The document provides an overview of the Romantic and Impressionist periods in visual arts, music, drama, and dance from the late 18th to 19th centuries. Key characteristics included a focus on emotion and nature in visual arts, the use of thin brush strokes and emphasis on light in Impressionism. Significant artists across genres incorporated more feeling and passion. Societies were increasingly involved in and influenced by the arts during periods of revolution and modernization.
This document provides an overview of key artists, artistic movements, and techniques from the 18th and 19th centuries. It discusses Rococo painters like François Boucher and their pastoral, decorative works. It then covers Neoclassicists like Jacques-Louis David who reacted against Rococo and emphasized classical ideals of beauty and virtue. The document also summarizes Romanticism's focus on emotion and nature, Realism's emphasis on accurate depictions of contemporary life, and the Orientalist fascination with exotic Eastern subjects during this period.
The document provides an overview of artistic styles and movements from Rococo in the early 18th century through Romanticism. It traces how Rococo emphasized delicate forms and pastoral themes but gave way to Neoclassicism during the Enlightenment which praised Greek and Roman antiquity. The Industrial Revolution and French Revolution led to further changes, with Romanticism emerging in reaction to Neoclassicism by emphasizing emotion, imagination, and the individual over reason. Key artists discussed include Watteau, Fragonard, David, Géricault, Delacroix, and Blake.
Romanticism was an artistic and intellectual movement that originated in the late 18th century in reaction to Enlightenment rationalism and industrialization. It emphasized strong emotion and individual imagination over classical form. Romantic artists like Gericault and Delacroix were influenced by travel and interest in the exotic. They often depicted dramatic landscapes, emotions, and history in unconventional ways. Romanticism also celebrated the individual and provided an escape from the confines of modern life through imagination and embracing the unfamiliar.
Neoclassicism began in the late 18th century as a reaction against Rococo styles and was adopted by leaders of the French Revolution who wanted to associate themselves with the stability and heroism of ancient Greek and Roman styles. Jacques-Louis David was a leading Neoclassical painter who appealed to republican sentiments with works like Oath of the Horatii. Romanticism emerged in reaction to Enlightenment rationalism and the Industrial Revolution, emphasizing emotion, imagination, and individualism in the arts. Romantic painters like Gericault, Delacroix, and Friedrich focused on landscapes, mythology, and exotic subjects to convey intense emotions.
The document provides information on various artists and their works, including Leonardo Da Vinci and his Mona Lisa, highlighting his mastery of oil paint and use of perspective. It also discusses Henri de Toulouse-Lautrec and his painting Moulin Rouge, noting his Post-Impressionist style and portrayal of nightlife. Details are given on Diego Rivera's mural Making of a Fresco and its political influences.
The document discusses three art movements: Neo-Classicism, Romanticism, and Realism. Neo-Classicism originated in the 18th century and was inspired by classical Greco-Roman art. Artists like Jacques-Louis David aimed to depict themes of mythology and history in a serious, ordered style. Romanticism emerged as a reaction and emphasized emotion, imagination, and individualism. Romantic works expressed fascination with nature and the past. Realism developed in the 1840s-1900s as a reaction to Romanticism, focusing on accurate, detailed portrayals of everyday life and common people.
The document provides an overview of the Romantic and Impressionist periods in visual arts, music, drama, and dance from the late 18th to 19th centuries. Key characteristics included a focus on emotion and nature in visual arts, the use of thin brush strokes and emphasis on light in Impressionism. Significant artists across genres incorporated more feeling and passion. Societies were increasingly involved in and influenced by the arts during periods of revolution and modernization.
This document provides an overview of key artists, artistic movements, and techniques from the 18th and 19th centuries. It discusses Rococo painters like François Boucher and their pastoral, decorative works. It then covers Neoclassicists like Jacques-Louis David who reacted against Rococo and emphasized classical ideals of beauty and virtue. The document also summarizes Romanticism's focus on emotion and nature, Realism's emphasis on accurate depictions of contemporary life, and the Orientalist fascination with exotic Eastern subjects during this period.
The document provides an overview of artistic styles and movements from Rococo in the early 18th century through Romanticism. It traces how Rococo emphasized delicate forms and pastoral themes but gave way to Neoclassicism during the Enlightenment which praised Greek and Roman antiquity. The Industrial Revolution and French Revolution led to further changes, with Romanticism emerging in reaction to Neoclassicism by emphasizing emotion, imagination, and the individual over reason. Key artists discussed include Watteau, Fragonard, David, Géricault, Delacroix, and Blake.
Romanticism was an artistic and intellectual movement that originated in the late 18th century in reaction to Enlightenment rationalism and industrialization. It emphasized strong emotion and individual imagination over classical form. Romantic artists like Gericault and Delacroix were influenced by travel and interest in the exotic. They often depicted dramatic landscapes, emotions, and history in unconventional ways. Romanticism also celebrated the individual and provided an escape from the confines of modern life through imagination and embracing the unfamiliar.
Neoclassicism began in the late 18th century as a reaction against Rococo styles and was adopted by leaders of the French Revolution who wanted to associate themselves with the stability and heroism of ancient Greek and Roman styles. Jacques-Louis David was a leading Neoclassical painter who appealed to republican sentiments with works like Oath of the Horatii. Romanticism emerged in reaction to Enlightenment rationalism and the Industrial Revolution, emphasizing emotion, imagination, and individualism in the arts. Romantic painters like Gericault, Delacroix, and Friedrich focused on landscapes, mythology, and exotic subjects to convey intense emotions.
The document provides information on various artists and their works, including Leonardo Da Vinci and his Mona Lisa, highlighting his mastery of oil paint and use of perspective. It also discusses Henri de Toulouse-Lautrec and his painting Moulin Rouge, noting his Post-Impressionist style and portrayal of nightlife. Details are given on Diego Rivera's mural Making of a Fresco and its political influences.
The document discusses three art movements: Neo-Classicism, Romanticism, and Realism. Neo-Classicism originated in the 18th century and was inspired by classical Greco-Roman art. Artists like Jacques-Louis David aimed to depict themes of mythology and history in a serious, ordered style. Romanticism emerged as a reaction and emphasized emotion, imagination, and individualism. Romantic works expressed fascination with nature and the past. Realism developed in the 1840s-1900s as a reaction to Romanticism, focusing on accurate, detailed portrayals of everyday life and common people.
ARTS OF THE NEOCLASSIC AND ROMANTIC PERIOD.pptxReyna775976
The document summarizes the key characteristics and major artists of the Neoclassic and Romantic periods in Europe between 1780-1910. Neoclassicism was inspired by Ancient Greek and Roman art and portrayed historical Roman themes through formal compositions and structures. Major artists included Jacques-Louis David and Jean-Auguste-Dominique Ingres. Romanticism embraced emotion, nature, and social issues through dramatic compositions and heightened sensations. Key Romantic artists were Théodore Géricault, Eugène Delacroix, Francisco Goya, and François Rude. Both periods influenced architecture through styles like Temple, Palladian, and Gothic Revival.
ART MOVEMENTS_PAINTINGS and designs for artRaiyyanKhalak
The Art Moment is a contemporary art movement characterized by its emphasis on experimentation, innovation, and boundary-pushing creativity. It encompasses a wide range of media, styles, and ideas, challenging conventional norms and igniting new forms of expression. It emerged in response to shifting societal values and technological advancements.
This document provides an overview of Romanticism between 1798-1850. Some key points:
1. Romanticism emphasized emotion, imagination, individualism and nature over reason and rules.
2. It emerged in response to the Industrial Revolution, challenges to religion, and democratic ideals from the French Revolution.
3. Romantic art, literature, music and philosophy embraced intense emotion, the supernatural, and untamed nature. Notable works included Frankenstein and paintings by Caspar David Friedrich.
4. Romantic theater used spectacle and melodrama to evoke mood, while ballet explored mystical themes through dances depicting spirits and demons. Plays like Faust and ballets like Giselle
The video presentation shows 5 stories representing Neoclassical and Romantic art through simple illustrations:
1) A Neoclassical painting of Roman soldiers shows formal composition and historical accuracy.
2) A Romantic landscape painting depicts nature as overwhelming.
3) A Neoclassical sculpture portrays idealized human forms with order and balance.
4) A Romantic painting illustrates heightened emotions through dramatic lighting and composition.
5) A Neoclassical architectural structure uses classical orders and symmetry.
The simple illustrations and short stories effectively convey key differences between Neoclass
Jonathan Carlos Lubag Arts 9 of the Neoclassic and Romantic Period.pptxJonathanLubag
Neoclassicism was an artistic movement between 1780-1840 that drew inspiration from classical antiquity, particularly Ancient Greek and Roman art and culture. Common characteristics included portrayals of Roman history through paintings, sculptures and architecture. Key artists included Jacques-Louis David and Jean-Auguste-Dominique Ingres who painted portraits and mythological scenes. Romanticism emerged between 1800-1840 as a reaction to Neoclassicism's restraint, featuring heightened emotions and nature. Major painters were Theodore Gericault, Eugene Delacroix, and Francisco Goya who depicted dramatic historical and emotional scenes. Both periods saw advances in landscape painting and sculpture capturing nature and mythology.
This document provides an overview of artistic styles from the Rococo period to Realism. It discusses how Europe transitioned from a semi-feudal state in the 18th century to an era shaped by the Enlightenment and Industrial Revolution. The Rococo style emphasized delicate colors, curving forms, and playful subjects. The Enlightenment pushed for rational thought and observation of natural laws. The Industrial Revolution profoundly transformed society and the economy. Neoclassicism emerged as a reaction against Rococo, drawing inspiration from Greek/Roman antiquity. The French Revolution influenced artists like Jacques-Louis David to depict political themes. Romanticism valued emotion over reason and nature over intellect. Eugène Delacroix was a
Major figures in Romanticism included William Wordsworth, Samuel Taylor Coleridge, Lord Byron, Emily Bronte, Johann Wolfgang Von Goethe, Walt Whitman, Emily Dickinson, Hector Berlioz, Frederic Chopin, Giuseppe Verdi, and Richard Wagner in literature and music. In art, key Romantic painters were Francisco Goya, Jean-Auguste-Dominique Ingres, and Eugene Delacroix. Ideas like living close to nature, the unity of humanity and nature, and the celebration of the self were important themes.
This document contains summaries of important people, places, events, and cultural artifacts that represent France's cultural legacy:
- Notre Dame Cathedral, a famous landmark in Paris built over centuries and featured in Victor Hugo's novel
- Moliere, a renowned playwright whose comedies are still popular worldwide and influenced the French language
- King Louis XIV, who led France's golden age of culture in the 17th century with architecture, fashion and the arts
- Important scientific and technological achievements like the invention of photography, deciphering hieroglyphs, and the Eiffel Tower
- Revolutionary events, artworks, and figures that shaped France's history and identity over the centuries.
The document provides an overview of Baroque art across various mediums from the 1600s-1700s. It began in Rome and spread across Europe as a style that used dramatic details to produce grandeur and tension. The Catholic Church encouraged the Baroque style in response to the Protestant Reformation to communicate religious themes directly through emotional art. Painting featured contrasts of light/shadow and movement. Sculpture often had dynamic figures and concealed elements. Theatre became multimedia with changing stage scenery; actresses and breeches roles were introduced. The period saw major artists like Caravaggio, Bernini, and Moliere working across mediums to engage audiences through the Baroque style.
This document provides an overview of the history and characteristics of art movements from Ancient Greece to the early 20th century. It discusses the key periods and styles of ancient Greek and Roman art, medieval art, Renaissance art, Baroque and Rococo art, Neoclassicism, Romanticism, Realism, Impressionism, Post-Impressionism, Neo-Impressionism, Art Nouveau, Fauvism, Cubism, and Futurism. The document emphasizes the defining features, subject matter, techniques, and influential artists associated with each movement.
This presentation discusses important historical events and developments in various art forms during the Modern Period. It begins with an introduction that defines the Modern Period as beginning in the 16th century and including major events like the World Wars and the Modernism movement. The presentation then covers developments in visual arts, drama, music, and dance during this period. For each art form, it discusses defining characteristics, significant artists, relevant timeframes, where the movements originated, and how society was involved.
Q4-PPT-Arts9_Lesson 1 (History of Theatrical Forms and Evolution) (1).pptxKristineJoyTabastaba
The document provides an overview of the history and evolution of theatrical forms from ancient Greece to the Romantic period. It describes the key theatrical forms that emerged in different periods, including Greek tragedy, comedy, and satyr plays; Roman spectacles featuring combat and executions; medieval street performances; Renaissance morality plays and Shakespearean works; Baroque opera and melodrama; and elaborate Neoclassical and Romantic productions. The theater evolved from early religious rituals to incorporate new technologies, genres, and styles through the eras.
The document summarizes Romanticism in painting, sculpture and architecture between 1800-1810. In painting, key artists like Géricault, Delacroix and Goya expressed intense emotions and dramatic compositions. Landscape painting became popular as artists expressed admiration for nature. Romantic sculpture focused on the human and natural world, with Francois Rude and Barye as leading sculptors. Gothic Revival or Neo-Gothic architecture featured castellated buildings to imitate medieval castles, with Charles Barry and James Renwick as prominent architects who used this style.
This document discusses Romanticism in 19th century art. It focused on the key characteristics of Romantic painting including movement, vivid colors, and emphasis on emotion over reason. Important Romantic painters from different countries are mentioned, including Géricault, Delacroix, and Friendrich from France and Germany, Turner from Britain, and Bécquer, Villaamil, and Fortuny from Spain. Delacroix's painting "The Lion Hunt" from 1861 is analyzed in detail.
This document provides information about various periods and developments in theater history from the Renaissance period to modern times. It discusses the origins and characteristics of Renaissance theater including the development of public theaters and prominent playwrights like William Shakespeare. It also summarizes Romantic theater developments like melodrama and opera. Specific plays are discussed like Carmen and notable playwrights across different eras are mentioned like Sophocles, Victor Hugo, and Filipino playwrights Francisco Balagtas and Severino Reyes. Key theatrical elements of different periods are also outlined.
Humanism and new artistic techniques in the Italian Renaissance led to masterpieces in painting, sculpture, and architecture. Artists like Leonardo, Michelangelo, and Raphael studied human anatomy and perspective to depict idealized individuals and balance. Their works, alongside those of earlier Renaissance masters like Giotto, Donatello, Brunelleschi, and Botticelli, helped establish the individual and classical humanist ideals of the era.
This document provides an overview of mid-19th century art and architecture, focusing on the rise of realism alongside technological developments of the Industrial Revolution. Key points include:
- The increasing use of iron in architecture, seen in buildings like the Crystal Palace and Eiffel Tower, enabled new construction possibilities.
- Realist works depicted everyday subjects and the working classes in a truthful, unidealized manner. Artists included Courbet, Millet, Daumier, Eakins, and Homer.
- Photography influenced realism by providing reference for accurate depictions.
- Developments in transportation like trains contributed to industrial and economic changes in society.
- The Arts and Crafts movement
Ism's as an expression of built form and planning.
◦ Mannerism (mid 1500s)
◦ Neo classism (mid 1700s)
◦ Romanticism (late 1700s- early 1800s)
◦ Realism (France, mid 1800s)
◦ Impressionism (late 1800s)
◦ Post Impressionism (very late 1800s and into the turn of the 20th century)
◦ Symbolism (Turn of the twentieth century)
◦ Cubism (first two decades of 1900s)
◦ Surrealism (birth in 1924)
◦ Abstract Expressionism (birth in 1940s)
Here is a Venn diagram comparing the characteristics of Neoclassical and Romantic art:
[Venn diagram with two circles labeled "Neoclassical" and "Romantic". Where the circles overlap is labeled "Similarities". The areas outside the overlap are labeled "Differences"]
Similarities:
- Inspired by classical antiquity/history
- Interest in mythology and allegory
Neoclassical:
- Idealized, balanced compositions
- Restrained emotion
- Inspired by Greco-Roman styles
Romantic:
- Emotional extremes
- Celebration of nature
- Dramatic, action-filled scenes
- Interest in contemporary subjects
Romanticism was a 19th century artistic and intellectual movement that emphasized emotion, individualism, and nature. It saw a shift from reason to emotion and imagination. Romantic artists often depicted intense emotions, untamed nature, exotic locales, and the supernatural. They also celebrated individual genius and originality of expression. Some key Romantic artists included Eugène Delacroix, Théodore Géricault, Francisco Goya, and Caspar David Friedrich who are known for their dramatic landscapes and emotionally charged subjects.
ARTS OF THE NEOCLASSIC AND ROMANTIC PERIOD.pptxReyna775976
The document summarizes the key characteristics and major artists of the Neoclassic and Romantic periods in Europe between 1780-1910. Neoclassicism was inspired by Ancient Greek and Roman art and portrayed historical Roman themes through formal compositions and structures. Major artists included Jacques-Louis David and Jean-Auguste-Dominique Ingres. Romanticism embraced emotion, nature, and social issues through dramatic compositions and heightened sensations. Key Romantic artists were Théodore Géricault, Eugène Delacroix, Francisco Goya, and François Rude. Both periods influenced architecture through styles like Temple, Palladian, and Gothic Revival.
ART MOVEMENTS_PAINTINGS and designs for artRaiyyanKhalak
The Art Moment is a contemporary art movement characterized by its emphasis on experimentation, innovation, and boundary-pushing creativity. It encompasses a wide range of media, styles, and ideas, challenging conventional norms and igniting new forms of expression. It emerged in response to shifting societal values and technological advancements.
This document provides an overview of Romanticism between 1798-1850. Some key points:
1. Romanticism emphasized emotion, imagination, individualism and nature over reason and rules.
2. It emerged in response to the Industrial Revolution, challenges to religion, and democratic ideals from the French Revolution.
3. Romantic art, literature, music and philosophy embraced intense emotion, the supernatural, and untamed nature. Notable works included Frankenstein and paintings by Caspar David Friedrich.
4. Romantic theater used spectacle and melodrama to evoke mood, while ballet explored mystical themes through dances depicting spirits and demons. Plays like Faust and ballets like Giselle
The video presentation shows 5 stories representing Neoclassical and Romantic art through simple illustrations:
1) A Neoclassical painting of Roman soldiers shows formal composition and historical accuracy.
2) A Romantic landscape painting depicts nature as overwhelming.
3) A Neoclassical sculpture portrays idealized human forms with order and balance.
4) A Romantic painting illustrates heightened emotions through dramatic lighting and composition.
5) A Neoclassical architectural structure uses classical orders and symmetry.
The simple illustrations and short stories effectively convey key differences between Neoclass
Jonathan Carlos Lubag Arts 9 of the Neoclassic and Romantic Period.pptxJonathanLubag
Neoclassicism was an artistic movement between 1780-1840 that drew inspiration from classical antiquity, particularly Ancient Greek and Roman art and culture. Common characteristics included portrayals of Roman history through paintings, sculptures and architecture. Key artists included Jacques-Louis David and Jean-Auguste-Dominique Ingres who painted portraits and mythological scenes. Romanticism emerged between 1800-1840 as a reaction to Neoclassicism's restraint, featuring heightened emotions and nature. Major painters were Theodore Gericault, Eugene Delacroix, and Francisco Goya who depicted dramatic historical and emotional scenes. Both periods saw advances in landscape painting and sculpture capturing nature and mythology.
This document provides an overview of artistic styles from the Rococo period to Realism. It discusses how Europe transitioned from a semi-feudal state in the 18th century to an era shaped by the Enlightenment and Industrial Revolution. The Rococo style emphasized delicate colors, curving forms, and playful subjects. The Enlightenment pushed for rational thought and observation of natural laws. The Industrial Revolution profoundly transformed society and the economy. Neoclassicism emerged as a reaction against Rococo, drawing inspiration from Greek/Roman antiquity. The French Revolution influenced artists like Jacques-Louis David to depict political themes. Romanticism valued emotion over reason and nature over intellect. Eugène Delacroix was a
Major figures in Romanticism included William Wordsworth, Samuel Taylor Coleridge, Lord Byron, Emily Bronte, Johann Wolfgang Von Goethe, Walt Whitman, Emily Dickinson, Hector Berlioz, Frederic Chopin, Giuseppe Verdi, and Richard Wagner in literature and music. In art, key Romantic painters were Francisco Goya, Jean-Auguste-Dominique Ingres, and Eugene Delacroix. Ideas like living close to nature, the unity of humanity and nature, and the celebration of the self were important themes.
This document contains summaries of important people, places, events, and cultural artifacts that represent France's cultural legacy:
- Notre Dame Cathedral, a famous landmark in Paris built over centuries and featured in Victor Hugo's novel
- Moliere, a renowned playwright whose comedies are still popular worldwide and influenced the French language
- King Louis XIV, who led France's golden age of culture in the 17th century with architecture, fashion and the arts
- Important scientific and technological achievements like the invention of photography, deciphering hieroglyphs, and the Eiffel Tower
- Revolutionary events, artworks, and figures that shaped France's history and identity over the centuries.
The document provides an overview of Baroque art across various mediums from the 1600s-1700s. It began in Rome and spread across Europe as a style that used dramatic details to produce grandeur and tension. The Catholic Church encouraged the Baroque style in response to the Protestant Reformation to communicate religious themes directly through emotional art. Painting featured contrasts of light/shadow and movement. Sculpture often had dynamic figures and concealed elements. Theatre became multimedia with changing stage scenery; actresses and breeches roles were introduced. The period saw major artists like Caravaggio, Bernini, and Moliere working across mediums to engage audiences through the Baroque style.
This document provides an overview of the history and characteristics of art movements from Ancient Greece to the early 20th century. It discusses the key periods and styles of ancient Greek and Roman art, medieval art, Renaissance art, Baroque and Rococo art, Neoclassicism, Romanticism, Realism, Impressionism, Post-Impressionism, Neo-Impressionism, Art Nouveau, Fauvism, Cubism, and Futurism. The document emphasizes the defining features, subject matter, techniques, and influential artists associated with each movement.
This presentation discusses important historical events and developments in various art forms during the Modern Period. It begins with an introduction that defines the Modern Period as beginning in the 16th century and including major events like the World Wars and the Modernism movement. The presentation then covers developments in visual arts, drama, music, and dance during this period. For each art form, it discusses defining characteristics, significant artists, relevant timeframes, where the movements originated, and how society was involved.
Q4-PPT-Arts9_Lesson 1 (History of Theatrical Forms and Evolution) (1).pptxKristineJoyTabastaba
The document provides an overview of the history and evolution of theatrical forms from ancient Greece to the Romantic period. It describes the key theatrical forms that emerged in different periods, including Greek tragedy, comedy, and satyr plays; Roman spectacles featuring combat and executions; medieval street performances; Renaissance morality plays and Shakespearean works; Baroque opera and melodrama; and elaborate Neoclassical and Romantic productions. The theater evolved from early religious rituals to incorporate new technologies, genres, and styles through the eras.
The document summarizes Romanticism in painting, sculpture and architecture between 1800-1810. In painting, key artists like Géricault, Delacroix and Goya expressed intense emotions and dramatic compositions. Landscape painting became popular as artists expressed admiration for nature. Romantic sculpture focused on the human and natural world, with Francois Rude and Barye as leading sculptors. Gothic Revival or Neo-Gothic architecture featured castellated buildings to imitate medieval castles, with Charles Barry and James Renwick as prominent architects who used this style.
This document discusses Romanticism in 19th century art. It focused on the key characteristics of Romantic painting including movement, vivid colors, and emphasis on emotion over reason. Important Romantic painters from different countries are mentioned, including Géricault, Delacroix, and Friendrich from France and Germany, Turner from Britain, and Bécquer, Villaamil, and Fortuny from Spain. Delacroix's painting "The Lion Hunt" from 1861 is analyzed in detail.
This document provides information about various periods and developments in theater history from the Renaissance period to modern times. It discusses the origins and characteristics of Renaissance theater including the development of public theaters and prominent playwrights like William Shakespeare. It also summarizes Romantic theater developments like melodrama and opera. Specific plays are discussed like Carmen and notable playwrights across different eras are mentioned like Sophocles, Victor Hugo, and Filipino playwrights Francisco Balagtas and Severino Reyes. Key theatrical elements of different periods are also outlined.
Humanism and new artistic techniques in the Italian Renaissance led to masterpieces in painting, sculpture, and architecture. Artists like Leonardo, Michelangelo, and Raphael studied human anatomy and perspective to depict idealized individuals and balance. Their works, alongside those of earlier Renaissance masters like Giotto, Donatello, Brunelleschi, and Botticelli, helped establish the individual and classical humanist ideals of the era.
This document provides an overview of mid-19th century art and architecture, focusing on the rise of realism alongside technological developments of the Industrial Revolution. Key points include:
- The increasing use of iron in architecture, seen in buildings like the Crystal Palace and Eiffel Tower, enabled new construction possibilities.
- Realist works depicted everyday subjects and the working classes in a truthful, unidealized manner. Artists included Courbet, Millet, Daumier, Eakins, and Homer.
- Photography influenced realism by providing reference for accurate depictions.
- Developments in transportation like trains contributed to industrial and economic changes in society.
- The Arts and Crafts movement
Ism's as an expression of built form and planning.
◦ Mannerism (mid 1500s)
◦ Neo classism (mid 1700s)
◦ Romanticism (late 1700s- early 1800s)
◦ Realism (France, mid 1800s)
◦ Impressionism (late 1800s)
◦ Post Impressionism (very late 1800s and into the turn of the 20th century)
◦ Symbolism (Turn of the twentieth century)
◦ Cubism (first two decades of 1900s)
◦ Surrealism (birth in 1924)
◦ Abstract Expressionism (birth in 1940s)
Here is a Venn diagram comparing the characteristics of Neoclassical and Romantic art:
[Venn diagram with two circles labeled "Neoclassical" and "Romantic". Where the circles overlap is labeled "Similarities". The areas outside the overlap are labeled "Differences"]
Similarities:
- Inspired by classical antiquity/history
- Interest in mythology and allegory
Neoclassical:
- Idealized, balanced compositions
- Restrained emotion
- Inspired by Greco-Roman styles
Romantic:
- Emotional extremes
- Celebration of nature
- Dramatic, action-filled scenes
- Interest in contemporary subjects
Romanticism was a 19th century artistic and intellectual movement that emphasized emotion, individualism, and nature. It saw a shift from reason to emotion and imagination. Romantic artists often depicted intense emotions, untamed nature, exotic locales, and the supernatural. They also celebrated individual genius and originality of expression. Some key Romantic artists included Eugène Delacroix, Théodore Géricault, Francisco Goya, and Caspar David Friedrich who are known for their dramatic landscapes and emotionally charged subjects.
Similar to Beige Scrapbook Tourism Presentation_20240407_133100_0000.pptx (20)
This tutorial offers a step-by-step guide on how to effectively use Pinterest. It covers the basics such as account creation and navigation, as well as advanced techniques including creating eye-catching pins and optimizing your profile. The tutorial also explores collaboration and networking on the platform. With visual illustrations and clear instructions, this tutorial will equip you with the skills to navigate Pinterest confidently and achieve your goals.
The cherry: beauty, softness, its heart-shaped plastic has inspired artists since Antiquity. Cherries and strawberries were considered the fruits of paradise and thus represented the souls of men.
Hadj Ounis's most notable work is his sculpture titled "Metamorphosis." This piece showcases Ounis's mastery of form and texture, as he seamlessly combines metal and wood to create a dynamic and visually striking composition. The juxtaposition of the two materials creates a sense of tension and harmony, inviting viewers to contemplate the relationship between nature and industry.
This document announces the winners of the 2024 Youth Poster Contest organized by MATFORCE. It lists the grand prize and age category winners for grades K-6, 7-12, and individual age groups from 5 years old to 18 years old.
2. BAROQUE THEATRE
(1600- 1750)
✓ Marked by the use of technology in current
Broadway shows.
✓ Deus ex machine “god from the machine” a
technology in which has the effect that gods were
able to come down from heavens and rescue the
hero in danger
4. ✓ The Neoclassical period was a movement where
the styles of Roman and Greek societies influenced
the theater arts.
NEOCLASSICAL
THEATER 1800-1900
✓ During the Neoclassical period, the theater was
characterized by its grandiosity. Costumes and sceneries
were highly elaborate. The main concepts of the plays
were to entertain and to teach lessons. Stages were
restyled with dramatic arches to highlight the scenes.
5. ✓ The concept of decorum
(meaning right and proper audience
behavior) was applied in this period
which means classical concepts and
appropriate social behavior must be
observed.
✓ The first "spotlight" was used in the
U.S. during this period and was called
the "Limelight”
7. ROMANTIC THEATER
1800-2000
Melodrama and operas‖ became the most popular
theatrical forms. Melodrama originated from the French
word “melodrame”, which is derived from Greek ―melos”,
music, and French “drame”, which is derived from Greek
―dran” to peform.
9. Victor Marie Hugo was born on February
26, 1802 and died on May 22, 1885. He is
considered one of the greatest and best
known French writers. He was a poet,
novelist, and dramatist of the Romantic
movement.
11. His works includes “Les Contemplations ,
La Légende des siècles, Les Misérables,
and Notre-Dame de Paris” which is
known as the Hunchback of Notre-Dame.
14. 3 KINDS OF TIME
SUBSISTENCE
EXISTENCE
-biological needs such as eating,
sleeping rest
- attending to classes in school,
attending to work-related functions
FREE TIME
-time for enjoyment and
relaxation
15. RECREATION
• It should be your interest
• It should be voluntary
• It should meet the recreational needs
• Aesthetic
• Educational
• Social
• Physiological
– a voluntary participation in an
activity during free and unobligated
time.
17. OUTDOOR
RECREATION
INDOOR
RECREATION
• when the activity is within
the premises of home or
inside a building
• when the activity is undertaken
in a natural, rural open space
outside the buildings
Indoor Activities
Badminton
Volleyball
Zumba Fitness Dance
Outdoor Activities
Hiking
Soccer
Football
18. 2 TYPES OF RECREATION
ACCORDING TO INVOLVEMENT
PASSIVE
RECREATION
- requires exerting
extra effort
ACTIVE
RECREATION
- no need to exert
extra effort and
energy