Abstract— The objectives of this study were to analyze the structure, level of innovation adoption by dairy goat farmers and to analyze farmer characteristics which affected to adoption rate. The study was conducted in Sleman, Yogyakarta Province. The number of respondents were 162 dairy goat farmers, who were members of of farmer group in 6 groups. The structure adoption was analyze by descriptive while the relaionship between farmer characteristics and adoption rate was analyze by correlation and multiple linear regression. The results showed that farmers received innovation from the government, academic institution and other farmers. Farmers choose speech, group discussion and demonstration as the method of extension service and preferred to choose leaflets, film photograph, magazine and television as media for communication. The member of farmers group expected that innovation could improve their livestock productivity. The level of adoption was affected significantly by farmers experience and the number of goat ownership (P<0.01). the coefficient of determination of 0.176 indicated that 17.6% of variance was influenced by farmers experience and the number of goat ownership while 82% was affected by other factors.
Abstract— The objectives of this study were to analyze the structure, level of innovation adoption by dairy goat farmers and to analyze farmer characteristics which affected to adoption rate. The study was conducted in Sleman, Yogyakarta Province. The number of respondents were 162 dairy goat farmers, who were members of of farmer group in 6 groups. The structure adoption was analyze by descriptive while the relaionship between farmer characteristics and adoption rate was analyze by correlation and multiple linear regression. The results showed that farmers received innovation from the government, academic institution and other farmers. Farmers choose speech, group discussion and demonstration as the method of extension service and preferred to choose leaflets, film photograph, magazine and television as media for communication. The member of farmers group expected that innovation could improve their livestock productivity. The level of adoption was affected significantly by farmers experience and the number of goat ownership (P<0.01). the coefficient of determination of 0.176 indicated that 17.6% of variance was influenced by farmers experience and the number of goat ownership while 82% was affected by other factors.
Difesa del suolo e pianificazione territorialepibinko
Esperienze interdisciplinari in dieci anni di attività in una zona poco nota della bassa Toscana -
Interdisciplinary experiences in ten years of activity in a lesser-known area of Southern Tuscany
These are slides from a lecture at Politecnico di Milano, Faculty of Engineering, in May 2017
The INCEPTION dissemination plan grounds innovative results from the research project into real practice for technicians and professionals, researchers and scholars, cultural heritage operators and institutions and policy makers, across disciplines, technologies and sectors.
For further information visit the website: www.inception-project.eu
OW2Con 2013 - GeoBI.info: when open data meets cartographySpagoWorld
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Giorgio Ponti is the Co-ordinator of Architecture Educative Area of CISEM (Centre for Educational Innovation and Experimentation Milan, Italy)
The workshop was organised as part of the Climate KIC Innovation Festival 2014. Following the success of the workshop, we felt we should promote the activities & use social media to stay connected. It is our focus to provide a clear message for us, others & countries in time for COP21, Paris 2015, the Earth Summit.
Difesa del suolo e pianificazione territorialepibinko
Esperienze interdisciplinari in dieci anni di attività in una zona poco nota della bassa Toscana -
Interdisciplinary experiences in ten years of activity in a lesser-known area of Southern Tuscany
These are slides from a lecture at Politecnico di Milano, Faculty of Engineering, in May 2017
The INCEPTION dissemination plan grounds innovative results from the research project into real practice for technicians and professionals, researchers and scholars, cultural heritage operators and institutions and policy makers, across disciplines, technologies and sectors.
For further information visit the website: www.inception-project.eu
OW2Con 2013 - GeoBI.info: when open data meets cartographySpagoWorld
The presentation supported the speech by Andrea Gioia, SpagoBI Architect, at OW2Con 2013 - the annual community event of OW2 Consortium (www.ow2.org). It focuses on the GeoBI.info project as a use case of SpagoBI suite (www.spagobi.org), allowing local public administrations to perform statistical and spatial analysis on open data. www.spagoworld.org
101123 Intelligent Innovative Educational by Giorgio Ponti (CISEM) ItalyFacil...giorgioponti
Presentation on powerpoint by Giorgio Ponti, Chiapas, Mexico for INIFED International Seminar.
Giorgio Ponti is the Co-ordinator of Architecture Educative Area of CISEM (Centre for Educational Innovation and Experimentation Milan, Italy)
The workshop was organised as part of the Climate KIC Innovation Festival 2014. Following the success of the workshop, we felt we should promote the activities & use social media to stay connected. It is our focus to provide a clear message for us, others & countries in time for COP21, Paris 2015, the Earth Summit.
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This is a brief introduction to the pibinko.org network, operating internationally since 2007, based in Southern Tuscany. Core services are briefly presented.
The Jug Band Colline Metallifere in the context of Empowerment, Inclusiveness...pibinko
A presentation given for the EIE working group of the European Citizen Science Association - aon March 29, 2022
- more about the JBCM at http://www.jugbandcm.it
I sistemi informativi territoriali a supporto delle indagini sulla storia del...pibinko
Presentazione tenuta all'Università di Sassari (Facoltà di Scienze Politiche) nel giugno 2004 - Presentation given at the University of Sassari (Faculty of political sciences), June 2004
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Discover how Oakland's innovative corporate wellness initiatives are transforming workplace culture, nurturing the well-being of employees, and fostering a thriving environment. From comprehensive mental health support to flexible work arrangements and holistic wellness workshops, these programs are empowering individuals to navigate stress effectively, leading to increased productivity, satisfaction, and overall success.
La transidentité, un sujet qui fractionne les FrançaisIpsos France
Ipsos, l’une des principales sociétés mondiales d’études de marché dévoile les résultats de son étude Ipsos Global Advisor “Pride 2024”. De ses débuts aux Etats-Unis et désormais dans de très nombreux pays, le mois de juin est traditionnellement consacré aux « Marches des Fiertés » et à des événements festifs autour du concept de Pride. A cette occasion, Ipsos a réalisé une enquête dans vingt-six pays dressant plusieurs constats. Les clivages des opinions entre générations s’accentuent tandis que le soutien à des mesures sociétales et d’inclusion en faveur des LGBT+ notamment transgenres continue de s’effriter.
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Is your favorite ring slipping and sliding on your finger? You're not alone. Must Read this Guide on What To Do If Your Ring Is Too Big as shared by the experts of Andrews Jewelers.
Care Instructions for Activewear & Swim Suits.pdfsundazesurf80
SunDaze Surf offers top swimwear tips: choose high-quality, UV-protective fabrics to shield your skin. Opt for secure fits that withstand waves and active movement. Bright colors enhance visibility, while adjustable straps ensure comfort. Prioritize styles with good support, like racerbacks or underwire tops, for active beach days. Always rinse swimwear after use to maintain fabric integrity.
Johnny Depp Long Hair: A Signature Look Through the Yearsgreendigital
Johnny Depp, synonymous with eclectic roles and unparalleled acting prowess. has also been a significant figure in fashion and style. Johnny Depp long hair is a distinctive trademark among the various elements that define his unique persona. This article delves into the evolution, impact. and cultural significance of Johnny Depp long hair. exploring how it has contributed to his iconic status.
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Introduction
Johnny Depp is an actor known for his chameleon-like ability to transform into a wide range of characters. from the eccentric Captain Jack Sparrow in "Pirates of the Caribbean" to the introspective Edward Scissorhands. His long hair is one constant throughout his evolving roles and public appearances. Johnny Depp long hair is not a style choice but a significant aspect of his identity. contributing to his allure and mystique. This article explores the journey and significance of Johnny Depp long hair. highlighting how it has become integral to his brand.
The Early Years: A Budding Star with Signature Locks
1980s: The Rise of a Young Heartthrob
Johnny Depp's journey in Hollywood began in the 1980s. with his breakout role in the television series "21 Jump Street." During this time, his hair was short, but it was already clear that Depp had a penchant for unique and edgy styles. By the decade's end, Depp started experimenting with longer hair. setting the stage for a lifelong signature.
1990s: From Heartthrob to Icon
The 1990s were transformative for Johnny Depp his career and personal style. Films like "Edward Scissorhands" (1990) and "Benny & Joon" (1993) saw Depp sporting various hair lengths and styles. But, his long, unkempt hair in "What's Eating Gilbert Grape" (1993) began to draw significant attention. This period marked the beginning of Johnny Depp long hair. which became a defining feature of his image.
The Iconic Roles: Hair as a Character Element
Edward Scissorhands (1990)
In "Edward Scissorhands," Johnny Depp's character had a wild and mane that complemented his ethereal and misunderstood persona. This role showcased how long hair Johnny Depp could enhance a character's depth and mystery.
Captain Jack Sparrow: The Pirate with Flowing Locks
One of Johnny Depp's iconic roles is Captain Jack Sparrow from the "Pirates of the Caribbean" series. Sparrow's long, dreadlocked hair symbolised his rebellious and unpredictable nature. The character's look, complete with beads and trinkets woven into his hair. was a collaboration between Depp and the film's costume designers. This style became iconic and influenced fashion trends and Halloween costumes worldwide.
Other Memorable Characters
Depp's long hair has also been featured in other roles, such as Ichabod Crane in "Sleepy Hollow" (1999). and Roux in "Chocolat" (2000). In these films, his hair added a layer of authenticity and depth to his characters. proving that Johnny Depp with long hair is more than a style—it's a storytelling tool.
Off-Screen Influenc
Have you ever wondered about the lost city of Atlantis and its profound connection to our modern world? Ruth Elisabeth Hancock’s podcast, “Visions of Atlantis,” delves deep into this intriguing topic in a captivating conversation with Michael Le Flem, author of the enlightening book titled “Visions of Atlantis.” This podcast episode offers a thought-provoking blend of historical inquiry, esoteric wisdom, and contemporary reflections. Let’s embark on a journey of discovery as we unpack the mysteries of ancient civilizations and their relevance to our present existence.
Exploring Ancient Mysteries Visions of Atlantis.pptx
Buiometria partecipativa 2016 Summary Report
1. Andrea Giacomelli – La BuioMetria Partecipativa e il contesto in cui opera
The BuioMetria Partecipativa project
(and its operating context since 2008)
Andrea Giacomelli
info@pibinko.org
January 2017
http://www.pibinko.org
http://www.attivarti.org
Licence for this presentation: CC-abbài-ènnecci-scèralàick
2. Andrea Giacomelli – La BuioMetria Partecipativa e il contesto in cui opera
● In 2008: to environmental engineers (one of which PhD) and a young graduate
in geography, supporting Sampdoria an in his first steps in GIS and geomatics
●
By 2016: a micro-network of professionals, NGOs,
research institutes (Italian Research Council and
University), small and medium enterprises. All of these
folks love music.
The team
...e altri...
3. Andrea Giacomelli – La BuioMetria Partecipativa e il contesto in cui opera
The mission
● To promote and protect lesser known resources in the
fields of culture, environment, and open innovation
by means of
● Research (non just scientific research)
● Innovation (or, at times, re-discovery) and transfer
(occasionally technology transfer)
● Outreach and community engagement
4. Andrea Giacomelli – La BuioMetria Partecipativa e il contesto in cui opera
Where are we based
● The centroid of the team is the Farma Valley, in
Southern Tuscany
● 100 km South of Florence
● At the centre of one of the areas in Italy with
dark skies
5. Andrea Giacomelli – La BuioMetria Partecipativa e il contesto in cui opera
Main projects to date
●
2006-2007 La Vendetta del Chihuahua Killer e degli Zombi
●
2007 Palla 21 a Chicago
●
2008 M(‘)appare Milano / Buiometria Partecipativa
●
2009 Festa di Capodanno in piazza del Popolo
●
2010 Fra il tramonto e l’alba
●
2011 Attivarti.org / CORDILIT
●
2012 ENVIROFI
●
2013 Loss of the Night Network
●
2014 Palla 21 a Milano
●
2015 Progetto INVOLEN
●
2016 Festival d’inverno in Val di Farma
These are our projects which obtained at least national media exposure and/or impact.
Clicking on the titles will bring you to the corresponding web page in Italian.
English versions of the same pages are then available by clicking the “English” option on
the website (or write to info@pibinko.org for inquiries).
6. Andrea Giacomelli – La BuioMetria Partecipativa e il contesto in cui opera
Places we have been for events/projects
7. Andrea Giacomelli – La BuioMetria Partecipativa e il contesto in cui opera
Scientific research activities
● CAIL workshops: Ribolla (2008), Massa Marittima (2012),
Monticiano (2012), Gerace (2011)
● ENVIROFI: Workshops in Torniella and Florence
● INVOLEN: visit by CNR team in the Farma Valley, presentation
in an international conference in Florence
● BMP: Università Roma 3, Politecnico di Milano, JRC Ispra,
Leicester, Athens, Cluj-Napoca, CNR ISMAR (Venezia), CNR
IBIMET (Florence)
● Since 1994: consolidate track record in the field of
environmental modelling, data management and geographic
information systems
8. Andrea Giacomelli – La BuioMetria Partecipativa e il contesto in cui opera
National media visibility
● TG2 Costume e Società
● RAI Radio 2 (4)
● Radio 24 (3)
● Topolino (Italian versio of the Mickey Mouse magazine, with a special
inset on “The darkness hunters”)
● Grazia
● La Stampa (one page in the “Society” section)
● Radio Montecarlo
● Radio Capital
● Terre di Mezzo
● Gazzetta Ambiente
Additional track record on local italian media
US visibility in 2007
- Chicago Sun Times
- Comcast Sports News
9. Andrea Giacomelli – La BuioMetria Partecipativa e il contesto in cui opera
Summing it all up
● Ten years of activity as a team with as least
national visibility (and related promotional
impact)
● Relatively extended network of contacts
worldwide
● Demonstrated positive socio-economic impact
since 2008
10. Andrea Giacomelli – La BuioMetria Partecipativa e il contesto in cui opera
Concerning renewables/energy
saving/artificial lighting
● Various environmental specialists, surveyors and
musicians are part of the team
● Consolidated contacts with other thematic
experts (auditing, modelling, data management,
design and installations, utility survey and
management)
● On lighting: we look at promoting territories (and
attracting visitors) with appropriate* lighting
practice
* not compromsing safety and security
11. Andrea Giacomelli – La BuioMetria Partecipativa e il contesto in cui opera
Open issues on “light at night” (in Italy)
● More light than needed according to some is used (OTOH in the
world several cases exist where lighting levels are below technical
guidelines, with no issues concerning safety or security)
● The awareness on negative impacts of excessive light at night is still
low (OTOH, nobody will die after spending a night under a lamp post)
● Awareness on blue light issues (e.g. high correlated colour
temperature LEDs) is low and needs to be increased.
● Specifically to Italy: a lot of actors in the play (but we are good at
having lots of actors in plays)
● As in any theme: it is not always easy to collaborate with an
adequate understading of roles and expertise among partners in
complex international organisations.
12. Andrea Giacomelli – La BuioMetria Partecipativa e il contesto in cui opera 12
What are we doing on light at night and dark
skies
● BuioMetria Partecipativa
● Loss of the Night Network
● CORDILIT
● PAER Toscana
...we also maintain a track record of things we
avoided doing (write to: astitchintime@attivarti.org
for details)
13. Andrea Giacomelli – La BuioMetria Partecipativa e il contesto in cui opera
BuioMetria Partecipativa
● Since June 2008, citizen
science (lending the
sensors) + outreache
●
As of Dec. 2016: over 100
“buiometristi” and about
1500 readings (mostly in
Italy, but occasionalyl
abroad)
● Some of our measures
were used for the
calibration of the New
World Atlas of Artificial
Night Sky Brightness
(June 2016)
14. Andrea Giacomelli – La BuioMetria Partecipativa e il contesto in cui opera
Loss of the Night Network
● European Project(COST Programme, ES-1204 project – Oct 2012 / Oct. 2016)
● BuioMetria Partecipativa was the main point of contact for Italy (from Jan. 2013, then
adding CNR IBIMET in 2014)
● Management of an experimental campain in Torniella and Florece (march 2015)
● Possibility of getting to know centres of excellence for the topics and methods promoted
by BuioMetria Partecipativa (e.g. Catalunya, Andalucia, Hungary, Romania, Greece)
● Making contact with young Italian researchers currently working abroad
● We conducted outreach and other communication activities on a European scale (not the
first time in general, but the first time on this topic)
● Internships with Italian universities were started within LoNNe
15. Andrea Giacomelli – La BuioMetria Partecipativa e il contesto in cui opera
CORDILIT
● Night sky brightness
monitoring network
● Active since 2011
● Veneto Stellato is the
main collaborating
institution
16. Andrea Giacomelli – La BuioMetria Partecipativa e il contesto in cui opera
PAER Toscana
The latest revision of the Tuscany Master Plan on
Environment and Energy, issued in early 2015, contains
explicit references to interdisciplinary light pollution mitigation
approaches, and promotion of night skies (deriving from
comments transmitted by Attivarti.org during the public
consultation phase)
Page 87 – Actions on reduction of the percentage of
population exposed to noise, radiation and light pollution
Page 91 – Various references to different effects of light
pollution
Page 118 – "Night sky as a resource" has half a page
17. Andrea Giacomelli – La BuioMetria Partecipativa e il contesto in cui opera
We would like to co-operate on
● Awareness raising on “sustainable lighting” (not
just for energy efficiency issues, but also
considering other impacts generated by light at
night)
● Monitoring night sky quality
● Design and delivery of promotion projects
● Facilitating projects of “aware” lighting
improvement
18. Andrea Giacomelli – La BuioMetria Partecipativa e il contesto in cui opera
How to support our work
● For our NGO components: donations .
● For our professional components: we can work
for you (and in some cases we might need your
help and you may work with us)
● Write to mappare@attivarti.org for more
information
19. Andrea Giacomelli – La BuioMetria Partecipativa e il contesto in cui opera
Next steps
● In parallel to our projects, we have a calendar of events for
2017 (with a plan of two events per month: one “at home”
and one “on the road”)
● The 2017 Event Calendar (as of Jan 8, 2017) is available
(currently in Italian, but you may write for details)
● You may subscribe to the Attivarti.org mailing list (Italian
and English options available) to be up-to-date on news,
invitations, concerts, and more
20. Andrea Giacomelli – La BuioMetria Partecipativa e il contesto in cui opera
Thank you for your attention
info@pibinko.org
mappare@attivarti.org
Photo credits page 1:
• Federico Giussani, May 2015, Rocca di Montemassi
• Zoltán Kolláth, March 2015, The shadow of the Torniella bell tower in the sky
• Pibinko: mosaic of 2016 shots (with a tile on Simone Sandrucci + Federico Giussani by Luciano Massetti)