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Cat Miller
• HND Graphic Design:
University of the Arts Bournemouth
• BA Hons Fine Art:
London Metropolitan University: School of Art,
Architecture and Design
• MA Book Arts:
University of the Arts London: Camberwell College of
Arts
• MRes Communication Design:
Royal College of Art
Opposite Corners
The object of this exhibition was to lead the viewer
through the gallery space – reading the room like a book –
controlling what piece is discovered first, moving clockwise
around the room: 1) Sequence, 2) Holiness of the Heart
and 3) Stero-scopyx.
The recto-verso perspective Artist’s Book, was
re-photographed being handled by the same
woman featured in the book with her family,
who’s 85 year old hand is visible in the print,
whilst looking at a photograph of herself taken
fifty years earlier.
Sequence: Artist’s Book and Installation
Shows:
• Camberwell Interim Show 2018
• Camberwell Summer Show 2019
• Pages: New Voices: Travelling Collection 2019
• MA Select Show: Camberwell Space Gallery 2019
Special Collections:
• The British Library
• The Wellcome Library
• The Women’s Art Library
• The Tetley Art’s Centre
Sequence is about memory,
self-identity and inter-
generational change,
reframing the past to serve
in the present through the
materiality of the Artist’s
Book, and analogue
photographs. It is also
about the processes of
looking and asks the
question: who are we
without our memories?
Holiness of the Heart
• Concrete Poetry Installation, Bookwork and performance.
• Shows:
• The Mexican Embassy: Camaradas Exhibition: Menier Gallery, 2019
• Camberwell Summer Show, London, 2019
SteroScopyx
Stero-Scopyx
This piece consisted of eight anaglyph prints with an Artist’s Book of positive affirmations.
The 3D Anaglyph Text images used funky fonts to encourage a fun experience with
cardboard 3D glasses, via a playful interactive engagement with neuroplasticity and the
brain’s potential to build new neurological pathways that are totally supportive. The idea
was to provide an opportunity to reprogram a negative internal self-dialogue into a positive
life-affirming narrative through the engagement of play and by engaging both hemispheres
of the brain at the same time to create a whole minded approach. For example speech and
language are housed in the left hemisphere, whereas colour is processed by the right the
hemisphere. Sight is one of the few activities that involves not only both hemispheres of
the brain but also back and front of the brain at the same time. The objective was to
engage the act of play and the prints were hung in a higgledy-piggledy manner to suggest a
sense of fun.
• Exhibited at the Camberwell Summer Show 2019
iVend / iPoem
A vending machine was repurposed as
a self-contained gallery, independent
of an exhibition space, vending a
selection of individual poems in
envelopes sealed with sealing wax,
Poetry CDs, Poetry DVD’s and a
volume of Poetry especially designed
for the Graduate show, situated in the
foyer of Central House in Whitechapel,
opposite the Whitechapel Gallery,
where the viewer was able to interact
and engage with the piece, and also
take work away.

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Cat Catalyst Portfolio 2012 - 2019

  • 1. Cat Miller • HND Graphic Design: University of the Arts Bournemouth • BA Hons Fine Art: London Metropolitan University: School of Art, Architecture and Design • MA Book Arts: University of the Arts London: Camberwell College of Arts • MRes Communication Design: Royal College of Art
  • 2. Opposite Corners The object of this exhibition was to lead the viewer through the gallery space – reading the room like a book – controlling what piece is discovered first, moving clockwise around the room: 1) Sequence, 2) Holiness of the Heart and 3) Stero-scopyx.
  • 3. The recto-verso perspective Artist’s Book, was re-photographed being handled by the same woman featured in the book with her family, who’s 85 year old hand is visible in the print, whilst looking at a photograph of herself taken fifty years earlier.
  • 4. Sequence: Artist’s Book and Installation Shows: • Camberwell Interim Show 2018 • Camberwell Summer Show 2019 • Pages: New Voices: Travelling Collection 2019 • MA Select Show: Camberwell Space Gallery 2019 Special Collections: • The British Library • The Wellcome Library • The Women’s Art Library • The Tetley Art’s Centre Sequence is about memory, self-identity and inter- generational change, reframing the past to serve in the present through the materiality of the Artist’s Book, and analogue photographs. It is also about the processes of looking and asks the question: who are we without our memories?
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  • 7. Holiness of the Heart • Concrete Poetry Installation, Bookwork and performance. • Shows: • The Mexican Embassy: Camaradas Exhibition: Menier Gallery, 2019 • Camberwell Summer Show, London, 2019
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  • 11. Stero-Scopyx This piece consisted of eight anaglyph prints with an Artist’s Book of positive affirmations. The 3D Anaglyph Text images used funky fonts to encourage a fun experience with cardboard 3D glasses, via a playful interactive engagement with neuroplasticity and the brain’s potential to build new neurological pathways that are totally supportive. The idea was to provide an opportunity to reprogram a negative internal self-dialogue into a positive life-affirming narrative through the engagement of play and by engaging both hemispheres of the brain at the same time to create a whole minded approach. For example speech and language are housed in the left hemisphere, whereas colour is processed by the right the hemisphere. Sight is one of the few activities that involves not only both hemispheres of the brain but also back and front of the brain at the same time. The objective was to engage the act of play and the prints were hung in a higgledy-piggledy manner to suggest a sense of fun. • Exhibited at the Camberwell Summer Show 2019
  • 12. iVend / iPoem A vending machine was repurposed as a self-contained gallery, independent of an exhibition space, vending a selection of individual poems in envelopes sealed with sealing wax, Poetry CDs, Poetry DVD’s and a volume of Poetry especially designed for the Graduate show, situated in the foyer of Central House in Whitechapel, opposite the Whitechapel Gallery, where the viewer was able to interact and engage with the piece, and also take work away.