In this poetry, the speaker insults Death as a personified foe. Most people fear this enemy, yet in this sonnet, the speaker effectively reprimands him. The speaker makes it clear that he is not afraid of death and does not believe that death should be so confident in himself. The readers are given an ironic sense of comfort by the confident tone of “Death, be not Proud” and Death’s straight confrontation since it implies that Death is not at all anything to be afraid of but that Death will ultimately be defeated by something even greater.

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Death Be Not Proud
-John Donne

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Introduction
 In this poetry, the speaker insults Death as a personified foe. Most people
fear this enemy, yet in this sonnet, the speaker effectively reprimands
him. The speaker makes it clear that he is not afraid of death and does
not believe that death should be so confident in himself. The readers are
given an ironic sense of comfort by the confident tone of “Death, be not
Proud” and Death’s straight confrontation since it implies that Death is not
at all anything to be afraid of but that Death will ultimately be defeated by
something even greater.

3. About the poet
 English poet, scholar, soldier, and secretary John Donne was raised in a recusant
household and eventually ordained as a priest in the Church of England. He was
appointed Dean of St.
 Paul’s Cathedral in London with royal support (1621–1631). He is regarded as the
foremost exponent of the poets who write about metaphysics.
 He wrote sonnets, love poems, religious poems, Latin translations, epigrams,
elegies, songs, and satires, all of which are renowned for their metaphorical and
sensual style.
 Additionally well-known are his sermons.
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4. Theme 4
]
 The poem’s central theme is death’s helplessness. The poem expresses
the poet’s feelings while making fun of death’s position and making the
case that it is not something to be feared or revered. He held that our souls
are born via death. As a result, it shouldn’t think of itself as strong or
superior because “death” is not unbeatable. The poet also views dying as
a great pleasure, much like sleeping and relaxing. He may possibly have a
similar experience with the medications. Both a realistic portrayal of death
and a firm belief in the hereafter is foreshadowed in the poem.

5. Line 1-4
 The direct address makes it clear right away that the speaker is ‘talking’ to Death, who
is personified in this instance. It’s fascinating that pride, the most dangerous of the
seven deadly sins, is portrayed as if it were a human being who is capable of pride. In
human history, death has undoubtedly gained a bad name; many people now view it as
a terrifying thing. The speaker, though, is not having any of it. Reputations don’t matter
much because, according to the speaker, Death isn’t really “powerful and horrible” at all.
The arrogant voice keeps on. Death may believe that he has overthrown his victims, but
things have not ended there. People do not pass away, and the speaker adds his own
immunity and claims that he cannot pass away either for comical purposes. Death is
being handled fairly dishonorably, and the speaker implies in a rather mocking manner
that Death is unaware of this—poor Death—as though pity is being expressed.
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6. Line 5-8
 Who doesn’t enjoy the thought of a lengthy, comfortable sleep following a
demanding day at work? Sleep and rest are joys. According to the speaker,
death is nothing more than a little extra relaxation and sleep. Sleep is a
natural process, and after getting some sleep, we feel better. Similar to
Death, but more so. And while Death may claim the best men—the excellent
die young, so to speak—they do so with a double benefit: they get to rest and
their souls are delivered. Delivery is tied to birth, therefore Death has
contributed to the soul’s birth in addition to providing pleasure, making it an
essential element of the afterlife.
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7. Line 9-12
 The assault against Death is stepped up in the final six lines. The
speaker claims that Death has no power or control and is a slave to fate,
chance, monarchs, and desperate men. Death only exists as a result of
random accidents, governmental systems of law and justice, poison and
war, and illness. Opium is made from flowers like the poppy, and charms
are made from magic; both are just as efficient at lulling people to sleep
as Death. Better still. How humiliating. How ridiculous it is to swell up
with pride when undeserved when Death is humbled to a weakling.
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8. Line 13-14
 The final couplet perfectly captures the situation. Death for a person is
merely a brief sleep since they will awaken and continue living eternally,
free of Death. The greatest insult: Death will consequently no longer
exist. From a Christian perspective, this last straw shows that Death
itself is alive and logically subject to its own death. The speaker will
awaken as if from sleep and never again experience the dying process.

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9. Answer these Questions
 Answer these Questions in Comment Box
 . What type of poem is “Holy Sonnet X”?
 Why does Donne say that those who Death thinks he
kills, “die not”?
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