Cinematography
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This document analyzes various shots used in a film scene, including a trombone shot to depict darkness approaching, point-of-view shots from a character's perspective, close-ups to show facial details or damage, mid-shots to capture a character alone or hooked up to wires in a hospital bed, a 360 tracking shot for drama, and wide shots to make a character feel more isolated. The shots are described and their purposes explained contextually in the scene.
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Presentation1 hdddhndh
This document analyzes various camera shots used in a film scene. It describes shots including a trombone shot used to show something approaching in the darkness, point of view shots from the perspective of characters, close-ups to show a damaged face or emotion, mid shots capturing a girl alone blowing out candles or a person in a hospital bed, a cutaway linking to removing wires from the body, a 360 tracking shot used for drama, a two person shot showing two people together, point of view shots of something chasing in the dark, and a wide shot making a character feel more alone in a corridor.
Question 5
This document discusses how to target the intended audience for a film project. It aims its thriller genre film at males and females ages 40-55. The opening title sequence uses fading characters and an eerie sound to set the thriller genre and build tension. It then shows a train station introducing themes of mental health and schizophrenia. The title is revealed in smoky writing that fades, creating mystery. The first scene shows the main character in therapy, sympathizing with her struggles and hinting at deeper problems, building suspense. Later scenes create a sense of urgency and confusion by showing a mysterious figure and leaving the main character alone in the park. The last scene uses props and whispers to imply the therapist may have mental health issues
Thriller
The document summarizes conventions used in thriller openings to build suspense and shock audiences. It discusses how suspense is created by keeping the audience guessing about who the suspicious person is and what will happen. It also notes that shock occurs because audiences do not expect the suspicious person to catch the innocent girl. Fast shots are used to build tension by not allowing viewers to clearly see what is happening, confusing and heightening their shock.
Audience theory
The document discusses three communication theories and how they relate to a thriller film:
1) The Effects/Hypodermic Model - A shocking scene where a woman is shot would surprise audiences and create questions to be answered.
2) Uses and Gratifications Theory - Audiences will use the thriller for entertainment, but younger audiences may not enjoy thrillers.
3) Reception Theory - Audiences could feel tense and curious about the opening scene as intended, but may not believe a scene where the woman knows she will die if the acting and effects are not realistic.
Evaluation q5
The document summarizes how the opening sequence of a film attracted and addressed its target audience. It established the thriller genre through its spooky soundtrack. It featured a main character around age 15-20 to appeal to that demographic. Darkened frames, contrasting editing, and unsettling props like an anonymous letter threatened the protagonist and created psychological tension, establishing the conventions of the thriller genre. The setting of the protagonist's ordinary middle-class house also aimed to address middle-class audiences. A variety of camera angles and fluid editing kept viewers interested in following the seemingly normal teenage girl's daily routine, despite ominous non-diegetic sounds hinting things may take a darker turn.
Evaluation question 5 media studies
The thriller holds audiences' attention through conventions like a mysterious McGuffin object that audiences want to learn more about. Point-of-view shots from the kidnappers' perspective also grab attention as audiences wonder whose perspective it is and why they hide. After seeing two boys get kidnapped in the opening, audiences will want to continue watching to find out what happens to the boys and why they were kidnapped. A close-up of the McGuffin, or mysterious disk, at the end further intrigues audiences to learn what is on the disk and why it is so important to the kidnappers.
Cinematography Beth
The document discusses various camera shots and techniques used in a film scene. A wide shot is used to foreshadow events and reveal a birthday cake. A medium close up tilts the camera down, making the subject look weak and vulnerable. A mid shot opens up to show the room and exaggerate the seriousness of the situation. A cutaway to a heart monitor builds tension as the monitor stops beeping. A mid shot allows the viewer to see the subject's expression but also the background as lights start going out, creating dramatic irony. A wide shot emphasizes there are only two ways to go and the subject looks lost.
9 frame analysis
The music video uses various camera shots to tell the story of a woman dealing with feelings for both her current and ex-boyfriend. Close-up shots of the singer are used frequently to draw attention to her as the focal point, as is common in music videos. Medium shots show her upset at seeing her ex at a party while with her new boyfriend. Later shots depict her with each man, expressing happiness with her new boyfriend but still having feelings for her ex through flashbacks and intimate moments. The camera work and lighting aim to convey the singer's emotions of sadness, confusion, and intimacy throughout the video.
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Presentation1 hdddhndh
This document analyzes various camera shots used in a film scene. It describes shots including a trombone shot used to show something approaching in the darkness, point of view shots from the perspective of characters, close-ups to show a damaged face or emotion, mid shots capturing a girl alone blowing out candles or a person in a hospital bed, a cutaway linking to removing wires from the body, a 360 tracking shot used for drama, a two person shot showing two people together, point of view shots of something chasing in the dark, and a wide shot making a character feel more alone in a corridor.
Question 5
This document discusses how to target the intended audience for a film project. It aims its thriller genre film at males and females ages 40-55. The opening title sequence uses fading characters and an eerie sound to set the thriller genre and build tension. It then shows a train station introducing themes of mental health and schizophrenia. The title is revealed in smoky writing that fades, creating mystery. The first scene shows the main character in therapy, sympathizing with her struggles and hinting at deeper problems, building suspense. Later scenes create a sense of urgency and confusion by showing a mysterious figure and leaving the main character alone in the park. The last scene uses props and whispers to imply the therapist may have mental health issues
Thriller
The document summarizes conventions used in thriller openings to build suspense and shock audiences. It discusses how suspense is created by keeping the audience guessing about who the suspicious person is and what will happen. It also notes that shock occurs because audiences do not expect the suspicious person to catch the innocent girl. Fast shots are used to build tension by not allowing viewers to clearly see what is happening, confusing and heightening their shock.
Audience theory
The document discusses three communication theories and how they relate to a thriller film:
1) The Effects/Hypodermic Model - A shocking scene where a woman is shot would surprise audiences and create questions to be answered.
2) Uses and Gratifications Theory - Audiences will use the thriller for entertainment, but younger audiences may not enjoy thrillers.
3) Reception Theory - Audiences could feel tense and curious about the opening scene as intended, but may not believe a scene where the woman knows she will die if the acting and effects are not realistic.
Evaluation q5
The document summarizes how the opening sequence of a film attracted and addressed its target audience. It established the thriller genre through its spooky soundtrack. It featured a main character around age 15-20 to appeal to that demographic. Darkened frames, contrasting editing, and unsettling props like an anonymous letter threatened the protagonist and created psychological tension, establishing the conventions of the thriller genre. The setting of the protagonist's ordinary middle-class house also aimed to address middle-class audiences. A variety of camera angles and fluid editing kept viewers interested in following the seemingly normal teenage girl's daily routine, despite ominous non-diegetic sounds hinting things may take a darker turn.
Evaluation question 5 media studies
The thriller holds audiences' attention through conventions like a mysterious McGuffin object that audiences want to learn more about. Point-of-view shots from the kidnappers' perspective also grab attention as audiences wonder whose perspective it is and why they hide. After seeing two boys get kidnapped in the opening, audiences will want to continue watching to find out what happens to the boys and why they were kidnapped. A close-up of the McGuffin, or mysterious disk, at the end further intrigues audiences to learn what is on the disk and why it is so important to the kidnappers.
Cinematography Beth
The document discusses various camera shots and techniques used in a film scene. A wide shot is used to foreshadow events and reveal a birthday cake. A medium close up tilts the camera down, making the subject look weak and vulnerable. A mid shot opens up to show the room and exaggerate the seriousness of the situation. A cutaway to a heart monitor builds tension as the monitor stops beeping. A mid shot allows the viewer to see the subject's expression but also the background as lights start going out, creating dramatic irony. A wide shot emphasizes there are only two ways to go and the subject looks lost.
9 frame analysis
The music video uses various camera shots to tell the story of a woman dealing with feelings for both her current and ex-boyfriend. Close-up shots of the singer are used frequently to draw attention to her as the focal point, as is common in music videos. Medium shots show her upset at seeing her ex at a party while with her new boyfriend. Later shots depict her with each man, expressing happiness with her new boyfriend but still having feelings for her ex through flashbacks and intimate moments. The camera work and lighting aim to convey the singer's emotions of sadness, confusion, and intimacy throughout the video.
Fingersmith Analysis
The document discusses several different shots used in film extracts. It describes a two shot showing two characters, one closer to the camera, where both express delight at receiving/giving new clothing. It also describes close up shots used to capture facial expressions of concentration while painting and tension during an aggressive conversation. A wide shot allows viewing of a character painting under an umbrella while others watch. A wide tracking shot follows characters to build tension. A cut away shot provides insight into other scene elements, like a character waking and wondering where others went.
Presentation1 descent
This document summarizes and analyzes several shots from the movie "The Descent". It describes the first shot as Sarah hallucinating about her deceased daughter on her birthday. It then explains that subsequent shots establish that Sarah has been hospitalized after a car accident. Another shot uses a "trombone shot" technique to convey Sarah's fear and realization that darkness is coming for her. The final shot shows Juno crying over also losing someone, Paul, in the same car accident.
Lighting analysis
Lighting in thriller movies is used to evoke specific emotions from audiences and highlight important characters and roles. It can focus only on a main actor's face to show intensity and create suspense about what will happen next. Lighting an outline instead of a face makes a scene more mysterious and makes audiences feel insecure when violence is impending. Lighting that focuses on a murderer's mask in darkness aims to frighten audiences.
Audience responses
The group presented their film title sequence and story to the class and received feedback. Suggestions for improvement included shortening the title sequence to under 3 minutes and giving hints about the time of day without revealing too much. The death scene could also be made more intense by showing shadows to focus the audience's attention without being too graphic.
Ouija Content analysis
1. The document analyzes the shots and scenes in the trailer for a horror movie about a Ouija board. It examines things like shot types, lengths, lighting, and how each shot is intended to create tension, suspense, or reveal information to the audience.
2. Several shots zoom in on characters or objects to draw the audience in and create a sense of unease, such as a shot of a smiling child behind a fence and a close-up of a character finding a mysterious object.
3. Other shots use low angles, lighting, and point-of-view techniques to make the setting seem threatening and leave the audience wondering what will happen, like a shot up a dark staircase or
Visual essay on skyfall
In this visual essay analyzing scenes from the film Skyfall, the author examines four scenes from an interrogation of James Bond regarding his psychological evaluation to continue as a '00' agent. In each scene, the lighting is dim and the color palette is limited to bleak tones of white, grey and blue to concentrate the audience on the serious nature of the interrogation. Shot reverse shots are used to show the interaction between Bond and his interrogator, establishing tension and authority. In one scene, an unknown man watches Bond, adding an element of mystery and pressure on Bond in keeping with the thriller genre.
Research 2
The document summarizes research done on thriller film openings from Taken, Twilight, and Doomsday to inform the opening of the author's own film about a teenage girl who is kidnapped and tortured. Key techniques analyzed include using dark credits on a light background to stand out, establishing the grim setting with a date instead of colors, fading in the title over a clip for mood, focusing closely on the main character, showing the before and after of the character, using shallow focus on the outside to emphasize movement and escape, and employing a handheld shot without clear views of the kidnappers to build tension and questions. The author intends to apply selective techniques from these films to effectively set up the genre and situation without confusion.
Presentation2 Brad Tocque
The document summarizes the use of mise-en-scene elements in a hospital scene from a film. It describes how lighting emphasizes the hospital setting and makes Sarah the focus. The dark surroundings and lit-up birthday cake draw attention. The location is a hospital corridor that feels dark and haunting alone but safe with her friend. Sarah wears a hospital gown showing her physical and mental vulnerability. The heartbeat monitor startles when removed, reminding of her near-death state. Cake flashes back to her daughter's accident. Diegetic sounds include beeping monitors and dialogue while non-diegetic includes background music.
How did you attract
The film engages its target audience by using a slower pace and suspenseful soundtrack to create tension. Grace wears a hooded jumper that disguises her face for parts of the film, generating mystery about her intentions and keeping viewers engaged. Close-ups of important clues, like pictures of Gwen, help establish her significance to the plot and encourage viewers to ask questions about her character.
Front cover question 4
The front cover of the magazine exploits Naomi Wolf's theory from her book The Beauty Myth by photographing two thin, tall females who could be seen in a sexual way depending on the audience. The male model stands between and in front of the females, appearing more dominant to represent Wolf's idea that males have more authority than females. The facial expressions of the models on the cover take influence from Marjorie Ferguson's categories of "romantic" and Trevor Millum's category of "seductive," as the models look into the camera with small smiles or parted lips and straight faces.
Front cover question 4
The front cover of the magazine exploits Naomi Wolf's theory from her book The Beauty Myth by photographing two thin, tall females who could be seen in a sexual way depending on the audience. The male model stands between and in front of the females, appearing more dominant to represent Wolf's idea that males have more authority than females. The facial expressions of the models on the cover take influence from Marjorie Ferguson's categories of "romantic" and Trevor Millum's category of "seductive," as the models look into the camera with small smiles or parted lips and straight faces.
Media shots
This document describes different types of shots used in filmmaking and provides examples of each from a school-based story. An establishing shot orients the audience to the school courtyard setting. A close up shot shows a character's thoughts and feelings as seen on her phone. An extreme close up focuses on an important detail, in this case why she is happy looking at her phone. A canted angle shot conveys an unsettled mood as one character shows the other a concerning text. A shot reverse shot depicts a discussion between two characters and their reactions. A low shot makes a character seem dominant over their thoughts. A long shot shows two characters walking away in the distance.
Nine frame analysis
The document summarizes several shots from a horror film. The shots establish the old, dirty setting and use dark lighting to create tension. Medium shots show the main character exploring an apparently haunted house and looking scared. A medium long shot shows her standing in front of four dead people. An over-the-shoulder shot creates more tension as she reacts to something behind her. Later shots have brighter lighting and show the characters discussing a vision or something that has happened. The shots establish the mood, set up scary situations, and advance the plot through characters' reactions and discussions.
Mario Testino
Mario Testino is a renowned fashion and portrait photographer born in 1954 in Peru. He studied photography in London in 1976 and his career took off when his work was featured in Vogue in 1983. Since then, Testino has photographed major campaigns for luxury brands like Calvin Klein and Chanel. He is also known for his portraits of British royals, including iconic photos of Princess Diana and announcing photos of Prince William and Kate. This photo captures the happiness of William and Kate as they announce their engagement, shown through their close positioning, glowing natural lighting, and smiling facial expressions.
title ideas
The document discusses potential film title ideas for a film about a mentally unstable orphan girl. The group proposes three titles: "Demented", "Raised by the Voices", and "Least Expected". Audience feedback on the titles is gathered, with some preferring "Demented" for its clarity and "Least Expected" for its intrigue. However, the group ultimately decides on "Raised by the Voices" as the title since it most intriguingly introduces the unseen force controlling the girl.
Podcast for story board evaluation
The document discusses the goals and techniques for the opening two minutes of a student film. It aims to create a tense atmosphere through a lullaby soundtrack and zoom shots of a female character's facial expressions. The students want to leave audiences analyzing the scene and engage them to understand the overall film. The costumes are designed to represent the characters - a mother in black as depressed but not evil, a boy in a school uniform showing innocence, and the female lead dressed normally to draw focus.
Shooting schedule
The shooting schedule outlines 8 shots for a film scene involving an accident and its aftermath. Shot 1 is a panning bird's-eye shot to establish the surroundings after an event. Shots 2-3 show two people talking on the phone. Shots 4 and 6 focus on individuals involved. Shot 5 shows legs of someone hung. Shot 7 shows both ends of a phone call as one person is hung. Shot 8 focuses on a letter on the floor. Mise-en-scene details are provided for lighting and characters' clothing to establish mood and normalcy.
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Fingersmith Analysis
The document discusses several different shots used in film extracts. It describes a two shot showing two characters, one closer to the camera, where both express delight at receiving/giving new clothing. It also describes close up shots used to capture facial expressions of concentration while painting and tension during an aggressive conversation. A wide shot allows viewing of a character painting under an umbrella while others watch. A wide tracking shot follows characters to build tension. A cut away shot provides insight into other scene elements, like a character waking and wondering where others went.
Presentation1 descent
This document summarizes and analyzes several shots from the movie "The Descent". It describes the first shot as Sarah hallucinating about her deceased daughter on her birthday. It then explains that subsequent shots establish that Sarah has been hospitalized after a car accident. Another shot uses a "trombone shot" technique to convey Sarah's fear and realization that darkness is coming for her. The final shot shows Juno crying over also losing someone, Paul, in the same car accident.
Lighting analysis
Lighting in thriller movies is used to evoke specific emotions from audiences and highlight important characters and roles. It can focus only on a main actor's face to show intensity and create suspense about what will happen next. Lighting an outline instead of a face makes a scene more mysterious and makes audiences feel insecure when violence is impending. Lighting that focuses on a murderer's mask in darkness aims to frighten audiences.
Audience responses
The group presented their film title sequence and story to the class and received feedback. Suggestions for improvement included shortening the title sequence to under 3 minutes and giving hints about the time of day without revealing too much. The death scene could also be made more intense by showing shadows to focus the audience's attention without being too graphic.
Ouija Content analysis
1. The document analyzes the shots and scenes in the trailer for a horror movie about a Ouija board. It examines things like shot types, lengths, lighting, and how each shot is intended to create tension, suspense, or reveal information to the audience.
2. Several shots zoom in on characters or objects to draw the audience in and create a sense of unease, such as a shot of a smiling child behind a fence and a close-up of a character finding a mysterious object.
3. Other shots use low angles, lighting, and point-of-view techniques to make the setting seem threatening and leave the audience wondering what will happen, like a shot up a dark staircase or
Visual essay on skyfall
In this visual essay analyzing scenes from the film Skyfall, the author examines four scenes from an interrogation of James Bond regarding his psychological evaluation to continue as a '00' agent. In each scene, the lighting is dim and the color palette is limited to bleak tones of white, grey and blue to concentrate the audience on the serious nature of the interrogation. Shot reverse shots are used to show the interaction between Bond and his interrogator, establishing tension and authority. In one scene, an unknown man watches Bond, adding an element of mystery and pressure on Bond in keeping with the thriller genre.
Research 2
The document summarizes research done on thriller film openings from Taken, Twilight, and Doomsday to inform the opening of the author's own film about a teenage girl who is kidnapped and tortured. Key techniques analyzed include using dark credits on a light background to stand out, establishing the grim setting with a date instead of colors, fading in the title over a clip for mood, focusing closely on the main character, showing the before and after of the character, using shallow focus on the outside to emphasize movement and escape, and employing a handheld shot without clear views of the kidnappers to build tension and questions. The author intends to apply selective techniques from these films to effectively set up the genre and situation without confusion.
Presentation2 Brad Tocque
The document summarizes the use of mise-en-scene elements in a hospital scene from a film. It describes how lighting emphasizes the hospital setting and makes Sarah the focus. The dark surroundings and lit-up birthday cake draw attention. The location is a hospital corridor that feels dark and haunting alone but safe with her friend. Sarah wears a hospital gown showing her physical and mental vulnerability. The heartbeat monitor startles when removed, reminding of her near-death state. Cake flashes back to her daughter's accident. Diegetic sounds include beeping monitors and dialogue while non-diegetic includes background music.
How did you attract
The film engages its target audience by using a slower pace and suspenseful soundtrack to create tension. Grace wears a hooded jumper that disguises her face for parts of the film, generating mystery about her intentions and keeping viewers engaged. Close-ups of important clues, like pictures of Gwen, help establish her significance to the plot and encourage viewers to ask questions about her character.
Front cover question 4
The front cover of the magazine exploits Naomi Wolf's theory from her book The Beauty Myth by photographing two thin, tall females who could be seen in a sexual way depending on the audience. The male model stands between and in front of the females, appearing more dominant to represent Wolf's idea that males have more authority than females. The facial expressions of the models on the cover take influence from Marjorie Ferguson's categories of "romantic" and Trevor Millum's category of "seductive," as the models look into the camera with small smiles or parted lips and straight faces.
Front cover question 4
The front cover of the magazine exploits Naomi Wolf's theory from her book The Beauty Myth by photographing two thin, tall females who could be seen in a sexual way depending on the audience. The male model stands between and in front of the females, appearing more dominant to represent Wolf's idea that males have more authority than females. The facial expressions of the models on the cover take influence from Marjorie Ferguson's categories of "romantic" and Trevor Millum's category of "seductive," as the models look into the camera with small smiles or parted lips and straight faces.
Media shots
This document describes different types of shots used in filmmaking and provides examples of each from a school-based story. An establishing shot orients the audience to the school courtyard setting. A close up shot shows a character's thoughts and feelings as seen on her phone. An extreme close up focuses on an important detail, in this case why she is happy looking at her phone. A canted angle shot conveys an unsettled mood as one character shows the other a concerning text. A shot reverse shot depicts a discussion between two characters and their reactions. A low shot makes a character seem dominant over their thoughts. A long shot shows two characters walking away in the distance.
Nine frame analysis
The document summarizes several shots from a horror film. The shots establish the old, dirty setting and use dark lighting to create tension. Medium shots show the main character exploring an apparently haunted house and looking scared. A medium long shot shows her standing in front of four dead people. An over-the-shoulder shot creates more tension as she reacts to something behind her. Later shots have brighter lighting and show the characters discussing a vision or something that has happened. The shots establish the mood, set up scary situations, and advance the plot through characters' reactions and discussions.
Mario Testino
Mario Testino is a renowned fashion and portrait photographer born in 1954 in Peru. He studied photography in London in 1976 and his career took off when his work was featured in Vogue in 1983. Since then, Testino has photographed major campaigns for luxury brands like Calvin Klein and Chanel. He is also known for his portraits of British royals, including iconic photos of Princess Diana and announcing photos of Prince William and Kate. This photo captures the happiness of William and Kate as they announce their engagement, shown through their close positioning, glowing natural lighting, and smiling facial expressions.
title ideas
The document discusses potential film title ideas for a film about a mentally unstable orphan girl. The group proposes three titles: "Demented", "Raised by the Voices", and "Least Expected". Audience feedback on the titles is gathered, with some preferring "Demented" for its clarity and "Least Expected" for its intrigue. However, the group ultimately decides on "Raised by the Voices" as the title since it most intriguingly introduces the unseen force controlling the girl.
Podcast for story board evaluation
The document discusses the goals and techniques for the opening two minutes of a student film. It aims to create a tense atmosphere through a lullaby soundtrack and zoom shots of a female character's facial expressions. The students want to leave audiences analyzing the scene and engage them to understand the overall film. The costumes are designed to represent the characters - a mother in black as depressed but not evil, a boy in a school uniform showing innocence, and the female lead dressed normally to draw focus.
Shooting schedule
The shooting schedule outlines 8 shots for a film scene involving an accident and its aftermath. Shot 1 is a panning bird's-eye shot to establish the surroundings after an event. Shots 2-3 show two people talking on the phone. Shots 4 and 6 focus on individuals involved. Shot 5 shows legs of someone hung. Shot 7 shows both ends of a phone call as one person is hung. Shot 8 focuses on a letter on the floor. Mise-en-scene details are provided for lighting and characters' clothing to establish mood and normalcy.
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Unit 1 LO2a Cinematography
1) The document describes various camera shots and techniques that could be used in a film scene set in a hospital. It includes shots like close-ups, mid shots, and wide shots.
2) Techniques like trackshots, cutaways, and point-of-view shots are explained. A trackshot slowly reveals information, a cutaway shows something unrelated, and a POV shot depicts what a character sees.
3) Steadicam and trombone shots are also defined. A Steadicam stabilizes camera movement, while a trombone shot zooms out while moving forward to depict a character's fear or emotion.
Media film clips
This document discusses various camera shots and techniques used in a film scene. It describes shots including a tracking shot focusing on a birthday cake, a static point-of-view shot of a girl blowing out candles, and a close-up shot of a character in a hospital bed after an accident. It also mentions a cutaway shot of a heart monitor, a tracking shot following a running character, a two-shot between comforting characters, and close-ups of crying characters to elicit emotion.
Unit lo2
1) The document describes various camera shots and techniques including trackshot, close up, high mid shot, mid shot, cut away, wide shot, trombone shot, steadicam shot, point of view shot, and rotational steadicam shot.
2) These shots are used to reveal information, focus on characters' faces and emotions, show backgrounds and perspectives, and give impressions of fear and a falling apart world.
3) Close ups in particular are used to clearly show characters' facial expressions and reveal emotions.
Ao1b - cinematography
This document analyzes cinematography techniques used in the film "The Decent". It describes several scenes and the shots used, including a wide opening shot that slowly gains focus on a character waking up, a mid shot of a character waking in a hospital bed, and a wide steady shot of a character running from darkness being chased by a point of view wide shot. It also discusses shots showing characters comforting each other and showing emotion, with a 360 degree angle shot and close up of a character crying for their friend.
Ao1b cinematography11
This document analyzes cinematography techniques used in the film "The Descent." It describes several shots from the film clips: a wide rack focus shot introduces a character waking up blurred and gaining focus; a mid shot focuses on the character waking up in a hospital bed; and a wide steady cam shot makes the character feel lonely while running from darkness. It also discusses a trombone shot expressing the character's fading expression as darkness approaches, and a 360 degree shot showing comfort while the world continues around the characters.
Descent camera shots ow
This document discusses various camera shots and techniques used in cinema photography. It describes shots like a tracking shot that moves in from a wide shot to a close up of a girl blowing out birthday candles. A static shot shows the same scene without camera movement. Other shots discussed include a mid shot showing a woman's upper body, a close up of her face to show emotion, a point-of-view shot chasing someone in a dark corridor, a trombone shot that zooms out and in to build suspense, a 360 shot spiraling around a crying woman, a two shot containing only two people, and another close up of a woman's face and shoulders to convey her emotions.
Ao1b Cinematography
This document analyzes cinematography techniques used in the film The Descent. It describes several shots from the film clip: a wide shot that starts blurred and slowly gains focus on a character waking up, achieved using a rack focus camera move. It also describes a mid shot focused on the character waking up in a hospital bed, a trombone shot used to show her expression as darkness approaches, and wide shots to make her feel lonely and show her running from the darkness. It notes a scene using a 360 degree camera move to show life continuing normally around two comforting characters.
AO1B
This document analyzes cinematography techniques used in the film The Descent. It describes several shots from the film clip: a wide shot that starts blurred and gains focus on a character waking up, achieved using a rack focus camera move. It also describes a mid shot focused on the character waking up in a hospital bed, a trombone shot used to show her expression as darkness approaches, and wide steadycam shots to make her feel lonely and show something chasing her in the dark. It notes a scene using a 360 degree camera move to show life continuing normally around two comforting characters. Finally, it describes a scene showing emotion as a character cries for their friend's suffering.
Ao1b cinematography
This document analyzes cinematography techniques used in the film The Descent. It describes several shots from the film clip: a wide shot that starts blurred and slowly gains focus on a character waking up, achieved using a rack focus camera move. It also describes a mid shot focused on the character waking up in a hospital bed, a trombone shot used to show her expression as darkness approaches, and wide shots to make her feel lonely and show her running from the darkness. It notes a scene using a 360 degree camera move to show life continuing normally around two comforting characters.
CinematographyNEWUPLOAD
This document analyzes 14 shots from a film. Shot 1 is a tracking shot that draws attention to a birthday cake. Shot 2 is static to avoid distraction. Shot 3 shows the perspective of a mother watching her daughter blow out candles. Shot 4 provides a close-up of the detailed cake. Shot 5 uses a handheld camera to follow a character. Shot 6 uses a cantered angle to suggest something may happen. Shot 7 uses a mid-shot to focus on a character's confused face. Shot 8 isolates a character using a trombone shot. Shot 9 uses a steadicam to smoothly follow action and show surroundings. Shot 10 shows a point of view of something chasing a character. Shot 11 uses a steadic
Unit 1 AO1b Micro analysis
This document analyzes 14 shots from a film. Shot 1 is a tracking shot that draws attention to a birthday cake. Shot 2 is static to avoid distraction. Shot 3 shows the perspective of a mother watching her daughter blow out candles. Shot 4 provides a close-up of the detailed cake. Shot 5 uses a handheld camera to follow a character. Shot 6 uses a cantered angle to suggest something may happen. Shot 7 uses a mid-shot to focus on a character's confused face. Shot 8 isolates a character using a trombone shot. Shot 9 uses a steadicam to smoothly follow action and show surroundings. Shot 10 shows a point of view of something chasing a character. Shot 11 uses a steadic
Shots and angles analysis
This document discusses different camera shots and angles used in horror films and provides examples from Carrie, Insidious 3, and Don't Breathe. It describes establishing shots that set the scene, high angle shots that make characters seem vulnerable, close-up shots that show facial expressions to build tension, point-of-view shots that put the audience in the character's perspective, and over-the-shoulder shots that create tension by showing what's happening around a character. These various shots are effective techniques for horror films to engage audiences and build mystery, fear and anticipation.
Shots and angles analysis
This document discusses different camera shots and angles used in horror films and provides examples from Carrie, Insidious 3, and Don't Breathe. It describes establishing shots that set the scene, high angle shots that make characters seem vulnerable, close-up shots that show facial expressions to build tension, point-of-view shots that put the audience in the character's perspective, and over-the-shoulder shots that create tension by showing what's happening around a character. These various shots are effective techniques for horror films to engage audiences and increase fear and anticipation of scary events.
Representation of Characters
The document analyzes character representations in film through shots from four different scenes. In the first scene about three girls, shot 1 establishes them as innocent through smiling and playing. Shot 2 shows a change as their expressions look trance-like. In shots about a family, the wife is portrayed as kind and caring. Another scene introduces a mysterious woman holding a knife in the dark. A final scene shows a baby crying in a bath without seeing its face, distancing the audience's sympathy. Overall the document examines how first shots aim to give audiences initial impressions about characters.
Matthew Hillary The Descent Camera Shot Analysis
The document analyzes different camera shots used in the film The Descent. It describes shots including close-up, mid shot, wide shot, trombone shot, steadicam shot, follow shot, two shot, arc shot, and zoom. For each shot type, it provides an example of how that shot is used in a specific scene from the film to convey meaning or emotion.
IST FINAL.
The document provides descriptions of various camera shots used in a film, including long shots, mid shots, close ups, and low angle shots. The shots are used to introduce characters, emphasize their importance, create suspense, show characters looking around an empty area, depict characters walking and looking for people, capture a fall, and show characters deciding to enter a passageway.
N:\media\coursework\research 2
The document summarizes research done on thriller film openings from Taken, Twilight, and Doomsday to inform the opening of the author's own film about a teenage girl who is kidnapped and tortured. Key techniques analyzed include using dark credits on a light background to stand out, setting the grim tone by omitting color at the beginning, fading in the title over a clip, introducing the main character with a close-up, showing the before and after effects of the kidnapping through clothing and makeup, using shallow focus to emphasize a desire to be outside, and implementing a shaky handheld shot during the kidnapping to make the audience ask questions and convey helplessness.
TheDescentKai
This document summarizes different camera shots and techniques used in several film clips. It describes shots including panning toward a cake and girl, close-ups of a heart rate monitor and person's face, mid shots of a person standing off-center, and various wide shots and angles including a 360 pan around a subject. Camera movements like zooming, steadicam shots, and panning are also discussed.
Camera shots by Elisa Dubignon
The document discusses different types of camera shots used in filmmaking and provides examples. It describes a moving shot used to introduce a female protagonist running into a school. A leading shot follows the protagonist from behind to provide continuity between clips. An over the shoulder shot establishes the position of two characters having a conversation and alternates between their views. A tilt shot introduces the protagonist talking on the phone from a stationary vertical angle. A two shot focuses on the interaction between the protagonist and a teacher without surrounding distractions.
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The document provides feedback on the strengths and areas for improvement for a film pitch. Some of the strengths included an engaging narrative, believable characters, and reasonable resources and feasibility. Areas that could be improved included making the justification for the film's setting in the UK stronger, providing more style devices, and addressing some plot holes and inconsistencies. In summary, the feedback highlighted positive aspects of the story and characters but identified ways the pitch could better support the film's style and address logical issues.
Xbox one storyboard 2
The storyboard depicts Harry and Alex using their Xbox consoles, with Harry celebrating after using his while Alex drops his head in shame.
Xbox one storyboard
The storyboard depicts two scenes involving Harry and Alex receiving texts on their phones. Harry receives a text while in class and then walks to his Xbox One, while Alex receives a text while playing football and also goes to his Xbox One.
Script unit 40
The production script documents a conversation between Jason and Mitchell through various camera shots including wide shots of the car park, medium shots of each character, and extreme close-ups. Mitchell claims to know where Jason's daughter is and demands a quarter of a million dollars from Jason within two days, leaving Jason distressed by the unexpected news and demand.
Workingtitle 160616084210
- Working Title Films is a UK film production company founded in 1983 that is now owned by Universal. It established an independent arm called WT2 in 1999.
- Before being acquired by Universal, Working Title only produced UK films, but now also produces American films. It receives funding from various sources like the BFI and Film4 and helps fund films in exchange for distribution rights.
- Marketing is important for a film's success and involves activities like trailers, posters, websites, talk show appearances, and red carpet events. However, films are generally more successful in America due to its larger market and higher marketing budgets.
Script- Wonder Badger
1. The Wonder Badger gets into trouble for leaving the house at night and gets blood on his paws from fighting off robbers.
2. Marshall takes Ralph the badger to the vet the next morning to check on his paws. While at the vet, Ralph's superhero collar goes off alerting him that the city needs his help.
3. Ralph works to escape from his cage at the vet's office so he can go help the city as the Wonder Badger. However, Marshall does not know that Ralph is actually the Wonder Badger.
Uk film sample script
Mitchell calls his friend Jason and claims to know where Jason's daughter is. Mitchell demands £250,000 from Jason within 2 days in exchange for information about his daughter's location. When Jason questions how he could get such a large sum of money so quickly, Mitchell ominously replies "Oh...you know." Jason becomes distraught after hanging up, dropping his head into his hands in despair over Mitchell's ransom demand.
Pre – production
This document outlines the pre-production, production, and post-production schedules for a film project over 12, 10, and 10 weeks respectively. Key roles like the director, producer, script writer, actors, and equipment needs are planned for pre-production. Production focuses on the director, crew like the DOP and assistants, actors, and specialized equipment. Post-production involves the director, producer, sound, visual effects, music, and editing roles to complete the film.
Working Title - Ryan Banks
- Working Title Films is a UK film production company owned by Universal. It was founded in 1983 by Sarah Radclyffe and Tim Bevan.
- Working Title produces films for both UK and US audiences. Before being acquired by Universal, Working Title only produced films for the UK market.
- Marketing is important for a film's success. Techniques used include trailers, posters, celebrity appearances, and red carpet premieres. However, films generally have more marketing success and higher budgets in the US compared to the UK.
Playdohtimetable 160119145649
Over the course of 6 weeks, an advertising campaign is run to promote a new product. In week 1, billboards and social media contests create intrigue around the unknown product. Week 2 brings radio spots and magazine ads to a wider audience. Short TV ads begin in week 3. Weeks 4-5 heavily feature TV and radio ads between 12-4pm to maintain awareness. The final week announces the contest winner with a product interview to drive interest until launch.
Audience research ryan banks
This document discusses research into what people enjoy about horror films and their favorite genres. The research aims to determine viewers' likes and dislikes to help filmmakers create horror films that appeal to audiences by including what scares and entertains them. Understanding audience preferences is valuable as it allows creators to design films that keep viewers engaged rather than turning them off.
Studio shoot time table
This document outlines Ryan Banks' studio and outdoor photo shoot plans for May 15th and 17th, as well as a contingency plan for May 19th. On May 15th, Caleb Knowles will be photographed from 3:15-3:45pm in the studio. An outdoor shoot is also planned for May 15th at Heath Town Park with models Brandon Wood, Toby Adshead, and Caleb Knowles. On May 17th, portraits of Leah Banks will be taken from 11:00-11:45am and 4:00-4:50pm at a house. The contingency plan schedules the same outdoor and house shoots for May 19th in case of rain on the original dates.
Studio shoot time table
The document contains Ryan Banks' studio and location shoot schedule for May 15th and 17th, including times for front cover images of a model playing guitar, close-up guitar images, and outdoor group shots of a band at a park and house. It also includes a contingency plan to reschedule the outdoor shoots for May 19th in case of rain.
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This document contains a BBC risk assessment form. It provides information about a proposed project taking place at Health Park Studios, including a summary of the project, team members involved, and the locations. It lists potential hazards such as contact with hot/cold liquids, lack of food/water, and waste substances. It also includes a risk matrix to determine the likelihood and severity of potential harms from each hazard.
Studio shoot time table
The document provides a schedule for a photo shoot with a model playing guitar. It lists the planned shots including a mid-shot for the cover, close-ups of the guitar, wide shots of the model with the band outdoors, portraits of the model holding the guitar indoors and outdoors, and a close-up of the model resting her head on the guitar. Shooting times are scheduled between 3:15pm and 4:50pm for the studio, outdoor, and indoor locations.
Production script 2
The document provides a production script describing various camera shots and angles showing a doctor explaining a cancer diagnosis to a patient named Lenny. It includes shots of Lenny reacting with confusion and disbelief to the news on the doctor's screen. The doctor then sadly explains to Lenny that the cancer has spread significantly in his lung due to smoking and that, while more tests could be done, surgery is not an option due to Lenny's smoking history potentially compromising his ability to function with only one lung. The doctor is unable to give a definite timeline but estimates Lenny has between 6 months to 4 years left.
Script 8
A production script describes scenes showing Lenny's son approaching and opening a door with room number. Close-ups show the son thinking as he pulls down the door handle and opens it. The script ends with the door sound and the son saying "Hello, Dad."
Script 7
This 3-sentence summary provides the essential information about the key events and characters in the production script:
The production script documents a son visiting his father, Lenny Davies, in the hospital, showing over-the-shoulder shots of the son and wife, as well as shots of Lenny in his hospital room and the son approaching the receptionist desk and being directed to his father's room number. The script also includes a conversation where someone tells the son that he should hear out his father to get the truth about something, though the son says he needs to be alone.
Script 6
The document is a production script that outlines various camera shots and dialogue between a son and his wife. It begins with a wide shot of the son walking into the living room and sitting down as his wife walks in and kisses him on the cheek. They have a conversation where the wife asks if he's alright and he explains that his father came to the house unexpectedly after 20 years without contact. The wife tries to calm him down and advises him not to do anything rash in his anger towards his father.
Script 5
Lenny arrives at his son's house to talk after not seeing him for 20 years. When his son opens the door, he is not welcoming and does not want to hear Lenny's excuses. Lenny tries to explain and calls his son "son", but his son gets angry, says Lenny is not his father and tells him to leave the property, then slams the door. Lenny is left looking at the closed door.
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Cinematography
- 2. Clip 3 Trombone Shot – It uses this shot because the darkness is coming to get her and it makes it seem like something is coming towards her. Point of View Shot – This is used so we can see the POV of the character, in the case, the mother. CU – This shot is a close-up and is used so you can see the damage done to her face. Mid Shot – Captures the little girl alone blowing a cake. It is also a POV shot from the mother. Cutaway – This shot is used because it links with her pulling the wires off her body. Mid-Shot – This shot is used so it shows the girl in the hospital bed hooked up to some wires.
- 3. 360 Tracking Shot – Used for a dramatic moment and to show that things have changed or become more serious. 2 Person Shot – Just a shot to show two people in one shot. Point of View – POV shot of someone chasing her in the dark. Close Up – Used to show the emotion in the persons face. Wide Shot – They use a wide shot in this scene to make her feel more alone and makes the corridor feel lonelier.