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CHANNEL 4 
DOCUMENTARIES – 
ENLIGHTENING OR 
EXPLOITATIVE? 
By Ryan, Jess and Lucy
 Channel 4 broadcast many different documentaries, 
trying to shock the viewers into taking action against 
important issues. 
 These programmes are, more often than not, really 
degrading or monstrous. The recent show ‘Going to the 
dogs’ demonstrated the horrific world of dog fighting. It 
received hundreds of complaints within hours of the 
documentary being shown, and represented the 
seriousness of the issue and the public’s reaction to it. 
A measly 147,000 people tuned in, which, when you 
compare it to the normal viewing figures of other 
documentaries (well in excess of 2 million) shows that 
many people felt C4 were wrong to broadcast it.
What do Channel 4 try to 
avoid in a documentary? 
 Channel 4 doesn’t make documentaries that don’t fit 
with their stated purpose of reflecting contemporary 
Britain. 
 So why do Channel 4 show the bad sides of Britain 
more often than not? 
 Are they giving Britain a bad name by showing the bad 
sides? Should they show more documentaries showing 
the better side of Britain?
How much does it cost to 
make these programmes? 
 £150k on average. It costs Channel 4 £40k for a pre-purchase, 
£10k for a license and then it varies 
depending on the individual project. 
 Channel 4 then make a profit based on ratings. 
 The higher the ratings, the more money they make 
from the companies whose products they show during 
the advertising breaks, as more people would have 
seen the advert.
Ratings for certain shows 
 Going to the dogs (147,000) – Daily Mail website 
 Royal Marines commando school (2million+) – BARB 
 Educating the East End (2.2million) – Guardian website 
 Benefits Street (4.3million) – Guardian website 
 Man with the 10-stone testicles (3.9million) – Metro 
website 
 24 hours in A&E (2million+) - BARB
Ratings continued… 
 9/11 – Fireman’s Story (2million+) – Guardian website 
 One born every minute (2million+) – BARB 
 Richard III documentary (4.3million) – Metro website 
 Embarrassing bodies (3.5million) - Guardian 
 The supervet (1.6million+) - BARB
Benefits and disadvantages of 
appearing in C4 shows 
 Appearing in ‘Embarrassing Bodies’ has both benefits 
and drawbacks. It can allow people to get their problem 
fixed, and for free usually, but it can also make the 
subject of the programme shy and feel insecure. Also, 
they will be faced with the fact that millions of people 
will know what is wrong with them. Their only comfort is 
that people will probably forget after a while. 
 ‘My big fat fetish’ also demoralizes people. It allows 
people like models to show off their bodies and 
therefore makes insecure people unhappy with theirs.
 ‘Hairy women’ involves what it’s like for women to be 
hairless, and the lengths they go to to be hairless. 
 ‘The undateables’ is another horrifying documentary, 
where people with impairments or long-term conditions 
find love. They can find partners who understand them, 
which is a benefit. Unfortunately, it also means that the 
general public could be laughing and are probably 
being judgmental towards the subjects. 
 ‘Benefits Street’ has changed the lives of people like 
White Dee, who appeared on Big Brother and is now 
making lots of money, whilst being off benefits. This has 
to be a good thing, as that’s one less person 
scrounging off the taxpayers’ money.
Is it worth making these 
documentaries? 
 On the one hand, you have certain benefits that prove these 
shows should be made. On shows such as ‘Embarrassing 
Bodies’, you get to have all the problems you have gone for 
free. You also help in improving the lifestyle of certain 
people, such as White Dee who is now earning much more 
money, and is off benefits. 
 On the other hand, the show demoralizes people, and 
makes them a target for discrimination and unjust bullying. 
 Therefore, Channel 4 has a right to keep producing 
documentaries to keep people entertained and informed 
about ‘Contemporary Britain’. However, they should be more 
careful of what they broadcast.

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Channel 4 documentary ppt

  • 1. CHANNEL 4 DOCUMENTARIES – ENLIGHTENING OR EXPLOITATIVE? By Ryan, Jess and Lucy
  • 2.  Channel 4 broadcast many different documentaries, trying to shock the viewers into taking action against important issues.  These programmes are, more often than not, really degrading or monstrous. The recent show ‘Going to the dogs’ demonstrated the horrific world of dog fighting. It received hundreds of complaints within hours of the documentary being shown, and represented the seriousness of the issue and the public’s reaction to it. A measly 147,000 people tuned in, which, when you compare it to the normal viewing figures of other documentaries (well in excess of 2 million) shows that many people felt C4 were wrong to broadcast it.
  • 3. What do Channel 4 try to avoid in a documentary?  Channel 4 doesn’t make documentaries that don’t fit with their stated purpose of reflecting contemporary Britain.  So why do Channel 4 show the bad sides of Britain more often than not?  Are they giving Britain a bad name by showing the bad sides? Should they show more documentaries showing the better side of Britain?
  • 4. How much does it cost to make these programmes?  £150k on average. It costs Channel 4 £40k for a pre-purchase, £10k for a license and then it varies depending on the individual project.  Channel 4 then make a profit based on ratings.  The higher the ratings, the more money they make from the companies whose products they show during the advertising breaks, as more people would have seen the advert.
  • 5. Ratings for certain shows  Going to the dogs (147,000) – Daily Mail website  Royal Marines commando school (2million+) – BARB  Educating the East End (2.2million) – Guardian website  Benefits Street (4.3million) – Guardian website  Man with the 10-stone testicles (3.9million) – Metro website  24 hours in A&E (2million+) - BARB
  • 6. Ratings continued…  9/11 – Fireman’s Story (2million+) – Guardian website  One born every minute (2million+) – BARB  Richard III documentary (4.3million) – Metro website  Embarrassing bodies (3.5million) - Guardian  The supervet (1.6million+) - BARB
  • 7. Benefits and disadvantages of appearing in C4 shows  Appearing in ‘Embarrassing Bodies’ has both benefits and drawbacks. It can allow people to get their problem fixed, and for free usually, but it can also make the subject of the programme shy and feel insecure. Also, they will be faced with the fact that millions of people will know what is wrong with them. Their only comfort is that people will probably forget after a while.  ‘My big fat fetish’ also demoralizes people. It allows people like models to show off their bodies and therefore makes insecure people unhappy with theirs.
  • 8.  ‘Hairy women’ involves what it’s like for women to be hairless, and the lengths they go to to be hairless.  ‘The undateables’ is another horrifying documentary, where people with impairments or long-term conditions find love. They can find partners who understand them, which is a benefit. Unfortunately, it also means that the general public could be laughing and are probably being judgmental towards the subjects.  ‘Benefits Street’ has changed the lives of people like White Dee, who appeared on Big Brother and is now making lots of money, whilst being off benefits. This has to be a good thing, as that’s one less person scrounging off the taxpayers’ money.
  • 9. Is it worth making these documentaries?  On the one hand, you have certain benefits that prove these shows should be made. On shows such as ‘Embarrassing Bodies’, you get to have all the problems you have gone for free. You also help in improving the lifestyle of certain people, such as White Dee who is now earning much more money, and is off benefits.  On the other hand, the show demoralizes people, and makes them a target for discrimination and unjust bullying.  Therefore, Channel 4 has a right to keep producing documentaries to keep people entertained and informed about ‘Contemporary Britain’. However, they should be more careful of what they broadcast.