The document provides information on various components and technical aspects of CCTV cameras, including:
- Image sensors convert light into electrical signals that can be viewed or stored as images. The two main types are CCD and CMOS.
- Other factors that impact image quality are resolution, frame rate, shutter speed, ISO, focal length, aperture, zoom, illumination, and noise reduction.
- Video streaming involves continuous transmission of video files from a server to a client in small packets over the internet.
The document discusses various technical specifications for CCTV cameras, including:
- Image sensors (CCD, CMOS) and sensor sizes
- Lens specifications like focal length, zoom capabilities, and mount types
- Resolution standards like CIF, D1, megapixels
- Aspect ratios and their effect on displayed resolution
- Encoding formats like NTSC, PAL, SECAM
- Iris types like fixed, manual, auto, P iris
- Factors that impact image quality like resolution, focal length, and sensor size.
Digital cameras work by focusing light onto an electronic sensor that converts the light information into digital data made up of ones and zeros. The sensor is either a CCD or CMOS chip. Key differences between digital and film cameras are that digital cameras have built-in computers to electronically record and store images, while film cameras rely on chemical and mechanical processes and do not require electricity. Resolution, focal length, storage, file format, and understanding of pixels are also important factors for digital cameras.
Training Videovigilancia IP: What, Why, When and HowNestor Carralero
Network cameras can compress video using codecs like H.264 to reduce file sizes. They support different resolutions, frame rates, and bit rates. Features like digital zoom, WDR, and privacy masks customize camera views. Audio uses codecs like AAC and AMR, and 2-way audio allows remote communication. Automatic settings like AES, AWB, and AGC adjust camera settings without manual control.
In-Depth: 4K Mirrorless Cameras: Sony A7 Series, Panasonic GH4, and MoreRichard Harrington
Looking to add an affordable 4K camera into your workflow? You'd be wise to consider the Panasonic GH4 or Sony a7 Series. This class takes an in-depth look at these two popular cameras and the surrounding ecosystem.
Join director Richard Harrington and DP Eduardo Angel as they explore the complete workflow. You'll lean how to choose lenses, extend your camera's capabilities with professional accessories, and set up your camera to capture the right file formats for your production.
This document discusses projection systems and their interfacing. It describes the key components and specifications of three main projection technologies: CRT, LCD, and DLP. CRT projectors use a cathode ray tube to generate images while LCD uses liquid crystal displays and DLP (digital light processing) uses a digital micromirror device chip. The document outlines specifications for each like brightness, resolution, throw ratio and inputs/outputs including VGA and HDMI interfaces.
(Part 2 of a series on IP Cameras.)
With security and surveillance moving into the digital world (through IP), the need for networking expertise is more crucial than ever before. Whether you need to upgrade an old analog system to digital, create a complete end-to-end solution, or simply add new surveillance components, D-Link has the knowledge and experience to help you succeed.
This multi-post series is intended to provide some basic IP Surveillance knowledge and tips on conducting a site assessment, selecting cameras and creating end-to-end IP Surveillance solution.
This document provides an introduction to digital photography, including an overview of digital cameras and their advantages over film cameras. It discusses basic camera components like sensors and storage as well as different types of digital cameras. It also covers lenses, megapixels, image stabilization, and basic camera controls like aperture, shutter speed, and ISO. The goal is to educate newcomers to digital photography about selecting and using a digital camera.
Step-by-Step Guide to Picking the Best Projector for Your Home Theater.pptxleelindesy
Turning your home movie-watching into a true cinematic experience starts with picking the right home theater projector. With so many options out there, it can feel overwhelming. This guide will simplify the process and help you choose the perfect projector, ensuring your home theater setup delivers stunning visuals and immersive sound.
The document discusses various technical specifications for CCTV cameras, including:
- Image sensors (CCD, CMOS) and sensor sizes
- Lens specifications like focal length, zoom capabilities, and mount types
- Resolution standards like CIF, D1, megapixels
- Aspect ratios and their effect on displayed resolution
- Encoding formats like NTSC, PAL, SECAM
- Iris types like fixed, manual, auto, P iris
- Factors that impact image quality like resolution, focal length, and sensor size.
Digital cameras work by focusing light onto an electronic sensor that converts the light information into digital data made up of ones and zeros. The sensor is either a CCD or CMOS chip. Key differences between digital and film cameras are that digital cameras have built-in computers to electronically record and store images, while film cameras rely on chemical and mechanical processes and do not require electricity. Resolution, focal length, storage, file format, and understanding of pixels are also important factors for digital cameras.
Training Videovigilancia IP: What, Why, When and HowNestor Carralero
Network cameras can compress video using codecs like H.264 to reduce file sizes. They support different resolutions, frame rates, and bit rates. Features like digital zoom, WDR, and privacy masks customize camera views. Audio uses codecs like AAC and AMR, and 2-way audio allows remote communication. Automatic settings like AES, AWB, and AGC adjust camera settings without manual control.
In-Depth: 4K Mirrorless Cameras: Sony A7 Series, Panasonic GH4, and MoreRichard Harrington
Looking to add an affordable 4K camera into your workflow? You'd be wise to consider the Panasonic GH4 or Sony a7 Series. This class takes an in-depth look at these two popular cameras and the surrounding ecosystem.
Join director Richard Harrington and DP Eduardo Angel as they explore the complete workflow. You'll lean how to choose lenses, extend your camera's capabilities with professional accessories, and set up your camera to capture the right file formats for your production.
This document discusses projection systems and their interfacing. It describes the key components and specifications of three main projection technologies: CRT, LCD, and DLP. CRT projectors use a cathode ray tube to generate images while LCD uses liquid crystal displays and DLP (digital light processing) uses a digital micromirror device chip. The document outlines specifications for each like brightness, resolution, throw ratio and inputs/outputs including VGA and HDMI interfaces.
(Part 2 of a series on IP Cameras.)
With security and surveillance moving into the digital world (through IP), the need for networking expertise is more crucial than ever before. Whether you need to upgrade an old analog system to digital, create a complete end-to-end solution, or simply add new surveillance components, D-Link has the knowledge and experience to help you succeed.
This multi-post series is intended to provide some basic IP Surveillance knowledge and tips on conducting a site assessment, selecting cameras and creating end-to-end IP Surveillance solution.
This document provides an introduction to digital photography, including an overview of digital cameras and their advantages over film cameras. It discusses basic camera components like sensors and storage as well as different types of digital cameras. It also covers lenses, megapixels, image stabilization, and basic camera controls like aperture, shutter speed, and ISO. The goal is to educate newcomers to digital photography about selecting and using a digital camera.
Step-by-Step Guide to Picking the Best Projector for Your Home Theater.pptxleelindesy
Turning your home movie-watching into a true cinematic experience starts with picking the right home theater projector. With so many options out there, it can feel overwhelming. This guide will simplify the process and help you choose the perfect projector, ensuring your home theater setup delivers stunning visuals and immersive sound.
This document provides an overview of digital SLR cameras (DSLRs). It discusses key DSLR components and technologies such as lenses, sensors, megapixels, image stabilization, dust reduction, and live view. It also explains basic photographic concepts and terms like shutter speed, aperture, ISO, and composition. The document compares DSLRs to other digital camera types and outlines the benefits of a DSLR like interchangeable lenses and higher image quality from larger sensors.
This document discusses megapixel camera technology for network video surveillance systems. It begins by explaining how megapixel cameras can cover a larger area than VGA cameras, with a 1.3 megapixel camera covering an area 9 times as large as a VGA camera. It then discusses camera specifications like resolution, pixels, lens optics, and compression methods. Myths about megapixel cameras are debunked, and applications and considerations for deploying megapixel cameras are provided, such as calculating camera requirements, storage needs, and bandwidth requirements.
A highly versatile piece of technology, the Nikon D4 digital camera has helped to revolutionize twenty-first century picture-taking.
This presentation briefly provides an overview of the digital camera--its advantages and costs to the consumer.
The document discusses different types of digital camera image sensors including CCD, CMOS, and full frame sensors. It explains key sensor specifications like resolution, pixel size, and crop factor which is the ratio of a sensor's diagonal size compared to a full frame 35mm sensor. A larger crop factor means a smaller sensor that crops the image circle of a lens, but can have advantages for lens sharpness by discarding lower quality edge areas.
Digital single-lens reflex (DSLR) cameras consist of an interchangeable camera body and lenses. DSLRs offer more precise photos compared to point-and-shoot cameras due to larger sensors, more manual controls, and faster processing. While not required, experience with a DSLR's manual modes allows photographers more creative control over depth of field, shutter speed, aperture, ISO, and white balance. Identifying photographic needs helps determine which DSLR features like image stabilization or continuous shooting modes will be most useful.
This document discusses key factors to consider when choosing a camera for cinematic video production, including evaluating your needs and budget, lens mount options, sensor size, dynamic range, and resolution. Sensor size influences angle of view, depth of field, and compatibility with lenses. While 4K resolution is becoming more common, high-quality 2K footage can still be suitable for many projects. Dynamic range and resolution are among the key components for achieving a cinematic look.
The document provides an overview of effective site surveys. It discusses the importance of planning, preparing equipment, and properly exposing shots. The editing process involves transferring footage, organizing media, selecting clips, potentially transcoding, and then editing the story together. Color grading and retiming footage can further enhance the final product. Resources are available to help with various aspects of the video production workflow.
This document provides information about different types of cameras and video technology:
- It describes how traditional cameras and digital cameras work, and the basic functions of cameras like exposure, shutter speed, and aperture.
- It discusses the differences between analog and digital cameras and technologies. Digital cameras convert images to binary code while analog cameras expose film to light.
- It covers video recording formats and quality, explaining the differences between resolutions like 1080i and 1080p. High-end cameras like the Red One can capture extremely high-quality 3D video.
Making Immersive Virtual Reality Possible in MobileQualcomm Research
Virtual reality will provide the ultimate level of immersion, creating a sense of physical presence in real or imagined worlds.
This Qualcomm presentation describes:
• The unprecedented experiences and unlimited possibilities that VR enables.
• Why VR is happening now and how mobile technologies are accelerating VR adoption.
• The extreme requirements for immersive VR in terms of visual quality, sound quality, and intuitive interactions.
• Why Qualcomm Technologies is uniquely positioned to meet these extreme requirements and deliver superior mobile VR experiences
Learn more at: https://www.qualcomm.com/VR
Download the presentation at: https://www.qualcomm.com/documents/making-immersive-virtual-reality-possible-mobile
Sign up for our mobile computing newsletter at: https://www.qualcomm.com/invention/technologies/mobile-computing/signup
This document provides a summary of a seminar on digital photography and image sensors:
- The seminar was guided by Dr. Jibitesh Mishra Sir and presented by Raparthi Siva Sankar. It covered topics including what a digital photograph is made of, why people choose digital over film cameras, how image sensors work to capture digital images, and the different types of digital cameras.
- A key point is that digital cameras use an image sensor, usually a CCD, which contains millions of light-sensitive photosites that each capture one pixel of the image. The sensor is covered with red, green, and blue filters so that each pixel records the brightness of only one color,
This document discusses differences between film and digital formats, as well as key aspects of digital video such as resolution, aspect ratios, standard definition vs high definition, capture formats, online vs offline editing, linear vs non-linear editing, and the replacement of tapes with hard disks. Some of the main points made are that IMAX film has the highest quality, digital cameras can match film quality while being lighter, pixels determine resolution, and non-linear editing on hard disks is now easier and faster than linear tape-based editing.
This document discusses differences between film and digital formats, as well as key aspects of digital video such as resolution, aspect ratios, standard definition vs high definition, capture formats, online vs offline editing, linear vs non-linear editing, and the replacement of tapes with hard disks. Some of the main points made are that IMAX film has the highest quality, digital cameras can match film quality while being lighter, pixels determine resolution, and non-linear editing on hard disks is now easier and faster than linear tape-based editing.
Explaining the meaning of common projector terminologyJon Roberts
This document defines common projector terminology, explaining terms like ANSI lumens, aspect ratio, resolution, throw distance, and zoom ratio. It is intended to help those new to projectors understand how to choose the right projector for their needs. Key terms defined include ANSI lumens for measuring brightness, aspect ratios for screen dimensions, and resolution standards for image quality. Throw distance and zoom ratio are also explained in regards to projecting images at varying sizes.
1. Image resolution is measured in pixels per inch (PPI) and determines image quality, with more pixels resulting in higher quality.
2. There are two factors that determine the total number of pixels in an image: its size in inches and its resolution in pixels per inch.
3. Common resolutions include 256x256 for low quality images, 640x480 for basic web images, 2240x1680 for 4 megapixel cameras, and 4064x2704 for high-end 11 megapixel cameras.
Through the Lens - Volumes of learning material on Film Making & Photography. Here is the 1st Volume of Through the Lens (Video Camera Techniques). This is for learning purpose not for commercial use. Hope this is will really helps media students. Write to me for to clarify any doubts - ebenezerannadoss@gmail.com
Bangkok Comtech Co., Ltd. has been distributing security technologies in Thailand since 2000, partnering with global suppliers. They pride themselves on equipping customers with cutting-edge security systems through expertise in CCTV, cabling, and digital video storage. In addition to standard security systems, their professional team also provides customized, integrated solutions to meet clients' changing security needs.
This document provides an overview of photography basics, including different types of cameras, concepts like aperture, shutter speed, ISO, and noise. It discusses choosing the right camera, understanding megapixels and resolution, and tools like optical and digital zoom. It also covers techniques like composition with the rule of thirds, different photography styles like landscape and portrait, and using settings like shutter priority, aperture priority, and manual.
This document provides information on different types of cameras and basic camera controls and care. It discusses still cameras, DSLRs, video cameras, studio cameras and camcorders. It also outlines key camera controls for photos and videos, including white balance, ISO, iris, shutter speed, gain, focal length, focus, and zoom. Finally, it provides some basic tips for handling and caring for cameras properly.
This document discusses photography for orthodontic documentation. It recommends using a digital single-lens reflex (DSLR) camera over a point-and-shoot for its larger sensor size, ability to change lenses, and low light capabilities. A macro lens and ring flash are ideal for close-up intraoral shots to eliminate shadows and distribute light evenly. The document provides camera, lens, and flash specifications for orthodontic photography and recommends camera settings for different shot types.
A review of the growth of the Israel Genealogy Research Association Database Collection for the last 12 months. Our collection is now passed the 3 million mark and still growing. See which archives have contributed the most. See the different types of records we have, and which years have had records added. You can also see what we have for the future.
हिंदी वर्णमाला पीपीटी, hindi alphabet PPT presentation, hindi varnamala PPT, Hindi Varnamala pdf, हिंदी स्वर, हिंदी व्यंजन, sikhiye hindi varnmala, dr. mulla adam ali, hindi language and literature, hindi alphabet with drawing, hindi alphabet pdf, hindi varnamala for childrens, hindi language, hindi varnamala practice for kids, https://www.drmullaadamali.com
This document provides an overview of digital SLR cameras (DSLRs). It discusses key DSLR components and technologies such as lenses, sensors, megapixels, image stabilization, dust reduction, and live view. It also explains basic photographic concepts and terms like shutter speed, aperture, ISO, and composition. The document compares DSLRs to other digital camera types and outlines the benefits of a DSLR like interchangeable lenses and higher image quality from larger sensors.
This document discusses megapixel camera technology for network video surveillance systems. It begins by explaining how megapixel cameras can cover a larger area than VGA cameras, with a 1.3 megapixel camera covering an area 9 times as large as a VGA camera. It then discusses camera specifications like resolution, pixels, lens optics, and compression methods. Myths about megapixel cameras are debunked, and applications and considerations for deploying megapixel cameras are provided, such as calculating camera requirements, storage needs, and bandwidth requirements.
A highly versatile piece of technology, the Nikon D4 digital camera has helped to revolutionize twenty-first century picture-taking.
This presentation briefly provides an overview of the digital camera--its advantages and costs to the consumer.
The document discusses different types of digital camera image sensors including CCD, CMOS, and full frame sensors. It explains key sensor specifications like resolution, pixel size, and crop factor which is the ratio of a sensor's diagonal size compared to a full frame 35mm sensor. A larger crop factor means a smaller sensor that crops the image circle of a lens, but can have advantages for lens sharpness by discarding lower quality edge areas.
Digital single-lens reflex (DSLR) cameras consist of an interchangeable camera body and lenses. DSLRs offer more precise photos compared to point-and-shoot cameras due to larger sensors, more manual controls, and faster processing. While not required, experience with a DSLR's manual modes allows photographers more creative control over depth of field, shutter speed, aperture, ISO, and white balance. Identifying photographic needs helps determine which DSLR features like image stabilization or continuous shooting modes will be most useful.
This document discusses key factors to consider when choosing a camera for cinematic video production, including evaluating your needs and budget, lens mount options, sensor size, dynamic range, and resolution. Sensor size influences angle of view, depth of field, and compatibility with lenses. While 4K resolution is becoming more common, high-quality 2K footage can still be suitable for many projects. Dynamic range and resolution are among the key components for achieving a cinematic look.
The document provides an overview of effective site surveys. It discusses the importance of planning, preparing equipment, and properly exposing shots. The editing process involves transferring footage, organizing media, selecting clips, potentially transcoding, and then editing the story together. Color grading and retiming footage can further enhance the final product. Resources are available to help with various aspects of the video production workflow.
This document provides information about different types of cameras and video technology:
- It describes how traditional cameras and digital cameras work, and the basic functions of cameras like exposure, shutter speed, and aperture.
- It discusses the differences between analog and digital cameras and technologies. Digital cameras convert images to binary code while analog cameras expose film to light.
- It covers video recording formats and quality, explaining the differences between resolutions like 1080i and 1080p. High-end cameras like the Red One can capture extremely high-quality 3D video.
Making Immersive Virtual Reality Possible in MobileQualcomm Research
Virtual reality will provide the ultimate level of immersion, creating a sense of physical presence in real or imagined worlds.
This Qualcomm presentation describes:
• The unprecedented experiences and unlimited possibilities that VR enables.
• Why VR is happening now and how mobile technologies are accelerating VR adoption.
• The extreme requirements for immersive VR in terms of visual quality, sound quality, and intuitive interactions.
• Why Qualcomm Technologies is uniquely positioned to meet these extreme requirements and deliver superior mobile VR experiences
Learn more at: https://www.qualcomm.com/VR
Download the presentation at: https://www.qualcomm.com/documents/making-immersive-virtual-reality-possible-mobile
Sign up for our mobile computing newsletter at: https://www.qualcomm.com/invention/technologies/mobile-computing/signup
This document provides a summary of a seminar on digital photography and image sensors:
- The seminar was guided by Dr. Jibitesh Mishra Sir and presented by Raparthi Siva Sankar. It covered topics including what a digital photograph is made of, why people choose digital over film cameras, how image sensors work to capture digital images, and the different types of digital cameras.
- A key point is that digital cameras use an image sensor, usually a CCD, which contains millions of light-sensitive photosites that each capture one pixel of the image. The sensor is covered with red, green, and blue filters so that each pixel records the brightness of only one color,
This document discusses differences between film and digital formats, as well as key aspects of digital video such as resolution, aspect ratios, standard definition vs high definition, capture formats, online vs offline editing, linear vs non-linear editing, and the replacement of tapes with hard disks. Some of the main points made are that IMAX film has the highest quality, digital cameras can match film quality while being lighter, pixels determine resolution, and non-linear editing on hard disks is now easier and faster than linear tape-based editing.
This document discusses differences between film and digital formats, as well as key aspects of digital video such as resolution, aspect ratios, standard definition vs high definition, capture formats, online vs offline editing, linear vs non-linear editing, and the replacement of tapes with hard disks. Some of the main points made are that IMAX film has the highest quality, digital cameras can match film quality while being lighter, pixels determine resolution, and non-linear editing on hard disks is now easier and faster than linear tape-based editing.
Explaining the meaning of common projector terminologyJon Roberts
This document defines common projector terminology, explaining terms like ANSI lumens, aspect ratio, resolution, throw distance, and zoom ratio. It is intended to help those new to projectors understand how to choose the right projector for their needs. Key terms defined include ANSI lumens for measuring brightness, aspect ratios for screen dimensions, and resolution standards for image quality. Throw distance and zoom ratio are also explained in regards to projecting images at varying sizes.
1. Image resolution is measured in pixels per inch (PPI) and determines image quality, with more pixels resulting in higher quality.
2. There are two factors that determine the total number of pixels in an image: its size in inches and its resolution in pixels per inch.
3. Common resolutions include 256x256 for low quality images, 640x480 for basic web images, 2240x1680 for 4 megapixel cameras, and 4064x2704 for high-end 11 megapixel cameras.
Through the Lens - Volumes of learning material on Film Making & Photography. Here is the 1st Volume of Through the Lens (Video Camera Techniques). This is for learning purpose not for commercial use. Hope this is will really helps media students. Write to me for to clarify any doubts - ebenezerannadoss@gmail.com
Bangkok Comtech Co., Ltd. has been distributing security technologies in Thailand since 2000, partnering with global suppliers. They pride themselves on equipping customers with cutting-edge security systems through expertise in CCTV, cabling, and digital video storage. In addition to standard security systems, their professional team also provides customized, integrated solutions to meet clients' changing security needs.
This document provides an overview of photography basics, including different types of cameras, concepts like aperture, shutter speed, ISO, and noise. It discusses choosing the right camera, understanding megapixels and resolution, and tools like optical and digital zoom. It also covers techniques like composition with the rule of thirds, different photography styles like landscape and portrait, and using settings like shutter priority, aperture priority, and manual.
This document provides information on different types of cameras and basic camera controls and care. It discusses still cameras, DSLRs, video cameras, studio cameras and camcorders. It also outlines key camera controls for photos and videos, including white balance, ISO, iris, shutter speed, gain, focal length, focus, and zoom. Finally, it provides some basic tips for handling and caring for cameras properly.
This document discusses photography for orthodontic documentation. It recommends using a digital single-lens reflex (DSLR) camera over a point-and-shoot for its larger sensor size, ability to change lenses, and low light capabilities. A macro lens and ring flash are ideal for close-up intraoral shots to eliminate shadows and distribute light evenly. The document provides camera, lens, and flash specifications for orthodontic photography and recommends camera settings for different shot types.
A review of the growth of the Israel Genealogy Research Association Database Collection for the last 12 months. Our collection is now passed the 3 million mark and still growing. See which archives have contributed the most. See the different types of records we have, and which years have had records added. You can also see what we have for the future.
हिंदी वर्णमाला पीपीटी, hindi alphabet PPT presentation, hindi varnamala PPT, Hindi Varnamala pdf, हिंदी स्वर, हिंदी व्यंजन, sikhiye hindi varnmala, dr. mulla adam ali, hindi language and literature, hindi alphabet with drawing, hindi alphabet pdf, hindi varnamala for childrens, hindi language, hindi varnamala practice for kids, https://www.drmullaadamali.com
How to Build a Module in Odoo 17 Using the Scaffold MethodCeline George
Odoo provides an option for creating a module by using a single line command. By using this command the user can make a whole structure of a module. It is very easy for a beginner to make a module. There is no need to make each file manually. This slide will show how to create a module using the scaffold method.
How to Add Chatter in the odoo 17 ERP ModuleCeline George
In Odoo, the chatter is like a chat tool that helps you work together on records. You can leave notes and track things, making it easier to talk with your team and partners. Inside chatter, all communication history, activity, and changes will be displayed.
Exploiting Artificial Intelligence for Empowering Researchers and Faculty, In...Dr. Vinod Kumar Kanvaria
Exploiting Artificial Intelligence for Empowering Researchers and Faculty,
International FDP on Fundamentals of Research in Social Sciences
at Integral University, Lucknow, 06.06.2024
By Dr. Vinod Kumar Kanvaria
This presentation includes basic of PCOS their pathology and treatment and also Ayurveda correlation of PCOS and Ayurvedic line of treatment mentioned in classics.
This slide is special for master students (MIBS & MIFB) in UUM. Also useful for readers who are interested in the topic of contemporary Islamic banking.
How to Manage Your Lost Opportunities in Odoo 17 CRMCeline George
Odoo 17 CRM allows us to track why we lose sales opportunities with "Lost Reasons." This helps analyze our sales process and identify areas for improvement. Here's how to configure lost reasons in Odoo 17 CRM
Introduction to AI for Nonprofits with Tapp NetworkTechSoup
Dive into the world of AI! Experts Jon Hill and Tareq Monaur will guide you through AI's role in enhancing nonprofit websites and basic marketing strategies, making it easy to understand and apply.
Executive Directors Chat Leveraging AI for Diversity, Equity, and InclusionTechSoup
Let’s explore the intersection of technology and equity in the final session of our DEI series. Discover how AI tools, like ChatGPT, can be used to support and enhance your nonprofit's DEI initiatives. Participants will gain insights into practical AI applications and get tips for leveraging technology to advance their DEI goals.
Assessment and Planning in Educational technology.pptxKavitha Krishnan
In an education system, it is understood that assessment is only for the students, but on the other hand, the Assessment of teachers is also an important aspect of the education system that ensures teachers are providing high-quality instruction to students. The assessment process can be used to provide feedback and support for professional development, to inform decisions about teacher retention or promotion, or to evaluate teacher effectiveness for accountability purposes.
The simplified electron and muon model, Oscillating Spacetime: The Foundation...RitikBhardwaj56
Discover the Simplified Electron and Muon Model: A New Wave-Based Approach to Understanding Particles delves into a groundbreaking theory that presents electrons and muons as rotating soliton waves within oscillating spacetime. Geared towards students, researchers, and science buffs, this book breaks down complex ideas into simple explanations. It covers topics such as electron waves, temporal dynamics, and the implications of this model on particle physics. With clear illustrations and easy-to-follow explanations, readers will gain a new outlook on the universe's fundamental nature.
2. Image Sensor
• To convert incoming light (photons) into an electrical signal that
can be viewed, analyzed, or stored.
• Image sensors contain millions of photosensitive diodes known
as photo sites.
• When you take a picture, the camera's shutter opens briefly and
each photo site on the image sensor records the brightness of
the light that falls on it by accumulating photons. The more light
that hits a photo site, the more photons it records.
Presented by Krishna Adhikari
3. Type of Image Sensor
• CCD: Charged Coupled Device
Presented by Krishna Adhikari
5. CCD: Charged Coupled Device
• A charge-coupled device (CCD) is a light-sensitive integrated circuit that captures images by
converting photons to electrons.
• A CCD sensor breaks the image elements into pixels.
• CCD sensors create high-quality, low-noise images.
• CCD sensors consume as much as 100 times more power than an equivalent CMOS sensor.
Presented by Krishna Adhikari
6. CMOS: Complementary Metal Oxide Semiconductor
• CMOS sensors are faster than their CCD counterparts, which allows for higher video frame rates.
• CMOS imagers provide higher dynamic range and require less current and voltage to operate.
• CMOS sensors also require less power and produce less heat.
• CMOS sensors can be much faster. Faster sensor readout means less distortion of moving objects (“rolling
shutter”) as well as the potential for uninterrupted live-view.
• Overall, CMOS sensors are much less expensive to manufacture than CCD sensors.
Presented by Krishna Adhikari
7. • Image sensors come in different format types (also known as optical
class, sensor size or type) and packages.
• Bigger image sensors have bigger pixels, which means better low-light
performance, reduced noise, good dynamic range, and the ability to
obtain more information.
Size of Image Sensor
Presented by Krishna Adhikari
8. Resolution
• The sharpness and clarity of an image or picture.
• Resolution is a broad term and may have different meanings when used in different fields of technology.
• Image resolution is typically described in PPI, which refers to how many pixels are displayed per inch of an image.
• Higher resolutions mean that there more pixels per inch (PPI), resulting in more pixel information and creating a high-quality,
crisp image.
High Resolution Image Low Resolution Image
Presented by Krishna Adhikari
9. Video resolution
• Video resolution is the number of pixels contained in each frame.
• Video resolution determines the amount of detail in your video, or how realistic and clear the video appears.
• It’s measured by the number of pixels contained in the standard aspect ratio of 16:9, the most common aspect ratio for
television and computer monitors.
• The 16:9 aspect ratio is used in film and television and is used to describe an image that is 16 units wide by 9 units long.
• A higher number of pixels indicates a higher resolution, and a lower number of pixels makes for a low-resolution video.
• For the common resolutions of 720 and 1080, the naming convention is based on the total number of pixels running in a
vertical line down the display area.
• For 2K, 4K, or 8K video, the resolution is named for the number of pixels running in a horizontal line across the frame.
Presented by Krishna Adhikari
10. • The “p” that often appears after a resolution number, as in 1080p, does not stand for pixels. It stands for
progressive scan, the typical method for loading the pixels in each new frame of a video.
• Previously, resolution has been divided between standard definition (SD video) and high definition (HD video).
• Anything below 720 is considered standard definition.
• However, as screen resolutions on computer monitors and televisions continue to improve, it’s less likely for
anything to be shot in SD.
Presented by Krishna Adhikari
11. Choosing which HD resolution to shoot in.
• Video resolution is like a haircut.
• You can always decrease a video from a high resolution to a lower one, but there’s no way to magically increase
lower resolution footage after it’s been shot.
• So while you don’t want to waste storage space by going too high, you also want to make sure your resolution is
high enough for the various formats where your footage might be seen.
Presented by Krishna Adhikari
12. 720 resolution (HD)
• This is the lowest resolution to still be considered HDTV and is often called simply “HD.”
• Most videos are shot in at least 1080, but 720 (1280 x 720 pixels) can be an acceptable resolution for smaller
web content.
• However, now that most computer screens are HD, best practice is to aim for a higher resolution than 720 for
web use and streaming.
1080 resolution (full HD)
• Often referred to as “full HD,” 1080 (1920 x 1080 pixels).
• It has become the industry standard for a crisp HD digital video that doesn’t break your storage space.
• It is also a common screen resolution for smartphones.
2K resolution or QHD (quad high definition)
• The next steps up are QHD (2560 x 1440 pixels) or 2K resolution (2048 x 1080 pixels).
• These formats provide more room for image edits, larger displays, and reframing without lost quality.
Presented by Krishna Adhikari
13. 4K resolution (ultra HD)
• Called 4K and marketed often as UHD (ultra-high-definition television)
• This resolution is technically 3840 x 2160 pixels.
• It looks quite similar to 2K to most viewers but gives filmmakers more room to zoom in and edit.
• Resolutions of 2K and 4K are really for theatrical viewing or intense coloring or graphics.
• And there’s not enough noticeable difference between 4K and 2K, unless you wanted to cut in closer or edit
colors.
8K resolution
• This resolution is technically 8K (7680 x 4320 pixels).
• This extremely high-res option leaves the most room for creating amazing effects or zooming into a faraway
shot without pixilation.
• It is mainly used for visual effects, because it’s more pixel information for things like green screens or
rotoscoping.
• And it used for reframing. You can reframe to a proper close-up and you won’t notice any degradation in
quality.
Presented by Krishna Adhikari
14. Frame Rate
• To the human eye, film and video seem to play as one continuous recording.
• But in actuality, cameras record pictures of multiple images, called frames.
• These frames are played back at such a fast rate that they appear to be in fluid motion.
• Frame rate is the measurement of how quickly a number of frames appears within a second, which is why it’s also
called FPS (frames per second).
Presented by Krishna Adhikari
15. 24fps:
• Movies, streaming video content (to account for a discrepancy in connection speed), and video game
captures use this speed to achieve that classic cinematic look.
30fps:
• Live TV broadcasts (sports and news) and most TV shows use this speed to increase their quality.
• Sports, in particular, need to show movement more clearly and in real time, which is why 30fps is the frame
rate of choice.
60fps:
• As 4K video resolution becomes more prevalent, a broader audience has been introduced to this FPS.
• 4K resolution lets a higher frame rate be displayed and gives the footage an amazingly detailed and lifelike
view.
• Perfect if you want to record a video game, this frame rate also increases the smoothness of action.
120fps and above:
• This speed produces slow-motion video and captures video games with fast and furious action (fighting,
shooting, sports games).
• Going higher than 120fps, a rare occurrence for most filmmakers, will require a high-speed camera to make
the footage look natural and smooth.
Presented by Krishna Adhikari
16. Shutter Speed
• Shutter speed is the speed at which the shutter of the camera closes.
• A fast shutter speed creates a shorter exposure — the amount of light the camera takes in
• And a slow shutter speed gives the photographer a longer exposure.
• If you have a faster shutter speed, it’s going to open and close quickly and get that slice of whatever’s happening.
• Then there’s the instance where you want a really slow shutter speed that opens the aperture to let in more light.
• You can use slow shutter speed in a dimmer environment when you need more light to expose a shot correctly.
Presented by Krishna Adhikari
17. ISO
• ISO numbers were set by the International Organization for Standardization (where the name ISO comes from).
• ISO is one of the three pillars of the photography exposure triangle, along with shutter speed and aperture, that you can adjust
when capturing a photo.
• ISO controls the amount of light that your camera lets in and has a huge impact on the darkness or light in your photos.
• In brighter lighting, lower ISO is best.
• When less light is available, you need a higher ISO to compensate.
Presented by Krishna Adhikari
18. ISO 100:
• This is the best choice for shooting outdoors on sunny days — the brightest situation you’ll likely be shooting in.
ISO 400:
• When the lighting is still good, but less intense — like indoors by a window or outside on a cloudy day — a slightly higher
ISO is ideal.
ISO 800:
• If you’re shooting indoors without an additional light source like a flash, you’ll be working in this range.
ISO 1600 or higher:
• When it’s dark out, or if you’re shooting indoors with dim lighting, you’ll need a high ISO.
• If movement is involved, you’ll want to pair that high ISO with a fast shutter speed, as well.
Presented by Krishna Adhikari
19. Focal Length
• The focal length of a lens is the optical distance (usually measured in mm) from the point where the light meets inside the lens
to the camera’s sensor.
Presented by Krishna Adhikari
20. • Lens focal length tells us the angle of view, how much of the scene will be captured and the magnification, how
large individual elements will be.
• The shorter the focal length, the wider the angle of view and the lower the magnification.
Presented by Krishna Adhikari
21. Zoom
• Changing the apparent distance between the camera and the subject.
• To make your subject larger in the frame, without actually moving forward yourself.
Presented by Krishna Adhikari
22. Optical Zoom
• With optical zoom, the glass elements inside the lens move to increase or decrease the focal length of the lens.
• Optical zoom is the ideal way to zoom in while retaining as much image quality as possible.
Presented by Krishna Adhikari
23. Digital Zoom
• Digital zoom is created in-camera, not using the lens’s optics.
• To do this, the camera crops into the centre of the image. Then the cropped capture is digitally enlarged back up
to size by adding pixels to the picture.
• During this process, image quality can suffer drastically!
Presented by Krishna Adhikari
24. Lens Aperture
• Aperture controls the amount of light that enters your camera.
• Aperture is the adjustable lens opening that controls the amount of light allowed into the camera.
Presented by Krishna Adhikari
25. Understanding How Different Aperture Settings Work.
• The f-stop number, or f-number, is the setting that controls the size of the aperture
and therefore how much light can pass through the camera lens.
• F-numbers are determined by the ratio of the diameter of the aperture to the focal
length of a lens.
• A small aperture has a higher f-stop, whereas a large aperture has a small f-stop
number.
• Smaller apertures let in less light, so naturally, larger apertures let in more light.
• Your maximum aperture (as low as f/1.4 with some lenses) lets in the most light.
• All cameras can have a minimum aperture as narrow as f/16, which is the aperture
setting that most limits light.
• Too much light will wash out a photo and too little will give you a very dark image.
Presented by Krishna Adhikari
26. Illumination
• Illumination is related to the camera lens.
• Illumination is generally represented by Lux.
• In good illumination area, user can choose to use a general performance security camera.
• The color system for environmental illumination is less than 2.0 Lux, monochrome illumination system for less than 0.2 Lux
environment use the higher performance security camera (i.e. starlight security camera), it's very necessary.
• 0Lux means that camera can shoot even in the absence of light. 0 means more sensitive to light, conversely, less sensitive.
• Most surveillance cameras minimum illumination are usually between 0Lux to 0.1Lux.
• In addition to the resolution and shooting distance, surveillance camera minimum illumination suit for environment is also a
important factor.
Presented by Krishna Adhikari
27. If you don't have lux meter, you can refer to the following general illumination data table.
Indoor:
• Warehouse 20—75 Lux
• Emergency passway 30—75 Lux
• Corridor 75—200 Lux
• Shop 75—300 Lux
• Office 300—500 Lux
• Bank 200—1000 Lux
• Meeting Room 300—1000 Lux
Outdoor:
• Sunny 10000—1000000 Lux
• Cloudy 100—10000 Lux
• Dawn Twilight 1—10 Lux
• Full moon over head 0.1—1 Lux
• Quarter moon 0.01—0.1 Lux
• Sunny Starlight 0.001—0.01 Lux
• Cloudy Starlight 0.0001—0.001 Lux
Presented by Krishna Adhikari
28. Infrared illumination
• Infrared, sometimes called infrared light, is electromagnetic radiation with wavelengths longer than those of visible light.
• It is therefore invisible to the human eye.
• The infrared light wave length is 850nm, which allows camera to capture monochrome images.
• When using the IR illumination, the camera will encounter infrared-saturation problem cause the image loss details for objects
located in central and short distance monitoring area.
• In order to solve this problem, IR-smart technology was introduced into many security cameras.
• IR-smart function can adjust camera's Infrared intensity according to the monitoring objects, avoid IR-saturation problem.
Presented by Krishna Adhikari
29. Wide Dynamic Range
• Wide Dynamic Range extends image visibility under high contrast lighting scenes and improves object identification in critical
surveillance scenarios.
• Wide Dynamic Range (WDR) technology improves a camera's image quality under high-contrast lighting conditions where both
dimly and brightly lit areas are present in the field of view.
• It enables the camera to capture details clearly in both the poorly and strongly illuminated areas of the video.
• In many cases, the dynamic range capability of a camera is presented in dB units.
• It is important to understand that the dB unit is just an approximation of the capabilities of the CCTV.
• A higher WDR range (for example 140 dB), means that the CCTV can capture a greater scale of brightness.
Presented by Krishna Adhikari
30. Digital Noise Reduction (DNR)
• No matter how excellent and low-light capable your CCTV cameras are, there will inevitably be some noise when
shooting video surveillance footage in the dark.
• Noise is an unavoidable part of any electronic communication, whether video or audio.
Two Types of Digital Noise Reduction:
1. 2D DNR & Temporal Noise Reduction
2. 3D DNR & Spatial Noise Reduction
Presented by Krishna Adhikari
31. 2D DNR & Temporal Noise Reduction
• It works by analysing pixels in a frame and comparing them as part of the overall sequence.
• Then it looks for anything that doesn’t look consistent like artifacts and repairs them.
• Temporal noise reduction (2D DNR) is prone to creating bad motion blur (blur trails) when
there is some movement. This affects video clarity & quality and makes surveillance difficult.
Presented by Krishna Adhikari
32. 3D DNR & Spatial Noise Reduction
• This is a form of spatial noise reduction.
• It removes noise by using the algorithm to compare pixels in each frame individually and to compare frames to
one another.
• 3D DNR works much better at removing noise from low-light videos.
• It also works much better with movement caught in the frame of the video; meaning even quick moving objects
will remain clear and without motion blur.
• Due to it being controlled by an algorithm, it is much more capable of handling high resolution videos to produce
crystal clear footage’ even in inadequate lighting conditions.
Presented by Krishna Adhikari
33. Video Streaming
• Streaming is the continuous transmission of audio or video files from a server to a client.
• In simpler terms, streaming is what happens when consumers watch TV or listen to podcasts on Internet-connected devices.
• With streaming, the media file being played on the client device is stored remotely, and is transmitted a few seconds at a time
over the Internet.
• Just like other data that's sent over the Internet, audio and video data is broken down into data packets.
• Each packet contains a small piece of the file, and an audio or video player in the browser on the client device takes the flow of
data packets and interprets them as video or audio.
• Some streaming methods use UDP, and some use TCP.
• UDP and TCP are transport protocols, meaning they are used for moving packets of data across networks. Both are used with
the Internet Protocol (IP).
Presented by Krishna Adhikari
34. Protocol
Internet Protocol (IP):
• The Internet Protocol (IP) is a protocol, or set of rules, for routing and addressing packets of data so that they can travel across
networks and arrive at the correct destination.
Network Protocol:
• In networking, a protocol is a standardized way of doing certain actions and formatting data so that two or more devices are
able to communicate with and understand each other.
IP address:
• An IP address is a unique identifier assigned to a device or domain that connects to the Internet.
IP packet:
• IP packets are created by adding an IP header to each packet of data before it is sent on its way.
• An IP header is just a series of bits (ones and zeros), and it records several pieces of information about the packet, including
the sending and receiving IP address.
Presented by Krishna Adhikari
35. IPv4:
• It is internet protocol version 4.
• IPv4 has a 32-bit address length
IPv6:
• It is internet protocol version 6.
• IP version 6 is the new version of Internet Protocol, which is way better than IP version 4 in terms of complexity and efficiency.
• IPv6 has a 128-bit address length.
TCP/IP:
• The Transmission Control Protocol (TCP) is a transport protocol, meaning it dictates the way data is sent and received.
• A TCP header is included in the data portion of each packet that uses TCP/IP.
• Before transmitting data, TCP opens a connection with the recipient.
• TCP ensures that all packets arrive in order once transmission begins.
• TCP is designed for reliability, not speed. Because TCP has to make sure all packets arrive in order, loading data via TCP/IP can
take longer if some packets are missing.
UDP/IP:
• The User Datagram Protocol, or UDP, is another widely used transport protocol.
• It's faster than TCP, but it is also less reliable.
• UDP does not make sure all packets are delivered and in order, and it doesn't establish a connection before beginning or
receiving transmissions.
Presented by Krishna Adhikari
36. HTTP :
• Full form of HTTP is Hypertext Transfer Protocol.
• HTTP offers set of rules and standards which govern how any information can be transmitted on the World Wide Web.
HTTPS :
• HTTPS stands for Hyper Text Transfer Protocol Secure.
• It is highly advanced and secure version of HTTP.
• It uses the port no. 443 for Data Communication.
• It allows the secure transactions by encrypting the entire communication with SSL.
• HTTP also allows you to create a secure encrypted connection between the server and the browser.
Presented by Krishna Adhikari
37. 802.1X:
• Devices attempting to connect to a LAN or WLAN require an authentication mechanism.
• IEEE 802.1X, an IEEE Standard for Port-Based Network Access Control (PNAC), provides protected authentication for secure
network access.
• 802.1X is an authentication protocol to allow access to networks with the use of a RADIUS server.
• 802.1X and RADIUS based security is considered the gold standard to secure wireless and wired networks today.
QoS:
• QoS (Quality of Service) is a term that refers to the technology used to manage data traffic via the network.
• Designed to reduce interference such as packet loss, jitter, and latency, QoS oversees network resources control and
management.
• QoS also sets boundaries and priorities for different data categories that travel between IP networks as bandwidth traffic
across the network.
• Using QoS, these businesses can prevent disruption in the form of IP packet loss, delays and jitter for VoIP (voice over IP), AoIP
(audio over IP) and other real-time communications applications.
Presented by Krishna Adhikari
38. FTP:
• FTP (File Transfer Protocol) is used to communicate and transfer files between computers on a TCP/IP (Transmission Control
Protocol/Internet Protocol) network.
SMTP:
• SMTP, which stands for Simple Mail Transfer Protocol, is an email protocol used for sending email messages from one email
account to another via the internet.
UPnP:
• Universal Plug and Play (UPnP) is a protocol that allows apps and other devices on your network to open and close ports
automatically to connect with each other.
• If you want to connect a printer to everyone in your household without UPnP, you would need to connect the printer to every
single device. UPnP automates this.
• UPnP offers zero-configuration, meaning that none of the devices on your network need manual configuration to discover a
new device.
It is used for:
1. Gaming
2. Remote home surveillance.
3. Digital home assistants like Echo dots.
4. Streaming content with a media server.
5. Streaming videos through internet TV devices like Roku stick or Apple TV.
Presented by Krishna Adhikari
39. DNS:
• The Domain Name System (DNS) is the phonebook of the Internet.
• Each device connected to the Internet has a unique IP address which other machines use to find the device.
• DNS servers eliminate the need for humans to memorize IP addresses such as 192.168.1.1 (in IPv4), or more complex newer
alphanumeric IP addresses such as 2400:cb00:2048:1::c629:d7a2 (in IPv6).
DDNS:
• DDNS, most commonly known as Dynamic DNS.
• It is an automatic method of refreshing a name server.
• It can dynamically update DNS records without the need for human interaction.
Presented by Krishna Adhikari