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FANTASY
Prepared by:
Aswathy Mohan
Assistant Professor
Department of English
Sree Narayana College, Kollam
FANTASY LITERATURE
 Fantasy Literature is one of the rising and the most powerful genres
of children’s literature
 Fantasy and our conception of what is fantastic depend upon our
view of reality: what we find improbable and unexpected follows
from what we find probable and likely, and the fantastic will
therefore necessarily vary with the individual and the age.
The Two Principal Motifs in Fantasy
 The Secondary World
-The most common denomination for the various representations
of magic in fantasy literature is the concept of the Secondary World.
-Fantasy can be assumed roughly as a narrative combining the
presence of the Primary and the Secondary Worlds
 The Time Element
- In fantasy, the character may easily live a whole life in the imaginary
world while no time will pass in his reality.
Backdrop in Fantasy Literature
 The backdrop of fantasy is a very deviant component.
 Most works of fantasy like Lewis Carroll’s Alice’s
Adventures in Wonderland and Through the Looking
Glass and J. K. Rowling’s novels share fantastic
settings and characterization
 A transition from a realistic world to the fantastic.
Personae in Fantasy Literature
 The characters that inhabit these fantasy worlds
are a signal to the reader that the work is a
work of fantasy.
 Sometimes the characters are so ordinary that
one assumes that the writers are assuring their
readers that the protagonist is ‘just like you.’
Wizards and Fantasy
 Wizards, in essence, are those characters who are able to
manipulate the world around them through superhuman or
magical means.
 Authors have created wizards out of men, women and
children.
The Role of Animals in Fantasy
 The next motif, scattered in all fantasy novels are the animals
that speak, those that do not speak but understand the
language of humans and their feelings, and the
anthropomorphic animals.
 Books like Lewis Carroll’s Alice’s Adventures in Wonderland
and Through the Looking Glass show the latter kind of
animals.
The Theme of Death in Fantasy
 Fantasy literature introduces the theme of mortality to
make the readers relate to the story and the characters.
 Both C. S. Lewis and J. K. Rowling use death as a suspense
maker in their narratives creating excitement and fear in
the reader’s mind.
Duality in Human Nature
 This typical literary concept is represented in various ways by
fantasy writers.
 Human beings must struggle to find the inner strength to
triumph over their weaknesses and enrich their world with
goodness.
Values in Fantasy
 Many books of fantasy include magical beings, like dragons,
unicorns, and wizards, and fictional places, like Middle Earth,
Fairy Land etc.
 Beneath the fantastic surface of all the terrible, the beautiful, the
magical, the supernatural and mysterious, beyond all the fantastic,
exists an exceedingly more important message with moral
implication.
THANK YOU
Aswathy Mohan

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Children's Literature -Fantasy

  • 1. FANTASY Prepared by: Aswathy Mohan Assistant Professor Department of English Sree Narayana College, Kollam
  • 2. FANTASY LITERATURE  Fantasy Literature is one of the rising and the most powerful genres of children’s literature  Fantasy and our conception of what is fantastic depend upon our view of reality: what we find improbable and unexpected follows from what we find probable and likely, and the fantastic will therefore necessarily vary with the individual and the age.
  • 3. The Two Principal Motifs in Fantasy  The Secondary World -The most common denomination for the various representations of magic in fantasy literature is the concept of the Secondary World. -Fantasy can be assumed roughly as a narrative combining the presence of the Primary and the Secondary Worlds  The Time Element - In fantasy, the character may easily live a whole life in the imaginary world while no time will pass in his reality.
  • 4. Backdrop in Fantasy Literature  The backdrop of fantasy is a very deviant component.  Most works of fantasy like Lewis Carroll’s Alice’s Adventures in Wonderland and Through the Looking Glass and J. K. Rowling’s novels share fantastic settings and characterization  A transition from a realistic world to the fantastic.
  • 5. Personae in Fantasy Literature  The characters that inhabit these fantasy worlds are a signal to the reader that the work is a work of fantasy.  Sometimes the characters are so ordinary that one assumes that the writers are assuring their readers that the protagonist is ‘just like you.’
  • 6. Wizards and Fantasy  Wizards, in essence, are those characters who are able to manipulate the world around them through superhuman or magical means.  Authors have created wizards out of men, women and children.
  • 7. The Role of Animals in Fantasy  The next motif, scattered in all fantasy novels are the animals that speak, those that do not speak but understand the language of humans and their feelings, and the anthropomorphic animals.  Books like Lewis Carroll’s Alice’s Adventures in Wonderland and Through the Looking Glass show the latter kind of animals.
  • 8. The Theme of Death in Fantasy  Fantasy literature introduces the theme of mortality to make the readers relate to the story and the characters.  Both C. S. Lewis and J. K. Rowling use death as a suspense maker in their narratives creating excitement and fear in the reader’s mind.
  • 9. Duality in Human Nature  This typical literary concept is represented in various ways by fantasy writers.  Human beings must struggle to find the inner strength to triumph over their weaknesses and enrich their world with goodness.
  • 10. Values in Fantasy  Many books of fantasy include magical beings, like dragons, unicorns, and wizards, and fictional places, like Middle Earth, Fairy Land etc.  Beneath the fantastic surface of all the terrible, the beautiful, the magical, the supernatural and mysterious, beyond all the fantastic, exists an exceedingly more important message with moral implication.