1) The opening of the thriller follows conventions of the genre by having the main character be the killer and including a character profile to shock the audience. It also uses blood, gore, and ominous music to create tension.
2) The opening deviates from conventions in some ways, such as by showing a Soviet-style montage and having a younger killer than is typical. It also switches from color to black and white.
3) Elements that were included to make the opening successful as a thriller were not showing the actual murder, having an average person as the killer who doesn't know they committed the crime, and creating suspense around the unknown victim.
The document summarizes the results of a questionnaire about gangster films. It found that most respondents were male, aged 15-18. Most people enjoy watching gangster films and associate them with guns, Italian mobs, and violence. The Godfather was the most commonly favored gangster film. The majority of respondents said trailers that leave them wanting more make them most likely to see a film. Common hobbies included sports, gaming, TV and music. Rap music was most associated with the genre by respondents. Good acting and an interesting plot were cited as important for enjoying a gangster film.
The poster depicts the main character Matthew holding a gun in front of an abandoned church, showing his dominance. It continues the red and white color scheme and Blacklisted font from the first poster. The title "Concert Crime" overlaps in red and white text. The release date is displayed above the billing block at the bottom. This poster progression establishes Matthew's increasing power while maintaining visual consistency through its design elements.
The poster depicts the main character Matthew holding a gun in front of an abandoned church, showing his dominance. It continues the red and white color scheme and Blacklisted font from the first poster. The title "Concert Crime" overlaps in red and white text. The release date is displayed above the billing block at the bottom. This poster progression establishes Matthew's increasing power while maintaining visual consistency through its design elements.
Question 4 - Who would be the audience for your media product?elleahmedia
The document discusses the target audience for a film project. It begins by explaining that the film received an 18 rating due to graphic violence in scenes of human experimentation. It then profiles the target audience as young adult males who enjoy action/thriller genres. A questionnaire sent to students found most responses mentioned those genres. Famous actors in psychological thrillers, like Christian Bale in American Psycho, were commonly cited as favorites. Positive feedback on a completed title sequence sequence showed it effectively captured the thriller genre and engaged viewers like the target audience. The only negative feedback mentioned the credits font was too small.
The group created a questionnaire about horror film preferences that asked about subgenre preferences, fears, and favorite films. They had friends complete the questionnaires but realized they should have administered them in person to ensure understanding and a 100% response rate. The questionnaire results provided insights into the target audience and what they look for in horror films.
1) The target audience for the film is 15-17 year olds as the certification is a 15. Most interviewees fell in this age range and found the gangster genre most interesting as it depicts ways to earn money and security.
2) More males (six) than females (four) responded to the questionnaire. To attract a mixed audience, the film will feature a variety of characters appealing to both genders.
3) The most popular genres voted for were gangster and comedy. The film will include elements of both, along with amusing scenes, to broaden its appeal.
4) The most effective camera shot was found to be the establishing shot, which orients viewers and shows body
The group created a questionnaire about horror film preferences that asked about subgenre preferences, fears, and viewing habits. They received responses from friends but realized they should have administered the questionnaires in person to clarify questions and ensure a 100% response rate. The questionnaire results showed that both males and females enjoyed supernatural films the most and had a fear of spiders. It also provided insights into how many films people watch monthly and their reasons for seeing films at the cinema.
1) The opening of the thriller follows conventions of the genre by having the main character be the killer and including a character profile to shock the audience. It also uses blood, gore, and ominous music to create tension.
2) The opening deviates from conventions in some ways, such as by showing a Soviet-style montage and having a younger killer than is typical. It also switches from color to black and white.
3) Elements that were included to make the opening successful as a thriller were not showing the actual murder, having an average person as the killer who doesn't know they committed the crime, and creating suspense around the unknown victim.
The document summarizes the results of a questionnaire about gangster films. It found that most respondents were male, aged 15-18. Most people enjoy watching gangster films and associate them with guns, Italian mobs, and violence. The Godfather was the most commonly favored gangster film. The majority of respondents said trailers that leave them wanting more make them most likely to see a film. Common hobbies included sports, gaming, TV and music. Rap music was most associated with the genre by respondents. Good acting and an interesting plot were cited as important for enjoying a gangster film.
The poster depicts the main character Matthew holding a gun in front of an abandoned church, showing his dominance. It continues the red and white color scheme and Blacklisted font from the first poster. The title "Concert Crime" overlaps in red and white text. The release date is displayed above the billing block at the bottom. This poster progression establishes Matthew's increasing power while maintaining visual consistency through its design elements.
The poster depicts the main character Matthew holding a gun in front of an abandoned church, showing his dominance. It continues the red and white color scheme and Blacklisted font from the first poster. The title "Concert Crime" overlaps in red and white text. The release date is displayed above the billing block at the bottom. This poster progression establishes Matthew's increasing power while maintaining visual consistency through its design elements.
Question 4 - Who would be the audience for your media product?elleahmedia
The document discusses the target audience for a film project. It begins by explaining that the film received an 18 rating due to graphic violence in scenes of human experimentation. It then profiles the target audience as young adult males who enjoy action/thriller genres. A questionnaire sent to students found most responses mentioned those genres. Famous actors in psychological thrillers, like Christian Bale in American Psycho, were commonly cited as favorites. Positive feedback on a completed title sequence sequence showed it effectively captured the thriller genre and engaged viewers like the target audience. The only negative feedback mentioned the credits font was too small.
The group created a questionnaire about horror film preferences that asked about subgenre preferences, fears, and favorite films. They had friends complete the questionnaires but realized they should have administered them in person to ensure understanding and a 100% response rate. The questionnaire results provided insights into the target audience and what they look for in horror films.
1) The target audience for the film is 15-17 year olds as the certification is a 15. Most interviewees fell in this age range and found the gangster genre most interesting as it depicts ways to earn money and security.
2) More males (six) than females (four) responded to the questionnaire. To attract a mixed audience, the film will feature a variety of characters appealing to both genders.
3) The most popular genres voted for were gangster and comedy. The film will include elements of both, along with amusing scenes, to broaden its appeal.
4) The most effective camera shot was found to be the establishing shot, which orients viewers and shows body
The group created a questionnaire about horror film preferences that asked about subgenre preferences, fears, and viewing habits. They received responses from friends but realized they should have administered the questionnaires in person to clarify questions and ensure a 100% response rate. The questionnaire results showed that both males and females enjoyed supernatural films the most and had a fear of spiders. It also provided insights into how many films people watch monthly and their reasons for seeing films at the cinema.
The document discusses the target audience for a horror film created by the author and their group. Their primary target audience is females under 35 and secondary is males under 35, based on UK Film Council statistics showing these demographics prefer horror films the most. 44% of females under 35 and 36% of males under 35 preferred watching horror. The film would receive a 15 rating from the BBFC due to graphic but not gory content, which would not restrict their target audience of ages 15-35. An example interview with 15 year old Amy Clarke is provided to illustrate their target demographic of females under 35 from a middle-class background.
The trailer for Fight Club uses sound, editing, titles/credits, shots, mise-en-scene, and narrative to attract audiences. Strange dialogue and a voiceover explaining the development of "Fight Club" intrigue viewers. As the trailer progresses, the pace and violence increase. Famous actor names and references to other films build credibility. Shots establish characters and their personalities. Costumes, lighting, and locations provide context. While revealing some of the plot, the trailer leaves enough unanswered to motivate viewers to see the full film.
The document summarizes feedback from focus groups and social media audiences on a police crime thriller trailer. Key findings include:
1) Both male and female audiences aged 16-18 understood the thriller genre and complex narrative of the trailer.
2) Audiences felt the montage and mise-en-scene effectively built suspense, though dialogue was sometimes inaudible.
3) Social media audiences also understood the narrative, praised the cinematography but noted audio and acting could be improved.
The document discusses different types of research techniques, including quantitative and qualitative research as well as primary and secondary research. It also discusses different types of audiences for films, including mainstream, alternative, and niche audiences. Finally, it discusses various methods for profiling audiences, such as by gender, age, ethnicity, demographics, and psychographics.
The participant provided feedback on a TV spot trailer for a film. The majority had a positive reaction and interest in watching the film based on the trailer. Some felt it did not provide enough information to interest them. Based on the feedback, the creator can see that the level of information intrigued most audiences, but that a longer trailer with more information could appeal to a wider audience. The soundtrack was also engaging.
The document summarizes the results of a survey about audience preferences for a movie opening sequence. It found that most respondents were female aged 16-18 who preferred a female protagonist in a fast-paced thriller set in modern times in an urban environment. This information will help the filmmakers aim their opening sequence at female students by including a young, relatable female lead and scenes set in a contemporary city.
This document discusses audience responses to the 1999 film Fight Club using three theories: the Hypodermic Model, the Encoding/Decoding Model, and Uses and Gratifications theory. It then applies these theories to analyze audience responses to Fight Club based on a survey given to the author's class. The survey found that most students had a preferred reading of the film and enjoyed the storyline, though some were uncomfortable with the terrorist themes. Responses were mixed on whether the film distracted from reality.
This document summarizes the results of a survey conducted to gather preliminary data for a student horror film project. The survey found that females were more represented than males in the responses. Most respondents were ages 11-20, showing this is the target demographic. Watching horror films and knives being the scariest weapon were also common answers. This information is being used to develop the film's synopsis, characters, locations, and target release timeframe and platform.
Question 4 Who would be the audience for your media product?elleahmedia
The document discusses the rating and target audience for a film project. It begins by explaining that the film will receive an 18 rating due to its very strong graphic violence involving human experimentation. Research found the target audience to be male, aged 17-18, who prefer action/thriller genres. Feedback on the title sequence was mostly positive, praising the tone, cinematography, and interest in learning more. The only negative comments noted the credits were too small and difficult to read.
The document discusses the results of a survey conducted to help determine key aspects for a thriller film. The survey found that the filmmaker should appeal to both male and female audiences. It also found that the movie Orphan was a popular thriller reference. Respondents' biggest fears involved sharks, clowns, and other scary characters that could be incorporated. Most respondents were younger and used current technology, so dated references should be avoided. Horror elements like gore and death were preferred within the thriller genre. Respondents also preferred the thriller to be set in a city location.
Question 4: Who would be the audience for your media product?tiffanyymchan
The document provides the results of a questionnaire given to 20 people about their expectations and preferences for a psychological thriller film. Key findings include that most respondents expected to see music, violence/action, and location in the genre. Psychological thrillers like Se7en and Shutter Island were commonly associated with it. Most enjoyed the genre because of the suspense it provides in anticipating events and wondering about the human mind. Respondents felt films in the genre need to grab their attention at the beginning through action, music or mystery to keep them watching. The majority identified the provided synopsis as a psychological thriller suitable for 15 year olds and above.
The document summarizes the results of a pre-production questionnaire conducted by George Johnson, William Dale, Ewan Gallagher and Imogen Marsden. Key findings include:
- 76% of respondents had a positive opinion of the film idea, which was described as a crime-comedy about an unsuccessful criminal botching a shop robbery.
- 92% understood the storyline and 64% correctly identified the genre as crime-comedy.
- The corner shop setting was universally imagined and a lair/planning room was a common setting.
- Pop or indie music were seen as suitable genres.
- 72% thought the film deserved a 15 certificate.
- 92% said they would watch the film.
Question three who would be the audience for your media product Leon Thomas
The target audience for the media product is 15+ years old. This is because the psychological thriller genre attracts teenagers aged 15+ and does not include explicit content. Films like Final Destination and Disturbing Behavior that targeted this age group were successful. The film aims to interest males and females of similar ages and focuses on psychological problems, violence and death without being explicit. Research found most comments on the film came from 16-18 year olds.
The document summarizes the results of a post-production questionnaire about a student film called "Do Not Pass Go". It finds that:
- 92% of respondents correctly identified the film's genre as a crime-comedy.
- The target audience was believed to be males aged 15-24 years old, matching the age of the film's characters.
- Most respondents felt the film should be rated 15 by the BBFC and understood the plot.
- The music and overall film were well-received, with most saying they would watch the full-length version.
The trailer for Fight Club uses sound, editing, mise-en-scene, and narrative elements to intrigue and attract audiences. Dialogue and sound clips shock audiences with their strangeness, while editing increases pace during intense scenes. Character costumes and shots establish the protagonist's depression initially. As the trailer progresses and fight club is introduced, audiences are left wanting to understand more about the strange narrative elements teased in the trailer's 3 sentences or less summary.
Roxy Sega undertook a questionnaire to help determine expectations and preferences for an independent horror film. Most respondents were female, aged 11-20, and watch horror films regularly. Key findings included that knives are seen as the scariest weapon, respondents prefer watching horror films on TV or Netflix, and favored scenes include the opening and encounters with the killer. These findings will help with targeting the film's demographic, developing the synopsis and trailer, and designing the killer character to appeal to the primarily female audience.
The document summarizes the results of a questionnaire about horror film preferences. Most participants were teenagers, who preferred teen-focused horror films. They wanted to see blood and weapons in trailers. Participants heard about horror films mainly from TV and the internet. Most wanted the lead character to be female. Darkness and knives were seen as important horror film elements. Participants were drawn to horror films by trailers and wanted film franchises to have a trilogy storyline. Most consumed horror films by going to the cinema.
The document discusses the roots and history of the Bloods and Crips gangs in Los Angeles. It traces their origins to the Black Panther Party and other activist groups from the 1960s/70s that were disrupted by the government. Tension between the Crips and newly formed Bloods led to an ongoing gang war over the decades. In the 1990s, the Rodney King riots briefly united them against police brutality before authorities again broke up their collaboration. Today the gang problem continues to impact communities and solutions proposed include improved education, activism by former members, and investing in poor neighborhoods.
The document summarizes the history and operations of the Bloods gang. It details how the Piru Street Boys broke off from the Crips gang in the 1970s in Compton, California and formed the first Bloods set. In the 1990s, the Bloods expanded from the west coast to the east coast through the United Blood Nation prison gang. The Bloods grew significantly and now have over 200 sets across the US engaging in frequent violence. Membership is typically young African American males seeking belonging and economic opportunity through gang activities. Bloods identify with the color red and symbols like the number 5 and star, and use unique slang, hand signs, and graffiti to communicate and mark territory.
The document summarizes the origins and characteristics of two rival Los Angeles gangs, the Crips and Bloods. The Crips formed in 1969 at Fremont High School and initially called themselves the Baby Avenues before becoming known as the Crips. The Bloods formed later to protect members from the Crips and took their name from Piru Street in Compton. Both gangs are identified by their colors - blue for the Crips and red for the Bloods. They engage in violent turf wars over territory to sell drugs. Both gangs remain active nationwide, with many members continuing the gang lifestyle they grew up with.
This document discusses the history of gang affiliation in East Harlem and its impacts. It provides background on East Harlem, noting its history of immigration and the Battle of Harlem Heights. It describes how in the 1800s, Al Capone and Lucky Luciano led two of the biggest gangs in Harlem. The document then lists consequences of gang affiliation for teens like addiction, dropping out of school, suicide, death or jail time. It details the current gang situation in East Harlem, naming six gangs divided by territory. It closes by noting the decreasing age of those joining gangs and sharing how the author's best friend died due to his affiliation at age 17.
The document discusses the target audience for a horror film created by the author and their group. Their primary target audience is females under 35 and secondary is males under 35, based on UK Film Council statistics showing these demographics prefer horror films the most. 44% of females under 35 and 36% of males under 35 preferred watching horror. The film would receive a 15 rating from the BBFC due to graphic but not gory content, which would not restrict their target audience of ages 15-35. An example interview with 15 year old Amy Clarke is provided to illustrate their target demographic of females under 35 from a middle-class background.
The trailer for Fight Club uses sound, editing, titles/credits, shots, mise-en-scene, and narrative to attract audiences. Strange dialogue and a voiceover explaining the development of "Fight Club" intrigue viewers. As the trailer progresses, the pace and violence increase. Famous actor names and references to other films build credibility. Shots establish characters and their personalities. Costumes, lighting, and locations provide context. While revealing some of the plot, the trailer leaves enough unanswered to motivate viewers to see the full film.
The document summarizes feedback from focus groups and social media audiences on a police crime thriller trailer. Key findings include:
1) Both male and female audiences aged 16-18 understood the thriller genre and complex narrative of the trailer.
2) Audiences felt the montage and mise-en-scene effectively built suspense, though dialogue was sometimes inaudible.
3) Social media audiences also understood the narrative, praised the cinematography but noted audio and acting could be improved.
The document discusses different types of research techniques, including quantitative and qualitative research as well as primary and secondary research. It also discusses different types of audiences for films, including mainstream, alternative, and niche audiences. Finally, it discusses various methods for profiling audiences, such as by gender, age, ethnicity, demographics, and psychographics.
The participant provided feedback on a TV spot trailer for a film. The majority had a positive reaction and interest in watching the film based on the trailer. Some felt it did not provide enough information to interest them. Based on the feedback, the creator can see that the level of information intrigued most audiences, but that a longer trailer with more information could appeal to a wider audience. The soundtrack was also engaging.
The document summarizes the results of a survey about audience preferences for a movie opening sequence. It found that most respondents were female aged 16-18 who preferred a female protagonist in a fast-paced thriller set in modern times in an urban environment. This information will help the filmmakers aim their opening sequence at female students by including a young, relatable female lead and scenes set in a contemporary city.
This document discusses audience responses to the 1999 film Fight Club using three theories: the Hypodermic Model, the Encoding/Decoding Model, and Uses and Gratifications theory. It then applies these theories to analyze audience responses to Fight Club based on a survey given to the author's class. The survey found that most students had a preferred reading of the film and enjoyed the storyline, though some were uncomfortable with the terrorist themes. Responses were mixed on whether the film distracted from reality.
This document summarizes the results of a survey conducted to gather preliminary data for a student horror film project. The survey found that females were more represented than males in the responses. Most respondents were ages 11-20, showing this is the target demographic. Watching horror films and knives being the scariest weapon were also common answers. This information is being used to develop the film's synopsis, characters, locations, and target release timeframe and platform.
Question 4 Who would be the audience for your media product?elleahmedia
The document discusses the rating and target audience for a film project. It begins by explaining that the film will receive an 18 rating due to its very strong graphic violence involving human experimentation. Research found the target audience to be male, aged 17-18, who prefer action/thriller genres. Feedback on the title sequence was mostly positive, praising the tone, cinematography, and interest in learning more. The only negative comments noted the credits were too small and difficult to read.
The document discusses the results of a survey conducted to help determine key aspects for a thriller film. The survey found that the filmmaker should appeal to both male and female audiences. It also found that the movie Orphan was a popular thriller reference. Respondents' biggest fears involved sharks, clowns, and other scary characters that could be incorporated. Most respondents were younger and used current technology, so dated references should be avoided. Horror elements like gore and death were preferred within the thriller genre. Respondents also preferred the thriller to be set in a city location.
Question 4: Who would be the audience for your media product?tiffanyymchan
The document provides the results of a questionnaire given to 20 people about their expectations and preferences for a psychological thriller film. Key findings include that most respondents expected to see music, violence/action, and location in the genre. Psychological thrillers like Se7en and Shutter Island were commonly associated with it. Most enjoyed the genre because of the suspense it provides in anticipating events and wondering about the human mind. Respondents felt films in the genre need to grab their attention at the beginning through action, music or mystery to keep them watching. The majority identified the provided synopsis as a psychological thriller suitable for 15 year olds and above.
The document summarizes the results of a pre-production questionnaire conducted by George Johnson, William Dale, Ewan Gallagher and Imogen Marsden. Key findings include:
- 76% of respondents had a positive opinion of the film idea, which was described as a crime-comedy about an unsuccessful criminal botching a shop robbery.
- 92% understood the storyline and 64% correctly identified the genre as crime-comedy.
- The corner shop setting was universally imagined and a lair/planning room was a common setting.
- Pop or indie music were seen as suitable genres.
- 72% thought the film deserved a 15 certificate.
- 92% said they would watch the film.
Question three who would be the audience for your media product Leon Thomas
The target audience for the media product is 15+ years old. This is because the psychological thriller genre attracts teenagers aged 15+ and does not include explicit content. Films like Final Destination and Disturbing Behavior that targeted this age group were successful. The film aims to interest males and females of similar ages and focuses on psychological problems, violence and death without being explicit. Research found most comments on the film came from 16-18 year olds.
The document summarizes the results of a post-production questionnaire about a student film called "Do Not Pass Go". It finds that:
- 92% of respondents correctly identified the film's genre as a crime-comedy.
- The target audience was believed to be males aged 15-24 years old, matching the age of the film's characters.
- Most respondents felt the film should be rated 15 by the BBFC and understood the plot.
- The music and overall film were well-received, with most saying they would watch the full-length version.
The trailer for Fight Club uses sound, editing, mise-en-scene, and narrative elements to intrigue and attract audiences. Dialogue and sound clips shock audiences with their strangeness, while editing increases pace during intense scenes. Character costumes and shots establish the protagonist's depression initially. As the trailer progresses and fight club is introduced, audiences are left wanting to understand more about the strange narrative elements teased in the trailer's 3 sentences or less summary.
Roxy Sega undertook a questionnaire to help determine expectations and preferences for an independent horror film. Most respondents were female, aged 11-20, and watch horror films regularly. Key findings included that knives are seen as the scariest weapon, respondents prefer watching horror films on TV or Netflix, and favored scenes include the opening and encounters with the killer. These findings will help with targeting the film's demographic, developing the synopsis and trailer, and designing the killer character to appeal to the primarily female audience.
The document summarizes the results of a questionnaire about horror film preferences. Most participants were teenagers, who preferred teen-focused horror films. They wanted to see blood and weapons in trailers. Participants heard about horror films mainly from TV and the internet. Most wanted the lead character to be female. Darkness and knives were seen as important horror film elements. Participants were drawn to horror films by trailers and wanted film franchises to have a trilogy storyline. Most consumed horror films by going to the cinema.
The document discusses the roots and history of the Bloods and Crips gangs in Los Angeles. It traces their origins to the Black Panther Party and other activist groups from the 1960s/70s that were disrupted by the government. Tension between the Crips and newly formed Bloods led to an ongoing gang war over the decades. In the 1990s, the Rodney King riots briefly united them against police brutality before authorities again broke up their collaboration. Today the gang problem continues to impact communities and solutions proposed include improved education, activism by former members, and investing in poor neighborhoods.
The document summarizes the history and operations of the Bloods gang. It details how the Piru Street Boys broke off from the Crips gang in the 1970s in Compton, California and formed the first Bloods set. In the 1990s, the Bloods expanded from the west coast to the east coast through the United Blood Nation prison gang. The Bloods grew significantly and now have over 200 sets across the US engaging in frequent violence. Membership is typically young African American males seeking belonging and economic opportunity through gang activities. Bloods identify with the color red and symbols like the number 5 and star, and use unique slang, hand signs, and graffiti to communicate and mark territory.
The document summarizes the origins and characteristics of two rival Los Angeles gangs, the Crips and Bloods. The Crips formed in 1969 at Fremont High School and initially called themselves the Baby Avenues before becoming known as the Crips. The Bloods formed later to protect members from the Crips and took their name from Piru Street in Compton. Both gangs are identified by their colors - blue for the Crips and red for the Bloods. They engage in violent turf wars over territory to sell drugs. Both gangs remain active nationwide, with many members continuing the gang lifestyle they grew up with.
This document discusses the history of gang affiliation in East Harlem and its impacts. It provides background on East Harlem, noting its history of immigration and the Battle of Harlem Heights. It describes how in the 1800s, Al Capone and Lucky Luciano led two of the biggest gangs in Harlem. The document then lists consequences of gang affiliation for teens like addiction, dropping out of school, suicide, death or jail time. It details the current gang situation in East Harlem, naming six gangs divided by territory. It closes by noting the decreasing age of those joining gangs and sharing how the author's best friend died due to his affiliation at age 17.
Gangs claim territories to make illegal money. Members have tattoos and clothing to show affiliation. Once joined, it's hard to leave without threat of death or harming family. People join for protection, friendship, or money. Parents should educate kids on gang dangers and keep them busy and supervised to avoid risky associations.
Los Zetas started in 1999 in Mexico as an enforcement arm of the Gulf Cartel led by Arturo Guzmán Decena. They have since become an independent criminal group that operates across Mexico in states like Tamaulipas, Nuevo Leon, and Veracruz, and also in parts of the United States such as Texas and California. Los Zetas are involved in drug trafficking and other criminal activities.
This document contains a group name and list of members followed by 5 YouTube video URLs. It appears to be providing the names of group members working on a project and listing relevant video references for that project on topics including the Lexus LFA car, bicycle awareness, Nutrigrain cereal, windsurfing, and a Levi's jeans advertisement.
The Latin Kings gang first emerged in Chicago in the 1940s as a club formed by young Puerto Rican males to help overcome racism and prejudice faced by new immigrants. It is now the largest organized Hispanic street gang in the US, with over 25,000 estimated members in Chicago alone, and has expanded globally with members in South America, Europe, and other locations. Their symbol, the five-pointed crown, represents either Puerto Rico, Cuba, Jamaica, Haiti and the Dominican Republic or the principles of Love, Respect, Sacrifice, Honor and Obedience.
Skinheads originated in 1960s Britain as a working class subculture focused on fashion, music, and football hooliganism. While initially non-racist, some British skinheads in the late 1960s engaged in violence against South Asian immigrants, earning them a reputation as racists. This minority came to define the public perception of skinheads, though anti-racist skinhead groups also existed. Over time, skinheads became associated with neo-Nazism and white nationalism through their involvement in groups like the National Front political party.
Yakuza are members of traditional organized crime groups in Japan. They originated in the 17th century and are known for their full-body tattoos. Yakuza groups operate like family hierarchies, led by an oyabun or boss. Some of the largest current yakuza groups include the Yamaguchi-gumi with over 40,000 members and Sumiyoshi-rengo with over 10,000 members. Yakuza engagement in criminal activities includes sex trafficking, drug smuggling, and extortion through protection rackets.
O documento descreve a origem e cultura dos skinheads no Reino Unido na década de 1960, compostos por brancos e negros unidos pela música. Também discute as identidades emergentes dos grupos de skinheads no Brasil a partir de 1981, suas rivalidades com punks, comunistas e homossexuais, e ideologias políticas diversas entre os membros.
Skinheads originated in the 1960s working class subculture in the UK, influenced by Jamaican rude boys and British mods. They were known for their close-cropped or shaven hair and embraced various music genres including ska, rocksteady, reggae, 2 Tone, punk and Oi!. In the 1970s, some skinheads became associated with football hooliganism and racism, though the subculture also included anti-racist factions. Their style involved specific clothing choices like boots, braces and hats that sometimes took on political meanings.
Los skinheads surgieron en la década de 1960 en Inglaterra como descendientes de los mods, jóvenes de clase media que les gustaba la moda elegante, las scooters y las peleas callejeras. Más tarde, algunos skinheads adoptaron ideologías de extrema derecha como el neonazismo y el fascismo, mientras que otros abrazaron el anarquismo, el socialismo o el comunismo. Existen también skinheads que se apegan a la cultura original centrada en la música ska, Oi! y reggae.
Skinheads emerged in England in the late 1960s and are known for their shaved or close-cut hair and distinctive style of clothing including polo shirts, bomber or Harrington jackets, rolled up jeans or cords, and Dr. Martens boots. There are two common styles - traditional skinheads wear plainer shirts and jeans with Dr. Martens boots and jackets, while radical skinheads favor tighter denim pants, steel-toed boots, and accessories like dangling earrings. This iconic skinhead look was adopted from the existing English working class as a means to differentiate themselves from other groups and create their own subculture.
O documento descreve a origem e cultura dos skinheads, começando no Reino Unido na década de 1960 e se espalhando para o Brasil na década de 1980. Detalha as características musicais, estéticas e comportamentais dos skinheads, incluindo suas rivalidades com punks, comunistas e grupos LGBTQIA+.
O documento apresenta os resultados de uma pesquisa sobre narcisismo na personalidade de jovens universitários brasileiros e espanhóis. Foram realizados grupos de discussão com estudantes de baixos e altos escores de narcisismo, abordando temas como publicidade, consumo e marcas. Os grupos de altos escores demonstraram maior identificação com signos de consumo veiculados na mídia.
Tribos urbanas são grupos com interesses comuns que se conectam através de redes sociais. Skinheads surgiram na Inglaterra dos anos 1960 como uma subcultura da classe trabalhadora influenciada por rude boys, mods e música jamaicana, porém alguns grupos posteriores abraçaram ideologias políticas extremas. Diferentes grupos de skinheads se distinguem por suas perspectivas políticas, estilos musicais e modas preferidas.
Este documento resume el origen, ideología, características y movimientos ideológicos de los skinheads. Surgen en Gran Bretaña en los años 60 influenciados por los mods y los rude boys jamaicanos. Su ideología depende del tipo de skinhead, desde anti-racistas hasta neonazis. Se caracterizan por usar botas, jeans, camisas polo y chaquetas bomber, y tener el cabello rapado. Han surgido movimientos como SHARP y RASH que reflejan su ideología, y otros como Tercera Fuerza y Quinta Columna
Skinheads originated in the 1960s among working class youth in the UK, taking influence from rude boys and mods in terms of fashion, music, and lifestyle. Originally it was not a political or racially aligned subculture. Skinheads are identified by their close-cropped or shaven hair and specific clothing styles including boots, button-up or polo shirts, jeans or slacks worn short to show off boots, and sometimes tattoos related to skinhead culture.
The document summarizes three main types of documentaries: observational, expository, and cinema verité. It provides examples of each type and analyses three documentaries the author watched, concluding that "The World's Worse Serial Killer Ever" and "Blackfish" are expository documentaries while "The First 48" uses cinema verité techniques. The author felt disheartened by the former due to the serial killer's light sentence, disgusted by the mistreatment of whales in "Blackfish", and frustrated/saddened by the selfishness shown in "The First 48" episode analyzed.
This document provides information on different types of research techniques, audiences, audience profiling, and poster and trailer analysis. It discusses quantitative and qualitative research, as well as primary and secondary research. It defines mainstream, alternative and niche audiences. It also outlines different ways to profile audiences, including by gender, age, demographics, social class, geography, and geodemographics. Examples are provided of analyzing movie posters and trailers for The Blair Witch Project and Spectre.
The document discusses several films and television shows that focus on investigating true crimes or mysteries. It notes conventions used across the genres like crime boards, timelines, interviews, and twists. Specific works analyzed include Making a Murderer, Serial, West Cork, American Vandal, and What We Do in the Shadows. Common elements identified are sit-down interviews, twisting narratives, realistic visuals and color palettes, frequent revelations, and implications left for the audience. Key aspects the document states will be used in its own work are these interview and narrative techniques.
The document provides information about conducting research to define a film's target audience. It discusses quantitative and qualitative research methods used, including primary and secondary research. Demographic factors considered include age, gender, socioeconomic status and psychographics. The document also examines how films can be targeted toward mainstream, niche or alternative audiences. Modes of address and poster design techniques are analyzed. An exit poll case study evaluates the effectiveness of marketing for the film "Blair Witch."
This documentary tells the story of Jaycee Lee, who was abducted at age 11 and held captive for 18 years. It includes interviews with Jaycee's family and friends about her disappearance and the terror of not knowing what happened to her. The documentary shows the abuse Jaycee suffered while captive and how her abduction impacted her loved ones. It chronicles the investigation and Jaycee's eventual rescue at age 29, bringing closure to her case.
Captive For 18 Years: The Jaycee Lee Storydeemplemorar16
This documentary tells the story of Jaycee Lee, who was abducted at age 11 and held captive for 18 years. It includes interviews with Jaycee's family and friends about her disappearance and the terror of not knowing what happened. The documentary shows Jaycee after she was rescued and found alive at age 29, and explores the abuse she endured during her captivity. It aims to bring awareness to child abduction and the trauma it causes.
1. The document analyzes the student's documentary media product about disability and how it uses conventions of real documentaries.
2. Key conventions used include voiceovers, subtitles, handheld camera work, still images, music, facts and statistics. Research was also conducted through questionnaires.
3. The documentary aims to positively represent the lives and experiences of people with disabilities by interviewing two subjects about their hobbies, interests and support systems.
The document summarizes the results of an audience questionnaire about the film "Lily". Most respondents correctly understood the storyline and identified the genre as thriller/psychological thriller. The intended target age range of early 20s was accurately identified. Minor changes were suggested, like incorporating a motive for the main character's hostility. Overall, respondents seemed positive about the film and 80% said they would watch it. A few improvements were recommended to be made before finalizing the film.
6.2 (biggie&tupac, people like us & need for weed analysis)DemiLowe
The document analyzes two documentaries - Biggie & Tupac and People Like Us. Biggie & Tupac investigates the lives and deaths of famous rappers Biggie Smalls and Tupac Shakur. It uses interviews and archive footage to explore their rivalry and deaths. People Like Us is a 6-part series that observes residents in a deprived area of Manchester through character narratives. It aims to educate audiences and challenge perceptions of the area. The document then compares and contrasts the styles, techniques, audiences and topics of these two documentaries.
Leeza Ah-wan conducted a survey of 10 people (5 male, 5 female) to get feedback on a trailer for a new soap opera called "Upon Thames". The survey found that the target audience of 18-25 year olds would be appealed to. No one thought the soap would appeal to those under 16 or over 30. All survey participants thought the "guess who" theme and shallow focus shot were original. They also agreed that the color red was effective at conveying symbolism like bloodshed. Most gave a positive review of the soundtrack and thought the non-diegetic heartbeat at the end created suspense. Overall, the survey found that the trailer successfully fulfilled the BBC mission statement and the transition from black and
Answer to all pitch questions and prepare to present your work to your client.10 minute presentation with scope to answer questions for 3-4 minutes. FINAL PLANNING MARK GIVEN HERE
Ensure all planning work is uploaded to blog – including pitch presentation
The document summarizes a student's media project analyzing an opening film sequence they created with a group. The student directed a psychological thriller exploring themes of mental illness through a protagonist with dissociative identity disorder. Though plans changed due to unreliable actors, the black and white sequence introduced the character and an unsolved death. Feedback showed the revised plot was more engaging. The student learned about technologies like iMovie and the importance of lighting, smooth editing and mystery over dialogue. Overall, the experience highlighted challenges of group work but also strengths like resourceful lighting and an enthusiastic actor.
The passage compares how two poems, "The Farmer's Bride" and "The Manhunt", present difficult relationships impacted by mental health issues. In "The Farmer's Bride", the farmer's wife develops mental illness, becoming afraid and trying to run away, straining her relationship with her husband. "The Manhunt" depicts a veteran with PTSD and the efforts of his partner to understand his pain and rebuild their relationship, using imagery of fragility to represent his injuries from war. Both poems explore how mental health issues can emotionally distance partners and challenges of recovering relationships impacted by change.
1) The opening of the student's thriller follows conventions of the genre by having the main character be the killer and including a character profile, like in "American Psycho" and "Gothika".
2) It also uses visual elements like blood and ominous music to shock and create tension, drawing from techniques in "Seven" and "Jaws".
3) However, it deviates by showing the killing through a Soviet montage rather than directly, and by having a younger killer character than is typical in thrillers.
The document discusses several true crime media productions that will be used for research and inspiration in creating a new work. It analyzes common techniques across Making a Murderer, Serial, West Cork, American Vandal, and What We Do in the Shadows, such as sit-down interviews, twisting narratives, realistic visuals, and leaving implications. Audience research revealed interest in action, comedy, and true crime genres. The short work will incorporate researched techniques while appealing to a variety of interests.
Journeys and Essays: The Red Badge of Courage. The red badge of courage theme essay introductions. New Essays on The Red Badge of Courage | Essay, Courage, Personalized .... The Red Badge of Courage - eBook - Walmart.com - Walmart.com. The Red Badge of Courage eBook by Stephen Crane | Official Publisher .... 13 The Red Badge of Courage ideas | stephen crane, teacher guides, courage. The Red Badge of Courage by Stephen Crane Essay. Essay On Red Badge Of Courage. The Red Badge Of Courage Essay Help! The Red Badge of Courage Essays. The Red Badge of Courage | Book by Stephen Crane | Official Publisher .... The Red Badge of Courage - skryf Skryf Review. The Psychology of War in The Red Badge of Courage: [Essay Example .... Critical essay in the red badge of courage. The Red Badge of Courage Paperback Book (HL680L), English: Teacher's .... Red Badge of courage Essay - Literary Analysis Essay The Red Badge of .... The Red Badge of Courage Study Guide by Rigorous Resources by Lisa. Red Badge of Courage, The (abridged) – Naxos AudioBooks. The Red Badge of Courage & "The Veteran" by Stephen Crane - Penguin .... Red Badge of Courage Book Report/Review Example | Topics and Well .... Literary analysis the red badge of courage. The Red Badge Of Courage -- Essay. The Red Badge Of Courage - Essay Sample. Salem Press - Critical Insights: The Red Badge of Courage. The Red Badge of Courage by Stephen Crane - Penguin Books Australia. “The Red Badge of Courage”. Red Badge of Courage Critical Analysis - International Baccalaureate .... The Red Badge of Courage | 76 Important Books Quick Enough to Read This .... The red badge of courage analysis essay. The Red Badge of Courage. The Red Badge of Courage | Book by Stephen Crane, Jim Murphy | Official .... The red-badge-of-courage The Red Badge Of Courage Essay
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Here are the key points I gathered from the manuscript draft:
- The manuscript discusses using soft computing models to extract knowledge from data mining and databases.
- Large amounts of data are now collected from various domains but are not feasible to analyze manually.
- Knowledge Discovery in Databases (KDD) is the process of identifying useful and understandable patterns in data.
- Soft computing has become attractive for data mining research as it can handle imprecise data.
- The manuscript applies data mining preprocessing to clean the data before analysis.
- Statistical analysis and soft computing techniques are then used to select the best model based on parameters like minimum residual error.
- The preferred soft computing model is used to extract
The document discusses research conducted on the target audience for a horror film project. It found that the core audience is 15-24 year old males who enjoy gaming and viral marketing. They prefer genres like thriller, gangster and horror films with gory elements. Research was conducted through questionnaires during production and a screening after to assess how well the audience understood the plot. The screening showed overall understanding was good, though some details like the murderer's identity could have been clearer. Most said they would recommend the film.
This poster analysis document discusses several film posters and their design elements. It analyzes how the posters use images, colors, text and other conventions to provide context about the films and engage potential audiences. Key points made include how the posters establish genre (like horror), raise questions about the plot or characters, feature star personas and include relevant release information. Overall, the document examines the visual communication strategies used in film posters.
This documentary is about Stephen Lawrence, a Black man who was murdered due to his skin color in 1993 in London. Close-up camera shots and sad music were used to convey the seriousness of the crime and loss of life. The purpose of the documentary is to make people appreciate the value of life and think about how life should not be taken due to things like race. It took over a decade for Stephen Lawrence's family to get justice for the case. The documentary uses techniques like reconstruction of the crime, interviews without an interviewer, and information presented in a reportage style to tell the story.
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2. Production Details
Crips and Bloods: Made in America is an observational
documentary that I believe has a expository aspect to it. The
documentary was directed by Stacy Peralta and also written
by Peralta as well. However, there was also an input from
Sam George in the writing process. Following on from this,
Crips and Bloods: Made in America was produced by Gang
Documentary, The Balance Vector Productions and Verso
Entertainment and Gravitas Ventures in 2008. The
documentary was not as successful in the box office as some
documentaries because of the fact that it only made
$13,978 in the opening weekend.
3. Outline of the Documentary
The observational documentary, Crips and Bloods: Made
in America, simply observes the notorious American
gangs, The Crips and the Bloods, hence the name of the
documentary. The documentary successfully studies the
background of both the gangs and gives a first person
perspective on what has caused the young African
Americans to get involved in such devastating gang
violence. Peralta has been successful at conveying this
because he has included a range of gang members with
different stories behind them. He also includes interviews
with old gang members.
4. Type of Documentary
and its features
As already briefly mentioned, Crips and Bloods: Made in
America is an Observational documentary; meaning that is
has been created to simply observe a particular subject.
However, I do believe that this documentary have got
some expository elements. One could say that the
audience knows this is a an observational documentary
because of the fact that Stacy Peralta adopts many of the
codes and conventions of a typical documentary in this
style. Key codes and conventions such as the voice of
God/authority, reconstructions, interviews and the ‘fly on
the wall’ camera technique.
5. Narration
I believe the narration part of the documentary have been
used in a really productive manner and the audience are
immediately made to feel that the different elements of
narration have been explored. Majority of the documentary
consisted of the voice of God, this was adopted by Forest
Whitaker throughout film. Forest Whitaker give the
audience information such as background information and
geographical locations for the Bloods and Crips. In addition
to this, the voice have authority has also been employed;
Peralta was successful at this by allowing people such as
Aquil Basheer, a gang intervention worker, and Dr Gerald
Horne, an author, to give there expertise and opinion on the
notorious gangs. One could say this makes the audience feel
that what they are watching conveys a high sense of
honesty. It can also be seen as challenging Diane Tammes’
quote of ‘Everyone who makes a film is putting their truths
on the screen’ because Peralta has allowed different
opinions to be portrayed and not sole his own.
6. Interviews
In Crips and Bloods: Made in America, Stacy Peralta has
demonstrated a good use of the different interviewing styles
and techniques. Throughout the documentary there are
numerous talking head interviews. These are with gang
members, ex gang members and experts within this subject.
During the documentary cinema verite is conveyed because we
hear the interviewers voice when he asks the gang member a
question and he also appears in the shot. Towards the end of
the documentary there is a talking head interview with one of
the gang member’s Nan, who spoke about unfortunately losing
her grandson through gang violence and doing what he thought
was right. Some could say that Peralta have used a close up on
this interview to show the emotion being portrayed from the
gang member’s Nan. This then cuts in to montage of clips from
the funeral and the place of remembrance there is non diegetic
soft sympathetic music playing to create a sense of sadness and
sorrow. Following on from this, there is a further montage of
talking head interviews with mothers who have also lost their
sons. The non diegetic sound continues throughout this
emphasising on the feeling of sadness and sorrow and the sense
of loss.
7. Stereotypes
In terms of stereotypes in Crips and Bloods: Made in America, I
think there has been some that have been reinforced, however
there have been some that have been challenged. There is a
talking head interview with a gang member explaining that you
cannot show emotion if you are part of one of the gangs. This
reinforces the stereotype of young men or men in particular
should not show emotion if they are a ‘real man’. But one could
say that only real men show emotion, but for this stereotype to
be challenged it would have more than likely caused one of the
members to be killed. However the negative stereotype of drugs
is mostly used by black or young males is challenged because
there is a newspaper clipping showing a statistic of ‘about 80% of
drug users are white’. However it also shows the audience that
‘the vast majority of those arrested are black’, so even though it
is shown that it is mainly white people, black people are still
being put in a negative light for it.
8. Reconstructions
Reconstructions is another code and convention that has
been used by Stacy Peralta. An example of this would be
the comic-style reconstruction of the Watts riots that
started in 1965 from a drug trafficking police stop. This is a
good way to show the audience what happened, from the
man being stopped right through to missiles being thrown
at the police. One could say that this does not create a
sense of realism because of the fact that it is a cartoon
style comic, however, the factual information have been
included. In addition to this, the fact that it have been
reconstructed in black and white gives the reconstruction
and ‘old’ effect.
9. Archive Footage
Archive footage is stock footage that could be used to
portray key historical events. This have been used a
numerous amount of times in Crips and Blood: Made
in America because a lot of the gang violence today
has been influenced by events that has happened in
the past. When the ex gang members talk about their
time being involved in notorious gangs and violence it
cuts away to stock footage and photos of them
involved when they were younger. This creates a
sense of realism and honesty to the audience
because they are made to believe what is being
shown is the truth. To create an emphasis on this and
to show what the gang members are saying is the
truth, horrific archive images have been used
showing young men injured. This shows the dangers
the Crips and Bloods put them self through. Majority
of the archive footage is evident to the audience
because of the use of black and white. This conveys
that the footage is old because of the effect.
10. Influence
In my own opinion I believe that this documentary has
influenced both the audience and the members of the
notorious gangs, Bloods and Crips. I believe that it has
influenced the members to sit back at think is what
they are doing the right thing? Can it be changed?. At
the end of the documentary there is talking head
interviews of members who have done this and
realised that there family is more important and the
fact that he do not want his children to grow up in his
footsteps. So it is evident that it can be done and
hopefully cause more members to consider it. Leading
on to my next point, I also think that Peralta is trying to
impulse a similar message to the audience. Some could
say that this message is that no matter how chaotic,
extreme, bad your life was, it can be changed for the
better. At the end of the documentary it also shows
that ex gang members are working together to try and
engage both gangs to also work together and stop this
historical notorious violence once and for all.