The document discusses the history of television news and its impact on key events in the 1960s and 1970s. It describes how television news coverage of the Kennedy assassination, civil rights movement, Vietnam War, and first moon landing shaped public perceptions of these events and established television as the dominant source of news and information for the American public. Television brought dramatic, vivid images of these historic events into people's living rooms and helped reinforce conspiracy theories about the Kennedy assassination. It also highlights how civil rights leaders strategically used television to expose racial injustices occurring in the South.
Introduction to hyper local media, part one: audience data, definitions and U...Damian Radcliffe
12" pack broken into three, due to file size. This is part one which looks at audience data, definitions, and different UK examples.
Comments, feedback and suggestions are very welcome.
Issues in the industry is a huge aspect of media that must be known to all who work in it. My powerpoint includes aspects such as rating wars, technologies and regulatory bodies. Audience effect theories are also explained and applied.
Introduction to hyper local media, part one: audience data, definitions and U...Damian Radcliffe
12" pack broken into three, due to file size. This is part one which looks at audience data, definitions, and different UK examples.
Comments, feedback and suggestions are very welcome.
Issues in the industry is a huge aspect of media that must be known to all who work in it. My powerpoint includes aspects such as rating wars, technologies and regulatory bodies. Audience effect theories are also explained and applied.
Introduction to hyper local media: full 12 inch versionDamian Radcliffe
Full slide pack offering a personal take on hyper-local in the UK. Would very much welcome comments, feedback and suggestions. A cut down version of these slides was presentation at Birmingham City University on 1st December and is also available on SlideShare, as is this pack broken into three due to file size.
How the Digital Revolution is Disrupting the TV Industry Suman Mishra
This is a BCG report on the TV industry in US and it talks about how the TV industry has seen “shifts” from inception, but this time the pace with which its changing is so different. It has done ample surveys and has lot of verified facts which makes this report so rich and conclusive.
The core trends fueling disruption this time are
a. Online and mobile will exceed Facilities based viewing
b. On demand viewing will exceed live, linear viewing
c. New companies and business models in online viewing
d. Networks are experiencing the collapse of the middle and rise of “long tail”
e. Content creators and right holders are capturing a greater value share than ever
The 4 disruptive scenarios in making which will “accelerate” the change are
a. The universal remote: Global, all-inclusive navigation solving the discovery problem
b. The walled garden: exclusive entertainment becomes the critical strategic asset
c. Direct to Consumer takes on traditional TV bundles
d. Live TV online
MVMNT Media, LLC is comprised of three Over-The-Top (OTT), Advertising Video-On-Demand (AVOD) streaming TV channels; MVMNT TV (at launch stage), Monfasports TV and Cinemeo (both in developmental stage), with each brand also comprising of a LINEAR channel. The focus of this prospectus is the AVOD and the LINEAR channel of MVMNT TV. Currently the streaming OTT market growth is driven by Subscription Video-On-Demand (SVOD) and hybrids like Hulu and CBS All Access.
Subscription video on-demand (SVOD) market challengers like Disney+, AT&T’s HBO Max and NBC/Universal have prepared their own streaming app launches over the next weeks and months. Free channels are preparing their own challenge for market share with launches of free channels with content like Tubi TV and PopTV. These channels appeal to potential viewers who aren’t interested in paying a monthly or yearly streaming subscription. These platforms offer free content and generate revenue by serving targeted advertisements (Programmatic Advertising) during commercial breaks. With 157,000 regular viewers, Pop TV generated $68M in ad revenue for 2018. Some of the revenue was from product placement and ad integration.
The MVMNT TV AVOD channel is available and free to download on 80 million TV’s, tablets and devices: Android, iOS and Apple TV, Amazon Fire TV, Chromecast and Roku.
MVMNT TV’s linear channel Is delivered via Virtual Multichannel Video Programming Distributor (vMVPD); also referred to as streaming TV services, vMVPDs aggregate live and on-demand TV and deliver the content over the internet linearly. vMVPD services resemble the similar layout of cable packages allowing users to browse a guide or flip through channels that stream programming 24 hours a day. These services are often used by recent cord-cutters who want to keep select channels from their cable packages but at a lower price.
vMVPD services include Sling TV, Hulu Live TV, YouTube TV, DirecTV Now, fuboTV, PlayStation Vue, Viacom’s Pluto TV and Xumo. According to Rich Greenfield of BTIG, paid vMVPD subscribers hit a high of 7.7 million last year. This is expected to grow: vMVPDs gained a combined 2.1 million subscribers over the first nine months of 2018, according to a recent Conviva study, which correlated the loss of 2.8 million subscribers for cable and satellite during the same time period.
Introduction to hyper local media: full 12 inch versionDamian Radcliffe
Full slide pack offering a personal take on hyper-local in the UK. Would very much welcome comments, feedback and suggestions. A cut down version of these slides was presentation at Birmingham City University on 1st December and is also available on SlideShare, as is this pack broken into three due to file size.
How the Digital Revolution is Disrupting the TV Industry Suman Mishra
This is a BCG report on the TV industry in US and it talks about how the TV industry has seen “shifts” from inception, but this time the pace with which its changing is so different. It has done ample surveys and has lot of verified facts which makes this report so rich and conclusive.
The core trends fueling disruption this time are
a. Online and mobile will exceed Facilities based viewing
b. On demand viewing will exceed live, linear viewing
c. New companies and business models in online viewing
d. Networks are experiencing the collapse of the middle and rise of “long tail”
e. Content creators and right holders are capturing a greater value share than ever
The 4 disruptive scenarios in making which will “accelerate” the change are
a. The universal remote: Global, all-inclusive navigation solving the discovery problem
b. The walled garden: exclusive entertainment becomes the critical strategic asset
c. Direct to Consumer takes on traditional TV bundles
d. Live TV online
MVMNT Media, LLC is comprised of three Over-The-Top (OTT), Advertising Video-On-Demand (AVOD) streaming TV channels; MVMNT TV (at launch stage), Monfasports TV and Cinemeo (both in developmental stage), with each brand also comprising of a LINEAR channel. The focus of this prospectus is the AVOD and the LINEAR channel of MVMNT TV. Currently the streaming OTT market growth is driven by Subscription Video-On-Demand (SVOD) and hybrids like Hulu and CBS All Access.
Subscription video on-demand (SVOD) market challengers like Disney+, AT&T’s HBO Max and NBC/Universal have prepared their own streaming app launches over the next weeks and months. Free channels are preparing their own challenge for market share with launches of free channels with content like Tubi TV and PopTV. These channels appeal to potential viewers who aren’t interested in paying a monthly or yearly streaming subscription. These platforms offer free content and generate revenue by serving targeted advertisements (Programmatic Advertising) during commercial breaks. With 157,000 regular viewers, Pop TV generated $68M in ad revenue for 2018. Some of the revenue was from product placement and ad integration.
The MVMNT TV AVOD channel is available and free to download on 80 million TV’s, tablets and devices: Android, iOS and Apple TV, Amazon Fire TV, Chromecast and Roku.
MVMNT TV’s linear channel Is delivered via Virtual Multichannel Video Programming Distributor (vMVPD); also referred to as streaming TV services, vMVPDs aggregate live and on-demand TV and deliver the content over the internet linearly. vMVPD services resemble the similar layout of cable packages allowing users to browse a guide or flip through channels that stream programming 24 hours a day. These services are often used by recent cord-cutters who want to keep select channels from their cable packages but at a lower price.
vMVPD services include Sling TV, Hulu Live TV, YouTube TV, DirecTV Now, fuboTV, PlayStation Vue, Viacom’s Pluto TV and Xumo. According to Rich Greenfield of BTIG, paid vMVPD subscribers hit a high of 7.7 million last year. This is expected to grow: vMVPDs gained a combined 2.1 million subscribers over the first nine months of 2018, according to a recent Conviva study, which correlated the loss of 2.8 million subscribers for cable and satellite during the same time period.
From the Editor's Desk: 115th Father's day Celebration - When we see Father's day in Hindu context, Nanda Baba is the most vivid figure which comes to the mind. Nanda Baba who was the foster father of Lord Krishna is known to provide love, care and affection to Lord Krishna and Balarama along with his wife Yashoda; Letter’s to the Editor: Mother's Day - Mother is a precious life for their children. Mother is life breath for her children. Mother's lap is the world happiness whose debt can never be paid.
Hollywood Actress - The 250 hottest galleryZsolt Nemeth
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Meet Dinah Mattingly – Larry Bird’s Partner in Life and Loveget joys
Get an intimate look at Dinah Mattingly’s life alongside NBA icon Larry Bird. From their humble beginnings to their life today, discover the love and partnership that have defined their relationship.
In the vast landscape of cinema, stories have been told, retold, and reimagined in countless ways. At the heart of this narrative evolution lies the concept of a "remake". A successful remake allows us to revisit cherished tales through a fresh lens, often reflecting a different era's perspective or harnessing the power of advanced technology. Yet, the question remains, what makes a remake successful? Today, we will delve deeper into this subject, identifying the key ingredients that contribute to the success of a remake.
Experience the thrill of Progressive Puzzle Adventures, like Scavenger Hunt Games and Escape Room Activities combined Solve Treasure Hunt Puzzles online.
Scandal! Teasers June 2024 on etv Forum.co.zaIsaac More
Monday, 3 June 2024
Episode 47
A friend is compelled to expose a manipulative scheme to prevent another from making a grave mistake. In a frantic bid to save Jojo, Phakamile agrees to a meeting that unbeknownst to her, will seal her fate.
Tuesday, 4 June 2024
Episode 48
A mother, with her son's best interests at heart, finds him unready to heed her advice. Motshabi finds herself in an unmanageable situation, sinking fast like in quicksand.
Wednesday, 5 June 2024
Episode 49
A woman fabricates a diabolical lie to cover up an indiscretion. Overwhelmed by guilt, she makes a spontaneous confession that could be devastating to another heart.
Thursday, 6 June 2024
Episode 50
Linda unwittingly discloses damning information. Nhlamulo and Vuvu try to guide their friend towards the right decision.
Friday, 7 June 2024
Episode 51
Jojo's life continues to spiral out of control. Dintle weaves a web of lies to conceal that she is not as successful as everyone believes.
Monday, 10 June 2024
Episode 52
A heated confrontation between lovers leads to a devastating admission of guilt. Dintle's desperation takes a new turn, leaving her with dwindling options.
Tuesday, 11 June 2024
Episode 53
Unable to resort to violence, Taps issues a verbal threat, leaving Mdala unsettled. A sister must explain her life choices to regain her brother's trust.
Wednesday, 12 June 2024
Episode 54
Winnie makes a very troubling discovery. Taps follows through on his threat, leaving a woman reeling. Layla, oblivious to the truth, offers an incentive.
Thursday, 13 June 2024
Episode 55
A nosy relative arrives just in time to thwart a man's fatal decision. Dintle manipulates Khanyi to tug at Mo's heartstrings and get what she wants.
Friday, 14 June 2024
Episode 56
Tlhogi is shocked by Mdala's reaction following the revelation of their indiscretion. Jojo is in disbelief when the punishment for his crime is revealed.
Monday, 17 June 2024
Episode 57
A woman reprimands another to stay in her lane, leading to a damning revelation. A man decides to leave his broken life behind.
Tuesday, 18 June 2024
Episode 58
Nhlamulo learns that due to his actions, his worst fears have come true. Caiphus' extravagant promises to suppliers get him into trouble with Ndu.
Wednesday, 19 June 2024
Episode 59
A woman manages to kill two birds with one stone. Business doom looms over Chillax. A sobering incident makes a woman realize how far she's fallen.
Thursday, 20 June 2024
Episode 60
Taps' offer to help Nhlamulo comes with hidden motives. Caiphus' new ideas for Chillax have MaHilda excited. A blast from the past recognizes Dintle, not for her newfound fame.
Friday, 21 June 2024
Episode 61
Taps is hungry for revenge and finds a rope to hang Mdala with. Chillax's new job opportunity elicits mixed reactions from the public. Roommates' initial meeting starts off on the wrong foot.
Monday, 24 June 2024
Episode 62
Taps seizes new information and recruits someone on the inside. Mary's new job
From Slave to Scourge: The Existential Choice of Django Unchained. The Philos...Rodney Thomas Jr
#SSAPhilosophy #DjangoUnchained #DjangoFreeman #ExistentialPhilosophy #Freedom #Identity #Justice #Courage #Rebellion #Transformation
Welcome to SSA Philosophy, your ultimate destination for diving deep into the profound philosophies of iconic characters from video games, movies, and TV shows. In this episode, we explore the powerful journey and existential philosophy of Django Freeman from Quentin Tarantino’s masterful film, "Django Unchained," in our video titled, "From Slave to Scourge: The Existential Choice of Django Unchained. The Philosophy of Django Freeman!"
From Slave to Scourge: The Existential Choice of Django Unchained – The Philosophy of Django Freeman!
Join me as we delve into the existential philosophy of Django Freeman, uncovering the profound lessons and timeless wisdom his character offers. Through his story, we find inspiration in the power of choice, the quest for justice, and the courage to defy oppression. Django Freeman’s philosophy is a testament to the human spirit’s unyielding drive for freedom and justice.
Don’t forget to like, comment, and subscribe to SSA Philosophy for more in-depth explorations of the philosophies behind your favorite characters. Hit the notification bell to stay updated on our latest videos. Let’s discover the principles that shape these icons and the profound lessons they offer.
Django Freeman’s story is one of the most compelling narratives of transformation and empowerment in cinema. A former slave turned relentless bounty hunter, Django’s journey is not just a physical liberation but an existential quest for identity, justice, and retribution. This video delves into the core philosophical elements that define Django’s character and the profound choices he makes throughout his journey.
Link to video: https://youtu.be/GszqrXk38qk
Maximizing Your Streaming Experience with XCIPTV- Tips for 2024.pdfXtreame HDTV
In today’s digital age, streaming services have become an integral part of our entertainment lives. Among the myriad of options available, XCIPTV stands out as a premier choice for those seeking seamless, high-quality streaming. This comprehensive guide will delve into the features, benefits, and user experience of XCIPTV, illustrating why it is a top contender in the IPTV industry.
240529_Teleprotection Global Market Report 2024.pdfMadhura TBRC
The teleprotection market size has grown
exponentially in recent years. It will grow from
$21.92 billion in 2023 to $28.11 billion in 2024 at a
compound annual growth rate (CAGR) of 28.2%. The
teleprotection market size is expected to see
exponential growth in the next few years. It will grow
to $70.77 billion in 2028 at a compound annual
growth rate (CAGR) of 26.0%.
Create a Seamless Viewing Experience with Your Own Custom OTT Player.pdfGenny Knight
As the popularity of online streaming continues to rise, the significance of providing outstanding viewing experiences cannot be emphasized enough. Tailored OTT players present a robust solution for service providers aiming to enhance their offerings and engage audiences in a competitive market. Through embracing customization, companies can craft immersive, individualized experiences that effectively hold viewers' attention, entertain them, and encourage repeat usage.
As a film director, I have always been awestruck by the magic of animation. Animation, a medium once considered solely for the amusement of children, has undergone a significant transformation over the years. Its evolution from a rudimentary form of entertainment to a sophisticated form of storytelling has stirred my creativity and expanded my vision, offering limitless possibilities in the realm of cinematic storytelling.
Skeem Saam in June 2024 available on ForumIsaac More
Monday, June 3, 2024 - Episode 241: Sergeant Rathebe nabs a top scammer in Turfloop. Meikie is furious at her uncle's reaction to the truth about Ntswaki.
Tuesday, June 4, 2024 - Episode 242: Babeile uncovers the truth behind Rathebe’s latest actions. Leeto's announcement shocks his employees, and Ntswaki’s ordeal haunts her family.
Wednesday, June 5, 2024 - Episode 243: Rathebe blocks Babeile from investigating further. Melita warns Eunice to stay clear of Mr. Kgomo.
Thursday, June 6, 2024 - Episode 244: Tbose surrenders to the police while an intruder meddles in his affairs. Rathebe's secret mission faces a setback.
Friday, June 7, 2024 - Episode 245: Rathebe’s antics reach Kganyago. Tbose dodges a bullet, but a nightmare looms. Mr. Kgomo accuses Melita of witchcraft.
Monday, June 10, 2024 - Episode 246: Ntswaki struggles on her first day back at school. Babeile is stunned by Rathebe’s romance with Bullet Mabuza.
Tuesday, June 11, 2024 - Episode 247: An unexpected turn halts Rathebe’s investigation. The press discovers Mr. Kgomo’s affair with a young employee.
Wednesday, June 12, 2024 - Episode 248: Rathebe chases a criminal, resorting to gunfire. Turf High is rife with tension and transfer threats.
Thursday, June 13, 2024 - Episode 249: Rathebe traps Kganyago. John warns Toby to stop harassing Ntswaki.
Friday, June 14, 2024 - Episode 250: Babeile is cleared to investigate Rathebe. Melita gains Mr. Kgomo’s trust, and Jacobeth devises a financial solution.
Monday, June 17, 2024 - Episode 251: Rathebe feels the pressure as Babeile closes in. Mr. Kgomo and Eunice clash. Jacobeth risks her safety in pursuit of Kganyago.
Tuesday, June 18, 2024 - Episode 252: Bullet Mabuza retaliates against Jacobeth. Pitsi inadvertently reveals his parents’ plans. Nkosi is shocked by Khwezi’s decision on LJ’s future.
Wednesday, June 19, 2024 - Episode 253: Jacobeth is ensnared in deceit. Evelyn is stressed over Toby’s case, and Letetswe reveals shocking academic results.
Thursday, June 20, 2024 - Episode 254: Elizabeth learns Jacobeth is in Mpumalanga. Kganyago's past is exposed, and Lehasa discovers his son is in KZN.
Friday, June 21, 2024 - Episode 255: Elizabeth confirms Jacobeth’s dubious activities in Mpumalanga. Rathebe lies about her relationship with Bullet, and Jacobeth faces theft accusations.
Monday, June 24, 2024 - Episode 256: Rathebe spies on Kganyago. Lehasa plans to retrieve his son from KZN, fearing what awaits.
Tuesday, June 25, 2024 - Episode 257: MaNtuli fears for Kwaito’s safety in Mpumalanga. Mr. Kgomo and Melita reconcile.
Wednesday, June 26, 2024 - Episode 258: Kganyago makes a bold escape. Elizabeth receives a shocking message from Kwaito. Mrs. Khoza defends her husband against scam accusations.
Thursday, June 27, 2024 - Episode 259: Babeile's skillful arrest changes the game. Tbose and Kwaito face a hostage crisis.
Friday, June 28, 2024 - Episode 260: Two women face the reality of being scammed. Turf is rocked by breaking
Young Tom Selleck: A Journey Through His Early Years and Rise to Stardomgreendigital
Introduction
When one thinks of Hollywood legends, Tom Selleck is a name that comes to mind. Known for his charming smile, rugged good looks. and the iconic mustache that has become synonymous with his persona. Tom Selleck has had a prolific career spanning decades. But, the journey of young Tom Selleck, from his early years to becoming a household name. is a story filled with determination, talent, and a touch of luck. This article delves into young Tom Selleck's life, background, early struggles. and pivotal moments that led to his rise in Hollywood.
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Early Life and Background
Family Roots and Childhood
Thomas William Selleck was born in Detroit, Michigan, on January 29, 1945. He was the second of four children in a close-knit family. His father, Robert Dean Selleck, was a real estate investor and executive. while his mother, Martha Selleck, was a homemaker. The Selleck family relocated to Sherman Oaks, California. when Tom was a child, setting the stage for his future in the entertainment industry.
Education and Early Interests
Growing up, young Tom Selleck was an active and athletic child. He attended Grant High School in Van Nuys, California. where he excelled in sports, particularly basketball. His tall and athletic build made him a standout player, and he earned a basketball scholarship to the University of Southern California (U.S.C.). While at U.S.C., Selleck studied business administration. but his interests shifted toward acting.
Discovery of Acting Passion
Tom Selleck's journey into acting was serendipitous. During his time at U.S.C., a drama coach encouraged him to try acting. This nudge led him to join the Hills Playhouse, where he began honing his craft. Transitioning from an aspiring athlete to an actor took time. but young Tom Selleck became drawn to the performance world.
Early Career Struggles
Breaking Into the Industry
The path to stardom was a challenging one for young Tom Selleck. Like many aspiring actors, he faced many rejections and struggled to find steady work. A series of minor roles and guest appearances on television shows marked his early career. In 1965, he debuted on the syndicated show "The Dating Game." which gave him some exposure but did not lead to immediate success.
The Commercial Breakthrough
During the late 1960s and early 1970s, Selleck began appearing in television commercials. His rugged good looks and charismatic presence made him a popular brand choice. He starred in advertisements for Pepsi-Cola, Revlon, and Close-Up toothpaste. These commercials provided financial stability and helped him gain visibility in the industry.
Struggling Actor in Hollywood
Despite his success in commercials. breaking into large acting roles remained a challenge for young Tom Selleck. He auditioned and took on small parts in T.V. shows and movies. Some of his early television appearances included roles in popular series like Lancer, The F.B.I., and Bracken's World. But, it would take a
Panchayat Season 3 - Official Trailer.pdfSuleman Rana
The dearest series "Panchayat" is set to make a victorious return with its third season, and the fervor is discernible. The authority trailer, delivered on May 28, guarantees one more enamoring venture through the country heartland of India.
Jitendra Kumar keeps on sparkling as Abhishek Tripathi, the city-reared engineer who ends up functioning as the secretary of the Panchayat office in the curious town of Phulera. His nuanced depiction of a young fellow exploring the difficulties of country life while endeavoring to adjust to his new environmental factors has earned far and wide recognition.
Neena Gupta and Raghubir Yadav return as Manju Devi and Brij Bhushan Dubey, separately. Their dynamic science and immaculate acting rejuvenate the hardships of town administration. Gupta's depiction of the town Pradhan with an ever-evolving outlook, matched with Yadav's carefully prepared exhibition, adds profundity and credibility to the story.
New Difficulties and Experiences
The trailer indicates new difficulties anticipating the characters, as Abhishek keeps on wrestling with his part in the town and his yearnings for a superior future. The series has reliably offset humor with social editorial, and Season 3 looks ready to dig much more profound into the intricacies of rustic organization and self-awareness.
Watchers can hope to see a greater amount of the enchanting and particular residents who have become fan top picks. Their connections and the one of a kind cut of-life situations give a reviving and interesting portrayal of provincial India, featuring the two its appeal and its difficulties.
A Mix of Humor and Heart
One of the signs of "Panchayat" is its capacity to mix humor with sincere narrating. The trailer features minutes that guarantee to convey giggles, as well as scenes that pull at the heartstrings. This equilibrium has been a critical calculate the show's prosperity, resounding with crowds across different socioeconomics.
Creation Greatness
The creation quality remaining parts first rate, with the beautiful setting of Phulera town filling in as a scenery that upgrades the narrating. The meticulousness in portraying provincial life, joined with sharp composition and solid exhibitions, guarantees that "Panchayat" keeps on hanging out in the packed web series scene.
Expectation and Delivery
As the delivery date draws near, expectation for "Panchayat" Season 3 is at a record-breaking high. The authority trailer has previously created critical buzz, with fans enthusiastically anticipating the continuation of Abhishek Tripathi's excursion and the new undertakings that lie ahead in Phulera.
All in all, the authority trailer for "Panchayat" Season 3 recommends that watchers are in for another drawing in and engaging ride. Yet again with its charming characters, convincing story, and ideal mix of humor and show, the new season is set to enamor crowds. Write in your schedules and prepare to get back to the endearing universe of "Panchayat."
Meet Crazyjamjam - A TikTok Sensation | Blog EternalBlog Eternal
Crazyjamjam, the TikTok star everyone's talking about! Uncover her secrets to success, viral trends, and more in this exclusive feature on Blog Eternal.
Source: https://blogeternal.com/celebrity/crazyjamjam-leaks/
Tom Selleck Net Worth: A Comprehensive Analysisgreendigital
Over several decades, Tom Selleck, a name synonymous with charisma. From his iconic role as Thomas Magnum in the television series "Magnum, P.I." to his enduring presence in "Blue Bloods," Selleck has captivated audiences with his versatility and charm. As a result, "Tom Selleck net worth" has become a topic of great interest among fans. and financial enthusiasts alike. This article delves deep into Tom Selleck's wealth, exploring his career, assets, endorsements. and business ventures that contribute to his impressive economic standing.
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Early Life and Career Beginnings
The Foundation of Tom Selleck's Wealth
Born on January 29, 1945, in Detroit, Michigan, Tom Selleck grew up in Sherman Oaks, California. His journey towards building a large net worth began with humble origins. , Selleck pursued a business administration degree at the University of Southern California (USC) on a basketball scholarship. But, his interest shifted towards acting. leading him to study at the Hills Playhouse under Milton Katselas.
Minor roles in television and films marked Selleck's early career. He appeared in commercials and took on small parts in T.V. series such as "The Dating Game" and "Lancer." These initial steps, although modest. laid the groundwork for his future success and the growth of Tom Selleck net worth. Breakthrough with "Magnum, P.I."
The Role that Defined Tom Selleck's Career
Tom Selleck's breakthrough came with the role of Thomas Magnum in the CBS television series "Magnum, P.I." (1980-1988). This role made him a household name and boosted his net worth. The series' popularity resulted in Selleck earning large salaries. leading to financial stability and increased recognition in Hollywood.
"Magnum P.I." garnered high ratings and critical acclaim during its run. Selleck's portrayal of the charming and resourceful private investigator resonated with audiences. making him one of the most beloved television actors of the 1980s. The success of "Magnum P.I." played a pivotal role in shaping Tom Selleck net worth, establishing him as a major star.
Film Career and Diversification
Expanding Tom Selleck's Financial Portfolio
While "Magnum, P.I." was a cornerstone of Selleck's career, he did not limit himself to television. He ventured into films, further enhancing Tom Selleck net worth. His filmography includes notable movies such as "Three Men and a Baby" (1987). which became the highest-grossing film of the year, and its sequel, "Three Men and a Little Lady" (1990). These box office successes contributed to his wealth.
Selleck's versatility allowed him to transition between genres. from comedies like "Mr. Baseball" (1992) to westerns such as "Quigley Down Under" (1990). This diversification showcased his acting range. and provided many income streams, reinforcing Tom Selleck net worth.
Television Resurgence with "Blue Bloods"
Sustaining Wealth through Consistent Success
In 2010, Tom Selleck began starring as Frank Reagan i
Chap 7 - The Biz of Broadcasting, Cable and New Media.pptx
1. Broadcasting, Cable, The
Internet, and Beyond
An Introduction to Modern Electronic
Media
Chapter 7
The Business of Broadcasting, Cable, and New Media
2. It’s time for a short quiz.
One question : What is the primary product that
a radio or television station has to sell? Here are
the choices :
a) Entertainment
b) Advertising time
c) Listeners to advertisers
d) Weather updates
If you answered c, you’re right. All the other
answers are less correct.
3. The Business of Broadcasting,
Cable and New Media
Let’s dwell on this for a just a minute.
Commercial mass media have a unique dual nature.
Mass-media technology is designed to link audiences
with program suppliers and with sponsors.
Broadcasting and cable operations need to provide
listeners and viewers with programs that meet their
tastes and needs.
Stations transmit programs to attract an audience.
Internet sites develop information and entertainment
on their sites for the same reason.
4. Banner and other ads on Web sites provide
revenue for the Web producer in much the
same way.
Mass-media technology provides a means of
reaching a large number of people
simultaneously, and as a result it is an
economical way of linking audiences with
advertisers via television and radio
programming.
Essentially you and your friends are the
product a broadcasting station is selling to
an advertiser.
5. In all electronic media there is this kind of
interplay among the technology, the consumer,
and economics.
For example, there is an interplay for the cable
industry, but it works just a little differently from
broadcasting.
Obviously cable has advertising, and thus cable,
too, must be selling the audience’s attention to
advertisers (unless a consumer is willing to pay
extra money to receive noncommercial channels
such as HBO or Showtime).
But there is a difference between over-the-air
broadcasting and cablecasting.
6. Cable companies also charge viewers a monthly
subscription fee for the privilege of receiving cable
programming.
In fact, the majority of cable’s revenue is generated
by the monthly subscription fee that consumers pay
to receive the service.
Cable thus has a dual income : Cable operators sell
advertising, and in addition they collect revenues
form a monthly subscription service.
Some cable companies such as Comcast and Time
Warner are also offering high-speed Internet access
and telephone (VoIP) as services, which act as
additional sources of income for these companies.
7. Of course cable operators also have a different
cost structure because cable is a different
technology from over-the-air broadcasting :
Cable franchisers have a large video distribution
network to maintain, while broadcasters just
have a transmitter and studios.
The business model for radio and television is
thus different from that for cable : both cable
and broadcasting must be technology-
dependent.
Web sites make money through ad-placement,
much like a newspaper and magazine, or by
selling goods or services like iTunes store.
8. Competition and Electronic Media
Radio, television, cable, and satellite
broadcasters all face competition from other
services.
Web services compete against many similar
pages with similar information.
The amount of competition often helps the
government determine how closely it will monitor
and control the mass-media facility.
Generally the amount of government oversight of
the electronic media is tied to how competitive
those media are.
If there is more competition, there is less
regulation.
9. The different electronic media have different levels of
competition and face different amount of government
oversight as a result.
If a medium faces no competition, there is a monopoly.
If there are a limited number of competitors – say, only
three national commercial television networks – we would
call that an oligopoly.
If a market faces complete competition – say, a large radio
market with 25 or more radio signals available – it is
possible to let the listeners decide which stations will
become popular and thereby gain a large share of the
advertising dollars.
We call this a “marketplace” solution – pure competition.
10. The Economics of Networking
In the 1970s, when the networks were at the
peak of their power, the government barred them
from owning financial interests in their programs
(financial syndication rules).
These government regulations, which allowed
independent producers to develop, were relaxed
in the recent years as more competitors have
entered the television market place.
Today television networks own or coproduce a
great deal of their own programming, and they
can develop new programming with the intention
of profiting from the show when it is placed into
the syndication marketplace (reruns) or when it
is sold to international audiences.
11. Syndication and Local Sales
Example : Suppose WEEE-TV decided to pay
$10,000 per episode for the rights to show 150
episodes of CSI – Crime Scene Investigation
three times each.
Striped across the 5-day week, 150 x 3 is 450
daily showings; this will provide approximately 1
½ years of local programming for the station.
This deal, worth $1.5 million for the program
producer, would be based :
1) on the size of the market and
2) on how much other TV stations in that market
are willing to bid for the rights to the show.
12. Syndication and Local Sales
If the producers were able to strike similar
deals with 50 of the largest television
markets in the US, they would be very happy
and very rich.
To carry this example to a conclusion, WEEE-
TV sells the number of commercial minutes
available within each CSI episode locally or in
national spot sales.
The station must make back the cost of
syndication plus enough money to cover
station overhead cost, station commissions,
and still meet a profit target.
13. You can see that the amount of money to
support network re-runs, particularly big
hits, on the local station can be very high.
Because costs of quality programming can
be so high, many shows are offered as
barter syndication.
14. Radio Programming
To unlock the secret of radio programming today,
it’s helpful to turn to the biological sciences.
Biologists define symbiosis as “the living
together in intimate association or close union of
two organisms,” especially if mutually beneficial
– like silverfish and army ants or coral and sea
creatures.
Radio enjoys a close and mutually beneficial
relationship with a variety of other “organisms.”
15. Radio Programming
All these illustrates how radio is intertwined today
with the movie business.
The success of TV shows like Glee and MTV’s 10 On
Top and the numerous stars who have graduated
from American Idol to become successful pop stars,
point to radio’s interrelationship with TV.
But radio’s most symbiotic relationship is with the
popular music business : the world of iTunes, CDs,
and DVDs.
Radio is in a flux today.
As younger listeners mix local radio and Web stations
and music services, change is in the wind.
16. Radio Regulation and Format
Design
For this symbiotic relationship to work, it’s
necessary for stations to have the freedom to
choose the programming they want to provide to
their communities.
Section 326 of the Communications Act in US, is
the law the empowered FCC to govern broadcast
operations.
However, FCC has no right nor the power to
control radio programming.
Radio stations are free to program their airtime
however they may.
17. Radio Regulation and Format
Design
Congress has directed the FCC to promulgate
programming rule.
However, the bulk of radio programming – music,
news, and information – is largely free of
governmental intrusion.
In fact, this characteristic is one of the
fundamental distinctions between the sound of
American radio and that of the rest of the world.
Basically, American radio is programmed to
satisfy listener tastes and not, as in government-
owned systems, to serve political or bureaucratic
interests.
18. Radio Regulation and Format
Design
We call this situation “format freedom.”
Faced with the task of filling 24 hours per
day, 365 days a year, radio programmers are
on their own.
Their task is simple : to provide attractive
programming to meet the informational
and/or entertainment needs of an audience.
In commercial radio, the audience must be
large or important enough to be of interest to
advertisers.
19. A Matrix of Radio Programming
Local programming is original programming
produced by the radio station in its studios or
from locations in its immediate service area.
Pre-recorded or syndicated programming is
programming obtained by the station from
commercial supplier, advertiser, or program
producer from outside the station.
Common sources of this type of programming
are from record companies or program
distributors.
Pre-recorded programs may also be received by
stations as MP3 downloads through an Internet
connection or by microwave relay, and very
commonly from a satellite or distributed via CD.
20. A Matrix of Radio Programming
Stations that belong to a network such as
ABC, CBS or National Public Radio are
permanently interconnected via Internet
connection or satellite transponders.
Unlike syndication, network programming
is regularly scheduled; that is, with few
exceptions, network programs run the
same time each day at every station on
the network.
21. TV Programming
We study television for a lot of reasons : it’s
social impact; its effect on politics; its influence
on modes of conversation, fashion and
relationships; and on and on.
But for the majority of the public, television is
really about only one thing: programming.
And that programming, whether it’s found on the
broadcast networks, local TV stations, cable,
satellite on the Internet, has only two main
functions : information and entertainment.
23. The Kennedy Assassination : The Death of
Camelot, the Growth of Conspiracy Theories,
and the Birth of Television News
Was there a government cover-up? Did Aswald
act alone?
Nearly 60 years after JFK’s death, the majority of
Americans are skeptical of the official conclusions
about his death.
Despite countless government investigations and
television documentaries, the majority of
Americans seem convinced that Lee Harvey
Oswald had help assassinating the young
president.
Did television have something to do with
reinforcing this persistent belief?
24. The Kennedy Assassination
JFK had been warned not to go to Dallas, a city
torn by political and racial unrest.
The press had hinted there might be trouble.
A large contingent of the media was on hand as
the president’s motorcade passed the Texas
School Book Depository when loud shots rang
out.
The president was shot twice, in the neck and in
the head, and was announced dead a short time
later
25. The Kennedy Assassination
Within 5 minutes, news of the shooting moved
on the United Press wire service.
Within 10 minutes the three TV networks had
interrupted their afternoon lineups of game
shows and soap operas.
Receiving news from a reporter, he told the
nation on CBS that its president had been slain.
Incredibly, within hours, a suspect was
apprehended at a nearby theater.
26. The Kennedy Assassination
Assassinations in other nations often lead
to government chaos and public violence,
but in the United States it turned people
to their TV sets for news, for comfort, and
most importantly, for explanations.
For four days, all regular programming
was suspended and people sat, seemingly
transfixed by the story unfolding on TV.
The full resources of the TV medium were
turned to this one event.
27. The Kennedy Assassination
Television was there when President Kennedy’s widow,
Jacqueline, returned with the coffin to Washington and
when the accused assassin, Lee Harvey Oswald, was
himself gunned down by a Dallas nightclub owner, Jack
Ruby.
And TV permitted the nation to attend the funeral, as world
leaders came to pay their respects.
How was it that Ruby seemed to have access to killing
Oswald before the assaliant could explain himself and
before authorities could be certain he was the only shooter.
How could this happen? Many asked questions, but there
were no answers.
Many Americans became convinced that events were
carefully orchestrated and that Oswald did not act alone. A
conspiracy theory was born.
28. The Kennedy Assassination
Like the events of 9/11/2001, more than 9 in
10 Americans were said to have watched the
TV coverage that fateful weekend.
Watching too, were over 500 million people in
23 countries, as the coverage was fed to a
new device that had recently been launched :
the communications satellite.
More importantly, however, the events
surrounding the assassination began the era
of television news supremacy.
29. Television and Civil Rights
In 1962, Dr. Martin Luther King, Jr, outline a new
strategy :
We are here today to say to the white men that we
will no longer let them use their clubs in dark
corners. We are going to make them do it in the
glaring light of television.
It worked! And this is precisely what we are seeing
today.
TV was there in Little Rock in the year 1957 to
capture the violence following the integration of
Central High School.
It was in Montgomery, Birmingham, and other
southern cities to witness sit-ins at lunch counters
and bus stations.
30. Television and Civil Rights
In darker days TV was there to cover civil
disorders, presenting searing images of
white police chiefs turning dogs and fire
hoses onto defenseless demonstrators.
It revealed the hatred of white
supremacists, including Ku Klux Kan, as
throngs of peaceful protesters file through
their towns.
31. Television in Vietnam
A second major news event of the 1960s took place
thousands of miles away.
But it too harnessed the power of TV – particularly its
ability to distant events and news into America’s
living rooms at home.
The event was the war in Vietnam.
During this period, TV news made , virtually all its
major advances : portable cameras, satellite relay
systems, color, videotape replay, etc.
This was the era when TV’s first generation of
reporters, who have been trained in radio or print
journalism, gave way to a new wave of youthful
reporters who had grown up in the age of TV.
32. Television in Vietnam
Vietnam provided a training ground for
the new people and techniques coming to
TV.
As a result, the public was deluged with
daily report, with illustrations of American
and enemy dead, and with dramatic
“point-of-view” shots from cameras
mounted on helicopter gun ships and later
in the bellies of evacuation aircraft.
33. Television in Vietnam
For many who lived through those years, the war is
remembered as a series of indelible images :
o the whirr … of engines as choppers evacuate
wounded soldiers;
o GIs “torching” a village with their Zippo lighters
(reported first by Morley Safer on CBS in 1965);
o antiwar demonstrations chanting “the whole world
is watching” as they clashed with police during the
1968 Democratic National Convention in Chicago;
34. Television in Vietnam
o the execution of prisoner by Saigon police
chief Lo An (aired on NBC in 1968);
o panic-stricken South Vietnamese clutching
the landing gear of evacuation aircraft in
1975;
o and flotillas of rafts and fishing boats
crammed with refugees as the “boat
people” fled their country in the late
1970s.
35. One Small Step
Starting in 1957 the US and the former
Soviet Union were locked in a fierce battle
to control the new frontier : space.
During the early days it wasn’t clear who
would win; but beginning with Alan
Shepard’s space flight in 1961, “space
shots” became a major focus on TV news,
leading up the lunar landing of Apollo 11.
36. One Small Step
In the summer of 1969 Neil Armstrong set
foot on the moon, an event witnessed by
the largest global TV audience up to that
time, an estimated 600 million people on
six of the seven continents.
37. One Small Step
NASA had carefully orchestrated the event as a TV
program, having mounted a small camera (provided
by RCA) on the steps in of the landing craft, in front
of which astronauts Armstrong and Edwin Aldrin
would cavort.
The two unfurled and planted an American flag,
stiffened by an aluminum rod to give the appearance
that it was fluttering in some imaginary lunar breeze.
Within minutes President Nixon was on a split screen
to talk to the astronauts by telephone.
Two hours later, the world audience watched as the
astronauts blasted off for the return trip to earth.
The astronauts had provided for this unique TV angle
(the first point-of-view shot from outer space) by
setting up another RCA camera in the lunar soil.
38. TV News Becomes Big Business
Civil rights; Vietnam wars; the space race;
and subsequent events like the Watergate
scandal (in 1974 and 1975), the hostage
crisis in Iran (in 1980), the disasters
involving space shuttles Challenger (1986)
and Columbia (2003), the unthinkable
collapse of the World Trade Center towers,
the aftermath of Hurricane Katrina (2005),
the oil spill in the Gulf (2010), and 2011
earth quake and tsunami in Tohoku, Japan
which killed 15,899 people ….,
brought TV news to the forefront.
39. TV News Becomes Big Business
The major networks expanded their news
coverage and local television news also
grew. And it grew for good reason.
It had become a profit center for
television stations, accounting for as
much as one-third to one-half of all
advertising revenues.
40. Major Trends in TV News – Happy
Talk
In the late 1979s a new breed of newscasters began
to appear.
Men were younger, more daring, and even dashing,
frequently dressed in the most modern clothing
styles, many with facial hair.
For the first time women began to appear in the
anchor positions.
Like the new breed of male newscasters, they were
young and attractive.
On-camera looks, charisma, charm, and sex appeal
became at least as important as journalistic training
and ability.
41. Major Trends in TV News – Happy
Talk
Not only did this new breed look different,
but they also acted different from their
predecessors.
They talked to each other on the air.
Sometimes they talked about the news
reports they had just seen; sometimes they
just seemed to be engaging in the kind of
gossip and repartee found in most offices.
TV news was lambasted by the print media,
which called it the “happy talk.”
42. Major Trends in TV News – Happy
Talk
There was a concern that TV news was from
information to entertainment, and away from
serious news to “sleaze.”
Research seemed to support these claims.
Studies found that stations with the happy-
talk format feature more sensational and
violent content than did traditional
newscasts.
They also had higher ratings.
43. ENG and SNG
Another new trend in TV news was its dependence on
new communications technologies.
Electronic news gathering (ENG) emerged in the
mid-1970s, when video cameras and recorders
became commercially available. Lightweight, portable
TV cameras and small videotape recorders
revolutionized news coverage.
With ENG, cameras and recorders could go anywhere.
Events could be recorded in full, with natural sound,
and the most important parts could be edited
together electronically in a speedy and cost-efficient
manner.
44. ENG and SNG
Several years later, the dawn of satellite news
gathering (SNG) arrived.
Satellite news gathering refers to the use of the
mobile trucks mounted with satellite communications
equipment to report local and international events.
SNG trucks and vans could transmit up to
communication satellites the pictures and sounds
gathered by SNG.
The satellites sent the signal back down to local
stations and networks to use in their news programs.
It was thus possible to obtain live news pictures from
virtually anywhere in the world.
45. Network Television : The Big Four,
Plus Three
From the beginning of TV in the late 1940s to the late
1970s, TV programming was dominated by three
commercial networks : CBS, NBC and ABC.
Their programs – variety shows such as Ed Sullivan’s
Toast of the Town, comedies like I Love Lucy and
Mork and Mindy, dramas like The Fugitive and sports
programs like Super Bowls.
In the 1980s, a new service emerged as a fourth
network : Rupert Murdoch’s Fox Broadcasting
Corporation.
In the 1990s, two newer networks struggled to join –
Paramount (UPN) and Warner Brothers (WB).
46. Affiliation
The backbone of any network is the group of
stations that carries its programs.
Stations that receive network programming
are known as affiliates.
Traditionally, roughly 200 stations were
affiliated with each of the Big Three of ABC,
CBS and NBC.
This is critical because national coverage
enables them to sell the nation’s leading
advertisers commercials within their
programs.
47. THE WORLD OF TV SYNDICATION
After the networks (broadcast, cable and PBS), the
largest purveyors of programming are the
syndicators : the companies that sell programs
directly to TV stations and cable services.
The growth in the number of TV stations, the arrival
of cable and new broadcast networks, and the growth
of the home video market have created tremendous
new demands.
Where once syndication meant only two things –
movies and network reruns - the syndication universe
today ranges from films to talk shows, music videos,
and adventure yarns, to how-to shows on everything
from exercise to hunting water buffalo.
Today TV syndication is about a $9 billion annual
business.
48. The Syndication Market
There are two primary buyers or markets
for syndicated programming.
The traditional market for syndication is
local TV.
Nearly 1,400 local TV stations obtain
syndicated programming to fill their
program schedules during time periods
without network programs or local
programs (mainly news).
Editor's Notes
1. Promulgate – put into effect any rule
Underwriter - a person or company that underwrites an insurance risk
Formidable - inspiring fear or respect through being impressively large, powerful, intense, or capable.
1. Apprehended - caught
Deluge – a severe flood
GI – ground infantry
1. Indelible – making marks that cannot be removed; not able to be forgotten
1. Continents - A continent is one of several very large landmasses.