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dressed Was your favorite kind of                that you knew when I said two




                                                 style                                            sugars Actually I meant three
Chosen Lyrics
                                                 I wish you couldn't figure me out                I wish that without me your heart
Nicest thing                                     But you'd always wanna know                      would break Yeah, I wish that
                                                 what I was about I wish you'd hold               without me You'd be spending the
All I know is that you're so nice                my hand when I was upset I wish                  rest of your nights awake
You're the nicest thing I've seen I              you'd never forget The look on my
wish that we could give it a go See              face when we first met                           I wish that without me you
if we could be something                                                                          couldn't eat Yeah, I wish I was the
                                                 I wish you had a favorite beauty                 last thing on your mind Before you
I wish I was your favourite girl I               spot That you loved secretly 'Cos                went to sleep
wish you thought I was the reason                it was on a hidden bit That
you are in the world                             nobody else could see                            Look, all I know is that You're the
                                                                                                  nicest thing I've ever seen And I
I wish my smile was your favourite               Basically, I wish that you loved me              wish we could see if we could be
kinda smile I wish the way that I                I wish that you needed me I wish                 something Yeah, I wish we could
                                                                                                  see if we could be something.




Interview
Sony Entertainment Network: Now that you’re on your third album, what lessons have you learned from the other two?

Kate Nash: I’ve learnt a lot from touring and being in studios so much over the course of the last 6 going on 7 years now. I
also produced a band called Supercute’s record in 2011, that totally educated on every aspect of making a record too, as I
was responsible for someone else’s art and vision it made me focus on every single tiny detail and I think I was able to carry
that over to this third album too. I think this record is so gut and emotionally led though that the actual songwriting
process was fairy thoughtless. I just puked my emotions out and then thought about it afterwards. I guess I’ve learnt not to
wait on other people too, sometimes you know what’s right and you just have to trust that and go with it. If I didn’t I
wouldn’t have made this record and I would probably be in a mental health clinic freaking out right now. Music is my
therapy and I need it to survive. I have also realized that there are always other options and that you have to take a lot of
the emotion out of the business side of things and put yourself first. 



SEN: You are able to play several instruments, which is your favorite and why?

KN: Definitely the bass guitar. I just fell in love with how it felt to play it. It makes me feel very powerful, it’s literally like
wearing a weapon, it’s so big and heavy and strong. And it just feels so satisfying to play. It also opened up a whole new
way to write songs for me, and it’s been the most enjoyable songwriting process.

SEN: What’s the essential item in your suitcase when you go on tour?
KN: My DM creepers, an American apparel full mesh body suit, I can wear under anything on stage, this black chiffon mini
dress I always wear, mac ruby woo lipstick and black eyeliner.

SEN: Tell us about your experience filming Greetings from Tim Buckley.

KN: I lived in NY for about a month which was so much fun. We shot in Brooklyn in the original church where Jeff played
the show we are telling the story of, where he was essentially discovered and things kicked off for him, a tribute show to
his father. Some of the original promoters and musicians were in the movie and we performed a live music show to a live
audience which made for a really unique experience. I loved all the hair and make-up team and crew and really got my
head around what being in the movie world is actually like. Penn did such a great job at being Jeff, his voice and look was
incredible. I loved shooting nights and living in NY and just being part of someone else’s vision. The director Dan was a
dream too, so creative and had such a beautiful imagination. Very cool experience.

SEN: Your album is called Girl Talk, so what are the three girliest things you own?

KN: This giant red prom style vintage dress that I bought for the OMYGOD video. A tiara with a plastic be-jewelled wand I
bought on a ferry on tour. And my rookie Yearbook 1!



SEN: You recently travelled to Africa with Plan International, an organization that helps children in developing countries.
What all did you end up doing out there?

KN: I travelled to a small community called HoHo about 5 hours from Accra. There was so much to take in on the journey
there that it flew by and didn’t feel like a long journey at all. So many new sounds and sights etc., from wild baboons on the
side of the road, to the ladies selling food from wooden structures they were carrying on their heads at the toll roads, to
seeing the amount of heavy duty manual labour going on in the city, to coffins being sold on the side of the road, to the
sugar cane fields and mountains, it was all so exciting to see! We met with a chief and the elders, a primary school and
then a group called girls making media who were so SO inspiring. They were studying on a course, around the ages of 15-18
on how to change their community for the better, by learning about sexism, sexual assault, bullying, hygiene, other
problems that they face every day. They interview people in the community about the troubles they face and then work on
fixing the problems, it was amazing.




SEN: You seem very into fashion. What is your favorite on-stage outfit?

KN: It’s a blue polkadot mini dress with a large white collar, black tights, some shiny schoolish shoes from office and fishnet
tights.




Chosen Font

Frosting for Breakfast by Lee
Batchelor

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Chosen digi pack

  • 1. dressed Was your favorite kind of that you knew when I said two style sugars Actually I meant three Chosen Lyrics I wish you couldn't figure me out I wish that without me your heart Nicest thing But you'd always wanna know would break Yeah, I wish that what I was about I wish you'd hold without me You'd be spending the All I know is that you're so nice my hand when I was upset I wish rest of your nights awake You're the nicest thing I've seen I you'd never forget The look on my wish that we could give it a go See face when we first met I wish that without me you if we could be something couldn't eat Yeah, I wish I was the I wish you had a favorite beauty last thing on your mind Before you I wish I was your favourite girl I spot That you loved secretly 'Cos went to sleep wish you thought I was the reason it was on a hidden bit That you are in the world nobody else could see Look, all I know is that You're the nicest thing I've ever seen And I I wish my smile was your favourite Basically, I wish that you loved me wish we could see if we could be kinda smile I wish the way that I I wish that you needed me I wish something Yeah, I wish we could see if we could be something. Interview Sony Entertainment Network: Now that you’re on your third album, what lessons have you learned from the other two? Kate Nash: I’ve learnt a lot from touring and being in studios so much over the course of the last 6 going on 7 years now. I also produced a band called Supercute’s record in 2011, that totally educated on every aspect of making a record too, as I was responsible for someone else’s art and vision it made me focus on every single tiny detail and I think I was able to carry that over to this third album too. I think this record is so gut and emotionally led though that the actual songwriting process was fairy thoughtless. I just puked my emotions out and then thought about it afterwards. I guess I’ve learnt not to wait on other people too, sometimes you know what’s right and you just have to trust that and go with it. If I didn’t I wouldn’t have made this record and I would probably be in a mental health clinic freaking out right now. Music is my therapy and I need it to survive. I have also realized that there are always other options and that you have to take a lot of the emotion out of the business side of things and put yourself first. 

 SEN: You are able to play several instruments, which is your favorite and why? KN: Definitely the bass guitar. I just fell in love with how it felt to play it. It makes me feel very powerful, it’s literally like wearing a weapon, it’s so big and heavy and strong. And it just feels so satisfying to play. It also opened up a whole new way to write songs for me, and it’s been the most enjoyable songwriting process. SEN: What’s the essential item in your suitcase when you go on tour?
  • 2. KN: My DM creepers, an American apparel full mesh body suit, I can wear under anything on stage, this black chiffon mini dress I always wear, mac ruby woo lipstick and black eyeliner. SEN: Tell us about your experience filming Greetings from Tim Buckley. KN: I lived in NY for about a month which was so much fun. We shot in Brooklyn in the original church where Jeff played the show we are telling the story of, where he was essentially discovered and things kicked off for him, a tribute show to his father. Some of the original promoters and musicians were in the movie and we performed a live music show to a live audience which made for a really unique experience. I loved all the hair and make-up team and crew and really got my head around what being in the movie world is actually like. Penn did such a great job at being Jeff, his voice and look was incredible. I loved shooting nights and living in NY and just being part of someone else’s vision. The director Dan was a dream too, so creative and had such a beautiful imagination. Very cool experience. SEN: Your album is called Girl Talk, so what are the three girliest things you own? KN: This giant red prom style vintage dress that I bought for the OMYGOD video. A tiara with a plastic be-jewelled wand I bought on a ferry on tour. And my rookie Yearbook 1!

 SEN: You recently travelled to Africa with Plan International, an organization that helps children in developing countries. What all did you end up doing out there? KN: I travelled to a small community called HoHo about 5 hours from Accra. There was so much to take in on the journey there that it flew by and didn’t feel like a long journey at all. So many new sounds and sights etc., from wild baboons on the side of the road, to the ladies selling food from wooden structures they were carrying on their heads at the toll roads, to seeing the amount of heavy duty manual labour going on in the city, to coffins being sold on the side of the road, to the sugar cane fields and mountains, it was all so exciting to see! We met with a chief and the elders, a primary school and then a group called girls making media who were so SO inspiring. They were studying on a course, around the ages of 15-18 on how to change their community for the better, by learning about sexism, sexual assault, bullying, hygiene, other problems that they face every day. They interview people in the community about the troubles they face and then work on fixing the problems, it was amazing. SEN: You seem very into fashion. What is your favorite on-stage outfit? KN: It’s a blue polkadot mini dress with a large white collar, black tights, some shiny schoolish shoes from office and fishnet tights. Chosen Font Frosting for Breakfast by Lee Batchelor