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This document appears to be a record of completed questionnaires. It contains the name William Hennegan, suggesting he was the person who completed one or more questionnaires. No other contextual information is provided, so the topic, purpose or content of the questionnaires cannot be determined from this document alone.
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The document contains a retailer survey questionnaire about Amul ice cream. It collects information on whether retailers stock Amul ice cream, which varieties they prefer to store, their most preferred ice cream brand overall, how they obtain Amul ice cream, and their satisfaction with Amul distributors. It also asks about their awareness and interest in Amul parlor benefits and distribution opportunities. A customer survey portion collects information on customers' awareness and usage of Amul products, preferred ice cream brands, expectations of Amul ice cream quality and availability. Both surveys rate attributes like quality, brand image, availability and packaging.
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The document summarizes research conducted on audiences of documentaries. It asked 118 people about their ages and genders, finding that the largest age group that watches documentaries is 31-40 years old. It also asked 24 people what they want to see in documentaries and recorded their gender and age to analyze preferences between age and gender. The research was conducted to gather audience feedback to help target the production of a documentary.
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This document outlines key details for developing a new soap opera TV show, including proposed names for characters and locations, social issues to address, target audiences, competition in the genre, and plans for broadcasting on BBC Two at 8pm on weekdays to attract working class viewers. Competition includes soaps like Emmerdale and Coronation Street, so the new show must stand out. It will portray everyday people and address issues like poverty, politics, and mental health.
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The target audience of soap operas consists primarily of women ages 18-50 from working class backgrounds (C2 and D socio-economic groups). The characters in soap operas typically come from working class backgrounds as well. The trailer aims to appeal to "caregivers" by portraying protagonists as vulnerable and in danger, eliciting sympathy. It also aims to appeal to those struggling through scenes of characters struggling to escape danger, relating to audiences' own struggles. The trailer uses techniques like personal identification, relationships with characters, and dramatic escalation to satisfy audiences' needs for diversion, education, and connection based on Katz's uses and gratifications theory.
Soap opera genre target audience
The target audience of soap operas consists primarily of women ages 18-50 from working class socioeconomic backgrounds (C2 and D classes). The characters in soap operas also typically come from working class backgrounds. The primary needs met by soap operas for this target audience are personal identification with characters and their situations, and developing personal relationships with characters. Viewers can relate to the characters and feel they know them personally. Soap operas also allow the audience to escape from their own reality and immerse themselves in the drama.
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This document provides an analysis of two trailers for soap opera television shows: Coronation Street and EastEnders. For each trailer, the author analyzes the verbal codes (dialogue), non-verbal codes (settings, costumes, lighting), and technical codes (camera angles, shot types, movement). Key dialogue and its emotional impact are discussed. Settings and lighting are described as creating darker atmospheres. Camera techniques like close-ups, zooms and pans are said to build tension. In conclusion, the author would repeat certain shots that effectively convey emotions like alcoholism, realizations, depression or tension.
Textual analysis of 1 soap opera text
This document contains an analysis of soap opera genre codes in various media. It summarizes the use of verbal and non-verbal codes in magazines advertising soap operas and posters for soap opera TV shows. For the magazines, it notes the use of bright colors and shocking language to engage audiences. For the posters and TV shows, it discusses how low-key lighting is used to create a darker, tense atmosphere compared to typical soap opera settings. The document evaluates the strengths of the different media, stating it would repeat the use of bright colors in magazines and dark colors in posters to connote their intended tones and engage audiences.
Soap opera genre target audience
The target audience of soap operas consists primarily of women ages 18-50 from working class socioeconomic backgrounds (C2 and D classes). The characters in soap operas also typically come from working class backgrounds. The primary needs of the target audience that soap operas aim to fulfill include allowing the audience to personally identify with characters, develop personal relationships with characters, learn from the stories, and provide diversion or escape from reality by immersing themselves in the dramatic stories.
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This document is a mind map and research for a student's media studies portfolio project on creating an ancillary product for the TV show Coronation Street. It provides background on the show such as its origin, air times, and target working class audience. It also includes potential name ideas and images needed for a poster promoting a new series. The mind map discusses using terminology that catches the eye, social media promotions, and compiling character images and reviews in Photoshop.
Mind map - trailer
The document outlines key details for developing a new soap opera TV show, including potential names for characters and locations, social issues to represent, target demographics, competition in the genre, and planned channel and time slot for airing. It discusses focusing on everyday working class characters and addressing issues like poverty, relationships, mental health, and discrimination. The show aims to stand out from competitors like EastEnders and Hollyoaks while appealing to typical soap opera viewers. It will air weekdays at 8pm on BBC Two to catch workers relaxing at home after work.
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William Hennegan is generating ideas for an ancillary TV magazine front cover product as part of an OCR Media Studies A2 course. The document provides background information on the source of inspiration for the product, which is the weekly UK magazine Inside Soap that has been published since 1992. It also outlines details about the target audience, potential headline ideas, images needed, pricing, language, and plans to promote on social media. In conclusion, William states that he will take photos of characters from a soap opera and gather props to include in the magazine, and will use Adobe software to compile scenes and critical reviews.
Prop list
The document is a prop list for a student media production titled "Name of Production". It includes the group members Maximilian Stainer, Jude Munday, and Will Henegan. The prop list details various props like a bag of fake drugs, knife, tracksuits, mobile phones, and a car that will be used to advance key plots and represent different characters in the production. It also lists potential filming locations for the production.
Timeline
1. The document outlines a timeline of 15 verbal, non-verbal, and technical codes that could be used to develop tension and emotions in a TV show or film. It includes shots showing different emotions, someone being accused, promotional shots of the setting, implied dialogue, shots of someone looking anxious and speed walking while being followed, and a final shot implied to show a death.
Script
This document contains a script summary for a film called "Chalk Lane". It describes 16 scenes with details about the camera shots, angles, dialogue and actions in each scene. The story involves several characters including a pregnant woman, her husband, a stalker, a vulnerable girl and families experiencing domestic issues. It establishes conflicts around the pregnancy, a missing child, drinking problems and the stalking of the vulnerable girl. The same non-diegetic soundtrack is used throughout.
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The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive functioning. Exercise causes chemical changes in the brain that may help protect against mental illness and improve symptoms.
Story board
This storyboard outlines scenes for a short film involving multiple storylines of troubled individuals. It includes scenes of: a man struggling with a pregnancy announcement from his partner; a woman being stalked and having her drink spiked at a bar; a father concerned about his son's whereabouts; and a couple dealing with domestic issues related to alcohol abuse. The storyboard provides direction for camera shots, soundtrack cues, and character actions and reactions to advance the narratives.
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Business proposal
A proposal is a document that requests support, usually financial, for a project or plan. The key aspects that make a proposal a proposal are that it asks the audience to approve, fund, or grant permission for the proposed work. Proposals can be internal, addressed to stakeholders within an organization, or external, addressed to entities outside one's own organization. They can also be solicited, in response to a direct request, or unsolicited, brought forward without an initial request. Proposals vary in content and objective depending on whether they relate to business, research, technology or other areas.
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This document provides guidance on developing an effective business proposal. It discusses including common elements such as an idea, background on your company, benefits to the potential client, a timeline, and finances. It emphasizes establishing credibility through professionalism, passion, and logical arguments. There are two types of proposals - solicited proposals in response to direct requests, and unsolicited proposals to generate interest. Overall, the document advises tailoring your proposal to clearly meet the specific needs of the potential client.
Brand questionnaire
The document contains samples of questionnaires to assess different aspects of branding: brand perception, brand preference, brand image, and brand loyalty. The questionnaires include multiple choice and open-ended questions about the respondent's attitudes toward brands, factors influencing purchase decisions, assessment of a particular brand's image and performance, and areas for potential improvement.
consumer behavior & satisfaction towards Amul milk
The document provides background information on Amul, India's largest dairy cooperative. It discusses how Amul was established in 1946 to empower farmers and end exploitation by private traders. It has since grown to collect over 11 lakh liters of milk daily. Amul pioneered many innovations like chilling centers and brought modern technology to rural areas. It has received several awards and exports products internationally. Amul's success is attributed to providing farmers an assured market while benefiting consumers with quality products.
Thesis questionnaire
The document appears to be a survey for an MBA research thesis investigating customer attitudes towards luxury brands and mobile phones among Pakistani youth. It contains a table for respondents to provide their name, age, gender, mobile number, education and indicate their level of agreement on various statements related to social needs, materialism, consumer attitudes, experiential needs, fashion trends, need for uniqueness, and conformity in relation to luxury brands and mobile phones. Respondents are asked to rate their level of agreement on a 5-point scale from strongly agree to strongly disagree. All information provided will be kept confidential.
Questionnaire
The document is a questionnaire given to students to understand factors affecting mathematics performance. It asks students to rate themselves on interest in math, study habits, and extracurricular activities. It also asks students to rate their math teachers on personality traits, teaching skills, and use of instructional materials. The questionnaire uses a 5-point scale and collects both qualitative and quantitative data from students.
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consumer behavior & satisfaction towards Amul milk
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Mind map - trailer
This document outlines key details for developing a new soap opera TV show, including proposed names for characters and locations, social issues to address, target audiences, competition in the genre, and plans for broadcasting on BBC Two at 8pm on weekdays to attract working class viewers. Competition includes soaps like Emmerdale and Coronation Street, so the new show must stand out. It will portray everyday people and address issues like poverty, politics, and mental health.
Soap opera genre target audience
The target audience of soap operas consists primarily of women ages 18-50 from working class backgrounds (C2 and D socio-economic groups). The characters in soap operas typically come from working class backgrounds as well. The trailer aims to appeal to "caregivers" by portraying protagonists as vulnerable and in danger, eliciting sympathy. It also aims to appeal to those struggling through scenes of characters struggling to escape danger, relating to audiences' own struggles. The trailer uses techniques like personal identification, relationships with characters, and dramatic escalation to satisfy audiences' needs for diversion, education, and connection based on Katz's uses and gratifications theory.
Soap opera genre target audience
The target audience of soap operas consists primarily of women ages 18-50 from working class socioeconomic backgrounds (C2 and D classes). The characters in soap operas also typically come from working class backgrounds. The primary needs met by soap operas for this target audience are personal identification with characters and their situations, and developing personal relationships with characters. Viewers can relate to the characters and feel they know them personally. Soap operas also allow the audience to escape from their own reality and immerse themselves in the drama.
Textual analysis of 2 soap opera trailers
This document provides an analysis of two trailers for soap opera television shows: Coronation Street and EastEnders. For each trailer, the author analyzes the verbal codes (dialogue), non-verbal codes (settings, costumes, lighting), and technical codes (camera angles, shot types, movement). Key dialogue and its emotional impact are discussed. Settings and lighting are described as creating darker atmospheres. Camera techniques like close-ups, zooms and pans are said to build tension. In conclusion, the author would repeat certain shots that effectively convey emotions like alcoholism, realizations, depression or tension.
Textual analysis of 1 soap opera text
This document contains an analysis of soap opera genre codes in various media. It summarizes the use of verbal and non-verbal codes in magazines advertising soap operas and posters for soap opera TV shows. For the magazines, it notes the use of bright colors and shocking language to engage audiences. For the posters and TV shows, it discusses how low-key lighting is used to create a darker, tense atmosphere compared to typical soap opera settings. The document evaluates the strengths of the different media, stating it would repeat the use of bright colors in magazines and dark colors in posters to connote their intended tones and engage audiences.
Soap opera genre target audience
The target audience of soap operas consists primarily of women ages 18-50 from working class socioeconomic backgrounds (C2 and D classes). The characters in soap operas also typically come from working class backgrounds. The primary needs of the target audience that soap operas aim to fulfill include allowing the audience to personally identify with characters, develop personal relationships with characters, learn from the stories, and provide diversion or escape from reality by immersing themselves in the dramatic stories.
Mind map poster
This document is a mind map and research for a student's media studies portfolio project on creating an ancillary product for the TV show Coronation Street. It provides background on the show such as its origin, air times, and target working class audience. It also includes potential name ideas and images needed for a poster promoting a new series. The mind map discusses using terminology that catches the eye, social media promotions, and compiling character images and reviews in Photoshop.
Mind map - trailer
The document outlines key details for developing a new soap opera TV show, including potential names for characters and locations, social issues to represent, target demographics, competition in the genre, and planned channel and time slot for airing. It discusses focusing on everyday working class characters and addressing issues like poverty, relationships, mental health, and discrimination. The show aims to stand out from competitors like EastEnders and Hollyoaks while appealing to typical soap opera viewers. It will air weekdays at 8pm on BBC Two to catch workers relaxing at home after work.
Mind map magazine
William Hennegan is generating ideas for an ancillary TV magazine front cover product as part of an OCR Media Studies A2 course. The document provides background information on the source of inspiration for the product, which is the weekly UK magazine Inside Soap that has been published since 1992. It also outlines details about the target audience, potential headline ideas, images needed, pricing, language, and plans to promote on social media. In conclusion, William states that he will take photos of characters from a soap opera and gather props to include in the magazine, and will use Adobe software to compile scenes and critical reviews.
Prop list
The document is a prop list for a student media production titled "Name of Production". It includes the group members Maximilian Stainer, Jude Munday, and Will Henegan. The prop list details various props like a bag of fake drugs, knife, tracksuits, mobile phones, and a car that will be used to advance key plots and represent different characters in the production. It also lists potential filming locations for the production.
Timeline
1. The document outlines a timeline of 15 verbal, non-verbal, and technical codes that could be used to develop tension and emotions in a TV show or film. It includes shots showing different emotions, someone being accused, promotional shots of the setting, implied dialogue, shots of someone looking anxious and speed walking while being followed, and a final shot implied to show a death.
Script
This document contains a script summary for a film called "Chalk Lane". It describes 16 scenes with details about the camera shots, angles, dialogue and actions in each scene. The story involves several characters including a pregnant woman, her husband, a stalker, a vulnerable girl and families experiencing domestic issues. It establishes conflicts around the pregnancy, a missing child, drinking problems and the stalking of the vulnerable girl. The same non-diegetic soundtrack is used throughout.
Meeting notes
The meeting notes document the discussion and decisions from a recent gathering. Several topics were covered, including new product launches, marketing strategies, and financial projections. Key action items and next steps were assigned to various team members to advance discussed initiatives and projects.
Storyboard
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive functioning. Exercise causes chemical changes in the brain that may help protect against mental illness and improve symptoms.
Story board
This storyboard outlines scenes for a short film involving multiple storylines of troubled individuals. It includes scenes of: a man struggling with a pregnancy announcement from his partner; a woman being stalked and having her drink spiked at a bar; a father concerned about his son's whereabouts; and a couple dealing with domestic issues related to alcohol abuse. The storyboard provides direction for camera shots, soundtrack cues, and character actions and reactions to advance the narratives.
Propp's character roles and narrative functions
The document discusses soap opera genres and Propp's character roles and narrative functions. It analyzes two trailers using Propp's framework: Coronation Street and EastEnders. In Coronation Street, a character is seen staring at a bottle and walking past another, creating tension. In EastEnders, the police inspector interrogating an arrested man is portrayed as the villain through his stern appearance. The arrested man shows innocence through peaceful behavior. The document then outlines narrative functions seen in the trailers, such as villainy, struggle, trickery and pursuit.
Primary research results
William Hennegan conducted primary research on soap opera themes and storylines. He surveyed a random sample of people and found that:
1. Domestic issues and substance abuse are most traditional soap opera storylines.
2. "The Royal Oak" and "Our Side of Town" are most fitting soap opera names.
3. Relationships are the most common soap opera storylines, though murder is also popular.
Prop list
The document is a prop list for a student media production. It includes props like a fake bag of drugs, knife, fake gun, tracksuits, mobile phones, and a car that will be used to represent different elements of the storyline in the trailer. It also lists locations that will be used for filming, including alleys, roads, a train station, recreational ground, pub, and two students' houses. The group members gathering the props are named.
Soap opera target audience
The target audience for soap operas consists primarily of women and girls from late teenage years to elderly, though some men and boys watch as well. The characters and subject matter typically focus on working class lives. The primary socio-economic needs addressed are those of social classes C2 and D, as the characters reflect working class lives. Soap operas fulfill needs of personal identification with characters and personal relationships portrayed, providing diversion and educating/informing viewers.
Textual analysis of 2 soap opera trailers
This document provides an analysis of two trailers for soap opera television shows: Coronation Street and EastEnders. For each trailer, the author analyzes the verbal codes (dialogue), non-verbal codes (settings, costumes, lighting), and technical codes (camera angles, shot types, movement). Key dialogue and its emotional impact are discussed. Settings and lighting are described as creating darker atmospheres. Camera techniques like close-ups, zooms and pans are said to build tension. In conclusion, the author would repeat certain shots that effectively convey emotions like alcoholism, realizations, depression or tension.
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