SlideShare a Scribd company logo
Consultant Practicum
1 OBSERVATION: SESSION I
This is an observation of a session handled by an experienced consultant who I will refer to as K
throughout this reflective essay. The writer was an Auburn University student applying to physical therapy
schools. Quite often, as consultants, we’re in a situation in which the essay that a writer is working on is
on a subject that we’re unfamiliar with. Fortunately, in this case, K had done something similar in that she
had prepared essays to apply to medical school, and she could draw from that experience. The whole
situation played out even better as the writer said that she had come to meet K specifically on a suggestion
made by a friend of hers. At the beginning of the session, the writer and K introduced themselves to each
other and after K informed that I’ll be sitting in to observe, they moved on to discussing the paper. The
writer then pulled up a website in which the expectation of the essay, “transforming society by optimizing
movement to improve the human experience” was listed. Over the rest of the session, K and the writer
focused on organizing the essay around these expectations.
K proceeded to take the initiative by reading the essay out loud. While doing this, she began pointing
out parts of the essay in which she felt that the purpose drawn out by the writer for it weren’t being met.
She had an interesting style of sharing what aspects of the essay needed improvement. She asked the
writer whether a couple of sentences sounded very long when she had read them out. When the writer
said that she did, K suggested ways in which they could be shortened. This was a good tactic as she
discussed a recurring pattern that she had directed the writer herself to catch while she read. As a result
of this the writer became aware of the error and conscious about not repeating it. Further, right after she
used that tactic she complimented the writer for a good job the latter had done. Immediately after that,
she told the writer that the ideas used and the way they were expressed for the “transforming society”
aspect of the expectation were awesome. This was quickly followed by her noting that there was a lack of
balance in the discussion of the “optimizing movement to improve the human experience” aspect. This
was an interesting tactic that was employed as most often consultants talk about sandwiching
constructive criticism in between compliments of jobs well done, but that wasn’t being utilized. Instead,
a compliment for a job well done was slipped in between two constructive criticisms. I believe that this is
a wise move as consultants have only a half hour to an hour to help increase the quality of an individual
as a writer. A greater percentage of that time period should be used to provide writers with information
that could help them. Of course, that doesn’t mean that only negativity should be projected onto their
work. In fact, K also discussed with the writer about the latter’s life experiences. This played the dual role
of making the writer comfortable with her and get more information out of her. K could then recommend
that she string this back into the essay by including the bits of it that are concrete and tangible before
discussing the philosophical parts.
All of the tactics that K employed seemed to work as the client started recognizing patterns in the
errors that she was making. I am of the opinion that as consultants we should aim to help the writer
become proficient at spotting and correcting errors that he or she consistently makes. I would consider
using some of the tactics that K used, with some tweaks, if the situation demanded it.
2 OBSERVATION II
This observation was carried out on a session that was handled by a consultant that I will refer to a
KK throughout this reflective essay. In this essay, I will be focusing on how KK addressed the writer, started
the session, and ended it. It is interesting to note that the consultant is a philosophy major and in my
opinion, an extrovert. She has the admirable quality of being able to initiate a conversation with anyone
and maintain it over extended periods of time. Over the period of this observation, I feel that she
employed this inherent trait of hers to develop a positive rapport with the writer.
At the very beginning of the session, KK left the table she had set up shop at to walk down to the
waiting area to introduce herself and welcome the writer. This showed that she took the initiative to make
the writer visiting the writing center feel comfortable with the idea of getting help for his or her work.
Additionally, this was a good tactic that she employed to let the writer know on a subconscious level that
she will step out of her comfort zone to help him or her with the writing assignment that he or she is
working on. This conceivably has the effect of making her and the writing center popular among the
writers that she works with. A case in point being the writer that she worked with over the session that I
observed; she was a sophomore that had visited KK twice before that session. This meant that both KK
and the writer were comfortable working with each other, so the former didn’t have to put in too much
of an effort into familiarization with the latter. After the session, I discussed with her as to how her
approach would have been different if the writer was not one who was so regular with her and she told
me that it is targeted to the person that she is working with. She said that she bases her approach on how
the writer carries himself or herself. She watches the body language and the words uttered by the writer
at the beginning of the session to gauge the level of interest that he or she has in actually being there.
Based on the indicators, she tailors her session to either a student who is quite interested in being there
and genuinely looking for help or, on the other hand, to a student who is uninterested and present at the
writing session at the behest of a teacher or due to some other compulsion. Returning to the session that
I observed, she further developed the rapport that she had built with the writer by asking her what they
were looking at on that particular day by name. After they talked about the essay for a while, KK subtly
directed her towards reading the paper out loud so that the two of them could work on it together. KK
initiated the end of the conversation by asking the writer what she felt about the work that the latter had
done over the period of the session. The writer responded by saying that she felt good about it as they
seem to have developed on the draft that she had worked on by herself. KK then began wrapping up the
session not by saying that they were out of time but by saying that she liked the attitude the writer brought
to the session and signed off by saying that she likes the latter’s writing in general. Of course, she also
posed the question of whether the writer would like to take the writing center survey which is a sure sign
that the session is done.
The session opening and closing tactics that KK utilized worked well for her because they were an
extension of her personality. While some of them can definitely be incorporated by consultants looking
to add more skills to their toolbox, I am of the opinion that every consultant should develop and use tactics
that elicit the same positive response from the writer he or she is working with, but come to them
naturally.
3 BEDFORD CHAPTER ONE
The first chapter of the book is titled the writing center as a workplace. Although the chapter begins
with stating that the reader may be tutoring writers at a writing center, a workplace or in private, I feel
that the chapter is aptly named because the rest of it is geared towards discussing professionalism while
working at a writing center. The three areas of focus are professionalism towards writers, other tutors,
and teachers of the writers.
Before delving into each area of focus, there is an overview of the unspoken code of conduct that
tutors must bind themselves to. Based on this chapter, the role of a writing center tutor is that of a peer.
So, as a tutor, it is not incumbent on the individual to teach a writer how to write as would be expected
of a teacher neither is it expected of him or her to be a friend to the latter. I have not been subject to this
dilemma throughout the period of time that I have worked for the Miller Writing Center. In the
“professionalism toward the writer” section is a breakdown of principles that we, as tutors, must keep in
mind while working with writers. While the first point in this section basically directs us to be good humans
and welcoming to all, the online aspect of it is one that I found to be thought provoking. We often forget
that in person, a writer has the leisure of looking at us and is able to experience the positive vibe that we
are attempting to generate in more dimensions. For an online appointment, it is rightfully recommended
that even though it may take a few extra moments a nice welcome message must be typed out as it sets
the tone for the rest of the appointment. This was something that was suggested to me during the practice
online appointment session, as well. Unfortunately, I haven’t had a single online appointment since, to
implement it. Other useful points that the author makes in this section deal with logic; not making flippant
remarks, not using texting shorthand in online appointments, avoiding making negative remarks about
the author’s topic and respecting confidentiality. While I am in agreement with the author on most things,
I feel that as tutors we must remain professional even when a writer uses texting shorthand in an online
session. Of course, this doesn’t mean that we have to be cold to the writer. We can use other methods to
make them feel comfortable, such as asking them about similar work that they have done earlier or other
related experiences. The section on “professionalism towards other tutors” is one that discusses concepts
that are applicable in any field. It’s a succinct guide on how to treat colleagues at any workplace. I took
more out of the section that discusses professionalism towards teachers than I did out of this section as
they are players who aren’t present in the tutor-writer sessions. Quite often, as they say, “out of sight,
out of mind” but the section on “professionalism towards teachers” makes the reader acutely aware of
having to deal with another entity. While the author lists out a set of valid “don’ts” in this section, it would
have served his cause better and been more beneficial to a reader if he had suggested tactics to handle
the awkward situations that some writers put tutors in.
4 BEDFORD CHAPTER THREE
At the beginning of this chapter the author introduced terminology that would reappear throughout
the chapter and possibly throughout the rest of the book. The terminology in question is specific to online
tutoring; synchronous tutoring referring to consulting being done in real time and asynchronous tutoring
referring to consulting being done in a delayed fashion. Following that, the author proceeded to discuss
each stage of a general tutoring session. Every stage was discussed as a subsection within the chapter and
in each subsection were listed out some tools to tackle situations that could possibly arise in that stage.
After spending a couple of months tutoring at the writing center, going through this section made
me realize so many of the tools that I have been making use of subconsciously. While reading the
suggestions being made, I realized that many of them have been derived from common sense. For
example, the subsection labeled getting started delves into how a tutor must use certain tools that have
the twofold effect of creating a good impression of the writing center and its ambassador, the tutor, and
taking a good step in the right direction in a peer tutoring relationship. In fact, each subsection consists of
skills and tools that can be incorporated by every tutor in his or her tutoring style. The hypothetical
scenarios described in the chapter are generic enough to remind me of actual situations that I handled
while specific enough to pose thought provoking questions and give good actionable advice. Due to the
skills imparted during the initial training session, I had a prior idea of these tools. These get reinforced
during the weekly staff meetings, too. This chapter did a good job in making me rerun all those concepts
within my mind’s eye while making me consciously think of tools that I was making use of intuitively. In
retrospect, the “three effective, powerful tools” that are discussed in this chapter go hand in hand with
the concepts discussed in the staff meeting session in which a professor from Auburn’s theatre or
communication department talked us through role playing. My biggest take away from this subsection
was the “silence and wait time to allow a writer time to think” tool. Often, I find myself rushing to fill
awkward silences with my understanding of the topic at hand, some knowledge or even a quip. This is
true for me not only when I’m working at the writing center but life in general. The methods to implement
this tool could greatly benefit me to handle writing center appointments, and certain life situations. Finally,
the subsection titled “the many hats tutors wear” expounds on many concepts discussed in the
aforementioned staff meeting. The author goes one step further in it by discussing roles that weren’t
touched at the meeting and giving examples for each that I’m sure will, at some point in my writing center
experience, come in handy.
I would like to conclude this essay by suggesting a response to the ostensibly flabbergasted tutor in
the last frame of the first comic strip of this chapter, “Yes, I can. Through you, I’m fixing this paper and a
whole host of others that you will be assigned to write throughout your college education. Trust me, there
isn’t a better way.”
5 BEDFORD CHAPTER FIVE
In this chapter, the author discusses two broad topics in depth; learning styles and types of writers
that request to be tutored. Visual, auditory and kinesthetic are listed out as the three learning styles and
suggestions are made on strategies that can be used by tutors to capitalize on a writer’s learning style.
Next, a few student concerns are stated to remind the reader that aside from the writing assignment or
task, there could be other factors that put a writer under duress and prevent him or her from getting the
work done. Finally, the author discusses the different types of writers, presents situations that might arise
while working with each of them and suggests a few ways to deal with them.
For me, the biggest take away from this chapter is the psychological element of writing consulting.
While the strategy suggested for each learning style is logical, some of the tactics that make up the
strategy as a whole have a psychological motivation to them. To put things in perspective, I will discuss
one such tactic from each strategy. In the visual strategies section, one of the tactics suggested is to write
notes and examples or draw diagrams which the writer can take home. Since I prefer to gently guide the
writers to take responsibility and ownership of their work, I use this tactic only as a support tool. On
implementation, it is quite easy to see that this has a psychological effect on the writer as the writer
observes that a tutor is willing to put in an extra effort to mold their methods to help. It also gives the
writer an impression that the writing center is a friendly and welcoming place that has its doors open to
all in need of writing help irrespective of learning style. In the auditory strategies section, a tactic
suggested is asking the writer to paraphrase what was discussed and to summarize what was
accomplished. The psychological element that I see in this is that the tactic keeps even uninterested
writers engaged in the process while at the same time subtly hinting that it is the writer who needs to
remain truly committed to the work. A kinesthetic tactic that has the exact same effect on writers is to
have them point out material as the tutor talks about it. Another tactic discussed by the author to help
writers deal with issues of writing anxiety is for tutors to express the concerns and anxiety that they face
when they’re tackling their own writing work. In fact, I would go so far as to say that even tutors who find
that writing comes to them easily must focus on the small issues that they encounter while attempting to
form a bond with distressed writers. This not only forms a connection between the tutor and writer over
the writing assignment but creates an aura of understanding. Another tactic that plays on psychology is
the one that is recommended in the working with basic writers subsection. The skill of giving a writer just
enough information so he or she doesn’t feel overburdened while at the same time making him or her
feel accomplished is one that I feel every tutor can benefit from developing. Similarly, every subsection
consists of tactics that would go a long way in developing the writer-tutor relationship and the stand out
trend, for me, is that they’re all steeped in an understanding of psychology. I’m not advocating for writing
center tutors to be put through an intensive psychological study training program but it would be quite
useful for them to understand a few basic principles and apply the suggested tactics meticulously.
6 BEDFORD CHAPTER EIGHT
In this chapter, the author discusses a set of writers who bring a certain type of baggage to their
appointments at a writing center. The baggage may be due to internal causes like anxiety, stress or lack
of interest. It may also be due to external causes like fast approaching deadlines or compulsion to visit a
writing center by a teacher. The writers are segregated into groups based on the baggage they bring to
the appointment and methods to tackle each situation are suggested.
There are two standout messages that I gather from this chapter. The first one is to keep in mind
that as writing center tutors, all that we discuss with a writer is a suggestion and not a compulsion. In
fact, reiterating this to the writers is something that I have done from day one as a tutor, and something
that the author lists in multiple subsections as a tactic to navigate the baggage of writers. The next one
is on handling situations of supposed plagiarism. Plagiarism is an unforgivable sin in academic writing.
The issues are that the understanding of plagiarism may vary across different cultures, plagiarism rules
might have been made lax by a teacher for a particular assignment or the skillset required for proper
referencing has not been acquired by a particular individual. While acknowledging and agreeing with the
suggestions made, I would like to add that tact is the most important skill that must be utilized to
manage a possible case of plagiarism. Panic reporting of the writer to those with authority would only
make the situation worse and possibly scare him or her away from visiting the writing center ever again.
Taking it too lightly could probably create a false impression with the writer that plagiarism is not a real
cause of concern. There’s also a delineation and subsequent differentiation between plagiarism and
inappropriate source citation. The methods suggested to identify which category the errant work falls
into and how to handle each are a good base from which tutors can develop systems that best suit their
respective styles.
7 TUTORING IN UNFAMILIAR SUBJECTS
In this essay, the author deals with a pertinent writing center issue; tutoring in unfamiliar subjects.
The writing center is a resource that is available to all the students of a university and not only to those
taking courses in the English department. Over the course of the piece, she aptly distinguishes between a
writing consultant and an academic tutor. She lays out the complications while dealing with unfamiliar
subjects that could daunt one in a consulting session, and describes a strategy that is proven to be
successful at managing them.
The author uses the definition of a writing consultant that was used at Rollins College, the institution
that she was a writing consultant at, to differentiate between a consultant and tutor. All through the new
consultant practicum, the use of the term tutor bothered me as, according to me, the role of a tutor is like
that of an auxiliary teacher. To me, it seems that a tutor has a more instructional role than a consultant.
A consultant, in my mind, is one who works side by side with writers and aids them by equipping them
with tools to improve their work or meet their writing goals. This distinction that I have always held is
articulated quite well by her. She sets the tone for the whole essay by stating that a tutor gives a certain
type of feedback that is different to that which is given by a consultant. The type of feedback that a writing
consultant should aim at giving is reader-based feedback as this helps the writer assess content, thesis,
organization, effectiveness of language, and diction. There is no dearth of people, such as teachers and
tutors, in an academic institution to provide criterion-based feedback, and a fresh outlook from one who
is working together with writers could definitely positively impact their work. So, the strategy of providing
input while reminding the writer that the consultant is not privy to the subject matter is one that would
benefit both, the writer and the consultant. It would benefit the latter by raising his or her understanding
of the subject to a level that the next time a writer approaches him or her to help with work on the same
topic, he or she would have a cursory understanding of it and can use consulting time more effectively.
8 SETTING THE AGENDA (FOR THE NEXT THIRTY MINUTES)
In this essay, the author’s area of focus is the beginning of the session, specifically setting the agenda.
The author draws from his own experience of tutoring and throughout the piece develops a very
interesting analogy between writing center tutoring and his experience of trucking. The title of the essay
is a little misleading as later in the essay, the author states that the ideas he suggested are applicable even
to appointments that are forty-five to fifty minutes long.
Throughout the essay, the author works with the concept of the tutor drawing a map with the writer
to set the agenda for the appointment. Aside from the fact that the idea is put across quite eloquently,
the benefits of using this system are definitely visible. The fact that this encourages constructive dialogue
between the tutor and the writer cannot be denied. It ascertains that the tutor knows what the writer’s
vision for the paper is and also gives the writer an idea that this is the content that the tutor is comfortable
working with in the limited time that they have. Further, the fact that a map has been drawn allows the
writer to use it to think through the writing process even if the whole material could not be covered over
the period of the appointment. The writer even makes it a point to highlight that the ultimate goal of the
writing center is to make a writer so good over time that he or she does not need to return to the writing
center. In this endeavor, this is a tangible resource that a tutor could share with a writer to refer to and a
technique that the latter could adopt. One important bit of advice that the author gave and that I am in
complete agreement with is that this map is to be used only till it serves the purpose of meeting the
writer’s goals at the appointment. It should be understood when the map has outlived its purpose, and
the tutor must then deliberately adopt a more polished agenda for the rest of the meeting.

More Related Content

What's hot

How to publish a book
How to publish a bookHow to publish a book
How to publish a book
A Better Life with Rachel Rofe
 
133. Writing techniques
133. Writing techniques133. Writing techniques
133. Writing techniques
LAKSHMANAN S
 
How to write a personal essay
How to write a personal essayHow to write a personal essay
How to write a personal essay
Edwardchris
 
Reflectivewritingandrevision group2morningb
Reflectivewritingandrevision group2morningbReflectivewritingandrevision group2morningb
Reflectivewritingandrevision group2morningbWagner Junior
 
The Inkblot Fall 2013
The Inkblot Fall 2013The Inkblot Fall 2013
The Inkblot Fall 2013Rida Faisal
 
How to Write a Novel
How to Write a NovelHow to Write a Novel
How to Write a Novel
Alyssa Baker
 
Creative writing in service 27-01-11
Creative writing in service 27-01-11Creative writing in service 27-01-11
Creative writing in service 27-01-11
Derbhile Graham
 
What is writing?
What is writing?What is writing?
What is writing?
Raymond Dela Cuesta
 
Writing process (1)
Writing process (1)Writing process (1)
Writing process (1)
maahwash
 
Teaching Creative Writing
Teaching Creative Writing Teaching Creative Writing
Teaching Creative Writing
University of Johannesburg
 
February 3 6
February 3 6February 3 6
February 3 6
catherineduffy
 
Rubric personal narrative kaizena
Rubric personal narrative kaizenaRubric personal narrative kaizena
Rubric personal narrative kaizenajordanlachance
 
Structure of a Personal Essay
Structure of a Personal EssayStructure of a Personal Essay
Structure of a Personal Essay
EssayAcademy
 
How to write a personal essay
How to write a personal essayHow to write a personal essay
How to write a personal essay
EssayAcademy
 
All that you should know about an Epilogue
All that you should know about an Epilogue All that you should know about an Epilogue
All that you should know about an Epilogue
Onlinegatha
 
TECHNIQUES OF WRITING
TECHNIQUES OF WRITING TECHNIQUES OF WRITING
TECHNIQUES OF WRITING
jeyabal bala
 
Unit 2 task_5-
Unit 2 task_5-Unit 2 task_5-
Unit 2 task_5-
Oscar Yezid Jerez
 

What's hot (18)

How to publish a book
How to publish a bookHow to publish a book
How to publish a book
 
133. Writing techniques
133. Writing techniques133. Writing techniques
133. Writing techniques
 
How to write a personal essay
How to write a personal essayHow to write a personal essay
How to write a personal essay
 
Reflectivewritingandrevision group2morningb
Reflectivewritingandrevision group2morningbReflectivewritingandrevision group2morningb
Reflectivewritingandrevision group2morningb
 
The Inkblot Fall 2013
The Inkblot Fall 2013The Inkblot Fall 2013
The Inkblot Fall 2013
 
How to Write a Novel
How to Write a NovelHow to Write a Novel
How to Write a Novel
 
Creative writing in service 27-01-11
Creative writing in service 27-01-11Creative writing in service 27-01-11
Creative writing in service 27-01-11
 
What is writing?
What is writing?What is writing?
What is writing?
 
Writing process (1)
Writing process (1)Writing process (1)
Writing process (1)
 
Teaching Creative Writing
Teaching Creative Writing Teaching Creative Writing
Teaching Creative Writing
 
February 3 6
February 3 6February 3 6
February 3 6
 
Short Story
Short StoryShort Story
Short Story
 
Rubric personal narrative kaizena
Rubric personal narrative kaizenaRubric personal narrative kaizena
Rubric personal narrative kaizena
 
Structure of a Personal Essay
Structure of a Personal EssayStructure of a Personal Essay
Structure of a Personal Essay
 
How to write a personal essay
How to write a personal essayHow to write a personal essay
How to write a personal essay
 
All that you should know about an Epilogue
All that you should know about an Epilogue All that you should know about an Epilogue
All that you should know about an Epilogue
 
TECHNIQUES OF WRITING
TECHNIQUES OF WRITING TECHNIQUES OF WRITING
TECHNIQUES OF WRITING
 
Unit 2 task_5-
Unit 2 task_5-Unit 2 task_5-
Unit 2 task_5-
 

Viewers also liked

You need a pie
You need a pieYou need a pie
You need a pieChris Syme
 
Pastar, Janez Pastar 0030
Pastar, Janez Pastar 0030Pastar, Janez Pastar 0030
Pastar, Janez Pastar 0030
Prfoksa
 
โครงงานคอมพิวเตอร์444
โครงงานคอมพิวเตอร์444โครงงานคอมพิวเตอร์444
โครงงานคอมพิวเตอร์444Pattanachai Jai
 
уз 2 хөтөлбөр
уз 2 хөтөлбөруз 2 хөтөлбөр
уз 2 хөтөлбөрAviraa Avirmed
 
Community service project
Community service projectCommunity service project
Community service projectsallphall
 
Osx institutional eng_november_final
Osx institutional eng_november_finalOsx institutional eng_november_final
Osx institutional eng_november_finalosxri
 
Www easysparepart com
Www easysparepart comWww easysparepart com
Www easysparepart comArpit Singh
 
FSA Mozilla Nepal III Meetup
FSA Mozilla Nepal III MeetupFSA Mozilla Nepal III Meetup
FSA Mozilla Nepal III Meetup
Raju Dawadi
 
Perniagaan dan keusahawanan tahun 4
Perniagaan dan keusahawanan tahun 4Perniagaan dan keusahawanan tahun 4
Perniagaan dan keusahawanan tahun 4
Anas Syafik Zulkipli
 
Despre Scoala
Despre ScoalaDespre Scoala
Despre Scoalalia101
 
Kata pengantar
Kata pengantarKata pengantar
Kata pengantar
rizkynet
 
OnlineLearning-FordArticle
OnlineLearning-FordArticleOnlineLearning-FordArticle
OnlineLearning-FordArticleClint Richards
 
Comunità Scolastiche Sostenibili 2007/2008
Comunità Scolastiche Sostenibili 2007/2008Comunità Scolastiche Sostenibili 2007/2008
Comunità Scolastiche Sostenibili 2007/2008
High Secondary School
 
161 active ee-white-paper02_control
161 active ee-white-paper02_control161 active ee-white-paper02_control
161 active ee-white-paper02_control
Kalyana Prasad N
 

Viewers also liked (20)

You need a pie
You need a pieYou need a pie
You need a pie
 
Pastar, Janez Pastar 0030
Pastar, Janez Pastar 0030Pastar, Janez Pastar 0030
Pastar, Janez Pastar 0030
 
โครงงานคอมพิวเตอร์444
โครงงานคอมพิวเตอร์444โครงงานคอมพิวเตอร์444
โครงงานคอมพิวเตอร์444
 
уз 2 хөтөлбөр
уз 2 хөтөлбөруз 2 хөтөлбөр
уз 2 хөтөлбөр
 
Community service project
Community service projectCommunity service project
Community service project
 
5 management levels
5 management levels5 management levels
5 management levels
 
Osx institutional eng_november_final
Osx institutional eng_november_finalOsx institutional eng_november_final
Osx institutional eng_november_final
 
MY RESUME
MY RESUMEMY RESUME
MY RESUME
 
Www easysparepart com
Www easysparepart comWww easysparepart com
Www easysparepart com
 
FSA Mozilla Nepal III Meetup
FSA Mozilla Nepal III MeetupFSA Mozilla Nepal III Meetup
FSA Mozilla Nepal III Meetup
 
Perniagaan dan keusahawanan tahun 4
Perniagaan dan keusahawanan tahun 4Perniagaan dan keusahawanan tahun 4
Perniagaan dan keusahawanan tahun 4
 
Despre Scoala
Despre ScoalaDespre Scoala
Despre Scoala
 
Kata pengantar
Kata pengantarKata pengantar
Kata pengantar
 
Cole-Week 4-COM411A
Cole-Week 4-COM411ACole-Week 4-COM411A
Cole-Week 4-COM411A
 
Session summary
Session summarySession summary
Session summary
 
Sell Iphone 4
Sell Iphone 4Sell Iphone 4
Sell Iphone 4
 
OnlineLearning-FordArticle
OnlineLearning-FordArticleOnlineLearning-FordArticle
OnlineLearning-FordArticle
 
CPCSMS3
CPCSMS3CPCSMS3
CPCSMS3
 
Comunità Scolastiche Sostenibili 2007/2008
Comunità Scolastiche Sostenibili 2007/2008Comunità Scolastiche Sostenibili 2007/2008
Comunità Scolastiche Sostenibili 2007/2008
 
161 active ee-white-paper02_control
161 active ee-white-paper02_control161 active ee-white-paper02_control
161 active ee-white-paper02_control
 

Consultant Practicum for LinkedIn

  • 1. Consultant Practicum 1 OBSERVATION: SESSION I This is an observation of a session handled by an experienced consultant who I will refer to as K throughout this reflective essay. The writer was an Auburn University student applying to physical therapy schools. Quite often, as consultants, we’re in a situation in which the essay that a writer is working on is on a subject that we’re unfamiliar with. Fortunately, in this case, K had done something similar in that she had prepared essays to apply to medical school, and she could draw from that experience. The whole situation played out even better as the writer said that she had come to meet K specifically on a suggestion made by a friend of hers. At the beginning of the session, the writer and K introduced themselves to each other and after K informed that I’ll be sitting in to observe, they moved on to discussing the paper. The writer then pulled up a website in which the expectation of the essay, “transforming society by optimizing movement to improve the human experience” was listed. Over the rest of the session, K and the writer focused on organizing the essay around these expectations. K proceeded to take the initiative by reading the essay out loud. While doing this, she began pointing out parts of the essay in which she felt that the purpose drawn out by the writer for it weren’t being met. She had an interesting style of sharing what aspects of the essay needed improvement. She asked the writer whether a couple of sentences sounded very long when she had read them out. When the writer said that she did, K suggested ways in which they could be shortened. This was a good tactic as she discussed a recurring pattern that she had directed the writer herself to catch while she read. As a result of this the writer became aware of the error and conscious about not repeating it. Further, right after she used that tactic she complimented the writer for a good job the latter had done. Immediately after that, she told the writer that the ideas used and the way they were expressed for the “transforming society” aspect of the expectation were awesome. This was quickly followed by her noting that there was a lack of balance in the discussion of the “optimizing movement to improve the human experience” aspect. This was an interesting tactic that was employed as most often consultants talk about sandwiching constructive criticism in between compliments of jobs well done, but that wasn’t being utilized. Instead, a compliment for a job well done was slipped in between two constructive criticisms. I believe that this is a wise move as consultants have only a half hour to an hour to help increase the quality of an individual as a writer. A greater percentage of that time period should be used to provide writers with information that could help them. Of course, that doesn’t mean that only negativity should be projected onto their work. In fact, K also discussed with the writer about the latter’s life experiences. This played the dual role of making the writer comfortable with her and get more information out of her. K could then recommend that she string this back into the essay by including the bits of it that are concrete and tangible before discussing the philosophical parts. All of the tactics that K employed seemed to work as the client started recognizing patterns in the errors that she was making. I am of the opinion that as consultants we should aim to help the writer become proficient at spotting and correcting errors that he or she consistently makes. I would consider using some of the tactics that K used, with some tweaks, if the situation demanded it.
  • 2. 2 OBSERVATION II This observation was carried out on a session that was handled by a consultant that I will refer to a KK throughout this reflective essay. In this essay, I will be focusing on how KK addressed the writer, started the session, and ended it. It is interesting to note that the consultant is a philosophy major and in my opinion, an extrovert. She has the admirable quality of being able to initiate a conversation with anyone and maintain it over extended periods of time. Over the period of this observation, I feel that she employed this inherent trait of hers to develop a positive rapport with the writer. At the very beginning of the session, KK left the table she had set up shop at to walk down to the waiting area to introduce herself and welcome the writer. This showed that she took the initiative to make the writer visiting the writing center feel comfortable with the idea of getting help for his or her work. Additionally, this was a good tactic that she employed to let the writer know on a subconscious level that she will step out of her comfort zone to help him or her with the writing assignment that he or she is working on. This conceivably has the effect of making her and the writing center popular among the writers that she works with. A case in point being the writer that she worked with over the session that I observed; she was a sophomore that had visited KK twice before that session. This meant that both KK and the writer were comfortable working with each other, so the former didn’t have to put in too much of an effort into familiarization with the latter. After the session, I discussed with her as to how her approach would have been different if the writer was not one who was so regular with her and she told me that it is targeted to the person that she is working with. She said that she bases her approach on how the writer carries himself or herself. She watches the body language and the words uttered by the writer at the beginning of the session to gauge the level of interest that he or she has in actually being there. Based on the indicators, she tailors her session to either a student who is quite interested in being there and genuinely looking for help or, on the other hand, to a student who is uninterested and present at the writing session at the behest of a teacher or due to some other compulsion. Returning to the session that I observed, she further developed the rapport that she had built with the writer by asking her what they were looking at on that particular day by name. After they talked about the essay for a while, KK subtly directed her towards reading the paper out loud so that the two of them could work on it together. KK initiated the end of the conversation by asking the writer what she felt about the work that the latter had done over the period of the session. The writer responded by saying that she felt good about it as they seem to have developed on the draft that she had worked on by herself. KK then began wrapping up the session not by saying that they were out of time but by saying that she liked the attitude the writer brought to the session and signed off by saying that she likes the latter’s writing in general. Of course, she also posed the question of whether the writer would like to take the writing center survey which is a sure sign that the session is done. The session opening and closing tactics that KK utilized worked well for her because they were an extension of her personality. While some of them can definitely be incorporated by consultants looking to add more skills to their toolbox, I am of the opinion that every consultant should develop and use tactics that elicit the same positive response from the writer he or she is working with, but come to them naturally.
  • 3. 3 BEDFORD CHAPTER ONE The first chapter of the book is titled the writing center as a workplace. Although the chapter begins with stating that the reader may be tutoring writers at a writing center, a workplace or in private, I feel that the chapter is aptly named because the rest of it is geared towards discussing professionalism while working at a writing center. The three areas of focus are professionalism towards writers, other tutors, and teachers of the writers. Before delving into each area of focus, there is an overview of the unspoken code of conduct that tutors must bind themselves to. Based on this chapter, the role of a writing center tutor is that of a peer. So, as a tutor, it is not incumbent on the individual to teach a writer how to write as would be expected of a teacher neither is it expected of him or her to be a friend to the latter. I have not been subject to this dilemma throughout the period of time that I have worked for the Miller Writing Center. In the “professionalism toward the writer” section is a breakdown of principles that we, as tutors, must keep in mind while working with writers. While the first point in this section basically directs us to be good humans and welcoming to all, the online aspect of it is one that I found to be thought provoking. We often forget that in person, a writer has the leisure of looking at us and is able to experience the positive vibe that we are attempting to generate in more dimensions. For an online appointment, it is rightfully recommended that even though it may take a few extra moments a nice welcome message must be typed out as it sets the tone for the rest of the appointment. This was something that was suggested to me during the practice online appointment session, as well. Unfortunately, I haven’t had a single online appointment since, to implement it. Other useful points that the author makes in this section deal with logic; not making flippant remarks, not using texting shorthand in online appointments, avoiding making negative remarks about the author’s topic and respecting confidentiality. While I am in agreement with the author on most things, I feel that as tutors we must remain professional even when a writer uses texting shorthand in an online session. Of course, this doesn’t mean that we have to be cold to the writer. We can use other methods to make them feel comfortable, such as asking them about similar work that they have done earlier or other related experiences. The section on “professionalism towards other tutors” is one that discusses concepts that are applicable in any field. It’s a succinct guide on how to treat colleagues at any workplace. I took more out of the section that discusses professionalism towards teachers than I did out of this section as they are players who aren’t present in the tutor-writer sessions. Quite often, as they say, “out of sight, out of mind” but the section on “professionalism towards teachers” makes the reader acutely aware of having to deal with another entity. While the author lists out a set of valid “don’ts” in this section, it would have served his cause better and been more beneficial to a reader if he had suggested tactics to handle the awkward situations that some writers put tutors in. 4 BEDFORD CHAPTER THREE At the beginning of this chapter the author introduced terminology that would reappear throughout the chapter and possibly throughout the rest of the book. The terminology in question is specific to online tutoring; synchronous tutoring referring to consulting being done in real time and asynchronous tutoring referring to consulting being done in a delayed fashion. Following that, the author proceeded to discuss each stage of a general tutoring session. Every stage was discussed as a subsection within the chapter and in each subsection were listed out some tools to tackle situations that could possibly arise in that stage.
  • 4. After spending a couple of months tutoring at the writing center, going through this section made me realize so many of the tools that I have been making use of subconsciously. While reading the suggestions being made, I realized that many of them have been derived from common sense. For example, the subsection labeled getting started delves into how a tutor must use certain tools that have the twofold effect of creating a good impression of the writing center and its ambassador, the tutor, and taking a good step in the right direction in a peer tutoring relationship. In fact, each subsection consists of skills and tools that can be incorporated by every tutor in his or her tutoring style. The hypothetical scenarios described in the chapter are generic enough to remind me of actual situations that I handled while specific enough to pose thought provoking questions and give good actionable advice. Due to the skills imparted during the initial training session, I had a prior idea of these tools. These get reinforced during the weekly staff meetings, too. This chapter did a good job in making me rerun all those concepts within my mind’s eye while making me consciously think of tools that I was making use of intuitively. In retrospect, the “three effective, powerful tools” that are discussed in this chapter go hand in hand with the concepts discussed in the staff meeting session in which a professor from Auburn’s theatre or communication department talked us through role playing. My biggest take away from this subsection was the “silence and wait time to allow a writer time to think” tool. Often, I find myself rushing to fill awkward silences with my understanding of the topic at hand, some knowledge or even a quip. This is true for me not only when I’m working at the writing center but life in general. The methods to implement this tool could greatly benefit me to handle writing center appointments, and certain life situations. Finally, the subsection titled “the many hats tutors wear” expounds on many concepts discussed in the aforementioned staff meeting. The author goes one step further in it by discussing roles that weren’t touched at the meeting and giving examples for each that I’m sure will, at some point in my writing center experience, come in handy. I would like to conclude this essay by suggesting a response to the ostensibly flabbergasted tutor in the last frame of the first comic strip of this chapter, “Yes, I can. Through you, I’m fixing this paper and a whole host of others that you will be assigned to write throughout your college education. Trust me, there isn’t a better way.” 5 BEDFORD CHAPTER FIVE In this chapter, the author discusses two broad topics in depth; learning styles and types of writers that request to be tutored. Visual, auditory and kinesthetic are listed out as the three learning styles and suggestions are made on strategies that can be used by tutors to capitalize on a writer’s learning style. Next, a few student concerns are stated to remind the reader that aside from the writing assignment or task, there could be other factors that put a writer under duress and prevent him or her from getting the work done. Finally, the author discusses the different types of writers, presents situations that might arise while working with each of them and suggests a few ways to deal with them. For me, the biggest take away from this chapter is the psychological element of writing consulting. While the strategy suggested for each learning style is logical, some of the tactics that make up the strategy as a whole have a psychological motivation to them. To put things in perspective, I will discuss one such tactic from each strategy. In the visual strategies section, one of the tactics suggested is to write notes and examples or draw diagrams which the writer can take home. Since I prefer to gently guide the writers to take responsibility and ownership of their work, I use this tactic only as a support tool. On
  • 5. implementation, it is quite easy to see that this has a psychological effect on the writer as the writer observes that a tutor is willing to put in an extra effort to mold their methods to help. It also gives the writer an impression that the writing center is a friendly and welcoming place that has its doors open to all in need of writing help irrespective of learning style. In the auditory strategies section, a tactic suggested is asking the writer to paraphrase what was discussed and to summarize what was accomplished. The psychological element that I see in this is that the tactic keeps even uninterested writers engaged in the process while at the same time subtly hinting that it is the writer who needs to remain truly committed to the work. A kinesthetic tactic that has the exact same effect on writers is to have them point out material as the tutor talks about it. Another tactic discussed by the author to help writers deal with issues of writing anxiety is for tutors to express the concerns and anxiety that they face when they’re tackling their own writing work. In fact, I would go so far as to say that even tutors who find that writing comes to them easily must focus on the small issues that they encounter while attempting to form a bond with distressed writers. This not only forms a connection between the tutor and writer over the writing assignment but creates an aura of understanding. Another tactic that plays on psychology is the one that is recommended in the working with basic writers subsection. The skill of giving a writer just enough information so he or she doesn’t feel overburdened while at the same time making him or her feel accomplished is one that I feel every tutor can benefit from developing. Similarly, every subsection consists of tactics that would go a long way in developing the writer-tutor relationship and the stand out trend, for me, is that they’re all steeped in an understanding of psychology. I’m not advocating for writing center tutors to be put through an intensive psychological study training program but it would be quite useful for them to understand a few basic principles and apply the suggested tactics meticulously. 6 BEDFORD CHAPTER EIGHT In this chapter, the author discusses a set of writers who bring a certain type of baggage to their appointments at a writing center. The baggage may be due to internal causes like anxiety, stress or lack of interest. It may also be due to external causes like fast approaching deadlines or compulsion to visit a writing center by a teacher. The writers are segregated into groups based on the baggage they bring to the appointment and methods to tackle each situation are suggested. There are two standout messages that I gather from this chapter. The first one is to keep in mind that as writing center tutors, all that we discuss with a writer is a suggestion and not a compulsion. In fact, reiterating this to the writers is something that I have done from day one as a tutor, and something that the author lists in multiple subsections as a tactic to navigate the baggage of writers. The next one is on handling situations of supposed plagiarism. Plagiarism is an unforgivable sin in academic writing. The issues are that the understanding of plagiarism may vary across different cultures, plagiarism rules might have been made lax by a teacher for a particular assignment or the skillset required for proper referencing has not been acquired by a particular individual. While acknowledging and agreeing with the suggestions made, I would like to add that tact is the most important skill that must be utilized to manage a possible case of plagiarism. Panic reporting of the writer to those with authority would only make the situation worse and possibly scare him or her away from visiting the writing center ever again. Taking it too lightly could probably create a false impression with the writer that plagiarism is not a real cause of concern. There’s also a delineation and subsequent differentiation between plagiarism and inappropriate source citation. The methods suggested to identify which category the errant work falls
  • 6. into and how to handle each are a good base from which tutors can develop systems that best suit their respective styles. 7 TUTORING IN UNFAMILIAR SUBJECTS In this essay, the author deals with a pertinent writing center issue; tutoring in unfamiliar subjects. The writing center is a resource that is available to all the students of a university and not only to those taking courses in the English department. Over the course of the piece, she aptly distinguishes between a writing consultant and an academic tutor. She lays out the complications while dealing with unfamiliar subjects that could daunt one in a consulting session, and describes a strategy that is proven to be successful at managing them. The author uses the definition of a writing consultant that was used at Rollins College, the institution that she was a writing consultant at, to differentiate between a consultant and tutor. All through the new consultant practicum, the use of the term tutor bothered me as, according to me, the role of a tutor is like that of an auxiliary teacher. To me, it seems that a tutor has a more instructional role than a consultant. A consultant, in my mind, is one who works side by side with writers and aids them by equipping them with tools to improve their work or meet their writing goals. This distinction that I have always held is articulated quite well by her. She sets the tone for the whole essay by stating that a tutor gives a certain type of feedback that is different to that which is given by a consultant. The type of feedback that a writing consultant should aim at giving is reader-based feedback as this helps the writer assess content, thesis, organization, effectiveness of language, and diction. There is no dearth of people, such as teachers and tutors, in an academic institution to provide criterion-based feedback, and a fresh outlook from one who is working together with writers could definitely positively impact their work. So, the strategy of providing input while reminding the writer that the consultant is not privy to the subject matter is one that would benefit both, the writer and the consultant. It would benefit the latter by raising his or her understanding of the subject to a level that the next time a writer approaches him or her to help with work on the same topic, he or she would have a cursory understanding of it and can use consulting time more effectively. 8 SETTING THE AGENDA (FOR THE NEXT THIRTY MINUTES) In this essay, the author’s area of focus is the beginning of the session, specifically setting the agenda. The author draws from his own experience of tutoring and throughout the piece develops a very interesting analogy between writing center tutoring and his experience of trucking. The title of the essay is a little misleading as later in the essay, the author states that the ideas he suggested are applicable even to appointments that are forty-five to fifty minutes long. Throughout the essay, the author works with the concept of the tutor drawing a map with the writer to set the agenda for the appointment. Aside from the fact that the idea is put across quite eloquently, the benefits of using this system are definitely visible. The fact that this encourages constructive dialogue between the tutor and the writer cannot be denied. It ascertains that the tutor knows what the writer’s vision for the paper is and also gives the writer an idea that this is the content that the tutor is comfortable working with in the limited time that they have. Further, the fact that a map has been drawn allows the writer to use it to think through the writing process even if the whole material could not be covered over
  • 7. the period of the appointment. The writer even makes it a point to highlight that the ultimate goal of the writing center is to make a writer so good over time that he or she does not need to return to the writing center. In this endeavor, this is a tangible resource that a tutor could share with a writer to refer to and a technique that the latter could adopt. One important bit of advice that the author gave and that I am in complete agreement with is that this map is to be used only till it serves the purpose of meeting the writer’s goals at the appointment. It should be understood when the map has outlived its purpose, and the tutor must then deliberately adopt a more polished agenda for the rest of the meeting.