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Culture 2
How are hearths of popular culture traits
established?
• Typically begins with an idea/good and contagious
diffusion.
• Companies can create/manufacture popular
culture. (ie. MTV)
• Individuals can create/manufacture popular culture.
(ie. Tony Hawk)-video games involving extreme
sports popularized skateboarding and other sports.
The hearth of Phish concerts is in the northeastern United
States, near where the band began in Vermont.
With Distance Decay, the
likelihood of diffusion
decreases as time and distance
from the hearth increases.
With Time-Space
Compression, the likelihood of
diffusion depends upon the
connectedness among places.
Which applies more to popular
culture?
Why are popular culture
traits usually diffused
hierarchically?
How is fashion in popular
culture an example of
hierarchical diffusion?
• Reterritorialization of popular culture occurs
when an aspect of popular culture is modified
to adapt locally-e.g. Japanese
baseball, European Hip Hop-MC SolaarFrance, Die Fantastischen VierGermany, Jovanatti-Italy.
• Syncretism-a fusion of old and new to create a
new cultural trait-this concept is similar to
reterritorialization.
• The examples below are foreign foods that have
been modified to fit American tastes.
• The influence of Europe, the US and Japan in
global popular culture makes many people feel
threatened.
• France’s govt. subsidizes the French film industry
and sets limits on foreign music on the radio
Cultural Landscape
• The imprint of people on
the land-how humans
use, alter and manipulate
the landscape to express
their identity.
• Examples;
–
–
–
–
–

Architecture of buildings
Methods of tilling the soil
Means of transportation
Clothing and adornment
Sights, sounds and smells of
a place
Cultural Landscape
The visible human imprint
on the landscape.
How have people changed the
landscape?
- What buildings, statues, and
so forth have they erected?
- How do landscapes reflect the
values of a culture?
The cultural landscape is fashioned from a
natural landscape by a cultural group. Culture
is the agent, the natural area the medium, the
cultural landscape is the result. Under the
influence of a given culture, itself changing
through time, the landscape undergoes
development, passing through phases, and
probably reaching ultimately the end of its
cycle of development. With the introduction
of a different-that-is alien culture, a
rejuvenation of the cultural landscape sets in,
or a new landscape is superimposed on
remnants of an older one. Carl Sauer, 1925
Convergence of Cultural Landscapes:
• The widespread
distribution of
businesses and products
creates distinctive
landscape stamps
around the world.
• What are some other
examples of businesses
that can be found
around the world?
Convergence of Cultural Landscapes:
• Diffusion of architectural forms and planning ideas
around the world.
Convergence of Cultural Landscapes:
• Borrowing of idealized
landscape images blurs
place distinctiveness.-right
Las Vegas, Nevada-below
Toronto, Canada
Placelessness: the loss of uniqueness in a cultural
landscape – one place looks like the next.
House Types
• Kniffen’s traditional
American house types:
New England
Mid-Atlantic
Southern Tidewater
• The New England “Large” house is a modern adaptation of
a Yankee folk house that added a wing as the style migrated
westward. It is a 2 ½ story house built around a central
chimney.
• The Georgian Style (1700-1800) used Renaissance inspired
classical symmetry. Typically it was 2 rooms deep and 2
rooms high with end chimneys and pilasters around the
door.
• The “Cape Cod” style dwelling from New England
features a steep roof with side gables and a
symmetrical layout with the door in the center.
• The Victorian or Queen Anne style of architecture was
dominant in the United States from 1880 to 1900.
• The Tudor Revival (1910-1940) became popular in
suburban areas in the 1920s. The style is loosely based on
Medieval construction.
• The “bungalow” (1900-1920) was supposedly a modified
version of an Indian rural vernacular form. The bungalow
typically has a low-pitched roof with wide overhang
eaves.
• This narrow home fits easily on small city lots. In the
Midwest this version of the “bungalow” is known as the
“Chicago bungalow” style.
• Commonly built in the 1950s and 1960s, this style of
home is an good example of maladaptive diffusion since it
was intended for the year round living of southern
California.
• This “California Ranch” with all rooms on one level
takes up a larger lot and has encouraged urban
sprawl.
THE END

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Culture 2

  • 2. How are hearths of popular culture traits established? • Typically begins with an idea/good and contagious diffusion. • Companies can create/manufacture popular culture. (ie. MTV) • Individuals can create/manufacture popular culture. (ie. Tony Hawk)-video games involving extreme sports popularized skateboarding and other sports.
  • 3. The hearth of Phish concerts is in the northeastern United States, near where the band began in Vermont.
  • 4. With Distance Decay, the likelihood of diffusion decreases as time and distance from the hearth increases. With Time-Space Compression, the likelihood of diffusion depends upon the connectedness among places. Which applies more to popular culture?
  • 5. Why are popular culture traits usually diffused hierarchically? How is fashion in popular culture an example of hierarchical diffusion?
  • 6. • Reterritorialization of popular culture occurs when an aspect of popular culture is modified to adapt locally-e.g. Japanese baseball, European Hip Hop-MC SolaarFrance, Die Fantastischen VierGermany, Jovanatti-Italy.
  • 7. • Syncretism-a fusion of old and new to create a new cultural trait-this concept is similar to reterritorialization. • The examples below are foreign foods that have been modified to fit American tastes.
  • 8. • The influence of Europe, the US and Japan in global popular culture makes many people feel threatened. • France’s govt. subsidizes the French film industry and sets limits on foreign music on the radio
  • 9. Cultural Landscape • The imprint of people on the land-how humans use, alter and manipulate the landscape to express their identity. • Examples; – – – – – Architecture of buildings Methods of tilling the soil Means of transportation Clothing and adornment Sights, sounds and smells of a place
  • 10. Cultural Landscape The visible human imprint on the landscape. How have people changed the landscape? - What buildings, statues, and so forth have they erected? - How do landscapes reflect the values of a culture?
  • 11. The cultural landscape is fashioned from a natural landscape by a cultural group. Culture is the agent, the natural area the medium, the cultural landscape is the result. Under the influence of a given culture, itself changing through time, the landscape undergoes development, passing through phases, and probably reaching ultimately the end of its cycle of development. With the introduction of a different-that-is alien culture, a rejuvenation of the cultural landscape sets in, or a new landscape is superimposed on remnants of an older one. Carl Sauer, 1925
  • 12. Convergence of Cultural Landscapes: • The widespread distribution of businesses and products creates distinctive landscape stamps around the world. • What are some other examples of businesses that can be found around the world?
  • 13. Convergence of Cultural Landscapes: • Diffusion of architectural forms and planning ideas around the world.
  • 14. Convergence of Cultural Landscapes: • Borrowing of idealized landscape images blurs place distinctiveness.-right Las Vegas, Nevada-below Toronto, Canada
  • 15. Placelessness: the loss of uniqueness in a cultural landscape – one place looks like the next.
  • 16. House Types • Kniffen’s traditional American house types: New England Mid-Atlantic Southern Tidewater
  • 17. • The New England “Large” house is a modern adaptation of a Yankee folk house that added a wing as the style migrated westward. It is a 2 ½ story house built around a central chimney.
  • 18. • The Georgian Style (1700-1800) used Renaissance inspired classical symmetry. Typically it was 2 rooms deep and 2 rooms high with end chimneys and pilasters around the door.
  • 19. • The “Cape Cod” style dwelling from New England features a steep roof with side gables and a symmetrical layout with the door in the center.
  • 20. • The Victorian or Queen Anne style of architecture was dominant in the United States from 1880 to 1900.
  • 21. • The Tudor Revival (1910-1940) became popular in suburban areas in the 1920s. The style is loosely based on Medieval construction.
  • 22. • The “bungalow” (1900-1920) was supposedly a modified version of an Indian rural vernacular form. The bungalow typically has a low-pitched roof with wide overhang eaves.
  • 23. • This narrow home fits easily on small city lots. In the Midwest this version of the “bungalow” is known as the “Chicago bungalow” style.
  • 24. • Commonly built in the 1950s and 1960s, this style of home is an good example of maladaptive diffusion since it was intended for the year round living of southern California.
  • 25. • This “California Ranch” with all rooms on one level takes up a larger lot and has encouraged urban sprawl.
  • 26.