Costumes, props and locations
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This document discusses costumes, props, and locations for an upcoming indie music video. It describes two beach outfits featuring a white polka dot dress and black playsuit. It also outlines a woodland costume consisting of a white lace dress paired with a black leather jacket. Props mentioned are sunglasses, a silk scarf, and an acoustic guitar. The two main locations are a woodland setting and beach, chosen to fit typical outdoor settings for indie music videos and convey themes of wilderness. A sample beach video clip is included to showcase the planned beach location.
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Music video Analysis: Ben Howard's 'Old Pine'
Ben Howard's "Old Pine" music video features shots of the artist exploring natural outdoor locations like forests, seasides, and cliffs to portray a sense of adventure. The rustic costumes, gentle music, and tranquil pacing of the shots aim to attract a target audience of teens and young adults. There is a strong relationship between the lyrics about nature and the visuals of trees and the ocean. The video emphasizes isolation but also enjoying nature's beauty and thrill through shots like the artist sitting on a cliff alone or a man surfing a wave.
Q1 Music Video Analysis
The music video features the band singing in front of a crowd to establish their authority, with shots changing between members or with the beat of the song. While the lead singers often look at the camera, giving an intimidating feel, there is no objectification of gender. The riot depicted resembles those of the KKK but with reversed colors, incorporating fire similarly used by the KKK to create havoc. The video breaks conventions of the genre through its lack of objectification and dark settings rather than typical locations.
Mood board
The document discusses location, color palette, lighting, and costume considerations for a music video in the indie folk genre. It recommends using natural outdoor locations like forests and beaches to convey emotions through their symbolic meanings. Indoor locations like bedrooms are also suggested to make the narrative more relatable. A subtle, natural color palette matching the genre is advised for costumes and mise-en-scene elements. Backlighting and underlighting can be used to focus on the actress but appear natural. Examples of successful indie folk music videos are provided for reference.
Conventions of Indie music and video
Indie pop music videos typically feature low-budget, realistic locations like parks, cities, and forests to give an authentic feel. The performances focus on the artist's passion for music rather than fame or money. Narratives are often used to accompany the songs and help audiences understand their meanings through images and sequences that illustrate and amplify the lyrics. Costumes, settings, and props are usually simple and reflect the artist's personality, commonly including instruments like guitars. Close-ups are heavily used to emphasize emotions while long shots provide context of the setting and any narrative.
Owl city album art
Artwork from Owl City's album cover 'The Midnight station' which I can take inspiration from for my album cover to promote Jonny Dylan Hughe's 'Bravery'.
Treatment sheet finished
The document provides background information on the song "Bruised Water" by Chicane featuring Natasha Bedingfield. It is a combination of Chicane's song "Saltwater" and Natasha Bedingfield's song "I Bruise Easily." The document then discusses plans for a student music video based on the song, including costume ideas involving muslin dresses stained to look old and makeup to look bruised, and shooting locations in a forest and beach to reflect changes in time and mood.
Evaluation task 1 Codes and Conventions
This document discusses the conventions used in the media product's music video, album, and website to develop forms and conventions of real country music products. Specifically, it focuses on using close-ups of the singer in the chorus, wide shots to establish the natural setting, slow paced editing to match the mellow song, natural lighting, pastel costumes and props to reflect the organic genre, outdoor locations for the artist to lip sync, and direct address from the singer to make the audience feel a close connection. The album cover includes the artist holding an acoustic guitar in black and white to represent the emotional music. Similarly, the website incorporates natural elements and links the themes to the latest release to connect the audience to the artist.
Analysis of a folk music video
The video analyzes the mise-en-scène, lighting, props, location, editing, and camera work in a folk music video. Key elements include natural costumes and makeup for the female singer, dim orange lighting to create a dreamlike atmosphere, basic props that emphasize simplicity, a location showing a communal gathering, slow motion editing, and basic camera shots suggesting the simplicity of folk culture. Overall, the analysis examines how the technical elements in the video correspond to common folk music conventions.
Recommended
Music video Analysis: Ben Howard's 'Old Pine'
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The document discusses location, color palette, lighting, and costume considerations for a music video in the indie folk genre. It recommends using natural outdoor locations like forests and beaches to convey emotions through their symbolic meanings. Indoor locations like bedrooms are also suggested to make the narrative more relatable. A subtle, natural color palette matching the genre is advised for costumes and mise-en-scene elements. Backlighting and underlighting can be used to focus on the actress but appear natural. Examples of successful indie folk music videos are provided for reference.
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Indie pop music videos typically feature low-budget, realistic locations like parks, cities, and forests to give an authentic feel. The performances focus on the artist's passion for music rather than fame or money. Narratives are often used to accompany the songs and help audiences understand their meanings through images and sequences that illustrate and amplify the lyrics. Costumes, settings, and props are usually simple and reflect the artist's personality, commonly including instruments like guitars. Close-ups are heavily used to emphasize emotions while long shots provide context of the setting and any narrative.
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Evaluation task 1 Codes and Conventions
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This music video depicts characters building a boat on a beach, conveying a sense of adventure and exploration. Through close-up shots of hands on maps and costumes resembling pirates, the themes of leaving home, independence, and journeying to new places are illustrated. While the video has a playful, childlike tone as the characters prepare for exploration, the setting sun at the end can also symbolize the ending of childhood.
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Evaluation Question 1
The document discusses conventions of music videos and how the author's media product follows or challenges these conventions. It summarizes that the author's music video follows conventions by having visuals that relate to the lyrics, and editing and colors that reflect the tone of the music. However, it also challenges conventions by not enhancing sepia tones like many indie music videos. The document analyzes how shot composition, representation, and other elements in the author's video develop or relate to conventions from real music videos.
Edwardian Era and World War I
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Edwardian & WWI Chapter 15
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Music video treatment sheet
The document provides a treatment sheet for a music video for the song "This Lonely Morning" by Best Coast. The concept is to use different weather conditions to represent the singer's moods - happiness when with her partner versus loneliness when alone. Scenes will alternate between the singer with her partner on a beach during nice weather, and alone during dull/hostile weather. The video will include dancing, split screens, and an ambiguous ending open to interpretation. Shooting will take place at Seaton Carew beach to match the artist's aesthetic and allow the planned shots and weather metaphors.
TREATMENT SHEET
The document provides a treatment sheet for a music video for the song "This Lonely Morning" by Best Coast. The concept is to use different weather conditions to represent the singer's moods - happiness when with her partner versus loneliness when alone. Scenes will alternate between the singer with her partner on a beach during nice weather, and alone during dull or stormy weather. The video will include dancing, lip syncing, and split screens to fit the song's style while telling the story of an uncertain relationship through changes in weather and the singer's company or solitude.
TREATMENT SHEET
The document provides a treatment sheet for a music video for the song "This Lonely Morning" by Best Coast. The concept is to use different weather conditions to represent the singer's moods - happiness when with her partner versus loneliness when alone. Scenes with both the singer and partner will have nice weather, while solo scenes will feature dull or stormy weather. The video will be shot on a beach and include performances, dancing, and split screens to tell the story and fit audience expectations for the artist.
Music vid idea final
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Final Music Video Idea
The music video will feature a band's live performance intercut with scenes of teenagers going on a road trip. It will start with the teens alone in a sad mood but later shown happily together with friends at the beach. The video aims to portray the value of friendship. It will appeal to "edgy indie" teens through clothing styles, road trip locations, and an "indie" band. The video combines performance footage with a concept storyline about falling in love with friends in a non-romantic way, following some lyrics. It aims to have a feel-good, nostalgic tone through its narrative structure and visual elements like lighting, location, and costumes.
Treatment sheet
The document provides background information on the song "Bruised Water" by Chicane featuring Natasha Bedingfield. It is a combination of Chicane's song "Saltwater" and Natasha Bedingfield's song "I Bruise Easily." The document then discusses plans for a student music video based on the song, including costume ideas involving muslin dresses stained to look old and makeup to look bruised, and shooting locations in a forest and beach to reflect changes in time and mood.
Q 1 a2
The document discusses conventions in indie folk music videos. It summarizes that the opening of the analyzed music video and others in the genre conventionally feature establishing shots in natural settings. The setting and locations in indie folk videos also commonly take place outdoors in natural areas. Costumes typically feature casual clothing and the artist playing an acoustic guitar. Camera work relies on handheld shots and panning to connect smoothly with the music. The analyzed video and genre conform to conventions of including both performance and narrative elements.
Q 1 a2
My music video adopted several common conventions of the indie folk genre. It began with an establishing shot panning over a natural landscape to set the scene. Most of the video was filmed outdoors in a forest to reflect the genre's connection to nature. It also included a narrative story element showing the artist coping with the loss of his girlfriend through scenes of him wandering aimlessly in hospital clothing. Special effects were kept minimal to maintain the natural feel, though some slow motion was used to add emotion. The artist was portrayed performing with an acoustic guitar and in casual clothing consistent with the genre.
Q 1 a2
The document discusses conventions in indie folk music videos. It summarizes that the opening of the music video establishes a natural setting through slow pans or shots of nature. Costumes are casual with the artist often holding an acoustic guitar. Settings are usually outdoors in natural areas. Camera work is handheld to seem realistic. The style often mixes performance with narrative to showcase the artist. The document analyzes how the student's music video incorporates these conventions to fit with the genre.
Us - Regina Spektor
This video is a performance-based music video featuring the artist Regina Spektor singing and playing piano. It is set in a countryside environment during a rainy day, with shots both inside a piano room and outdoors capturing the landscape. The video utilizes a variety of shots like close-ups, long shots, and mid shots to showcase the performance. The editing matches the beat of the music and uses subtle advanced techniques like color manipulation and split screening. Props and costumes are well thought out to suit the gloomy mood of the song. Elements of Goodwin's theories are applied, with references between lyrics and visuals and a relationship created between the music and editing.
Treatment Sheet
Part I (Dawn) of Pendulum's song "The Island" will be summarized in the music video. Scenes will transition between a narrative performance by actors in black costumes and spontaneous footage from a nightclub. Illustrative shots of sunrises, clouds moving across the sky from dawn to dusk will connect the two parts of the song. The most impactful part of the video will be portraying the lyrics "what are you waiting for?" through editing techniques. Different settings like a green screen and local nightclubs will be used to film the performance and crowd atmosphere.
Evaluation Question one - section one
The document summarizes how the music video conventions folk music genres in its narrative, representation, and visual elements. It follows many conventions of folk music videos such as focusing on natural landscapes, minimalist storytelling, and representations of solitude. However, it also challenges some conventions by featuring a non-sexualized female protagonist and using unconventional color alterations to achieve a surreal atmosphere. The target audience of 16-24 year old females is aligned with the representations found in independent films. Overall, the music video draws from conventions of both folk music genres and independent films to appeal to its intended demographic.
Music Video Pitch
This document outlines a music video pitch by three students named Lily, Jess, and Ellen. They plan to create a music video for the song "Birdy" that tells a story through flashbacks. The video will begin with a voicemail and show the artist in her bedroom writing and performing the song. It will cut between the present and flashbacks of her walking with someone, until she is alone. The video aims to have a natural, emotional style influenced by other artists' videos. It will represent the lyrics visually and match the tone of the music. The students also propose coordinating the video's style with album artwork and advertisements to create cohesion across their project. They acknowledge potential challenges like weather, equipment
MUSIC VIDEO PITCH
This document outlines a music video pitch by three students named Lily, Jess, and Ellen. They plan to create a music video for the song "Birdy" that tells a story through flashbacks. The video will begin with a voicemail and show the artist in her bedroom writing and performing the song. Flashbacks will depict her walking with someone and then alone. The video will end where it began, with the voicemail playing over a fade to black. The pitch also discusses the artists' brand images, influences, locations, costumes, and potential challenges of the project.
Music Video Pitch
This document outlines a music video pitch by three students named Lily, Jess, and Ellen. They plan to create music videos for original artists they will portray, inspired by the song and brand of the artist Birdy. The proposed video would show the artist in her bedroom writing and performing the song, with flashbacks to her walking with a partner that gradually only show her walking alone. Influences include other music videos using a bedroom setting and voicemails. Potential challenges include weather, camera or technical issues, and limited daylight.
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Music video Analysis 'Atlas Hands'
This music video depicts characters building a boat on a beach, conveying a sense of adventure and exploration. Through close-up shots of hands on maps and costumes resembling pirates, the themes of leaving home, independence, and journeying to new places are illustrated. While the video has a playful, childlike tone as the characters prepare for exploration, the setting sun at the end can also symbolize the ending of childhood.
1900 - 1918
This document provides an overview of major events, inventions, art movements, and works from 1900 to 1918. It discusses female suffragettes, World War I, changes in fashion before and after the war, inventions like the Kodak camera, Ford Model T, and the sinking of the Titanic. The document also summarizes the art movements of Expressionism, Fauvism, Cubism, and Futurism during this period and provides examples of influential works within each movement like Munch's Golgotha and Balla's Abstract Speed the Car has Passed. It concludes with information about Beatrix Potter publishing her first Peter Rabbit story in 1902.
Evaluation question 1
The document summarizes how the media product uses and develops conventions of real music videos. It discusses how the editing, shot composition, and mise-en-scene follow conventions by connecting the visuals to the lyrics and music, using nature themes, and experimenting with shot sizes and angles. However, it also challenges some conventions by using brighter colors instead of sepia tones and including fewer focus pulls. Overall, the media product draws from real music video forms but also puts its own creative spin on some elements.
Ancillary Products
The document discusses options for ancillary products to promote a new music video, including a website, digipak, and magazine advertisement. The author chooses to design the digipak and magazine ad, as they enjoy photography and art. Examples of digipaks and ads are analyzed from the acoustic/indie pop genre. Photos taken of the artist in a woodland setting are presented for audience feedback to select images for the promotional products.
Evaluation Question 1
The document discusses conventions of music videos and how the author's media product follows or challenges these conventions. It summarizes that the author's music video follows conventions by having visuals that relate to the lyrics, and editing and colors that reflect the tone of the music. However, it also challenges conventions by not enhancing sepia tones like many indie music videos. The document analyzes how shot composition, representation, and other elements in the author's video develop or relate to conventions from real music videos.
Edwardian Era and World War I
The document describes life during World War I trench warfare. Soldiers lived in cold, muddy trenches infested with vermin like lice and rats. They faced harsh conditions including freezing temperatures, contaminated food and water, disease, and the constant threat of artillery shelling, gas attacks, and sniper fire. Trench warfare resulted in a brutal war of attrition with awful living conditions that seriously impacted soldiers' physical and mental health.
Edwardian & WWI Chapter 15
All of these slideshows are interactive and that's why they look jumbled up. They really are cool to look at and study so I will email the original file if someone wants it. All I ask is to not make any changes to it.
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Music video treatment sheet
The document provides a treatment sheet for a music video for the song "This Lonely Morning" by Best Coast. The concept is to use different weather conditions to represent the singer's moods - happiness when with her partner versus loneliness when alone. Scenes will alternate between the singer with her partner on a beach during nice weather, and alone during dull/hostile weather. The video will include dancing, split screens, and an ambiguous ending open to interpretation. Shooting will take place at Seaton Carew beach to match the artist's aesthetic and allow the planned shots and weather metaphors.
TREATMENT SHEET
The document provides a treatment sheet for a music video for the song "This Lonely Morning" by Best Coast. The concept is to use different weather conditions to represent the singer's moods - happiness when with her partner versus loneliness when alone. Scenes will alternate between the singer with her partner on a beach during nice weather, and alone during dull or stormy weather. The video will include dancing, lip syncing, and split screens to fit the song's style while telling the story of an uncertain relationship through changes in weather and the singer's company or solitude.
TREATMENT SHEET
The document provides a treatment sheet for a music video for the song "This Lonely Morning" by Best Coast. The concept is to use different weather conditions to represent the singer's moods - happiness when with her partner versus loneliness when alone. Scenes with both the singer and partner will have nice weather, while solo scenes will feature dull or stormy weather. The video will be shot on a beach and include performances, dancing, and split screens to tell the story and fit audience expectations for the artist.
Music vid idea final
The music video will feature a band's live performance intercut with scenes of teenagers going on a road trip. It will start with the teens alone in a sad mood but later shown happily together with friends at the beach. The video aims to portray the value of friendship. It will appeal to "edgy indie" teens through clothing styles, road trip locations, and an "indie" band. The video combines performance and concept elements, follows some lyrics visually, and aims for a feel-good, nostalgic tone against stereotypes.
Final Music Video Idea
The music video will feature a band's live performance intercut with scenes of teenagers going on a road trip. It will start with the teens alone in a sad mood but later shown happily together with friends at the beach. The video aims to portray the value of friendship. It will appeal to "edgy indie" teens through clothing styles, road trip locations, and an "indie" band. The video combines performance footage with a concept storyline about falling in love with friends in a non-romantic way, following some lyrics. It aims to have a feel-good, nostalgic tone through its narrative structure and visual elements like lighting, location, and costumes.
Treatment sheet
The document provides background information on the song "Bruised Water" by Chicane featuring Natasha Bedingfield. It is a combination of Chicane's song "Saltwater" and Natasha Bedingfield's song "I Bruise Easily." The document then discusses plans for a student music video based on the song, including costume ideas involving muslin dresses stained to look old and makeup to look bruised, and shooting locations in a forest and beach to reflect changes in time and mood.
Q 1 a2
The document discusses conventions in indie folk music videos. It summarizes that the opening of the analyzed music video and others in the genre conventionally feature establishing shots in natural settings. The setting and locations in indie folk videos also commonly take place outdoors in natural areas. Costumes typically feature casual clothing and the artist playing an acoustic guitar. Camera work relies on handheld shots and panning to connect smoothly with the music. The analyzed video and genre conform to conventions of including both performance and narrative elements.
Q 1 a2
My music video adopted several common conventions of the indie folk genre. It began with an establishing shot panning over a natural landscape to set the scene. Most of the video was filmed outdoors in a forest to reflect the genre's connection to nature. It also included a narrative story element showing the artist coping with the loss of his girlfriend through scenes of him wandering aimlessly in hospital clothing. Special effects were kept minimal to maintain the natural feel, though some slow motion was used to add emotion. The artist was portrayed performing with an acoustic guitar and in casual clothing consistent with the genre.
Q 1 a2
The document discusses conventions in indie folk music videos. It summarizes that the opening of the music video establishes a natural setting through slow pans or shots of nature. Costumes are casual with the artist often holding an acoustic guitar. Settings are usually outdoors in natural areas. Camera work is handheld to seem realistic. The style often mixes performance with narrative to showcase the artist. The document analyzes how the student's music video incorporates these conventions to fit with the genre.
Us - Regina Spektor
This video is a performance-based music video featuring the artist Regina Spektor singing and playing piano. It is set in a countryside environment during a rainy day, with shots both inside a piano room and outdoors capturing the landscape. The video utilizes a variety of shots like close-ups, long shots, and mid shots to showcase the performance. The editing matches the beat of the music and uses subtle advanced techniques like color manipulation and split screening. Props and costumes are well thought out to suit the gloomy mood of the song. Elements of Goodwin's theories are applied, with references between lyrics and visuals and a relationship created between the music and editing.
Treatment Sheet
Part I (Dawn) of Pendulum's song "The Island" will be summarized in the music video. Scenes will transition between a narrative performance by actors in black costumes and spontaneous footage from a nightclub. Illustrative shots of sunrises, clouds moving across the sky from dawn to dusk will connect the two parts of the song. The most impactful part of the video will be portraying the lyrics "what are you waiting for?" through editing techniques. Different settings like a green screen and local nightclubs will be used to film the performance and crowd atmosphere.
Evaluation Question one - section one
The document summarizes how the music video conventions folk music genres in its narrative, representation, and visual elements. It follows many conventions of folk music videos such as focusing on natural landscapes, minimalist storytelling, and representations of solitude. However, it also challenges some conventions by featuring a non-sexualized female protagonist and using unconventional color alterations to achieve a surreal atmosphere. The target audience of 16-24 year old females is aligned with the representations found in independent films. Overall, the music video draws from conventions of both folk music genres and independent films to appeal to its intended demographic.
Music Video Pitch
This document outlines a music video pitch by three students named Lily, Jess, and Ellen. They plan to create a music video for the song "Birdy" that tells a story through flashbacks. The video will begin with a voicemail and show the artist in her bedroom writing and performing the song. It will cut between the present and flashbacks of her walking with someone, until she is alone. The video aims to have a natural, emotional style influenced by other artists' videos. It will represent the lyrics visually and match the tone of the music. The students also propose coordinating the video's style with album artwork and advertisements to create cohesion across their project. They acknowledge potential challenges like weather, equipment
MUSIC VIDEO PITCH
This document outlines a music video pitch by three students named Lily, Jess, and Ellen. They plan to create a music video for the song "Birdy" that tells a story through flashbacks. The video will begin with a voicemail and show the artist in her bedroom writing and performing the song. Flashbacks will depict her walking with someone and then alone. The video will end where it began, with the voicemail playing over a fade to black. The pitch also discusses the artists' brand images, influences, locations, costumes, and potential challenges of the project.
Music Video Pitch
This document outlines a music video pitch by three students named Lily, Jess, and Ellen. They plan to create music videos for original artists they will portray, inspired by the song and brand of the artist Birdy. The proposed video would show the artist in her bedroom writing and performing the song, with flashbacks to her walking with a partner that gradually only show her walking alone. Influences include other music videos using a bedroom setting and voicemails. Potential challenges include weather, camera or technical issues, and limited daylight.
In what ways does your media product use, develop or challenge forms and conv...
This document summarizes and analyzes the ways in which a student's music video project uses, develops, or challenges conventions of real music videos in the indie folk genre. The student created a collage and discussed several shots from their video. They sought to establish location, use an animal protagonist, include natural landscape shots, and match lyrics to footage. While most elements conform to genre conventions, the use of an animal and shot of dogs walking on a fallen tree challenge expectations. Overall, the student aimed to create an upbeat, feel-good video appropriate for their song through both conventional and unconventional creative choices for the indie folk genre.
Mise en-scene
The document discusses the costume and prop design for a music video. For the costumes, simple and basic clothes like hoodies and jeans were chosen so that the target audience could easily relate to and replicate the outfits. This also made re-filming easier if needed. The colors of the outfits between the two main characters were complementary. The only prop was an acoustic guitar to fit with the acoustic song and narrative of the story, showing the character playing guitar in many shots. References were taken from similar artists who also feature acoustic songs like The Perishers, Ed Sheeran, and Mumford & Sons.
Lighting, Locations and Editing.
This document discusses common elements found in country music videos, including typical locations, lighting, and editing techniques. It notes that locations often involve outdoor performances and both outdoor and studio settings. Natural lighting is frequently used to create a relaxed atmosphere and emphasize artists' beauty. Editing generally involves smooth transitions between shots that keep time with the song's beat. The document provides specific examples from Lucy Hale and Carrie Underwood music videos and states the author's plans to incorporate natural lighting, light flares, and cuts aligned with their own song.
Garth brooks the thunder rolls
This document analyzes and summarizes different theories about the music video for Garth Brooks' song "The Thunder Rolls" in 3 sentences or less per theory:
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This document provides details on the mise en scene and production design for four different locations to be used in filming a music video. Each location is described in terms of props, costumes, lighting, colors, and makeup used to portray the intended mood and match the narrative. The first location represents an urban setting and will feature casual costumes and low natural lighting. The second focuses on a female protagonist depicted through stereotypical ballet attire, bright lighting, and obvious makeup. The third location is where the two main characters meet amid a mix of natural and artificial lighting. The fourth returns to the first location's costumes and uses natural lighting to portray bleakness and communicate the song's message and genre.
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The document provides costume research and inspiration for two main characters, Katy and Luke, in an upcoming film.
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For the character Luke, the inspiration is Eddie Redmayne's "public schoolboy" look. To make it more rustic, typical items include blazers, chinos, brogues
Evaluation Question 1
The document discusses how the media product, which is an opening for a film called "The Story of Us", uses and develops conventions from other films. It analyzes how the ident, typography, use of photos and flashbacks, shots, and overall concept draw inspiration from films like Juno, Bonnie and Clyde, Blue Valentine, 500 Days of Summer, Restless, Waiting For Forever, and One Day. However, it also explains the ways these elements have been developed or improved upon to make the opening more original and appealing to their target audience of 11-19 year olds.
Evaluation Question 4
The target audience for the film is 11-19 year old females. To understand what this audience wants, the creators asked friends in this age range what kind of film they would want to see. Most said they preferred romantic dramas. Younger sisters aged 12-14 also provided input, saying they liked romantic comedies or adventure films, especially when an unpredictable relationship develops. The creators incorporated these elements, like gradually unfolding a relationship through a scrapbook, into the film opening.
Props for our film opening
The scrapbook is the main prop that will guide viewers through the couple's memories in the film opening. It will look personal and handmade, filled with photographs like the sample shown. Other props include books showing the female lead is intelligent, a mobile phone the male will use to seem nervous in their first meeting, and two hot chocolates continuing the autumnal theme and representing the bond between the couple during their first date. Finally, pillows will be used in a pillow fight in the bedroom scene, enhancing the fun and romance while showing the characters as loving and playful.
Film opening research
I have looked at a few different film openings and analysed how effective they are at fulfilling there purpose, these are my thoughts...
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Orpah Winfrey Dwayne Johnson: Titans of Influence and Inspiration
Introduction
In the realm of entertainment, few names resonate as Orpah Winfrey Dwayne Johnson. Both figures have carved unique paths in the industry. achieving unparalleled success and becoming iconic symbols of perseverance, resilience, and inspiration. This article delves into the lives, careers. and enduring legacies of Orpah Winfrey Dwayne Johnson. exploring how their journeys intersect and what we can learn from their remarkable stories.
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Early Life and Backgrounds
Orpah Winfrey: From Humble Beginnings to Media Mogul
Orpah Winfrey, often known as Oprah due to a misspelling on her birth certificate. was born on January 29, 1954, in Kosciusko, Mississippi. Raised in poverty by her grandmother, Winfrey's early life was marked by hardship and adversity. Despite these challenges. she demonstrated a keen intellect and an early talent for public speaking.
Winfrey's journey to success began with a scholarship to Tennessee State University. where she studied communication. Her first job in media was as a co-anchor for the local evening news in Nashville. This role paved the way for her eventual transition to talk show hosting. where she found her true calling.
Dwayne Johnson: From Wrestling Royalty to Hollywood Superstar
Dwayne Johnson, also known by his ring name "The Rock," was born on May 2, 1972, in Hayward, California. He comes from a family of professional wrestlers, with both his father, Rocky Johnson. and his grandfather, Peter Maivia, being notable figures in the wrestling world. Johnson's early life was spent moving between New Zealand and the United States. experiencing a variety of cultural influences.
Before entering the world of professional wrestling. Johnson had aspirations of becoming a professional football player. He played college football at the University of Miami. where he was part of a national championship team. But, injuries curtailed his football career, leading him to follow in his family's footsteps and enter the wrestling ring.
Career Milestones
Orpah Winfrey: The Queen of All Media
Winfrey's career breakthrough came in 1986 when she launched "The Oprah Winfrey Show." The show became a cultural phenomenon. drawing millions of viewers daily and earning many awards. Winfrey's empathetic and candid interviewing style resonated with audiences. helping her tackle diverse and often challenging topics.
Beyond her talk show, Winfrey expanded her empire to include the creation of Harpo Productions. a multimedia production company. She also launched "O, The Oprah Magazine" and OWN: Oprah Winfrey Network, further solidifying her status as a media mogul.
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Dwayne Johnson's wrestling career took off in the late 1990s. when he became one of the most charismatic and popular figures in WWE. His larger-than-life persona and catchphrases endeared him to fans. making him a household name. But, Johnson had ambitions beyond the wrestling ring.
In the early 20
The Unbelievable Tale of Dwayne Johnson Kidnapping: A Riveting Saga
Introduction
The notion of Dwayne Johnson kidnapping seems straight out of a Hollywood thriller. Dwayne "The Rock" Johnson, known for his larger-than-life persona, immense popularity. and action-packed filmography, is the last person anyone would envision being a victim of kidnapping. Yet, the bizarre and riveting tale of such an incident, filled with twists and turns. has captured the imagination of many. In this article, we delve into the intricate details of this astonishing event. exploring every aspect, from the dramatic rescue operation to the aftermath and the lessons learned.
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
The Immediate Aftermath
The immediate aftermath of the Dwayne Johnson kidnappin
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2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
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The teleprotection market size has grown
exponentially in recent years. It will grow from
$21.92 billion in 2023 to $28.11 billion in 2024 at a
compound annual growth rate (CAGR) of 28.2%. The
teleprotection market size is expected to see
exponential growth in the next few years. It will grow
to $70.77 billion in 2028 at a compound annual
growth rate (CAGR) of 26.0%.
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1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
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Costumes, props and locations
- 1. Music Video: Costumes, Props and locations
- 2. Costumes going Both of these costumes are to be worn by the artist in the beach location. They are both summer outfits, as I want to portray a happy, sunny atmosphere (even if the weather isn’t very sunny). The white polka dot dress exudes a girly, playful edge and the colour white has connotations of innocence and purity. The blue silk scarf will be used as a cover up and it also adds colour to the whole outfit. The black playsuit is on trend, simple and practical. The sunglasses will be used as a prop to reinforce the setting of a sunny summers day. Both of these beach costumes are typical outfits worn by teenage girls, so not only will they appeal to the target audience but the target audience will be able to relate to the protagonist.
- 3. Costumes This outfit has a juxtaposition of feminine elegance from the white lace dress, which is contrasted with the black leather jacket that exudes an edgy rock chic vibe. The jacket will give the artist warmth as we are filming during Autumn, while also pulling the whole outfit together. The belt accentuates her waist, while the sandals add a summer feel to the outfit. This costume would be worn in the woodland scenes. The dress is short but the high neckline makes this dress look classy although fun and casual enough for a daytime outfit.
- 4. Costumes This costume will be worn in the woodland scene. The maxi skirt is on trend which conveys a stylish individual, but I’ve tried to keep the outfit simple with minimal jewellery. The pale pink colour of the skirt evokes a feminine feel, while the chiffon material conveys a whimsical vibe. The costume reinforces the ‘free-spirit’, Indie style which I want to portray through my music video.
- 5. Props The sunglasses will be used to reinforce the sunny, warm atmosphere of the music video, whilst also injecting some glamour. The silk scarf will be used as a cover up during the beach scene and it will also introduce some colour to the outfit. The guitar’s main use is to convey the typical acoustic conventions of Indie music, and the shots of the instrument will also make the music seem more authentic and real.
- 6. Locations Woodland location Beach location My target audience interview revealed that members of my target audience prefer music videos set in multiple outside location. Most of the Indie/acoustic music videos I’ve analysed are also set outside. Therefore my main locations are outside; one is a woodland setting and the other is a beach setting. The woodland setting will be where most of the performance section of the video takes place – where my artist will be lip syncing. The beach setting will be where the narrative is filmed, as it’s a very atmospheric location. Both settings will reinforce the Indie genre as they are rural locations which evoke wilderness and adventure as I have found these are key themes within music videos I’ve analysed.
- 7. Beach sample shot Here is a short clip I filmed while on holiday in preparation for my music video (click image to play video). This is going to be the main location for the narrative part of my music video as I like the hippy/ free spirit vibe the beach setting evokes, which I would like to portray through my music video, thus reinforcing the typical Indie genre conventions.