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DANIEL LIBESKIND Presented by : Tanveer Alam, B.Arch. Final Year 2014-15
INTRODUCTION 
 Daniel Libeskind (born May 12, 1946) is a Polish- 
American architect, artist, professor and set 
designer of Polish Jewish descent. 
 Libeskind founded Studio Daniel Libeskind in 1989 with 
his wife, Nina, and is its principal design architect. 
 Libeskind's work has been exhibited in major museums 
and galleries around the world, including the Museum 
of Modern Art, the Bauhaus Archives, the Art Institute 
of Chicago, and the Centre Pompidou. 
 Began his career as an architectural theorist and 
professor. 
 The Jewish Museum Berlin, completed in 1999, was 
Libeskind's first major international success and was one 
of the first buildings designed after reunification.
Lot of architectural students (especially the 
pretentious ones), confuse the words 
‘philosophy’, ‘theory’ and ‘speculation’. For the 
Greeks, ‘philosophy’, was the “love of 
knowledge’ and the result of an inquiry into 
universal truths. ‘Theory’ is the result of an 
inquiry of specific facts leading to the test of the 
resultant supposition. What most pretentious 
architects (Daniel Libeskind is a good example), 
engage in is the more dubious practice of 
‘speculation’, as in - “Hey, I wonder what would 
happen if I made a building look like a crystal 
rock formation?” Clearly this is often a very 
dumb approach to design, so they use big words 
to describe their speculations as either 
“theories’ or “philosophies’ to make them sound 
better than they are. 
 As my aim is not to critique or appraise what 
Daniel stands for but to discuss and analyse 
what are the ideas behind his designs . 
 While doing research I came across many 
negative articles about the work which he 
has done, and somehow I was even 
convinced with the facts these articles 
claimed ,but at the very same moment it 
came to if he is being critiqued ,then there 
must be something which he did is great. 
 Finally ,I can only say that the projects which 
are too powerful in terms of their philosophy 
,overpower the ideas and theories of the 
person who designed it, be it and hence 
become the brand name od the designer.
DESIGN CHARACTERISTICS - Classification 
Deconstruction 
Style 
Layering Angular 
Organic 
(Curvilinear) 
Chaos
DESIGN CHARACTERISTICS - angular 
 Definition: essentially consists of complicated composition of hybrid 
volumes with Acute angles. 
Basic 
Shape 
Fragmentati 
on 
Transformati 
on 
Recombining
DENVER ART MUSEUM-Colorado, 
Lines: Almost Straight Non-parallel lines. 
USA
Corners: Acute angles.
Appearance of Original Basic Volumes: Disappear.
Articulation: through relation between Masses. Openings: Mainly by Subtraction .
PALAZZO DELL’EDILIZIA OF 
ALESSANDRIA, Alessandria, Italy
ROYAL ONTARIO MUSEUM 
Toronto, Canada
The Villa - Libeskind Signature 
Series
JEWISH MUSEUM -BERLIN

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Daniel lebiskind

  • 1. DANIEL LIBESKIND Presented by : Tanveer Alam, B.Arch. Final Year 2014-15
  • 2. INTRODUCTION  Daniel Libeskind (born May 12, 1946) is a Polish- American architect, artist, professor and set designer of Polish Jewish descent.  Libeskind founded Studio Daniel Libeskind in 1989 with his wife, Nina, and is its principal design architect.  Libeskind's work has been exhibited in major museums and galleries around the world, including the Museum of Modern Art, the Bauhaus Archives, the Art Institute of Chicago, and the Centre Pompidou.  Began his career as an architectural theorist and professor.  The Jewish Museum Berlin, completed in 1999, was Libeskind's first major international success and was one of the first buildings designed after reunification.
  • 3. Lot of architectural students (especially the pretentious ones), confuse the words ‘philosophy’, ‘theory’ and ‘speculation’. For the Greeks, ‘philosophy’, was the “love of knowledge’ and the result of an inquiry into universal truths. ‘Theory’ is the result of an inquiry of specific facts leading to the test of the resultant supposition. What most pretentious architects (Daniel Libeskind is a good example), engage in is the more dubious practice of ‘speculation’, as in - “Hey, I wonder what would happen if I made a building look like a crystal rock formation?” Clearly this is often a very dumb approach to design, so they use big words to describe their speculations as either “theories’ or “philosophies’ to make them sound better than they are.  As my aim is not to critique or appraise what Daniel stands for but to discuss and analyse what are the ideas behind his designs .  While doing research I came across many negative articles about the work which he has done, and somehow I was even convinced with the facts these articles claimed ,but at the very same moment it came to if he is being critiqued ,then there must be something which he did is great.  Finally ,I can only say that the projects which are too powerful in terms of their philosophy ,overpower the ideas and theories of the person who designed it, be it and hence become the brand name od the designer.
  • 4. DESIGN CHARACTERISTICS - Classification Deconstruction Style Layering Angular Organic (Curvilinear) Chaos
  • 5. DESIGN CHARACTERISTICS - angular  Definition: essentially consists of complicated composition of hybrid volumes with Acute angles. Basic Shape Fragmentati on Transformati on Recombining
  • 6. DENVER ART MUSEUM-Colorado, Lines: Almost Straight Non-parallel lines. USA
  • 8. Appearance of Original Basic Volumes: Disappear.
  • 9. Articulation: through relation between Masses. Openings: Mainly by Subtraction .
  • 10. PALAZZO DELL’EDILIZIA OF ALESSANDRIA, Alessandria, Italy
  • 11. ROYAL ONTARIO MUSEUM Toronto, Canada
  • 12. The Villa - Libeskind Signature Series