Charles-Emile Reynaud Presentation
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Charles-Emile Reynaud was an early pioneer in animation who invented the praxinoscope in 1876. He is responsible for the first projected animated cartoon called "Pauvre Pierrot" in 1892, which consisted of 500 individually painted images. Reynaud also developed the "Theatre Optique" system to project "Pauvre Pierrot" at the Musee Grevin, revolutionizing the art of animation. France recognized his important contributions with an honorable mention at the Paris Exposition of 1878.
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Animation is a method in which figures are manipulated to appear as moving images. In traditional animation, images are drawn or painted by hand on transparent celluloid sheets to be photographed and exhibited on film.
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Animation developed from early flipbooks and projection devices in the late 1800s. The first animated films debuted in the early 1900s, and the industry grew throughout the 1900s with characters like Mickey Mouse entertaining worldwide audiences. Advances in technology allowed for clay animation in films like Nightmare Before Christmas as well as fully computer generated films like Toy Story in 1995. Modern animation combines both traditional and digital techniques to bring human qualities like facial expressions to life. The Filipino animation industry has also grown with cartoons like Panday and organizations supporting the art form.
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Animation has a long history dating back 40,000 years with cave paintings depicting movement. Shadow puppetry and Greek vases further advanced animation techniques. The magic lantern and early photography experiments led to the creation of basic animated devices like the zoetrope and mutoscope in the 1830s-1860s. Stop motion photography pioneers like Muybridge and Reynaud developed animation technologies. The 1920s saw the addition of sound to animated films. Walt Disney's Steamboat Willie in 1928 was a breakthrough as the first animated film with synchronized sound. Advances in color, computer graphics, and CGI expanded animation possibilities through today.
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Charles-Émile Reynaud was a French science teacher born in 1844 who created the first projected animated cartoon films and invented the Praxinoscope in 1877. The Praxinoscope was an early movie projector that used mirrors instead of slots to reflect circling images and project animations onto a wall for an audience to see. Reynaud's first film using the Praxinoscope was called Pauvre Pierrot, which premiered in Paris.
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Oskar Fischinger, Lotte Reiniger, and Max Fleischer were early pioneers of animation who developed innovative techniques. Fischinger invented abstract musical animations decades before computer graphics. Reiniger created over 40 films using her invention of silhouette animation, notably The Adventures of Prince Achmed. Fleischer was a pioneer in animated cartoons and brought characters like Betty Boop, Popeye, and Superman to the screen through Fleischer Studios. These animators played pivotal roles in the development of animation through experimentation with new techniques.
Charles Emile Reynaud
Charles-Emile Reynaud was a French inventor who created the first animated films projected for a public audience. He invented the Praxinoscope in 1877, which used mirrors to project animated images brighter and smoother than previous devices. Reynaud projected his first animated film "Pauvre Pierrot" at the Musee Grevin in Paris in 1892. He later opened the Theatre Optique, where he projected animated films of up to 15 minutes in length comprising around 500 pictures each. Unfortunately, Reynaud's work was commercially destroyed by 1910 due to the growing popularity of motion pictures, and he died in poverty in 1917.
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Animation has a long history dating back 40,000 years with cave paintings depicting movement. Shadow puppetry and Greek vases further advanced animation techniques. The magic lantern and early photography experiments led to the creation of basic animated devices like the zoetrope and mutoscope in the 1830s-1860s. Stop motion photography pioneers like Muybridge and Reynaud developed animation technologies. The 1920s saw the addition of sound to animated films. Walt Disney's Steamboat Willie in 1928 was a breakthrough as the first animated film with synchronized sound. Advances in color, computer graphics, and CGI expanded animation possibilities through today.
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The document discusses the history of new technologies and how they are initially seen as novel but eventually become mainstream and standardized. It makes three key points:
1. New technologies are often built upon older technologies and are initially not seen as completely new, but as improvements on the old. Early cinema combined existing technologies like still photos and magic lanterns.
2. As technologies develop new social uses and become subject to legal regulations and economic forces, power structures seek to control the technologies and their industries, as happened with the institutionalization and Hollywood domination of cinema.
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Charles-Émile Reynaud was a French science teacher born in 1844 who created the first projected animated cartoon films and invented the Praxinoscope in 1877. The Praxinoscope was an early movie projector that used mirrors instead of slots to reflect circling images and project animations onto a wall for an audience to see. Reynaud's first film using the Praxinoscope was called Pauvre Pierrot, which premiered in Paris.
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Charles Emile Reynaud
Charles-Emile Reynaud was a French inventor who created the first animated films projected for a public audience. He invented the Praxinoscope in 1877, which used mirrors to project animated images brighter and smoother than previous devices. Reynaud projected his first animated film "Pauvre Pierrot" at the Musee Grevin in Paris in 1892. He later opened the Theatre Optique, where he projected animated films of up to 15 minutes in length comprising around 500 pictures each. Unfortunately, Reynaud's work was commercially destroyed by 1910 due to the growing popularity of motion pictures, and he died in poverty in 1917.
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This document summarizes the early history of animation from 1900-1919. It discusses several important early animated films including:
- Humorous Phases of Funny Faces (1906), considered the first animated film, produced by J. Stuart Blackton.
- Gertie the Dinosaur (1914), directed by Winsor McCay, which featured the first animated character with personality.
- Felix the Cat (1919), one of the earliest animated film characters to attain widespread popularity and draw movie audiences to animated films.
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Early photographic processes in the 19th century required long exposure times and were not suitable for capturing moving images. In the 1870s, emulsions became sensitive enough to take photos in fractions of a second. In 1878, Eadward Muybridge developed the first system to capture sequential still photos of moving objects using multiple cameras triggered by trip wires. George Eastman later invented roll film, allowing for longer recordings. Thomas Edison further developed motion picture technology in the late 1880s through inventions like the Kinetograph and Kinetoscope. The Lumiere brothers began commercially exhibiting early films in 1895, recognizing the business potential of cinema. Narrative films soon emerged as a way to distinguish productions and build successful businesses in the new
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The document summarizes Disney animation techniques from 1937 to the present. It describes how Snow White and the Seven Dwarfs was the first full-length animated feature film and used Technicolor. Later films like Pinocchio used techniques like rotoscoping and live action reference. The multiplane camera was introduced to create 3D effects. Starting in the 1960s, techniques like xerography and recycled animation were used to reduce costs. Computer animation was introduced in films from the 1980s onward. The document also discusses Disney's "Renaissance" period from 1989-1999 and the more modern focus on realism, multicultural stories, and strong female leads.
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Within the time period described, cave paintings were an early form of visual art and entertainment. Shadow puppets then emerged using parchment to tell stories through articulated figures. Early animation devices like the phenakistoscope, zoetrope, and flip book used sequential images to create the illusion of movement. Important pioneers like Eadweard Muybridge performed early experiments in stop motion photography. Advances like sound, color, computer animation, and CGI gradually transformed animation into a mainstream form of digital media entertainment.
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Pioneers of media
The Lumiere Brothers were early French pioneers of film who produced over 1,425 short films capturing scenes of everyday life in the late 19th century. Their films amazed audiences, though the brothers themselves doubted film had a future. Joseph Plateau invented the phenakistoscope in 1832, one of the first devices to create the illusion of motion. Charles-Émile Reynaud developed the Praxinoscope in 1877 and first projected animated films publicly in 1892. The modern zoetrope was invented in 1834 by British mathematician William George Horner, though it did not become widely popular until improvements in the 1860s.
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- In the late 19th/early 20th century, new animation techniques emerged like phenakistoscope, zoetrope, flipbooks, and praxinoscope which helped establish animation as a form of entertainment.
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BullyingYou will research and prepare a persuasive speech on a n.docx
Bullying
You will research and prepare a persuasive speech on a non-fiction topic Do you believe that students who are responsible for bullying should be expelled from school.
I will explain the consequences, impact bullying has even after the person has grown up, kids or anyone that suffer from bullying suffer from depression, anxiety, trust issues and what families and organization can do to help.
. The speech should be between 8 and 10 minutes long. You are also required to submit a final speaking outline and references list in APA format at the same time.
Sample informative speech outline
Content
The Early History of Animation
By a former student
Sample of the outline sample sample sample sample sample sample sample sample sample sample sample this is a sample of the outline that has to be created with your topic sample
I. Introduction :
A. Are you familiar with optical illusions? Think of an image that appears to be moving, although you know it is static. Well, that type of optical illusion, the illusion of motion, is the basis of one of the most popular forms of entertainment, animated movies.
B. Today I would like to tell you about how it all started; I’d like to tell you about the early history of animation. Since most of us enjoy watching animation movies, I think that having a historical perspective on this subject will give us a greater appreciation for the accomplishments in animation.
C. I will first introduce a definition of animation and then I will talk about the inventions that took place between the mid-1600s and the late 19 th century.
D. Most of the actual historical information pertaining to the early history of animation comes from Charles Solomon’s book, Enchanted Drawings: The History of Animation that was first published in 1989.
Let us first define what animation is.
II. Definitions:
B. The Oxford American Dictionary and Language Guide, animation, as a term used in cinematography, means “the technique of filming successive drawings or positions of puppets to create an illusion of movement.”
C. Wikipedia: “animation is a rapid display of a sequence of images to create an illusion of movement.” (Slide 2) The ability of our visual system to perceive the illusion of motion inspired experimentations with animation a long time ago. The history of animation can be traced back to mid-1600s. It was then that the precursors of animation devices were first built.
III. The Precursors of Animation:
A. In 1645, Athanasius Kircher, published The Great Art of Light and Shadow, and introduced the magic lantern. (Slide 3)
B. In 1736, a Dutch scientist, Pieter van Musschenbroek, modified the magic lantern: he included a double set of lenses and a double set of slides. By the mid-1700s travelling shows featuring ghost stories became a popular form of entertainment. (Slide 4)
The magic lantern was not yet an animation device per se. Experiments with animation proper did ...
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The Brothers Quay are identical twin brothers known for their surreal stop-motion puppet animation films inspired by European visual artists. Ray Harryhausen pioneered stop-motion model animation, creating memorable effects in films like Mighty Joe Young and Jason and the Argonauts. Tim Burton is a film director known for his dark, quirky themes and works with Johnny Depp; he has explored stop-motion animation in films like The Nightmare Before Christmas and Corpse Bride.
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The Lumiere brothers were French pioneers of filmmaking. They were born in the 1860s and educated in Lyon, France. Their father ran a photography business. The brothers invented the cinematograph, a portable, lightweight movie camera and projector. Starting in 1895, they began producing very short films showing scenes of everyday life. Their films amazed audiences who had never seen moving images before. The Lumiere brothers are considered the fathers of filmmaking for establishing the foundations of the film industry.
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- Humorous Phases of Funny Faces (1906), considered the first animated film, produced by J. Stuart Blackton.
- Gertie the Dinosaur (1914), directed by Winsor McCay, which featured the first animated character with personality.
- Felix the Cat (1919), one of the earliest animated film characters to attain widespread popularity and draw movie audiences to animated films.
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The lumiere brothers powerpoint
The Lumiere Brothers were Auguste and Louis Lumiere, two French brothers who were technical innovators in photography and film. After seeing Thomas Edison's Kinetoscope, they set out to create a device that overcame its limitations of only allowing one viewer at a time. By 1895, they had invented the Cinematographe, a much smaller hand-cranked device that could both film and project movies, establishing the standard film rate of 16 frames per second. The Cinematographe was a major improvement over Edison's Kinetoscope and is credited with inventing the foundation of modern cinematography.
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Similar to Charles-Emile Reynaud Presentation
Presentation2
Within the time period described, cave paintings were an early form of visual art and entertainment. Shadow puppets then emerged using parchment to tell stories through articulated figures. Early animation devices like the phenakistoscope, zoetrope, and flip book used sequential images to create the illusion of movement. Important pioneers like Eadweard Muybridge performed early experiments in stop motion photography. Advances like sound, color, computer animation, and CGI gradually transformed animation into a mainstream form of digital media entertainment.
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Within the time period described, cave paintings were established as the earliest form of animation, originating in France. Early animation devices like the phenakistoscope and zoetrope used sequential images to create the illusion of movement. Émile Reynaud developed the Praxinoscope and Théâtre Optique, projecting animated cartoons. Winsor McCay's Gertie the Dinosaur was among the first animated films shown in cinemas. The development of technologies like cel animation, sound synchronization, and color allowed for more advanced animated films. By the 1980s and 1990s, computer animation had replaced traditional hand-drawn animation, beginning with films like Tron and Toy Story.
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The Lumiere Brothers were early French pioneers of film who produced over 1,425 short films capturing scenes of everyday life in the late 19th century. Their films amazed audiences, though the brothers themselves doubted film had a future. Joseph Plateau invented the phenakistoscope in 1832, one of the first devices to create the illusion of motion. Charles-Émile Reynaud developed the Praxinoscope in 1877 and first projected animated films publicly in 1892. The modern zoetrope was invented in 1834 by British mathematician William George Horner, though it did not become widely popular until improvements in the 1860s.
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The document summarizes the history and development of animation from its early pioneers. It discusses important figures like Joseph Plateau who created the phenakistoscope, one of the first animation devices, as well as Emile Reynaud who invented the praxinoscope. Other major developments mentioned include Eadweard Muybridge's zoopraxiscope, considered one of the earliest movie projectors, and the work of pioneers like the Lumière brothers, George Pal, and Willis O'Brien, known for his animation in films like King Kong. Contemporary animators discussed include Jan Svankmajer and the Brothers Quay.
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This document provides a summary of the history of animation from its early origins to modern developments. It covers key individuals and studios that advanced the art form, including Emile Cohl, Winsor McCay, Walt Disney, Max Fleischer, Warner Bros., and more. Early techniques like zoetropes, praxinoscope, and flip books are discussed. Developments in limited animation, 3D animation, and Japanese animation are also summarized. The document traces animation from hand-drawn to computer-generated visual effects and styles.
History of stop animation 2
This document provides an overview of the history and techniques of stop-motion animation. It discusses pioneers such as Emile Reynaud and George Pal who developed early animation devices. It also covers developers like Willis O'Brien and Ray Harryhausen who perfected stop-motion techniques. Contemporary animators discussed include Tim Burton and Aardman Animations. Finally, it outlines different genres and forms of animation including television, film, advertising, websites, music videos, and mobile phones.
Animation time line presentation
- Animation has existed for thousands of years, dating back to cave paintings from 40,000 BC and shadow puppetry in China from 7000 BC.
- In the late 19th/early 20th century, new animation techniques emerged like phenakistoscope, zoetrope, flipbooks, and praxinoscope which helped establish animation as a form of entertainment.
- Major milestones included Winsor McCay's 1914 animated film Gertie the Dinosaur, the addition of sound and color in the 1920s, and Walt Disney's creation of Mickey Mouse in 1928 which helped establish the Disney franchise.
BullyingYou will research and prepare a persuasive speech on a n.docx
Bullying
You will research and prepare a persuasive speech on a non-fiction topic Do you believe that students who are responsible for bullying should be expelled from school.
I will explain the consequences, impact bullying has even after the person has grown up, kids or anyone that suffer from bullying suffer from depression, anxiety, trust issues and what families and organization can do to help.
. The speech should be between 8 and 10 minutes long. You are also required to submit a final speaking outline and references list in APA format at the same time.
Sample informative speech outline
Content
The Early History of Animation
By a former student
Sample of the outline sample sample sample sample sample sample sample sample sample sample sample this is a sample of the outline that has to be created with your topic sample
I. Introduction :
A. Are you familiar with optical illusions? Think of an image that appears to be moving, although you know it is static. Well, that type of optical illusion, the illusion of motion, is the basis of one of the most popular forms of entertainment, animated movies.
B. Today I would like to tell you about how it all started; I’d like to tell you about the early history of animation. Since most of us enjoy watching animation movies, I think that having a historical perspective on this subject will give us a greater appreciation for the accomplishments in animation.
C. I will first introduce a definition of animation and then I will talk about the inventions that took place between the mid-1600s and the late 19 th century.
D. Most of the actual historical information pertaining to the early history of animation comes from Charles Solomon’s book, Enchanted Drawings: The History of Animation that was first published in 1989.
Let us first define what animation is.
II. Definitions:
B. The Oxford American Dictionary and Language Guide, animation, as a term used in cinematography, means “the technique of filming successive drawings or positions of puppets to create an illusion of movement.”
C. Wikipedia: “animation is a rapid display of a sequence of images to create an illusion of movement.” (Slide 2) The ability of our visual system to perceive the illusion of motion inspired experimentations with animation a long time ago. The history of animation can be traced back to mid-1600s. It was then that the precursors of animation devices were first built.
III. The Precursors of Animation:
A. In 1645, Athanasius Kircher, published The Great Art of Light and Shadow, and introduced the magic lantern. (Slide 3)
B. In 1736, a Dutch scientist, Pieter van Musschenbroek, modified the magic lantern: he included a double set of lenses and a double set of slides. By the mid-1700s travelling shows featuring ghost stories became a popular form of entertainment. (Slide 4)
The magic lantern was not yet an animation device per se. Experiments with animation proper did ...
Assignment 1 task 1
This document provides information on three contemporary animation developers: The Brothers Quay, Ray Harryhausen, and Tim Burton.
The Brothers Quay are identical twin brothers known for their surreal stop-motion puppet animation films inspired by European visual artists. Ray Harryhausen pioneered stop-motion model animation, creating memorable effects in films like Mighty Joe Young and Jason and the Argonauts. Tim Burton is a film director known for his dark, quirky themes and works with Johnny Depp; he has explored stop-motion animation in films like The Nightmare Before Christmas and Corpse Bride.
AN ANALYSIS OF Quot THE SIMPSONS Quot THROUGH VISUAL INDICATORS
This document provides an analysis of the animated TV show "The Simpsons" through visual indicators like character, light, and color. It analyzes the 1st, 18th, and 24th seasons. The Simpsons is presented as a typical American family consisting of Homer, Marge, Bart, Lisa, and Maggie who live in Springfield. Homer is characterized as lazy and incompetent while Marge holds the family together. Bart is a mischievous teenager while Lisa is intelligent. The document also provides background on the history and development of animation, including traditional animation, computer animation, and key figures and works that advanced the art form over centuries.
Presentación1
The history of film spans over a hundred years from the late 19th century to today, developing from a carnival novelty to one of the most important communication and entertainment mediums. Early moving images were produced on devices like the zoetrope and phenakistoscope in the 1830s. By the late 1880s, the first motion picture films were recorded on celluloid and the first commercial film exhibition occurred in 1894, establishing the film industry.
Animation Summary
This document provides a brief history of animation from ancient times to modern computer generated imagery (CGI). It discusses early animation devices like the zoetrope and praxinoscope in the Victorian era. Major developments included the first animated films in the late 1800s, the introduction of sound and color in the 1920s-1930s, and the creation of CGI in the 1960s-1970s. The document also outlines different types of animation including cel, computer generated, and stop motion techniques. It provides definitions and examples for each type.
The origins of cinema
The document discusses the origins and early history of cinema. It describes how sequential art predates comics by millennia as a way to tell stories and show the passage of time. Several inventions were needed to achieve moving images, including retinal persistence, optical toys like the magic lantern, zoetrope, and praxinoscope, as well as early photography techniques. The kinetoscope and the Lumière brothers' cinematograph helped bring cinema into its modern form by enabling the projection of moving pictures. Pioneers like Georges Méliès and Emile Cohl helped establish early film techniques and animation. The document concludes by outlining an assignment for students to experiment with techniques used in early cinema devices.
Animation
Animation refers to creating the illusion of motion by displaying a sequence of images that minimally differ from each other. Traditional animation involves drawing each frame by hand, while stop-motion uses physical objects manipulated and photographed frame-by-frame. Computer animation uses 3D modeling and software to generate animated images. Notable early animation devices included the phenakistoscope, zoetrope, and praxinoscope. Modern animation includes both 2D and 3D techniques across film, television, and other media. The future of animation will rely increasingly on advanced technologies and generate large amounts of data.
Women in the militaryYou will research and prepare an informativ.docx
Women in the military
You will research and prepare an informative speech on a non-fiction topic of women in the military. The speech should be between 10 and 12 minutes long. You are also required to submit a final speaking outline and references list in APA format at the same time. The following is just an Example of the outline.
Sample informative speech outline
Content IS A SAMPLE
The Early History of Animation
By a former student
Sample of the outline sample sample sample sample sample sample sample sample sample sample sample this is a sample of the outline that has to be created with your topic sample
I. Introduction :
A. Are you familiar with optical illusions? Think of an image that appears to be moving, although you know it is static. Well, that type of optical illusion, the illusion of motion, is the basis of one of the most popular forms of entertainment, animated movies.
B. Today I would like to tell you about how it all started; I’d like to tell you about the early history of animation. Since most of us enjoy watching animation movies, I think that having a historical perspective on this subject will give us a greater appreciation for the accomplishments in animation.
C. I will first introduce a definition of animation and then I will talk about the inventions that took place between the mid-1600s and the late 19 th century.
D. Most of the actual historical information pertaining to the early history of animation comes from Charles Solomon’s book, Enchanted Drawings: The History of Animation that was first published in 1989.
Let us first define what animation is.
II. Definitions:
B. The Oxford American Dictionary and Language Guide, animation, as a term used in cinematography, means “the technique of filming successive drawings or positions of puppets to create an illusion of movement.”
C. Wikipedia: “animation is a rapid display of a sequence of images to create an illusion of movement.” (Slide 2) The ability of our visual system to perceive the illusion of motion inspired experimentations with animation a long time ago. The history of animation can be traced back to mid-1600s. It was then that the precursors of animation devices were first built.
III. The Precursors of Animation:
A. In 1645, Athanasius Kircher, published The Great Art of Light and Shadow, and introduced the magic lantern. (Slide 3)
B. In 1736, a Dutch scientist, Pieter van Musschenbroek, modified the magic lantern: he included a double set of lenses and a double set of slides. By the mid-1700s travelling shows featuring ghost stories became a popular form of entertainment. (Slide 4)
The magic lantern was not yet an animation device per se. Experiments with animation proper did not start until the first half of the 19th century.
IV. The Early Animation Devices:
A. In 1825, John Paris or Peter Mark Roget or yet another inventor, built the thaumatrope. (Slide 5)
B. In 1831, a Belg.
History of Animations - digitalmarketinghead@gmail.com
This Presentation is all about the history of animation. All the references are from reliable sources over internet on animations. The topics described are:
Early approaches to motion in art
Animation Before Film
The magic lantern
Thaumatrope
Phenakistoscope
Zoetrope
Flip book
Praxinoscope
The Silent Era
Theater Optique
The Kinetoscope
The Golden Age of Animation
Walt Disney
Alice Comedies
World War II era
Post-war period
The Television Era
Animation Techniques
Go motion
and more ...
Film History
Early film history involved contributions from inventors, not artists. Technologies like the persistence of vision theory and zoetropes laid the foundations. Photography was also necessary for film to develop. Key inventors and dates included Eadweard Muybridge who captured horse motion in 1872, followed by film pioneers like the Lumiere Brothers, Thomas Edison, and George Eastman who developed technologies allowing motion pictures.
Motion Pictures: Historical perspective
1. Throughout film history, studio executives, directors and inventors worked to keep the medium relevant through continual adaptation as new technologies emerged.
2. Early pioneers like Eadweard Muybridge and the Lumière brothers developed technologies like the zoopraxiscope and cinematograph that captured motion and projected film, leading to the development of motion pictures.
3. Thomas Edison further advanced the industry in the late 1800s with inventions like the Kinetoscope and Kinetograph. The introduction of synchronized sound in the 1920s revived the industry.
A film on films (history of cinema)
The earliest 'movie theatres' were converted churches or halls, showing one-reelers (a 10-12 minute reel of film - the projector's reel capacity at the time). The primitive films were usually more actualities and comedies.
Unit 01 contextual studies
This document provides background information on the history and development of cinema. It discusses early inventions and technologies that helped progress motion pictures like the zoetrope. Key figures who contributed innovations are mentioned, such as Eadweard Muybridge who captured motion photography of animals in the 1870s, and the Lumiere brothers who screened one of the first films in 1895. The document also covers the development of film production technologies, distribution methods, and the rise of nickelodeon theaters in the 1900s/1910s that helped popularize cinema. Walt Disney's background and early career founding his studio in the 1920s is summarized as well.
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Charles-Emile Reynaud Presentation
- 2. Charles-Émile Reynaud was born on December 8, 1844 in Montreuil-sous-Bois (France). His father, was a medal engraver, and his mother, was a schoolteacher. His parents took care of his education. From his father he learned precision mechanics. Therefore he became a professor and taught physics and natural sciences from 1873 to 1877. Although his mother taught him to draw and paint. This then allowed him to succeed in his animation career. INTRODUCTION
- 3. Charles-Emile Reynaud was responsible for the first projected animated cartoon “Pauvre Pierrot” in October 1892. It consisted of 500 individually painted images. It was a large success across France and other countries, revolutionizing the art of animation. HIS FIRST CREATION
- 5. CHARLES’ ACOMPLISHMENTS He invented the praxiniscope in 1876. The praxiniscope is an animation device . He also launched his “Pauvre Pierrot” with the movie system he developed “Theatre Optique.” at the Musee Grevin.
- 6. 1824 Peter Mark Roget, who did research in physiology at the University of London, published "Persistence of Vision with Regard to Moving Objects." This book presented the idea that a succession of still images could create the appearance of motion. 1889 Emile Reynaud (from France) patents the praxinoscope… a device that used mirrors to project a sequence of images (along with a fixed background) onto a screen. It was sufficiently complex that only he could run it. The infinite length tape changed the medium from a curiosity into entertainment. 1928 Walt Disney releases "Steamboat Willie" .. an early cartoon w/ sound -- cartoons are now seen as entertainment. Disney innovations over the next 10-20 years include the storyboard, pencil tests, and the multi-plane camera stand (3D effects). Disney also promoted the analysis of real- life motion. 1930's Warner Bros .. Porky Pig, Daffy Duck, and Bugs Bunny appear 1940's Walter Lantz and Woody Woodpecker, Paul Terry and Mighty Mouse, MGM w/ Tom & Jerry (animators William Hanna and Joseph Barbera) 1972 University of Utah, Fred Parke creates first computer generated facial animation. Ref: F. Parke, "Computer Generated Animation of Faces", Proceedings of the ACM National Conference, 1972. (In the SIGGRAPH 98 Seminal Graphics collection.) 1974 National Research Council of Canada releases Hunger/La Faim directed by Peter Foldes and featuring Burtnyk and Wein interactive keyframing techniques. Ref: N. Burtnyk and M. Wein, "Interactive Skeleton Techniques for Enhancing Motion Dynamics in Key Frame Animation", Communications of the ACM, 19(10), October 1976. (In the SIGGRAPH 98 Seminal Graphics collection.) 1988 Willow uses morphing in live action film 1993 Jurassic Park use of CG for realistic living creatures 1995 Toy Story first full-length 3D CG feature film ANIMATION TIMELINE
- 7. Charles-Emile Reynaud was important due to the fact that he was the cause of the commercial use of the perforations that were to be so important for cinematograghy. France appreciated his work so much they awarded him a Honourable mention in the Paris Exposition of 1878 IMPORTANCE F CHARLES