point of view that emphasizes appeal, quality and integrity in all of her design work.
there are several theme related to interior help to explore our design in a designing manner. its help to find the specific matching in interior like which color, material and other related things use to make interior.
there are several theme related to interior help to explore our design in a designing manner. its help to find the specific matching in interior like which color, material and other related things use to make interior.
This presentation is to help students and teachers to have more references in ART APPRECIATION Subject in General Education in Higher Education. Not for sale.
boris dubrov, dan, dan groover, dennis bacchus, ed grossman, eduard grossman, gendelman, groover, groover dan, illustration, israeli art, jewish artists, jewish gallery, jewish painters, jewish painting, josephus flavius, Joshua Neustein, Judaic Art, judaica art, judaica art michael rozenvain, michael rozenvain, michael rozenvein, noach lubin, noah lubin, religion, theology, travel
This presentation is to help students and teachers to have more references in ART APPRECIATION Subject in General Education in Higher Education. Not for sale.
boris dubrov, dan, dan groover, dennis bacchus, ed grossman, eduard grossman, gendelman, groover, groover dan, illustration, israeli art, jewish artists, jewish gallery, jewish painters, jewish painting, josephus flavius, Joshua Neustein, Judaic Art, judaica art, judaica art michael rozenvain, michael rozenvain, michael rozenvein, noach lubin, noah lubin, religion, theology, travel
Audit & Corporate Governance - Professional Scepticism David Kyson
A report on professional scepticism within Audit & Corporate Governance. Focussing on disincentives and ways to promote or develop professional scepticism within the work place.
Uno de los pasos fundamentales a la hora de planificar una unidad o actividad AICLE es examinar cuál es la lengua que se precisa. Se trata de aprender igualmente la lengua, porque además será una herramienta fundamental a la hora de adquirir el contenido.
Андрей Беленко "Безопасность мобильных приложений "IT Event
Защита приложений и пользовательских данных — непростая задача. Много что может пойти не так, много мест, в которых могут быть допущены ошибки. Цель доклада — помочь разработчикам избежать этих ошибок.
Мы рассмотрим доступные механизмы защиты данных в iOS, типичные ошибки и анти-шаблоны при их использовании, и способы их избежать. Рассмотрим способы защиты данных при хранении на устройстве и при передаче по сети. Поговорим о грядущем требовании включать ATS, о Secure Enclave, о вредоносном коде (malware) и джейлбрейке.
Nicholas Gustilo "Clean Android: building great mobile apps"IT Event
Presentation on how to create apps using Clean Architecture (based on real examples).
Including:
- Goals of a clean architecture.
- Use of packages (folder) and naming conventions.
- List of tools and libraries used.
- Use and benefits of using RXJava when developing android application (with examples).
- Use and advantages of model-view-presenter pattern (with examples).
Decide el tema que vas a trabajar: define los contenidos, objetivos y criterios de evaluación.
Identifica la lengua necesaria para trabajar dicho contenido: vocabulario, estructuras, discurso y destrezas.
Piensa en el elemento contextual que puede relacionarse con dicho tema para acercarlo a la realidad del aula.
Algunos de los principios básicos de la práctica del AICLE / CLIL en el aula:
La lengua se usa para aprender contenido del área pero también hay que aprender la lengua con objeto de comprender y comunicar.
Es decir, el uso de la lengua es significativo porque no es el objetivo único del aprendizaje sino que hay un doble objetivo. Esto implica que el profesor CLIL necesita tener en cuenta tanto los objetivos de materia como la lengua que se precisa, es decir, no sólo el currículo de la materia sino también lo que Dalton-Puffer (1) denomina language curriculum.
Imágenes y comentarios sobre actividades de promoción del deporte del Balonmano en nuestro Centro en una campaña del Patronato Municipal de Deportes de Berja (octubre de 2016).
O processo de Impeachment da presidente Dilma já está terminando. Mas, afinal, o que os brasileiros estão pensando sobre a fase pós impeachment? Para descobrir qual a opinião da população sobre um possível governo do vice-presidente, a eCMetrics fez uma pesquisa com 1001 internautas. Eles pertencem às classes A, B e C e a pesquisa possui uma margem de erro de 3,1%.
REPLY TO THE DISCUSSIONS· DIS 1Trace the evolution and dev.docxchris293
REPLY TO THE DISCUSSIONS
· DIS 1
Trace the evolution and development of art through the periods of the Early Renaissance to the High Renaissance.
· Explain what primarily distinguishes Renaissance art in general from the prior period.
· Compare and contrast the work of an Italian Renaissance artist with a work done by a northern European Renaissance artist, considering style, content, and form.
· Include a discussion of the different concerns and heritages of the Italian and Northern Renaissance artists and how these resulted in different characteristics in the art work of each region. Be sure to use the new art vocabulary you are learning as you describe the artworks.
RELAY TO:
Norfleet
Week 3, Discussion 1
COLLAPSE
Top of Form
During the Renaissance period lots of changes were made within the world of art and the concept of it all. During that period so many new ways and concepts of how art was done, whether it be sculptures, paintings, or any other type of art. Renaissance art differed from the prior period, because a lot more architecture was being created and had a whole new perspective and deeper sense of dimensional effects.
The work between an Italian Renaissance artist and a Northern European Renaissance artist contrast by, focusing on the different details and abilities when it came to their art. Italian artist liked to focus and understand more of the human anatomy aspects of the art, and the northern focused more on surface details and naturalism. The northern also like to focus on portraits, while the Italian focused more on classical mythology. The Italian and northern European artist compared by, both focusing on religious scenes of art and glorifying the power of God. They both also focused on making paintings and different art more realistic.
The different concerns and heritages of the Italian and Northern Renaissance artists that resulted in the different characteristics would be, the way both of them viewed and had a perspective on how their own art should be. Both worshiped and focused a lot towards the higher power and God, but at the same time even has nudity within their different artworks.
RELAY TO:
Harrison
Week 3 Discussion 1
COLLAPSE
Top of Form
Within art, the earliest century of the Renaissance has many differences from previous periods of time. During the Renaissance time period, the artist focused on recreating nature in the form of art and primarily focused on the underlying beauty of nature and how nature plays a vital role in the day to day life. Renaissance art is one of the only types of art that does not focus or generate ideas from religion but rather focuses on the idea of real-life and the linear perspective. The Early Renaissance began in Italy, which led to the realism aspect that would eventually become the center of Renaissance art. Beginning in the 14th century, the artist Masaccio was the most popular artist during this time. Masaccio became famous for his work within churches, specifical.
Why Is hand painted wall Considered Underrated?muralx
Oxford And artists Pupils Brighten Up Marston Underpass With New Mural
I've been painting murals that are commissioned that are large in and around Bristol. The community mural movement, which began from the late 1960's, generated countless hundreds of large scale wall paintings in less than a decade. Every city had a few, although they were concentrated in major cities. These were sparked by the civil rights movement, labour movements, the Chicano movement, and community development programs. Hispanic muralists like Diego Rivera, Clemente Orozco, David Sequeiros, and Arnold Belkin affected content and the style of those murals. They were influenced by graffiti and from advertising artwork.
in this presentation i talked about jeff koons, sun yuan and peng yu. i also wrote about different materials astists use like pencils,paints and so on.
Art & Beyond Publications is promotional service for artists in form of the magazine.
In this issue of Art & Beyond you will find an incredible contemporary artists with a unique usage of techniques, themes and innovative views on our todays life that reflects in their art. This issue opens the door to a very interesting Lewinson Art Group founded by Mexican artist Debora Lewinson within her Online Gallery LewinsonArt.com.
1. “Mixing decorating styles for that special blend known as eclectic
is a tricky endeavor... but in skilled hands, like those of Deborah Buck,
eclectic is a triumphant melding of disparate parts.”
– new york times magazine
DEBORAH BUCK
2. ABOUT
Deborah Buck is an artist, designer, and tastemaker who’s work has been repeatedly recognized by Elle
Décor, New York Times, and Architectural Digest. Her point of view is best described as a juxtaposition of
refined, eclectic, and irreverent tastes catered toward a luxury lifestyle. Mixing both high- and lowbrow, the
common denominator is appeal, quality, and integrity.
Deborah founded Buck House in 2001 with a vision to showcase fine art and design together with her highly
regarded collection of antiques. It quickly garnered it’s reputation as an inspirational hub for the creative
community with fine art exhibitions, design events and seminars.
She has recently exhibited her paintings at Chelsea’s Julie Saul Gallery and The Garrison Art Center and is
also active in academic circles. In 2007, Buck joined the faculty at New York’s School of Visual Arts where
she teaches a seminar for Master’s thesis students. Buck also sits on The Board of Trustees of The Pratt
Institute in Brooklyn, New York.
Deborah Buck with Architectural Digest editor-in-
chief, Margaret Russell, and famed interior designer,
Charlotte Moss
Deborah Buck at the Tableau
launch party
Deborah Buck discussing her
book, Tableau
3. PREss
Deborah Buck is repeatedly
recognized for her unique point
of view and excellence in design
by the likes of New York Times,
Elle Décor, Architectural Digest,
Oprah, and Metropolitan Home,
among other top tier publications
and media outlets.
June - July 2012 1
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2012
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One Kings Lane
ENTER
One Kings Lane
“Buck’s carefully curated selection of art and antiques is one of the finest examples
of design from the 19th Century to the present.”
“Mixing decorating styles for that special blend known as eclectic is a tricky
endeavor... but in skilled hands, like those of Deborah Buck, eclectic is a
triumphant melding of disparate parts.”
“Buck is a woman who instinctively turns lemons into lemonade.”
“Her weekend place in Garrison, New York, a picturesque hamlet on the Hudson
River, is like a decorative-arts encyclopedia of the glam and the glorious.”
4. “If each piece has its own integrity of
design, and you’re the connecting thread,
then the room will have resonance. You
don’t need to have pieces from the same
place or period. It’s more important that
they have shape and form in common.”
– Deborah Buck, New York Times Magazine
5. farmhouse,
garrison, ny
This 19th-century farmhouse was
designed to be an eclectic array of
furnishings, art, and colors. The
décor compliments the original
wood beams, pine floors, and stone
walls without defaulting to rustic
and countrified or reducing it to a
minimalist manor.
featured in elle décor
7. OffiCE
157 EAsT 86TH
nEW yORK
This humanitarian office space
needed to be comfortable but not
luxe. Deborah’s vision was to create
a serene workspace for the brilliant
and dedicated people who work
every day doing the nittygritty of
nonprofit work.
June - July 2012 1
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2012
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One Kings Lane
ENTER
One Kings Lane
featured in modern magazine and the roger
9. modern barn,
UPSTATE NEW YORK
This combination residential
and utilitarian dwelling uses
iconic geometry of the original
dilapidated barn that sat on its
footprint, while maximizing an
interior/exterior experience.
11. UPPER EAsT siDE
APARTmEnT
A 5,000 square-foot Manhattan
apartment that composes
strong colors with an eclectic
juxtaposition of European and
Asian furnishings. Pieces range
from contemporary artwork to mid
century furniture to 18th century
vases.
featured in elle décor
13. winter hill,
non-profit OFFICES
upstate ny
The property, added to the National
Register of Historic Places in 1982,
has been a spiritual and cultural
center in the Hudson Highlands for
more then 120 years. Recently gut-
renovated and converted into offices
for the Hudson Highlands Land
Trust, The Garden Conservancy,
and the Shakespeare Society.
15. GALLERY
INSTALLATIONS
“With a cultivated eye, born from
her years as a visual artist ‘locked
in a studio’ Buck expends her
considerable energies and talents
admirably. Few could mount
Lalvani’s massive, mind-bending
metal and mirrored designs onto
an already highly vocal wall-space
with success.”
– Natalie Fasano,
The Curated Object
haresh lalvani: XtraD at buck house
seeing blue: an exhibition of fine and decorative arts at the gallery at buck house
16. manhattan glamour at the gallery at buck house
gem, an exhibition of treasures from the archive of the illustration house at the gallery at buck house
18. TABLEAUS
“Deborah Buck makes art —
she paints and draws; she also
makes environments with her
art and others’ objects. She
calls them conversations. Her
tableaux are installations, not in
the museum sense of didactic
suspended animation, instead
they are transitory monuments —
moments in which form and color
are woven into a temporal story,
a tale of passions and obsessions
expressed through things.”
– Steven Heller
19.
20. FABRICS
WALLCOVERINGS
An ongoing series of fabric and
wallcovering designs, merges
Deborah’s work in interior design
and fine-art. Elements from her
paintings, drawings, and branding
design are reinterpreted as fodder
for pattern repeats which are then
incorporated in distinct interiors.
21.
22. FINE ART
“Her work is based on her
deeply sensual response to the
countless surfaces and textures
of the world around her and its
panoply of resplendent colors.
For Buck, what she chooses as
her themes are also an expression
of control, of agency, and it’s all
woven together with her life.”
– Lilly Wei, Art Critic
Independent Curator