Assignment 3: CAM SAMC Redraft..
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This document provides definitions and explanations of various camera shots, angles, movements, and compositional techniques used in filmmaking. It defines shots like establishing shot, wide shot, long shot, mid/medium shot, close up, extreme close up, point of view shot, over the shoulder shot, and two shot. It explains camera angles like high angle, low angle, and canted angle. Camera movements such as pan, tilt, track, zoom, reverse zoom, and dolly are outlined. Finally, compositional techniques including symmetry, asymmetry, rule of thirds, shallow focus, deep focus, and focus pulls are defined. The purpose of each technique is also stated briefly.
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Assignment 3: CAM SAMC Redraft..
This document provides definitions and explanations of various camera shots, angles, movements, and compositional techniques used in filmmaking. It defines shots like establishing shot, wide shot, long shot, mid shot, close up, extreme close up, point of view, and two shot. It explains camera angles like high angle, low angle, and canted angle. Camera movements like pan, tilt, track, zoom, reverse zoom, and dolly are outlined. Finally, compositional techniques such as symmetry, asymmetry, rule of thirds, shallow focus, deep focus, and focus pulls are defined. The purpose of each technique is given as providing information, focusing attention, establishing relationships, and dramatizing importance.
Assignment 3: CAM SAMC
This document provides definitions and explanations of various camera shots, angles, movements, and composition techniques:
1) It defines shots like establishing shot, wide shot, long shot, mid/medium shot, close up shot, extreme close up shot, point of view shot, over the shoulder shot, and two shot.
2) It explains camera angles such as high, low, and canted/oblique angles.
3) It describes camera movements including pans, tilts, tracks, zooms, reverse zooms, and dollies.
4) Finally, it discusses compositional techniques such as symmetry/asymmetry balance, rule of thirds, shallow/deep focus, and focus pulls.
CAM SAMC:
This document defines and provides examples of different types of camera shots, angles, movements, and compositional techniques used in filmmaking. It discusses establishing shots, wide shots, long shots, medium shots, close-ups, extreme close-ups, point-of-view shots, over-the-shoulder shots, two shots, and overhead shots. It also covers high angles, low angles, and canted angles. Camera movements like pans, tilts, tracks, zooms, reverse zooms, and dollies are outlined. Finally, it discusses compositional techniques such as symmetry, asymmetry, rule of thirds, shallow focus, deep focus, and focus pulls.
CAM SAMC2
This document defines and provides examples of various camera shots, angles, movements, and compositional techniques used in filmmaking. It discusses establishing shots, wide shots, long shots, medium shots, close-ups, extreme close-ups, point-of-view shots, over-the-shoulder shots, two shots, and overhead shots. It also covers high angles, low angles, and canted angles. Camera movements like pans, tilts, tracks, zooms, reverse zooms, and dollies are explained. Finally, it discusses compositional techniques such as symmetry, asymmetry, rule of thirds, shallow focus, deep focus, and focus pulls.
CAM SAMC
This document discusses different types of camera shots, angles, movements, and compositional techniques used in filmmaking. It defines shots like establishing shot, wide shot, long shot, mid-shot, close-up, and extreme close-up. It also covers camera angles like high, low, and canted angles. Camera movements such as pan, tilt, track, zoom, reverse zoom, and dolly are explained. Finally, it discusses compositional techniques including symmetry, asymmetry, rule of thirds, shallow focus, deep focus, and focus pulls. The document provides examples to illustrate each concept.
Camera shots 2
This document discusses various camera shots, angles, movements, and composition techniques used in filmmaking. It provides definitions and examples of wide shots, long shots, mid shots, close-ups, and extreme close-ups. It also covers point-of-view shots, two shots, low angles, high angles, panning, tilting, tracking, zooming, dollying, and more. Composition techniques like balance, symmetry, asymmetry, and the rule of thirds are also defined.
Cam samc draft 2
This document defines and describes various camera shots, angles, movements, and compositional techniques used in filmmaking. It provides definitions and examples of establishing shots, wide shots, long shots, mid shots, close ups, point of view shots, and more. Composition techniques like symmetry, asymmetry, the rule of thirds, shallow focus, and deep focus are also explained.
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This document discusses different camera shots, angles, movements, and compositional techniques used in filmmaking. It describes shots like establishing shots, close-ups, and two shots. It covers camera angles like high, low, and canted angles. Camera movements such as pans, tilts, tracks, and zooms are outlined. Finally, compositional techniques including balance, symmetry, asymmetry, and the rule of thirds are examined.
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Assignment 3: CAM SAMC Redraft..
This document provides definitions and explanations of various camera shots, angles, movements, and compositional techniques used in filmmaking. It defines shots like establishing shot, wide shot, long shot, mid shot, close up, extreme close up, point of view, and two shot. It explains camera angles like high angle, low angle, and canted angle. Camera movements like pan, tilt, track, zoom, reverse zoom, and dolly are outlined. Finally, compositional techniques such as symmetry, asymmetry, rule of thirds, shallow focus, deep focus, and focus pulls are defined. The purpose of each technique is given as providing information, focusing attention, establishing relationships, and dramatizing importance.
Assignment 3: CAM SAMC
This document provides definitions and explanations of various camera shots, angles, movements, and composition techniques:
1) It defines shots like establishing shot, wide shot, long shot, mid/medium shot, close up shot, extreme close up shot, point of view shot, over the shoulder shot, and two shot.
2) It explains camera angles such as high, low, and canted/oblique angles.
3) It describes camera movements including pans, tilts, tracks, zooms, reverse zooms, and dollies.
4) Finally, it discusses compositional techniques such as symmetry/asymmetry balance, rule of thirds, shallow/deep focus, and focus pulls.
CAM SAMC:
This document defines and provides examples of different types of camera shots, angles, movements, and compositional techniques used in filmmaking. It discusses establishing shots, wide shots, long shots, medium shots, close-ups, extreme close-ups, point-of-view shots, over-the-shoulder shots, two shots, and overhead shots. It also covers high angles, low angles, and canted angles. Camera movements like pans, tilts, tracks, zooms, reverse zooms, and dollies are outlined. Finally, it discusses compositional techniques such as symmetry, asymmetry, rule of thirds, shallow focus, deep focus, and focus pulls.
CAM SAMC2
This document defines and provides examples of various camera shots, angles, movements, and compositional techniques used in filmmaking. It discusses establishing shots, wide shots, long shots, medium shots, close-ups, extreme close-ups, point-of-view shots, over-the-shoulder shots, two shots, and overhead shots. It also covers high angles, low angles, and canted angles. Camera movements like pans, tilts, tracks, zooms, reverse zooms, and dollies are explained. Finally, it discusses compositional techniques such as symmetry, asymmetry, rule of thirds, shallow focus, deep focus, and focus pulls.
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This document discusses different types of camera shots, angles, movements, and compositional techniques used in filmmaking. It defines shots like establishing shot, wide shot, long shot, mid-shot, close-up, and extreme close-up. It also covers camera angles like high, low, and canted angles. Camera movements such as pan, tilt, track, zoom, reverse zoom, and dolly are explained. Finally, it discusses compositional techniques including symmetry, asymmetry, rule of thirds, shallow focus, deep focus, and focus pulls. The document provides examples to illustrate each concept.
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This document discusses various camera shots, angles, movements, and composition techniques used in filmmaking. It provides definitions and examples of wide shots, long shots, mid shots, close-ups, and extreme close-ups. It also covers point-of-view shots, two shots, low angles, high angles, panning, tilting, tracking, zooming, dollying, and more. Composition techniques like balance, symmetry, asymmetry, and the rule of thirds are also defined.
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This document defines and describes various camera shots, angles, movements, and compositional techniques used in filmmaking. It provides definitions and examples of establishing shots, wide shots, long shots, mid shots, close ups, point of view shots, and more. Composition techniques like symmetry, asymmetry, the rule of thirds, shallow focus, and deep focus are also explained.
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Mediaassignment3shots cam sam c
This document provides information on various camera shots, angles, movements, and compositional techniques used in filmmaking. It defines shots like establishing shot, wide shot, close up, and point of view shots. It explains camera angles like low, high, and canted angles. Camera movements like pan, tilt, track, zoom, and dolly are outlined. Finally, it discusses compositional techniques such as symmetry, rule of thirds, shallow focus, and focus pulls. Examples are given for each term to illustrate its use and effect.
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This document provides definitions for various camera shots, angles, and movements that may be assessed, including:
1. Tracking shots that move the camera in and out of the subject, tilt shots that tilt the camera up and down, and pan shots that swivel the camera left to right.
2. Zoom shots that zoom the lens in and out, steadicam shots that follow a subject's movement, and handheld camera shots.
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Cam samc assignment 3
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This document provides descriptions and examples of various camera angles and movements that are used in filmmaking. It includes close-ups, establishing shots, extreme wide shots, wide shots, mid shots, medium close-ups, extreme close-ups, cutaways, two-shots, over the shoulder shots, point of view shots, tracking, tilting, zooming, rules of framing, and the rule of thirds technique. For each technique, an image example is given along with an explanation of how it is used in films.
Media key terms revision slides shots angles movement composition
The document defines various camera shots including establishing shots, close-ups, and point-of-view shots. It also explains different camera angles such as low angles and high angles. Finally, it covers compositional techniques for filming including symmetry, the rule of thirds, and manipulating the depth of field through shallow or deep focus.
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2) Manipulating the z-axis with lenses and foreground, middle ground and background to create a sense of depth.
3) Controlling camera movement by keeping the camera still and letting the subject move, using a tripod for stability, and preferring dolly shots over zooming in or out.
Revision document
The document defines and describes various camera shots and techniques used in filmmaking, including establishing shots, close-ups, mid-shots, master shots, aerial shots, point-of-view shots, zooming, panning, tilting, tracking, dolly shots, crane shots, steadicam shots, handheld shots, framing using the rule of thirds, and depth of field with shallow and deep focus. The different shots and camera angles are used to establish scenes, focus attention, convey meaning, and enhance storytelling in films.
Feeback slides
The document provides guidelines for giving effective feedback in 6 steps: 1) Make an opening statement, 2) Jointly explore any emerging issues, 3) Include suggestions from others, 4) Share thoughts using advocacy and inquiry, 5) Check for other issues to discuss, and 6) Summarize. It emphasizes making sure feedback is necessary, timely, and delivered in the right setting and mindset. The feedback should incorporate facts, emotions, needs, and the task at hand, and matters through open communication, listening, sharing experiences, and courage.
Certificate_1
Satya Nadella, Chief Executive Officer of Microsoft, has certified David J Post as a Microsoft Technology Associate in Security Fundamentals. Post completed the requirements and achieved this certification on September 3, 2015, with a certification number of F403-8240.
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This document provides information on various camera shots, angles, movements, and compositional techniques used in filmmaking. It defines shots like establishing shot, wide shot, close up, and point of view shots. It explains camera angles like low, high, and canted angles. Camera movements like pan, tilt, track, zoom, and dolly are outlined. Finally, it discusses compositional techniques such as symmetry, rule of thirds, shallow focus, and focus pulls. Examples are given for each term to illustrate its use and effect.
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The document discusses various camera shots, angles, movements, and composition techniques used in filmmaking. It provides definitions and explanations for common shots like establishing shots, close-ups, and two-shots. It also covers camera angles including high, low, and oblique angles. Camera movements such as pans, tilts, tracks, zooms, and dollies are explained. Finally, the document discusses compositional techniques including symmetry, rules of thirds, shallow and deep focus, and focus pulls.
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The document describes various camera angles and movements that are used in filmmaking. It discusses close-up shots that zoom in on details or center a subject, establishing shots that show the scene surroundings, extreme wide shots that show a large space, and other shot types like mid shots, two-shots, and point-of-view shots. It also covers camera movements including tracking, tilting, zooming, and panning. Finally, it discusses rules of framing shots to focus attention on subjects and rules of thirds for positioning subjects along a grid.
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The document discusses various elements of using cameras including camera location, center of interest, tilt, zoom, free cameras, target cameras, camera parameters like lens, orbit, field of view, depth of field, and zoom. It also covers camera placement including long shots, medium shots, and close-ups to show environment, gestures, and individual parts. Storyboards are mentioned as an important tool for planning camera placement.
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This document defines various camera shots, angles, movements, and compositional techniques. Camera shots establish settings and frame subjects from wide to close views. Camera angles influence perception by looking up or down. Camera movements like pans, tilts, tracks, and zooms dynamically reveal information. Composition considers balance, thirds placement, and depth of field to structure visual elements.
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This document discusses different types of camera shots including long shots, medium shots, close-ups, high angle shots, and low angle shots. It explains what each shot shows and the purpose and effect of each type of shot. The document encourages analyzing shots in videos to identify the shot type, what the camera is drawing attention to, how the shot type does this, and the intended effect on the audience. As an example, it suggests analyzing shots in the Godzilla trailer video.
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This document provides definitions for various camera shots, angles, and movements that may be assessed, including:
1. Tracking shots that move the camera in and out of the subject, tilt shots that tilt the camera up and down, and pan shots that swivel the camera left to right.
2. Zoom shots that zoom the lens in and out, steadicam shots that follow a subject's movement, and handheld camera shots.
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4. Bird's eye view, establishing, high angle, and low angle shots taken from overhead, setting the scene, diagon
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The document defines various camera shots, angles, movements, and compositional techniques used in filmmaking. It explains that camera shots establish scenes and include wide shots, long shots, mid shots, close ups, and point of view shots. Camera angles like low angles and high angles can make subjects appear more powerful or vulnerable. Camera movements include pans, tilts, tracks, zooms, and dollies. Composition techniques like symmetry, asymmetry, and the rule of thirds are used to balance visual elements in the frame. Depth of field, shallow focus, and focus pulls also impact what is in or out of focus in an image.
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The document defines and provides examples of key camera techniques used in media, including different types of camera shots, angles, movements, and compositional elements. It discusses shots like establishing shots, close-ups, and point-of-view shots. It also covers angles such as low and high angles, camera movements like pans, tilts, zooms and tracks, and compositional techniques like symmetry, asymmetry, and the rule of thirds. The document aims to show these techniques from the perspective of the author.
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This document defines key camera terminology used in film and media, including camera shots, angles, movements, and compositional techniques. It provides definitions and examples for various shots like establishing shots, close-ups, and point-of-view shots. It also explains camera angles like low angles and high angles. Camera movements such as pans, tilts, tracks, zooms, and dollies are outlined. Finally, compositional elements like balance, symmetry, asymmetry, and depth of field are defined. The purpose is to educate students on industry standard terminology used for describing visual storytelling techniques.
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This document defines common shot types used in video, film, and television production. It lists 14 different shot types ranging from extreme wide shots that show very little of the subject to close ups that show extreme detail of a specific feature. The shots described include establishing shots, wide shots, mid shots, close ups, cutaways, two shots, over the shoulder shots, point of view shots, and more.
Camera distances and angles
Camera distances and angles can be used to influence the viewer's perspective and focus. Extreme long shots show the environment, while close-ups isolate small details. Eye-level shots are considered normal, while low and high angles force the viewer to look up or down. Dutch tilts present an unbalanced perspective, and aerial views provide a bird's-eye perspective. Framing and camera placement impact the point of view and how viewers relate to and understand the subject.
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This document provides descriptions and examples of various camera angles and movements that are used in filmmaking. It includes close-ups, establishing shots, extreme wide shots, wide shots, mid shots, medium close-ups, extreme close-ups, cutaways, two-shots, over the shoulder shots, point of view shots, tracking, tilting, zooming, rules of framing, and the rule of thirds technique. For each technique, an image example is given along with an explanation of how it is used in films.
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The document defines various camera shots including establishing shots, close-ups, and point-of-view shots. It also explains different camera angles such as low angles and high angles. Finally, it covers compositional techniques for filming including symmetry, the rule of thirds, and manipulating the depth of field through shallow or deep focus.
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The document discusses various techniques for framing shots and controlling the camera including:
1) Aspect ratios, fields of view, composition guidelines like the rule of thirds, and using headroom, noseroom and leadroom when framing subjects.
2) Manipulating the z-axis with lenses and foreground, middle ground and background to create a sense of depth.
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The document defines and describes various camera shots and techniques used in filmmaking, including establishing shots, close-ups, mid-shots, master shots, aerial shots, point-of-view shots, zooming, panning, tilting, tracking, dolly shots, crane shots, steadicam shots, handheld shots, framing using the rule of thirds, and depth of field with shallow and deep focus. The different shots and camera angles are used to establish scenes, focus attention, convey meaning, and enhance storytelling in films.
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Media key terms
1. The document discusses various camera shots and angles used in filmmaking including establishing shots, wide shots, long shots, mid shots, close ups, point of view shots, and over the shoulder shots.
2. It also covers different types of camera movement such as pans, tilts, tracks, zooms, as well as concepts like depth of field, rule of thirds, and symmetrical and asymmetrical compositions.
3. The goal is to explain how different camera techniques can be used to reveal information, set a scene, emphasize characters, and guide audience perspective.
Assignment 4:Camera shot,camera angels,camera movement,composition
This document discusses various camera techniques used in filmmaking, including shots (establishing shot, wide shot, long shot, mid/medium shot, close up, extreme close up), camera movements (pan, tilt, track, zoom, reverse, dolly), angles (low angle, high angle, canted angle), and composition techniques (balance, symmetry, asymmetry, rule of thirds, depth of field). Different shots and camera techniques are used to provide specific information to viewers or emphasize certain elements in the frame.
Media key terms cam samc
This document defines and provides examples of key camera shots, angles, movements, and compositional techniques used in film and media. It includes definitions and examples for various shots like establishing shots, close-ups, and point-of-view shots. It also covers camera angles like high angles and low angles. Camera movements such as pans, tilts, tracks, zooms, and dollies are defined. Finally, compositional techniques like balance, symmetry, asymmetry, the rule of thirds, and depth of field are outlined. The document provides visual examples and explanations for each term to concisely teach essential cinematic vocabulary.
Media key terms revision
This document defines key camera shots, angles, movements, and compositional techniques used in film and photography. It explains shots like establishing shots, close-ups, and point of view shots. It covers camera angles like low angles and high angles. Camera movements such as pans, tilts, tracks and zooms are outlined. Compositional elements like balance, symmetry, the rule of thirds, depth of field, and focus pulls are also defined.
Media key terms revision slides part a b c d
This document defines key camera shots, angles, movements, and compositional techniques used in film and photography. It explains shots like establishing shots, close-ups, and point of view shots. It covers angles like low angles and high angles. Camera movements such as pans, tilts, tracks and zooms are outlined. Compositional elements like balance, symmetry, the rule of thirds, depth of field, and focus pulls are also defined.
Media key terms revision slides part a b c d
This document defines key camera shots, angles, movements, and compositional techniques used in film and photography. It describes shots like establishing shots, close-ups, and point of view shots. It outlines angles like low angles and high angles. Camera movements such as pans, tilts, tracks and zooms are also defined. Finally, compositional techniques including balance, symmetry, the rule of thirds, depth of field, and focus pulls are explained.
Media key terms revision slides shots angles movement composition
This document defines and provides examples for key camera shots, angles, movements, and compositional techniques used in media. It covers establishing shots, close-ups, points of view, pans, zooms, symmetry, asymmetry, and more. Examples are given to illustrate techniques like shallow focus, deep focus, and focus pulls. The purpose is to educate on fundamental cinematography and visual composition terms.
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The document provides descriptions and examples of various camera angles and movements that are used in filmmaking, including close-ups, establishing shots, extreme wide shots, wide shots, mid shots, medium close ups, extreme close ups, cutaways, two-shots, over the shoulder shots, point of view shots, tracking, tilting, and zooming. It also discusses the rules of framing and the rule of thirds, explaining how they are used to direct viewer attention within the frame. The document was created by Niall Armstrong and is due to G Teasdale by Friday, September 16th.
Media key terms don
The document discusses various camera shots and techniques used in filmmaking. It describes shots like establishing shots, wide shots, long shots, mid shots, close ups, and extreme close ups that show different levels of detail. It also covers camera movements like pans, tilts, tracks, zooms, and dollies. Additionally, it discusses camera angles such as low angles, high angles, and oblique angles and how they impact perception. Finally, it touches on compositional techniques like depth of field, rule of thirds, symmetry/asymmetry, and focus pulls.
Camera key terms
This document defines and describes various media key terms related to camera shots, angles, movement, and composition. It provides definitions for different types of camera shots including establishing shots, close-ups, and point-of-view shots. It also defines camera angles such as low, high, and canted angles. Various camera movements like pans, tilts, tracks, and zooms are outlined. Finally, compositional techniques including symmetry, asymmetry, rule of thirds, and depth of field are defined.
Assignment 3 cam samc VERSION/DRAFT 2
This document provides descriptions of various camera shots, angles, movements, compositions, and focuses that are used in filmmaking. It explains what each technique is, including defining characteristics and purposes. Camera shots covered include establishing shots, wide shots, long shots, medium shots, close-ups, extreme close-ups, point-of-view shots, over the shoulder shots, and two shots. Camera angles include high angles, low angles, and canted angles. Camera movements include pans, tilts, tracks, zooms, reverse zooms, and dollies. Compositions addressed are symmetry, asymmetry, the rule of thirds, shallow focus, deep focus, and focus pulls.
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The document discusses camera angles and how they can influence the viewer's perception of a scene. It defines several common camera angles like low angle, high angle, hip level, knee level, ground level, shoulder level, and Dutch angle shots. The positioning of the camera in relation to the subjects, whether it looks up at them or down, can make the subjects appear more powerful or vulnerable and influence the emotions felt by the viewer.
Camera key terms
The document provides definitions and examples for various camera shots, angles, movements, and compositional techniques used in filmmaking. It discusses wide shots, close-ups, point of view shots, and others. For camera angles, it defines low angles, high angles, and canted angles. Various camera movements like pans, tilts, tracks, zooms, and dollying are outlined. Finally, it discusses compositional elements such as balance, symmetry, the rule of thirds, and depth of field.
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This document provides descriptions and examples of various camera angles, camera movements, framing rules, and the rule of thirds that are used in filmmaking. It defines close ups, establishing shots, extreme wide shots, wide shots, mid shots, medium close ups, extreme close ups, cutaways, two-shots, over the shoulder shots, and point of view shots. It also explains tracking, tilting, zooming, framing, leading room, and using horizontal and vertical lines. Finally, it describes the rule of thirds and how important elements should be placed along the intersection lines to create tension and interest.
Assignment 3 : Cam samc
This document provides definitions and explanations of various camera shots, angles, movements, and compositions used in filmmaking. It defines wide shots, long shots, medium shots, close-ups, point of view shots, and more. It also explains high angles, low angles, panning, tilting, tracking, zooming, reverse zooming, and dolly movements. Finally, it covers compositional techniques like symmetry, asymmetry, the rule of thirds, shallow focus, deep focus, and focus pulls. The document serves as a reference for understanding different cinematography techniques.
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This document defines and describes various types of shots and camera movements used in filmmaking and television production. It begins by explaining an establishing shot, which sets the context of a scene by showing the relationship between important figures and objects. It then defines different types of camera movements including pans, tilts, tracks, dollying, and zooming. It also discusses rules for shooting including the 180-degree rule regarding spatial relationships between subjects and the 30-degree rule for minimizing jump cuts between shots of the same subject. Finally, it outlines different camera angles like high angles, low angles, and point-of-view shots as well as mid shots, close-ups and other shot types.
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This document provides an overview of different cinematography techniques used in filmmaking, including camera shots, camera angles, and camera movement. It describes long shots, medium shots, and close-ups based on how much of the subject is shown. It also explains high angles, eye-level angles, and low angles based on the camera's position relative to the subject. Finally, it discusses different types of camera movement like panning, tracking, dollying, and zooming.
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The document discusses different types of shots used in filmmaking including close-up, medium, long, extreme close-up, two-shot, over-the-shoulder, and point of view shots. It also covers different camera angles such as high, low, eye-level, and slanted shots. Finally, it discusses different types of camera movement including zoom, track, pan, and tilt shots.
Camera Work Revision
The document defines and describes various camera shots and techniques used in filmmaking, including establishing shots, close-ups, mid-shots, master shots, aerial shots, point-of-view shots, zooming, panning, tilting, tracking, dolly shots, crane shots, steadicam shots, handheld shots, framing using the rule of thirds, and depth of field with shallow and deep focus. The different shots and camera angles are used to establish scenes, focus attention, convey meaning, and enhance storytelling in films.
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The document discusses various camera angles and movements used in filmmaking. It provides examples and descriptions of close-ups, establishing shots, extreme wide shots, wide shots, mid shots, medium close-ups, extreme close-ups, cutaways, two-shots, over the shoulder shots, point of view shots, tracking, tilting, and zooming. It also covers the rules of framing and the rule of thirds for proper image composition. The document is intended as research for a student assignment on visualizing and describing different camera techniques.
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Assignment 4:Camera shot,camera angels,camera movement,composition
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Assignment 15
This document provides an analysis of the film Memento (2000) according to several narrative theories. It discusses Todorov's theory of equilibrium, disequilibrium, and new equilibrium. It also applies Levi-Strauss's theory of binary opposites to the characters of Leonard and Teddy. Finally, it examines the film using Barthes' semantic, symbolic, and cultural codes.
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Assignment 10
This document analyzes two thriller film posters. For the first poster of the film "Taken," it summarizes that the main character is depicted seriously and mysteriously holding a gun, suggesting his involvement in crime and murder. It also shows a frightened girl on a phone to illustrate her reliance on the male figure. For the second poster of "The Hunger Games: Catching Fire," it summarizes that the main character is depicted with a determined facial expression holding an arrow, symbolizing her goal of reaching out and achieving power, as represented by her black and white costume. Both posters utilize techniques like font, color, framing and imagery to portray the films' tones and themes of mystery, action and rebellion.
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Patrycia Butrym - A poor example used improper camera angles and too long of a blur effect. A good example used professional fonts and perfect horror angles.
Esere Simei-Akajagbo - A poor example had a shaky camera and abrupt music changes. A good example used close-ups, suspenseful music, and continuity editing.
Shivonne Weekes - A poor example had an unclear story and message. A good example kept the audience engaged with clear enigmas and matching editing.
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Divertidamente SLIDE muito lindo e criativo, pptx
Slide criativo e muito lindo, apenas editar, muito simples
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Know about the five famous artists who have transitioned to Big Band Music from Swing Music. Here is a glimpse of their work and contributions.
The Gallery of Shadows, In the heart of a bustling city
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created with AI assistance…
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本公司拥有海外各大学样板无数，能完美还原。
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
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留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
Authenticity in Motion Pictures: How Steve Greisen Retains Real Stories
Learn about Steve Greisen's dedication to capture the spirit of his subjects in his documentaries with honesty and integrity.
Christian Louboutin: Innovating with Red Soles
Christian Louboutin is celebrated for his innovative approach to footwear design, marked by his trademark red soles. This in-depth look at his life and career explores the origins of his creativity, the milestones in his journey, and the impact of his work on the fashion industry. Learn how Louboutin's bold vision and dedication to excellence have made his brand synonymous with luxury and style.
Modern Radio Frequency Access Control Systems: The Key to Efficiency and Safety
Today's fast-paced environment worries companies of all sizes about efficiency and security. Businesses are constantly looking for new and better solutions to solve their problems, whether it's data security or facility access. RFID for access control technologies have revolutionized this.
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本公司拥有海外各大学样板无数，能完美还原海外各大学 Bachelor Diploma degree, Master Degree Diploma
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
Barbie Movie Review - The Astras.pdfffff
Barbie Movie Review has gotten brilliant surveys for its fun and creative story. Coordinated by Greta Gerwig, it stars Margot Robbie as Barbie and Ryan Gosling as Insight. Critics adore its perky humor, dynamic visuals, and intelligent take on the notorious doll's world. It's lauded for being engaging for both kids and grown-ups. The Astras profoundly prescribes observing the Barbie Review for a delightful and colorful cinematic involvement.https://theastras.com/hca-member-gradebooks/hca-gradebook-barbie/
The Unbelievable Tale of Dwayne Johnson Kidnapping: A Riveting Saga
Introduction
The notion of Dwayne Johnson kidnapping seems straight out of a Hollywood thriller. Dwayne "The Rock" Johnson, known for his larger-than-life persona, immense popularity. and action-packed filmography, is the last person anyone would envision being a victim of kidnapping. Yet, the bizarre and riveting tale of such an incident, filled with twists and turns. has captured the imagination of many. In this article, we delve into the intricate details of this astonishing event. exploring every aspect, from the dramatic rescue operation to the aftermath and the lessons learned.
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
The Immediate Aftermath
The immediate aftermath of the Dwayne Johnson kidnappin
Everything You Need to Know About IPTV Ireland.pdf
The way we consume television has evolved dramatically over the past decade. Internet Protocol Television (IPTV) has emerged as a popular alternative to traditional cable and satellite TV, offering a wide range of channels and on-demand content via the internet. In Ireland, IPTV is rapidly gaining traction, with Xtreame HDTV being one of the prominent providers in the market. This comprehensive guide will delve into everything you need to know about IPTV Ireland, focusing on Xtreame HDTV, its features, benefits, and how it is revolutionizing TV viewing for Irish audiences.
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Assignment 3: CAM SAMC Redraft..
- 1. Assignment 3: CAM SAMC Esere Simei-Akajagbo
- 2. Part A: Camera Shots Establishing Shot: Establishes the setting of the scene The purpose is to let the audience know where the setting is based. Or what’s happening in the setting. Gives the viewer more information and clarifies setting of the scene. ‘humps for 100 yards’
- 3. Part A: Camera Shots Wide Shot: Reveals a large amount of information in one shot. The purpose is to reveal more detail and information the shot Reveals the structures on a guitar
- 4. Part A: Camera Shots Long Shot: Framing a long shot of a character or subject. Characters- usually show their actions. The purpose is usually to show the action of the character or subject. Frames the characters whole body. Action- Showing off (shirt open)
- 5. Part A: Camera Shots Mid/Medium Shot: Shots on a characters or subjects torso &legs or torso &head. The purpose is to make the audience focus on a particular part of importance. Shot of torso and legs
- 6. Part A: Camera Shots Close Up Shot: A close framing of a particular object or body parts e.g. Face, hands... The purpose is to show all the detail on an object or character.
- 7. Part A: Camera Shots Extreme Close Up Shot: Is a shot which shows an object or body parts in great detail. The purpose is for you to see every little detail
- 8. Part A: Camera Shots POV (Point Of View) Shot: Shows the shot from the characters perspective. A shot from my point of view: typing on the computer
- 9. Part A: Camera Shots Over The Shoulder Shot: A shot that is filmed from the back of a characters head. Facing the subject- 1/3 of screen dominating Subject head- if it shows more, subject is dominating. More dominating More dominating The purpose is to highlight how much authority one has other the other
- 10. Part A: Camera Shots Two Shot: A shot that symbolises a relationship between two characters. The purpose is to see the relationship between the characters. RelationshipFather and son playing football
- 11. Part A: Camera Shots Overhead Shot: A shot that is done overhead top state the action or subject. Overhead shot of a person . Action: Reading
- 12. Part B: Camera Angles High: An angle that is taken higher up to look down on the character or object. The purpose is to make the character seem weak and vulnerable. CharacterVulnerable. Consoles with bear for guidance
- 13. Part B: Camera Angles Low: An angle that is taken lower down to make the subject or object seem superior. Purpose is to make the subject look strong and dominating
- 14. Part B: Camera Angles Canted/Oblique: An angle that is used to make the shot seem tilted. Angle looks skewed
- 15. Part C: Camera Movement Pan: The camera pivots horizontally to reveal more information. 1) 2) Screen Grabs: Reveals the variety of cereal boxes. 3) 4)
- 16. Part C: Camera Movement Tilt: Its the opposite to pan: camera pivots vertically to reveal more information. Screen Grabs: Reveal the whole outfit of the character
- 17. Part C: Camera Movement Track: Camera moves side to side without pivoting in order to follow the character or object. Camera moves side to side as the character walks down the stairs
- 18. Part C: Camera Movement Zoom: Camera moves side to side without pivoting in order to follow the character or object. Camera zooms in on object or character to reveal the detail Depending on speed of the zoom. It creates tension for the viewer. Screen Grabs: Show the object in more detail
- 19. Part C: Camera Movement Reverse Zoom: Camera zooms out to reveal the detail in the setting. Depending on speed of the zoom it can create tension for the viewer.
- 20. Part C: Camera Movement Dolly: Camera moves in, out, backwards and forwards on an object. Its a tripod on wheels. Dolly- dramatizes the importance of the scene
- 21. Part D: Composition Symmetry Balance: Both sides of a shot are identical. Shapes- Identical Size-Identical The balance- Identical Each feature in this shot is identical.
- 22. Part D: Composition Asymmetry Balance: Both sides of a shot is uneven. The purpose is to show the shot is unbalanced. This shot is unbalanced. Items appear to be on one side of the shot and not the other .
- 23. Part D: Composition Rule Of Thirds: An image is divided in to 9 equal parts. Two horizontal and two vertical lines. 1 third of the grid is usually the ground/buildings. 2 thirds is usually the sky. Somewhere on cross section- important elements are placed. 2 thirds- sky 1 third- Buildings 2 thirds- sky Cross section- people 1 third- Ground
- 24. Part D: Composition Shallow Focus: One image is focused on whilst the other is blurred. Emphasizes one part of the image over the other. This is the main focus of the image. This area is blurred allowing the focus to be brought to the flower.
- 25. Part D: Composition Deep Focus: The entire image is in focus. Includes foreground, mid-ground and background. All the grounds are in deep focus- detail in the shot
- 26. Part D: Composition Focus Pulls: Adjusts the focus from one subject to another. The purpose is to focus on the most important objects or characters within the scene. Blurred Blurred