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+
Co-designing Infographics:
The case of the RiotID Eucational Material Project
Isabella Rega and Anna Feigenbaum
Bournemouth University
+
Using Data Visualisation in Education:
“Visual literacy is generally understood
as a process that includes finding images, analysing
them, evaluating them, applying them to a purpose,
and producing them.” (Conner 2012)
+
Using Data Visualisation in Education:
"Illustrations have immediate impact:
they are thoughtfully constructed, with multiple layers
of symbolic meaning, and yet, somehow, still instantly
accessible –a quality only achieved by the best visual
storytelling.” (McCabe 2015)
+
Using Data Visualisation in Education:
“Perhaps visual data stories will become the way of
preserving information about complex
data and processes in the future, to pass on
knowledge –not unlike they once were the main
means of preserving and passing on information
before reading and writing were common skills."
(Kosara and Jock 2013, p.11)
+
Using Data Visualisation in Education:
“Graphic representation is not only important for
visualising the disease but the experiences of the
patient and loved ones. In medical education these
graphics enhance the student's
understanding of patient
experience.” (Green and Kimberly 2010)
+
Data Visualisation for Social Change and
Civic Engagement
(Plutchick 1980)
+
RiotID Educational Material
 A visual information resource on tear gas and
pepper spray
 A visual information resource on impact
munitions
 A guide for teachers on approaching issues of
protest policing and riot control technologies in
the classroom
+
The Design Model (Andy Kirk)
Establish
Purpose &
Identify key
factors
Acquire,
prepare and
explore your
data
Establish
Editorial
Focus
Conceive
your
visualisation
design
Construct
your data
visualisation
solution
+
The Co-Creation Process: Impact
Munitions
+
The Co-Creation Process: Impact
Munitions
• 5 words: rubber
bullet
• Sketch “a
protester”
Intro and Intro Task
• What is data?
• What is story?
• What is visual?
Designing
Information • Timeline starting
with British use
• Key types and
company today
• Injuries and death
Intro on the 4
Dataset on Impact
Munition
+
The Co-Creation Process: Impact
Munitions
• How do we condense
information into a visual
story? What’s most
important? What stories
could the infographic tell?
• Highilight 10 piece of
information
Editorial: Sifting
through the
Information
• Parameters: black and
white, print-based, static,
social-media friendly
Visualization
Activity • Students present their work
• 5 words on impact
munitions
Presentations on
Briefs and Debrief
Reflections
+
+
The Co-Creation Process: Impact
Munitions
+
The Co-Creation Process: Impact
Munitions
THE
SCENE
THE
CONSEQUENCES
JUDGMENT
+
Empathy and Social Change: Tear
Gas – the draft
+
Empathy and Social Change: Tear
Gas – the draft
+
Empathy and Social Change: Tear Gas
+
0
2
4
6
8
10
12
14
16
18
20
I am glad
that the
police use
tear gas
Other I would
be
unlikely
to go to a
protest
because
there
might be
tear gas
I would
join a
campaign
around
tear gas
I am
shocked
and
horrified
that tear
gas is
used
against
people
I am
surprised
that
police are
allowed
to use
tear gas
I would
like to
learn
even
more
about
tear gas
I feel sad
that
people
get hurt
by tear
gas
I feel
afraid of
being tear
gassed
I feel
angry
that tear
gas is
used
against
people
I now feel
informed
about
what tear
gas does
Empathy and Social Change: Tear Gas
+
Thank You!
 Anna Feigenbaum, Bournemouth University
 Isabella Rega, Bournemouth University
 RIOT ID Project: http://riotid.com/

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Co-designing Infographics: The case of the RiotID Eucational Material Project

  • 1. + Co-designing Infographics: The case of the RiotID Eucational Material Project Isabella Rega and Anna Feigenbaum Bournemouth University
  • 2. + Using Data Visualisation in Education: “Visual literacy is generally understood as a process that includes finding images, analysing them, evaluating them, applying them to a purpose, and producing them.” (Conner 2012)
  • 3. + Using Data Visualisation in Education: "Illustrations have immediate impact: they are thoughtfully constructed, with multiple layers of symbolic meaning, and yet, somehow, still instantly accessible –a quality only achieved by the best visual storytelling.” (McCabe 2015)
  • 4. + Using Data Visualisation in Education: “Perhaps visual data stories will become the way of preserving information about complex data and processes in the future, to pass on knowledge –not unlike they once were the main means of preserving and passing on information before reading and writing were common skills." (Kosara and Jock 2013, p.11)
  • 5. + Using Data Visualisation in Education: “Graphic representation is not only important for visualising the disease but the experiences of the patient and loved ones. In medical education these graphics enhance the student's understanding of patient experience.” (Green and Kimberly 2010)
  • 6. + Data Visualisation for Social Change and Civic Engagement (Plutchick 1980)
  • 7. + RiotID Educational Material  A visual information resource on tear gas and pepper spray  A visual information resource on impact munitions  A guide for teachers on approaching issues of protest policing and riot control technologies in the classroom
  • 8. + The Design Model (Andy Kirk) Establish Purpose & Identify key factors Acquire, prepare and explore your data Establish Editorial Focus Conceive your visualisation design Construct your data visualisation solution
  • 9. + The Co-Creation Process: Impact Munitions
  • 10. + The Co-Creation Process: Impact Munitions • 5 words: rubber bullet • Sketch “a protester” Intro and Intro Task • What is data? • What is story? • What is visual? Designing Information • Timeline starting with British use • Key types and company today • Injuries and death Intro on the 4 Dataset on Impact Munition
  • 11. + The Co-Creation Process: Impact Munitions • How do we condense information into a visual story? What’s most important? What stories could the infographic tell? • Highilight 10 piece of information Editorial: Sifting through the Information • Parameters: black and white, print-based, static, social-media friendly Visualization Activity • Students present their work • 5 words on impact munitions Presentations on Briefs and Debrief Reflections
  • 12. +
  • 13. + The Co-Creation Process: Impact Munitions
  • 14. + The Co-Creation Process: Impact Munitions THE SCENE THE CONSEQUENCES JUDGMENT
  • 15. + Empathy and Social Change: Tear Gas – the draft
  • 16. + Empathy and Social Change: Tear Gas – the draft
  • 17. + Empathy and Social Change: Tear Gas
  • 18. + 0 2 4 6 8 10 12 14 16 18 20 I am glad that the police use tear gas Other I would be unlikely to go to a protest because there might be tear gas I would join a campaign around tear gas I am shocked and horrified that tear gas is used against people I am surprised that police are allowed to use tear gas I would like to learn even more about tear gas I feel sad that people get hurt by tear gas I feel afraid of being tear gassed I feel angry that tear gas is used against people I now feel informed about what tear gas does Empathy and Social Change: Tear Gas
  • 19. + Thank You!  Anna Feigenbaum, Bournemouth University  Isabella Rega, Bournemouth University  RIOT ID Project: http://riotid.com/

Editor's Notes

  1. that briefly outlines how they work, differences between them and covers the issue of expired chemical devices that briefly outlines how they work, different main types, and a timeline of their key developments.
  2. William Morris 6th Form London 20 students 2 hours workshop Anna, me, The designer