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City as a gallery
I and II
A Belfast City Council project,
programmed and delivered by PLACE
What did we want to
achieve?
• Deliver high-quality visual arts
• Make people more aware of art in the city
• Encourage people to move around the city
• Support artists to develop their arts practice
§
#cityasagallery
City as a Gallery presentation

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City as a Gallery presentation

  • 1. City as a gallery I and II A Belfast City Council project, programmed and delivered by PLACE
  • 2. What did we want to achieve? • Deliver high-quality visual arts • Make people more aware of art in the city • Encourage people to move around the city • Support artists to develop their arts practice
  • 3.
  • 4.
  • 5.
  • 6.
  • 7.
  • 8.
  • 9.
  • 10.
  • 11.
  • 12.
  • 13.
  • 14. §
  • 15.
  • 16.

Editor's Notes

  1. In 2016, Belfast City Council and PLACE collaborated to run City as a gallery – two , three-month long programmes of visual arts exhibitions, installations and other special events. Some of these activities were specially commissioned. Some were already happening, and we worked with partner organisations to include them in the programme. As the name suggests, however, it was all curated under a common theme: City as a gallery is about art not in galleries, but art on our streets, in our parks, on the buildings that surround us. We wanted to Deliver a programme of high-quality visual arts that would Make people more aware of the art that surrounds us everyday, everywhere by increasing the visibility of art on our streets Help people feel safe and welcome moving around the city to view the art -- in phase 1, the art was arranged along a route running east—west; in phase 2, it ran north—south Support artists develop their arts practice
  2. What did we learn? Having run City as a Gallery twice now, we are taking some time to review the project and plan its next stage. And we thought that these might be useful to anyone else thinking of running a similar project. Need a foundation of trust. Commissioner (BCC) needs to trust the programmer (PLACE). Programmer needs to trust the artist. We did this by keeping an open brief, focusing on shared outcomes, rather than numbers or outputs. Yes, it is slightly riskier, but this is where the learning, innovation and development happens – which are themselves outcomes we wanted to achieve through this project. Curatorial control is very important, otherwise the concept can be diluted and diminished. In retrospect, some of the partnership events weren’t the best fit for the brief, e.g. they took place in a gallery space. Impact on the physical environment – not the reason why we did City as a Gallery, but it was a real benefit Not sure how much the project mobilised people and got them to travel outside their comfort zones, and even if they did, would they do so again? But there was an impact on inner-city communities – having the art in their area made people feel proud and valued Impact on the private sector – will they be more receptive of the arts projects in the future? E.g. private landlords, Road Service Marketing is very important, and the most effective platform seems to be two-way, not just saying “Come here and see this”, but asking, “What do you think of this?” It is difficult to evaluate – some events were commissioned, some were happening anyway and had their own evaluation process, or at least, motivations; some were indoors, some, outdoors; some happened over time; some lasted moments; some were advertised in advance; some were more pop-up style; most were free, a few needed tickets booked.