Hands on.Hands on.
Media.Media.
Training.Training.
Concept and Story DevelopmentConcept and Story Development
A brief overview of theA brief overview of the
7 Basic Plots7 Basic Plots
(and their many manifestations)(and their many manifestations)
THE SEVEN BASIC PLOTSTHE SEVEN BASIC PLOTS
 1 - [wo]man vs. nature1 - [wo]man vs. nature
 2 - [wo]man vs. man2 - [wo]man vs. man
 3 - [wo]man vs. the environment3 - [wo]man vs. the environment
 4 - [wo]man vs. machines/technology4 - [wo]man vs. machines/technology
 5 - [wo]man vs. the supernatural5 - [wo]man vs. the supernatural
 6 - [wo]man vs. self6 - [wo]man vs. self
 7 - [wo]man vs. god/religion7 - [wo]man vs. god/religion
And….And….
There are also claims made that thereThere are also claims made that there
areare
seven basic needs to aseven basic needs to a
storylinestoryline..
seven basic needs to a storylineseven basic needs to a storyline
 1. A hero – the person through1. A hero – the person through
whose eyes we see the story unfold,whose eyes we see the story unfold,
set against a larger background.set against a larger background.
 2. The hero’s character flaw – a2. The hero’s character flaw – a
weakness or defense mechanismweakness or defense mechanism
that hinders the hero in such a waythat hinders the hero in such a way
as to render him/her incomplete.as to render him/her incomplete.
seven basic needs to a storylineseven basic needs to a storyline
 3. Enabling circumstances – the surroundings the3. Enabling circumstances – the surroundings the
hero is in at the beginning of the story, whichhero is in at the beginning of the story, which
allow the hero to maintain his/her character flaw.allow the hero to maintain his/her character flaw.
 4. An opponent – someone who opposes the hero4. An opponent – someone who opposes the hero
in getting or doing what he/she wants. Notin getting or doing what he/she wants. Not
always a villain. For example, in a romanticalways a villain. For example, in a romantic
comedy, the opponent could be the man orcomedy, the opponent could be the man or
woman whom the hero seeks romance with. Thewoman whom the hero seeks romance with. The
opponent is the person who instigates the life-opponent is the person who instigates the life-
changing event.changing event.
seven basic needs to a storylineseven basic needs to a storyline
 5. The hero’s ally – the person who spends5. The hero’s ally – the person who spends
the most time with the heroand who helpsthe most time with the heroand who helps
the hero overcome his/her character flaw.the hero overcome his/her character flaw.
 6. The life-changing event – a challenge,6. The life-changing event – a challenge,
threat or opportunity usually instigated bythreat or opportunity usually instigated by
the opponent, which forces the hero tothe opponent, which forces the hero to
respond in some way that’s related to therespond in some way that’s related to the
hero’s flaw.hero’s flaw.
seven basic needs to a storylineseven basic needs to a storyline
 7. Jeopardy – the high stakes that7. Jeopardy – the high stakes that
the hero must risk to overcomethe hero must risk to overcome
his/her flaw. These are the dramatichis/her flaw. These are the dramatic
events that lend excitement andevents that lend excitement and
challenge to the quest.challenge to the quest.
But…..But…..
There is anotherThere is another
point of view on thepoint of view on the
7 basic plots….7 basic plots….
7 basic plots7 basic plots
1.Overcoming the monster --1.Overcoming the monster --
defeating some force whichdefeating some force which
threatens...e.g. most Hollywoodthreatens...e.g. most Hollywood
movies; Star Wars, James Bond.movies; Star Wars, James Bond.
2. The Quest -- typically a group setoff2. The Quest -- typically a group setoff
in search of something andin search of something and
(usually) find it. e.g. Watership(usually) find it. e.g. Watership
Down, Pilgrim's Progress.Down, Pilgrim's Progress.
3. Journey and Return -- the hero3. Journey and Return -- the hero
journeys away from home tojourneys away from home to
somewhere different and finallysomewhere different and finally
comes back having experiencedcomes back having experienced
something and maybe changed forsomething and maybe changed for
the better. e.g. Wizard of Oz,the better. e.g. Wizard of Oz,
Gullivers Travels.Gullivers Travels.
7 basic plots7 basic plots
4. Comedy - not necessarily a funny4. Comedy - not necessarily a funny
plot. Some kind of misunderstandingplot. Some kind of misunderstanding
or ignorance is created that keepsor ignorance is created that keeps
parties apart which is resolvedparties apart which is resolved
towards the end bringing them backtowards the end bringing them back
together. e.g. Bridget Jones Diary,together. e.g. Bridget Jones Diary,
War and Peace.War and Peace.
7 basic plots7 basic plots
5. Tragedy - Someone is tempted in5. Tragedy - Someone is tempted in
some way, vanity, greed etc andsome way, vanity, greed etc and
becomes increasingly desperate orbecomes increasingly desperate or
trapped by their actions until at atrapped by their actions until at a
climax they usually die. Unless it's aclimax they usually die. Unless it's a
Hollywood movie, when they escapeHollywood movie, when they escape
to a happy ending. e.g. Devils'to a happy ending. e.g. Devils'
Advocate, Hamlet.Advocate, Hamlet.
7 basic plots7 basic plots
6. Rebirth - hero is captured or6. Rebirth - hero is captured or
oppressed and seems to be in a stateoppressed and seems to be in a state
of living death until it seems all isof living death until it seems all is
lost when miraculously they arelost when miraculously they are
freed. e.g. Snow White.freed. e.g. Snow White.
7 basic plots7 basic plots
7. Rags to Riches - self explanatory7. Rags to Riches - self explanatory
really. e.g. Cinderella & derivativesreally. e.g. Cinderella & derivatives
(all 27,000 of them)!!!(all 27,000 of them)!!!
Concept and Story DevelopmentConcept and Story Development
A brief overview of theA brief overview of the
7 Basic Plots7 Basic Plots
(and their many manifestations)(and their many manifestations)
Hands on.Hands on.
Media.Media.
Training.Training.
Caribbean media arts the 7 basic plots

Caribbean media arts the 7 basic plots

  • 1.
  • 2.
    Concept and StoryDevelopmentConcept and Story Development A brief overview of theA brief overview of the 7 Basic Plots7 Basic Plots (and their many manifestations)(and their many manifestations)
  • 3.
    THE SEVEN BASICPLOTSTHE SEVEN BASIC PLOTS  1 - [wo]man vs. nature1 - [wo]man vs. nature  2 - [wo]man vs. man2 - [wo]man vs. man  3 - [wo]man vs. the environment3 - [wo]man vs. the environment  4 - [wo]man vs. machines/technology4 - [wo]man vs. machines/technology  5 - [wo]man vs. the supernatural5 - [wo]man vs. the supernatural  6 - [wo]man vs. self6 - [wo]man vs. self  7 - [wo]man vs. god/religion7 - [wo]man vs. god/religion
  • 4.
    And….And…. There are alsoclaims made that thereThere are also claims made that there areare seven basic needs to aseven basic needs to a storylinestoryline..
  • 5.
    seven basic needsto a storylineseven basic needs to a storyline  1. A hero – the person through1. A hero – the person through whose eyes we see the story unfold,whose eyes we see the story unfold, set against a larger background.set against a larger background.  2. The hero’s character flaw – a2. The hero’s character flaw – a weakness or defense mechanismweakness or defense mechanism that hinders the hero in such a waythat hinders the hero in such a way as to render him/her incomplete.as to render him/her incomplete.
  • 6.
    seven basic needsto a storylineseven basic needs to a storyline  3. Enabling circumstances – the surroundings the3. Enabling circumstances – the surroundings the hero is in at the beginning of the story, whichhero is in at the beginning of the story, which allow the hero to maintain his/her character flaw.allow the hero to maintain his/her character flaw.  4. An opponent – someone who opposes the hero4. An opponent – someone who opposes the hero in getting or doing what he/she wants. Notin getting or doing what he/she wants. Not always a villain. For example, in a romanticalways a villain. For example, in a romantic comedy, the opponent could be the man orcomedy, the opponent could be the man or woman whom the hero seeks romance with. Thewoman whom the hero seeks romance with. The opponent is the person who instigates the life-opponent is the person who instigates the life- changing event.changing event.
  • 7.
    seven basic needsto a storylineseven basic needs to a storyline  5. The hero’s ally – the person who spends5. The hero’s ally – the person who spends the most time with the heroand who helpsthe most time with the heroand who helps the hero overcome his/her character flaw.the hero overcome his/her character flaw.  6. The life-changing event – a challenge,6. The life-changing event – a challenge, threat or opportunity usually instigated bythreat or opportunity usually instigated by the opponent, which forces the hero tothe opponent, which forces the hero to respond in some way that’s related to therespond in some way that’s related to the hero’s flaw.hero’s flaw.
  • 8.
    seven basic needsto a storylineseven basic needs to a storyline  7. Jeopardy – the high stakes that7. Jeopardy – the high stakes that the hero must risk to overcomethe hero must risk to overcome his/her flaw. These are the dramatichis/her flaw. These are the dramatic events that lend excitement andevents that lend excitement and challenge to the quest.challenge to the quest.
  • 9.
    But…..But….. There is anotherThereis another point of view on thepoint of view on the 7 basic plots….7 basic plots….
  • 10.
    7 basic plots7basic plots 1.Overcoming the monster --1.Overcoming the monster -- defeating some force whichdefeating some force which threatens...e.g. most Hollywoodthreatens...e.g. most Hollywood movies; Star Wars, James Bond.movies; Star Wars, James Bond.
  • 11.
    2. The Quest-- typically a group setoff2. The Quest -- typically a group setoff in search of something andin search of something and (usually) find it. e.g. Watership(usually) find it. e.g. Watership Down, Pilgrim's Progress.Down, Pilgrim's Progress.
  • 12.
    3. Journey andReturn -- the hero3. Journey and Return -- the hero journeys away from home tojourneys away from home to somewhere different and finallysomewhere different and finally comes back having experiencedcomes back having experienced something and maybe changed forsomething and maybe changed for the better. e.g. Wizard of Oz,the better. e.g. Wizard of Oz, Gullivers Travels.Gullivers Travels.
  • 13.
    7 basic plots7basic plots 4. Comedy - not necessarily a funny4. Comedy - not necessarily a funny plot. Some kind of misunderstandingplot. Some kind of misunderstanding or ignorance is created that keepsor ignorance is created that keeps parties apart which is resolvedparties apart which is resolved towards the end bringing them backtowards the end bringing them back together. e.g. Bridget Jones Diary,together. e.g. Bridget Jones Diary, War and Peace.War and Peace.
  • 14.
    7 basic plots7basic plots 5. Tragedy - Someone is tempted in5. Tragedy - Someone is tempted in some way, vanity, greed etc andsome way, vanity, greed etc and becomes increasingly desperate orbecomes increasingly desperate or trapped by their actions until at atrapped by their actions until at a climax they usually die. Unless it's aclimax they usually die. Unless it's a Hollywood movie, when they escapeHollywood movie, when they escape to a happy ending. e.g. Devils'to a happy ending. e.g. Devils' Advocate, Hamlet.Advocate, Hamlet.
  • 15.
    7 basic plots7basic plots 6. Rebirth - hero is captured or6. Rebirth - hero is captured or oppressed and seems to be in a stateoppressed and seems to be in a state of living death until it seems all isof living death until it seems all is lost when miraculously they arelost when miraculously they are freed. e.g. Snow White.freed. e.g. Snow White.
  • 16.
    7 basic plots7basic plots 7. Rags to Riches - self explanatory7. Rags to Riches - self explanatory really. e.g. Cinderella & derivativesreally. e.g. Cinderella & derivatives (all 27,000 of them)!!!(all 27,000 of them)!!!
  • 17.
    Concept and StoryDevelopmentConcept and Story Development A brief overview of theA brief overview of the 7 Basic Plots7 Basic Plots (and their many manifestations)(and their many manifestations)
  • 18.