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The Cone of Experience
By
EdgarDale
Submitted by,
Aiswarya.G
Mathematics Optional
Edgar Dale
EdgarDale
❖ Edgar dale was born in 1900, and he grew up
on a family farm in North Dakota, United
States.
❖ He served on the Ohio State University
faculty from 1929 until 1970.
❖ He made several contributions to audio and
visual instruction. His most famous concept
was called the “Cone of Experience” a
graphic depiction of the relationship between
how information is presented in instruction
and the outcomes for learners.
Whatis Coneof Experience
❖ First introduced in Dale’s 1946 book,
Audio-Visual Methods in Teaching.
❖ Designed to “show the progression
of learning experiences” from the
concrete to the abstract.
❖ When a learner moves from direct
and purposeful experiences to verbal
symbols, the degree of abstraction
gradually grows. And as a result,
learners become spectators rather
than participants.
Concrete Abstract
TheLevelsof theConeof Experience
❖ Enactive-direct experiences
> Direct, Purposeful
> Contrived
> Dramatized
❖ Iconic-Pictorial experiences
> Demonstrations
> Study Trips
> Exhibits
> Educational Television
> Motion Pictures
> Recordings, Radio and Still Pictures
❖ Symbolic-highly abstract experiences
> Visual Symbols
> Verbal Symbols
DirectPurposefulExperiences
❖ First hand experiences.
❖ Have direct participation in the outcome.
❖ Use of all our senses.
❖ Experience-a ounce of experience is better than a tone of theory.
❖ At the very bottom of the cone we find the most concrete uses of experience.
ContrivedExperiences
❖ Here, we make use of a representative models and mock-ups of reality.
❖ Editing of reality-differs from the original either in size or complexity.
❖ Necessary when real experience cannot be used or are too complicated.
DramatizedExperiences
❖ Reconstructed experiences.
❖ Representation of real past events.
❖ Divided into two categories
> Acting – actual participation (more concrete).
> Observing – watching a dramatization take place (more abstract).
❖ Different forms of dramas are play, pageant, pantomime, puppets etc.
❖ A visualized explanation of an important fact, idea or process by use of :
Photographs, Drawings, Films, Displays.
❖ Showing how things are done.
- How to make a peanut butter and jelly sandwich.
- How to play the piano.
❖ Demonstrations are great mixture of concrete hands-on application and more abstract
verbal explanation.
Demonstrations
StudyTrips
❖ Watch people do things in real situations.
❖ Observe an event that is unavailable in the
classroom.
❖ These are excursions, educational trips, and visits
conducted to observe an event that is unavailable
within the classroom.
Exhibits
❖ Exhibits are concrete representationof things. Something seen by a spectator.
❖ This includes exhibits, museums, specimens etc.
❖ It brings the outside world into the classroom.
EducationalTelevision
❖ An important educational tool that bring immediate interaction with
events from around the world.
❖ Live telecast brings the real event as it actually happens.
❖ Edit an event to create clearer understanding than if experienced
actual event first hand.
❖ Can omit unnecessary or unimportant material.
❖ Used to slow down a fast process.
❖ Viewing and hearing experience. It utilizes multi-sensory
approach.
❖ Can re-create events with simplistic drama that even slower
students can grasp.
❖ Motion pictures if carefully prepared using both audio and
visuals together can be very much effective.
MotionPictures
Recordings,Radioand StillPictures
❖ Radio is a means of one-way communication
❖ Can often be understood by those who cannot read. Lack auditory dimension.
❖ Helpful to students who cannot deal with the motion or pace of a real event or television.
❖ Still pictures include slides, pictures, illustrations etc.
VisualSymbols
❖ This includes maps, charts, diagrams, graphs,
cartoons etc.
❖ Help students see an idea, event, or process.
❖ If properly employed can promote more interest and
better understanding.
VerbalSymbols
❖ This is chalk and talk method.
❖ Two types of verbal symbols are
> Written words
> Spoken words.
❖ Thinking is given more importance.
❖ No resemblance to the object for which it stands.
Limitations
❖ Field trip has been classifiedas an experience involving
only observation and hence has been placed much high in
the ladder. They should be actually classified under direct
purposeful experiences.
❖ Projected aids are considered to be much more effective in
teaching than non projected aids. But here they are placed
much high in the pinnacle.
Mis-Conceptionsof theCone
❖All teaching/learning must move from the bottom to the top of the cone.
❖One kind of experience on the cone is more useful than another.
❖More emphasis should be put on the bottom levels of the cone.
❖The upper level of the cone is for older students while the lower levels are for younger
students.
❖It overemphasizes the use of instructional media.
Thank You…

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Dale's Cone of Experience

  • 1. The Cone of Experience By EdgarDale Submitted by, Aiswarya.G Mathematics Optional
  • 2. Edgar Dale EdgarDale ❖ Edgar dale was born in 1900, and he grew up on a family farm in North Dakota, United States. ❖ He served on the Ohio State University faculty from 1929 until 1970. ❖ He made several contributions to audio and visual instruction. His most famous concept was called the “Cone of Experience” a graphic depiction of the relationship between how information is presented in instruction and the outcomes for learners.
  • 3. Whatis Coneof Experience ❖ First introduced in Dale’s 1946 book, Audio-Visual Methods in Teaching. ❖ Designed to “show the progression of learning experiences” from the concrete to the abstract. ❖ When a learner moves from direct and purposeful experiences to verbal symbols, the degree of abstraction gradually grows. And as a result, learners become spectators rather than participants.
  • 4.
  • 6. TheLevelsof theConeof Experience ❖ Enactive-direct experiences > Direct, Purposeful > Contrived > Dramatized ❖ Iconic-Pictorial experiences > Demonstrations > Study Trips > Exhibits > Educational Television > Motion Pictures > Recordings, Radio and Still Pictures ❖ Symbolic-highly abstract experiences > Visual Symbols > Verbal Symbols
  • 7. DirectPurposefulExperiences ❖ First hand experiences. ❖ Have direct participation in the outcome. ❖ Use of all our senses. ❖ Experience-a ounce of experience is better than a tone of theory. ❖ At the very bottom of the cone we find the most concrete uses of experience.
  • 8. ContrivedExperiences ❖ Here, we make use of a representative models and mock-ups of reality. ❖ Editing of reality-differs from the original either in size or complexity. ❖ Necessary when real experience cannot be used or are too complicated.
  • 9. DramatizedExperiences ❖ Reconstructed experiences. ❖ Representation of real past events. ❖ Divided into two categories > Acting – actual participation (more concrete). > Observing – watching a dramatization take place (more abstract). ❖ Different forms of dramas are play, pageant, pantomime, puppets etc.
  • 10. ❖ A visualized explanation of an important fact, idea or process by use of : Photographs, Drawings, Films, Displays. ❖ Showing how things are done. - How to make a peanut butter and jelly sandwich. - How to play the piano. ❖ Demonstrations are great mixture of concrete hands-on application and more abstract verbal explanation. Demonstrations
  • 11. StudyTrips ❖ Watch people do things in real situations. ❖ Observe an event that is unavailable in the classroom. ❖ These are excursions, educational trips, and visits conducted to observe an event that is unavailable within the classroom.
  • 12. Exhibits ❖ Exhibits are concrete representationof things. Something seen by a spectator. ❖ This includes exhibits, museums, specimens etc. ❖ It brings the outside world into the classroom.
  • 13. EducationalTelevision ❖ An important educational tool that bring immediate interaction with events from around the world. ❖ Live telecast brings the real event as it actually happens. ❖ Edit an event to create clearer understanding than if experienced actual event first hand.
  • 14. ❖ Can omit unnecessary or unimportant material. ❖ Used to slow down a fast process. ❖ Viewing and hearing experience. It utilizes multi-sensory approach. ❖ Can re-create events with simplistic drama that even slower students can grasp. ❖ Motion pictures if carefully prepared using both audio and visuals together can be very much effective. MotionPictures
  • 15. Recordings,Radioand StillPictures ❖ Radio is a means of one-way communication ❖ Can often be understood by those who cannot read. Lack auditory dimension. ❖ Helpful to students who cannot deal with the motion or pace of a real event or television. ❖ Still pictures include slides, pictures, illustrations etc.
  • 16. VisualSymbols ❖ This includes maps, charts, diagrams, graphs, cartoons etc. ❖ Help students see an idea, event, or process. ❖ If properly employed can promote more interest and better understanding.
  • 17. VerbalSymbols ❖ This is chalk and talk method. ❖ Two types of verbal symbols are > Written words > Spoken words. ❖ Thinking is given more importance. ❖ No resemblance to the object for which it stands.
  • 18. Limitations ❖ Field trip has been classifiedas an experience involving only observation and hence has been placed much high in the ladder. They should be actually classified under direct purposeful experiences. ❖ Projected aids are considered to be much more effective in teaching than non projected aids. But here they are placed much high in the pinnacle.
  • 19. Mis-Conceptionsof theCone ❖All teaching/learning must move from the bottom to the top of the cone. ❖One kind of experience on the cone is more useful than another. ❖More emphasis should be put on the bottom levels of the cone. ❖The upper level of the cone is for older students while the lower levels are for younger students. ❖It overemphasizes the use of instructional media.