ATLAS presentation 2008
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James Kennell's presentation 'symbolic violence by the seaside' given at the 2008 ATLAS conference in Brighton, UK
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Charles Landry : Creativity, Culture & the City: A question of interconnection
The document discusses the relationship between creativity, culture, and city development. It argues that creativity has become a primary asset for cities as human imagination and skills become more important than physical resources. Creativity legitimized in the arts is spreading to other fields to drive innovation. Most cities need economic renewal and attracting talent requires appealing culture and vibrancy. The creative economy of music, media, and design contributes significantly to urban economies and identity. However, using culture strategically requires an art, not just a formula. It works best when enhancing local culture and involving citizens.
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The City Arts Plan 2014-2018 outlines the vision and priorities of Dublin City Council's City Arts Office over the next three years. The City Arts Office aims to [1] assist public access to the arts, [2] facilitate artists' development, and [3] enrich the cultural experience of the city. It will do this by advising, curating programs and events, partnering with arts organizations, developing and managing assets, evaluating programs, brokering relationships, and advocating for the arts. The City Arts Officer will provide strategic leadership to deliver on these goals and realize the vision of a culturally vibrant Dublin with opportunities for both artists and the public to engage with the arts.
2 1 kairos state of art 131019
Urban development heritage protection and tourism validation with social inclusión Alberto Cerdá Micó
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Powerpoint Community Art Luzern 2016
The document outlines an agenda for a workshop on community art as a challenge for social workers. The workshop will include presentations on various topics related to community art such as its definition, examples of community art projects, and the role of artists and social workers in community art. Attendees will participate in group assignments analyzing case studies and discussing how art can be used in community projects. The goal is to explore how social workers and artists can work together using art to empower communities and foster social cohesion.
Proff Development Public Art
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This document provides an overview of a 4-year cultural intermediation project. The project aims to enhance the effectiveness of cultural intermediation in connecting communities to the creative economy. It involves several work packages over the 4 years, including scoping, valuation/mapping, governance, communities, and interventions. The document also summarizes international case studies in Delhi, Guangzhou, Medellin, Budapest, and Chicago, looking at their populations, creative sectors, policies, flagship projects, and issues of inclusion. Finally, it outlines the schedule for a project meeting, including presentations on cultural policy management, reflections from project partners, governance findings, and a field visit.
Bpa3
This document discusses barriers to public art programs in low-income neighborhoods and proposes solutions. It notes that arts are often limited or non-existent in communities that could benefit most from creativity. "New genre public art" focuses on audience participation and relationship to local space, unlike traditional static public art. The document recommends mixing traditional and event-based social art to cultivate participation. It proposes policy changes and programs like residencies and workshops to support public art and alleviate burdens faced by small groups and poorer neighborhoods.
North river3
This document discusses participatory and public art, noting that art is often limited or non-existent in low-income neighborhoods due to lack of funding and rigid requirements. It introduces the concept of "new genre public art", which involves community participation and engagement. An example project from Peru is described where hundreds of people worked together to move a sand dune by 10 centimeters. The document advocates mixing traditional public art with event-based social art to better involve communities and address barriers like risk, costs, and lengthy approval processes faced by small groups and poorer neighborhoods. It provides recommendations for city policies to be more flexible and support artist residencies, fellowships, and workshops.
Tom Aageson, Economic Development Course
The document summarizes the economic impact of cultural and creative industries on local communities. It discusses how cultural industries contributed to 6.2% of the UK's GDP in 2007 and how cities and states across the US are investing in their cultural economies. It also outlines how cultural entrepreneurs generate revenue through cultural activities and how their innovative solutions create sustainable cultural enterprises that benefit communities.
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This document discusses the application of punctuated equilibrium theory to analyze tourism policy change in the United Kingdom. Punctuated equilibrium theory posits that policy changes occur in short, intense periods separated by long stretches of stability. The document outlines key periods of tourism policy change in the UK from 1999 to 2015 based on major policy documents and political events. It also examines how changing policy communities and the influence of issue networks have impacted tourism policymaking in the UK. The punctuated equilibrium framework provides a useful lens for understanding periods of stability and change in UK tourism policy over time.
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Cultural tourism experiences focus on both traditional cultural attractions and contemporary culture or local ways of life. Younger tourists, known as Generation Y, are interested in exciting cultural experiences. Future tourists will seek diverse cultural experiences when traveling. Destinations should use their cultural resources to create holistic tourism experiences, package cultural components together, and showcase local culture to all tourists, not just those interested in culture, in order to improve destination image and visitors' memories.
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Presentation of the initial findings of a research project to investigate the relationship between Business Improvement Districts and the Visitor Economy in England and Scotland.
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This document discusses cultural tourism and urban regeneration in Europe, providing examples from Bilbao, Spain; Margate, UK; and Stoke's Croft, UK. It examines how cultural regeneration works through private and state investment and cultural production that drives tourism demand. However, European tourist arrivals dropped in 2009-2010 due to the economic crisis. Cultural regeneration can brand and market cities while increasing visitor spending, but culture alone may not generate economic growth so cities should develop cultural tourism alongside events, business tourism, and other programs. The document raises questions about Belgrade's cultural tourism offerings and cites Liverpool, UK as another example.
The Events Economic Impact Machine
Presentation on the economic impacts of events in tourism destinations, given at the Tourism Society Symposium in Liverpool, UK, June 2014
links between motivation and event attendee expenditure at a festival
This study examined the impact of motivation factors on spending at cultural events organized by a local authority (LA) in Southborough, UK. Surveys of 579 event attendees collected data on demographics, motivations for attending, and spending. Regression analysis found that being motivated to meet new people increased average spending by £20.71, while motivations to spend time with family or because it was a local event decreased spending. The findings suggest event motivations should inform how public sector events are designed, marketed, and prioritized to increase economic impacts but not alienate citizens. Further research is needed using more sophisticated motivation scales and qualitative research.
Responsible tourism ERASMUS 2014
This document discusses responsible tourism and sustainable development in tourism. It provides definitions of responsible tourism and sustainable development. It also summarizes different perspectives on responsible tourism, including critiques that it stigmatizes average tourists or that tourism is inherently exploitative due to its profit-seeking nature. Another perspective presented is that responsible tourism should focus on positive experiences and shared responsibility rather than rules or compulsion.
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Presentation on Responsible Events. Responsibility is a relatively new way of thinking about sustainability. This presentation was originally given in picture-only format at the Event Horizons conference in Falmouth, Cornwall, on 7th February 2014
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- 1. Symbolic violence by the sea-side A study of cultural regeneration in Folkestone, UK James Kennell [email_address]
- 2. Cultural regeneration by the seaside
- 5. Folkestone
- 13. All my friends are artists which is really rare because we’re in Folkestone and how can that be? I don’t know if people see them [strange cargo] as art….it would be so nice if that how it was in general rather than people thinking its tricky…not for them Artist Artist
- 14. We’ve got a lot of charity shops, a lot of pounds shops, what does that tell us about the people? They’re not going to go out and suddenly start buying the art, they will listen to a jazz band, they will watch a bit of street entertainment and things like that [the arts are] always looked upon as being elitist and high falluting and I think there’s still a lot to be done to break down those barriers Local Authority officer Councillor
- 18. James Kennell Senior Lecturer in Tourism and Regeneration University of Greenwich [email_address] +44 (0)20 8331 9053 http://www.gre.ac.uk/schools/business/departments/mktg/tourism-management James Kennell [email_address]