Deccan architecture is derived from sultans of Delhi and Persian architecture.
Delhi influence was brought by Sultan Muhammad Tughlaq in 1340 when he shifted his capital to Daulatabad.
Artisans were brought from Delhi.
Rulers arrived from Persian gulf to west of India giving ready access to Bahamani kingdom.
First independent ruler Ala-Ud-Din Hassan Bahaman Shah was an Persian adventurer from court of Tuglaq
A presentation that explains the various systems and techniques of employing steel and concrete to support long span structures. The range varies from conventional beams, to trusses and portal frames.
Deccan architecture is derived from sultans of Delhi and Persian architecture.
Delhi influence was brought by Sultan Muhammad Tughlaq in 1340 when he shifted his capital to Daulatabad.
Artisans were brought from Delhi.
Rulers arrived from Persian gulf to west of India giving ready access to Bahamani kingdom.
First independent ruler Ala-Ud-Din Hassan Bahaman Shah was an Persian adventurer from court of Tuglaq
A presentation that explains the various systems and techniques of employing steel and concrete to support long span structures. The range varies from conventional beams, to trusses and portal frames.
Introduction to Awadh Architecture
It's History and Architecture Details
Various Architectural Buildings in Lucknow and their features
Survey of an old resedential building and its architectural and construction details.
Sanskar Kendra casestudy, ahmedabad, india casestudymanoj chauhan
Sanskar Kendra is a museum at Ahmedabad, India, designed by the architect Le Corbusier. It is a city museum depicting history, art, culture and architecture of Ahmedabad. Another Patang Kite Museum is there which includes a collection of kites, photographs, and other artifacts.
Address: Bhagtacharya Road, Near Sardar Patel, Bridge, Paldi, Ahmedabad, Gujarat 380006
Opened: 1956
Owner: Amdavad Municipal Corporation
Function: Museum
Architect: Le Corbusier
British Museum Building Development Frameworkbritishmuseum
This is the British Museum's Building Development Framework, published in May 2014. It outlines the Museum's ambitions for developing and preserving the physical site so the Museum may fulfil its purpose as a museum of the world, for the world.
The Museum possesses the largest collection of the world famous Gandhara Sculptures after Lahore. There is also a well appointed library in the Museum, which meets the needs of the scholars and students through its stock of 4600 books and references of arts and allied subjects.
Long span structures case study (LINK IN DESCRIPTION FOR DOWNLOAD)Dimple Poddar
Case study on types of Long span structures which are constructed using Trusses, Arches, Beams And portal frames.
LINK TO DOWNLOAD: https://dimpstrail.gumroad.com/l/ceqjk
anant raje, architect, indian architect, design, philosophy, concept, works, projects, educational purpose, buildings, pictures, iifm, bda, louis i kahn of india, life, carrer, death, photos
This project on Colonial Architecture in India will help us to :
Develop skills to gather data, investigate different view points and reach to a logical justification.
Appreciate the idea of architecture used by the Britishers.
Understand various features of British Architecture and respect the assimilation of different styles of buildings.
Introduction to Awadh Architecture
It's History and Architecture Details
Various Architectural Buildings in Lucknow and their features
Survey of an old resedential building and its architectural and construction details.
Sanskar Kendra casestudy, ahmedabad, india casestudymanoj chauhan
Sanskar Kendra is a museum at Ahmedabad, India, designed by the architect Le Corbusier. It is a city museum depicting history, art, culture and architecture of Ahmedabad. Another Patang Kite Museum is there which includes a collection of kites, photographs, and other artifacts.
Address: Bhagtacharya Road, Near Sardar Patel, Bridge, Paldi, Ahmedabad, Gujarat 380006
Opened: 1956
Owner: Amdavad Municipal Corporation
Function: Museum
Architect: Le Corbusier
British Museum Building Development Frameworkbritishmuseum
This is the British Museum's Building Development Framework, published in May 2014. It outlines the Museum's ambitions for developing and preserving the physical site so the Museum may fulfil its purpose as a museum of the world, for the world.
The Museum possesses the largest collection of the world famous Gandhara Sculptures after Lahore. There is also a well appointed library in the Museum, which meets the needs of the scholars and students through its stock of 4600 books and references of arts and allied subjects.
Long span structures case study (LINK IN DESCRIPTION FOR DOWNLOAD)Dimple Poddar
Case study on types of Long span structures which are constructed using Trusses, Arches, Beams And portal frames.
LINK TO DOWNLOAD: https://dimpstrail.gumroad.com/l/ceqjk
anant raje, architect, indian architect, design, philosophy, concept, works, projects, educational purpose, buildings, pictures, iifm, bda, louis i kahn of india, life, carrer, death, photos
This project on Colonial Architecture in India will help us to :
Develop skills to gather data, investigate different view points and reach to a logical justification.
Appreciate the idea of architecture used by the Britishers.
Understand various features of British Architecture and respect the assimilation of different styles of buildings.
Running Head WHITE HOUSE ARCHITECTURE PAGE 6WHITE HOUSE ARCHI.docxagnesdcarey33086
Running Head: WHITE HOUSE ARCHITECTURE
PAGE 6
WHITE HOUSE ARCHITECTURE
White House Architecture: Washington DC
Dr. Moreno/Modern Art III
November 13, 2014
White House: Washington, D.C
Introduction
White House acts as the official residence of U.S. president. It is found in Pennsylvania Avenue Washington D.C. White House was designed using Neoclassical style by James Hoban from Ireland, and building started from 1792 to 1800. However, the architect Benjamin Henry Latrobe started planning for the outward expansion of the building to create two colonnades after Thomas Jefferson moved-in in 1801. The construction of the executive mansion was approved when Congress established the District of Columbia the capital of the United States in 1790. The architect was chosen through a competition of proposals which was won by James Hoban. Since then, the building has undergone the series of renovations (History of White House, 2012).
Architectural description
George Washington laid the first cornerstone of the building in a cornerstone ceremony in 1792. It is a grand mansion in the Neo-Classical Federal style , with details that echo classical Greek ionic architecture. Scottish masons were brought to DC to do the stone work. . The mansion would be covered in sandstone which created a slight problem. The masons were able to troubleshoot the issue by sealing the porous sandstone with a thick whitewash, this is where the white house first adopted it’s name. This would remain the largest residence in the United states until the 1860’s. The major White House façade which is at the north front consists of eleven bays and three floors. Ground floor is obstructed by parapet and raised carriage. This makes the façade be perceived to have two floors (Timelines-Architecture, 2007).
Figure 1.0: Floor Plan
Behind the prostyle portico are the three central bays added in 1830 circa and it serves as a Porte cochere. The four bays have windows that flank the portico. The first floor consists of alternating segmented and pointed pediments. The second floor has flat pediments. A lunette fanlight surmounts the center of the portico at the principal entrance. The sculpted floral festoon is found above the entrance. A balustrade parapet obstructs the roofline (William, 2008).
The façade at the southern comprises of both the neoclassical and Palladian architectural styles. The Palladian fashion has been used to rusticate the ground floor, while the center façade is designed in neoclassical style that projects a three-bay bow. Five bays flank the bow, with the windows at the north façade consisting of alternating pointed and segmented pediments at the first floor. The bow is made up of the double staircase at the ground floor that leads to the Ionic Colonnaded Logia referred to as the south portico. The second floor of the bow is made up of Truman Balcony. The modernized third floor obstructed by the balustrade parapet and is insignificant a.
When the British first made inroads into India, little impact had been, was, or even intended on being made. Structures were mainly reflective of their functions, simple warehouses and a number of rather temporary administration facilities with residences remaining few in number, these kept to the traditional and vernacular. However, as British interests in India expanded, more permanent structures were required to facilitate the infrastructure of the new British Raj- symbols of their new status as the power seat; a sense of permanence and prominence.
This presentation is prepared by Mustakim Lakdawala and Foram Parmar. in this presentation, we have concentrated with heritage and conservation perticular with this case, like present condition, planning, problems, solution, suggestion etc. go through it for detailed knowledge. Thank You
Understanding what sustainability means, the term, with respect to construction materials.
This is primarily relevant for India but is also informative for international scenarios,
Exploring different materials with a wooden look that can be proposed for a retail store interior flooring application.
Looking at materials for heavy duty use, maintenance measures and installation methods.
Sharing "white exterior cladding options"
This research was done for a Retail Store, nonetheless, it is applicable to any structure that demands a white facade.
These materials are high on FR grade, durability and also low maintenance (other than marble).
#Aludecor #DuPont #Corian #Marble #Fundermax #Hafele #CaesarStone #Dekton #Greenlam
After almost a year of study on materials used by architects, for interiors and exteriors, Indian made or International grade, certified or un-certified, etc, my assignment was to be able to categorize them and manage them for several projects at once. After the research, I managed to categorize the materials based on their area of applications and furthermore looked into the different finishes each material is available in.
ACP (Aluminium Composite Panel) Fire Test Ameeshi Goenka
Checking the flammability rate of non fire rated ACPs widely used as an exterior cladding material all over the world.
Fire rated ACPs are not readily available in India and are made only on MOQ basis. The Govt. has not made it mandatory for the use of Fire Rated Architectural Materials in India that can withstand at least a minimum of 2 hours of fire without allowing it to spread.
An example of a material palette with a minimal industrial feel by making use of bricks, white tiles, metal sections, birch ply, etc.
#BreakingDownImagesAndMakingConcepts
Ways to achieve a brick cladding finish for interiors and exteriors of residential houses and commercial spaces.
- Brick cladding
- fire bricks
- clay tiles
- clay panels
- flexy clay
- textured paint
Implact Edge- A restaurant in every village (Final Semester Presentation)Ameeshi Goenka
This project is a part of the Andhra Pradesh Government’s effort to develop food related enterprises, through a holistic entrepreneurship cycle. It will cause positive externalities for the tourism and the highlights of the process include the research, final visual communication and business structure, and the entire process behind the spatial design. Being a spatial design student, the intention behind the design is based on the research entirely, keeping in mind the client’s requirements, and the community apprehensions, and the customers’ aspirations. My project includes the design of the parking, landscaping, and the physical, exterior structure. The primary aim of the project is to create an environmentally sustainable restaurant, which fully exploits the natural lighting and ventilation available, while employing rainwater harvesting techniques to recharge the underground water table. The landscape and the restaurant itself will be designed so as to allow for maximum air flow, with ambient vegetation to provide a natural source of shade and cooling. The ambiance of the restaurant will be maintained as relaxed and peaceful as possible, to provide for a more pleasant dining experience. The design will be a blend of the traditional and the modern, due to the mix of local sourcing, and sustainable design philosophy.
INTI (Impact Edge- A Restaurant in Every Village)Ameeshi Goenka
This project is a part of the Andhra Pradesh Government’s effort to develop food related enterprises, through a holistic entrepreneurship cycle. It will cause positive externalities for the tourism and the highlights of the process include the research, final visual communication and business structure, and the entire process behind the spatial design. Being a spatial design student, the intention behind the design is based on the research entirely, keeping in mind the client’s requirements, and the community apprehensions, and the customers’ aspirations. My project includes the design of the parking, landscaping, and the physical, exterior structure. The primary aim of the project is to create an environmentally sustainable restaurant, which fully exploits the natural lighting and ventilation available, while employing rainwater harvesting techniques to recharge the underground water table. The landscape and the restaurant itself will be designed so as to allow for maximum air flow, with ambient vegetation to provide a natural source of shade and cooling. The ambiance of the restaurant will be maintained as relaxed and peaceful as possible, to provide for a more pleasant dining experience. The design will be a blend of the traditional and the modern, due to the mix of local sourcing, and sustainable design philosophy.
Impact edge, A restaurant in every village. Seminar 2 Ameeshi Goenka
The presentation briefly talking about the research, the business model canvas of the proposed highway restaurant, detailed concepts and the design process.
A community research backed by the existing business models of works the SHG of Andhra are involved in to create a food business platform for them which will be owned and operated by them only.
In this report, the main subject of discussion is Lakshmi Nivas, house no. 301, situated on Narayan Pillai Street. The paper focuses on looking at the entire region of Shivajinagar historically and then narrowing it down to Narayan Pillai Street. The entire streetscape of Narayan Pillai Street was done collaboratively by all the students of class before we broke into our individual house reports. The information gathered as a whole has also been included in the paper which adds more depth to it. Lakshmi Nivas’ historical significance has been derived from the information shared by the owners of the house and the neighbouring shopkeepers. The analysis of the physical structure has been performed through several site visits and photographs. The proposal is based on the concept of shop-housing, which is the local socio-economic trend prevalent, also inspired by the conservation of shop-houses done by the URA on Joo Chiat Road in Singapore.
Short paper on Adaptive Reuse and Heritage Selection Criteria. Also, looking at Bangalore as the spatial context as it was during the colonial period and how it is today.
Between Filth and Fortune- Urban Cattle Foraging Realities by Devi S Nair, An...Mansi Shah
This study examines cattle rearing in urban and rural settings, focusing on milk production and consumption. By exploring a case in Ahmedabad, it highlights the challenges and processes in dairy farming across different environments, emphasising the need for sustainable practices and the essential role of milk in daily consumption.
Can AI do good? at 'offtheCanvas' India HCI preludeAlan Dix
Invited talk at 'offtheCanvas' IndiaHCI prelude, 29th June 2024.
https://www.alandix.com/academic/talks/offtheCanvas-IndiaHCI2024/
The world is being changed fundamentally by AI and we are constantly faced with newspaper headlines about its harmful effects. However, there is also the potential to both ameliorate theses harms and use the new abilities of AI to transform society for the good. Can you make the difference?
Transforming Brand Perception and Boosting Profitabilityaaryangarg12
In today's digital era, the dynamics of brand perception, consumer behavior, and profitability have been profoundly reshaped by the synergy of branding, social media, and website design. This research paper investigates the transformative power of these elements in influencing how individuals perceive brands and products and how this transformation can be harnessed to drive sales and profitability for businesses.
Through an exploration of brand psychology and consumer behavior, this study sheds light on the intricate ways in which effective branding strategies, strategic social media engagement, and user-centric website design contribute to altering consumers' perceptions. We delve into the principles that underlie successful brand transformations, examining how visual identity, messaging, and storytelling can captivate and resonate with target audiences.
Methodologically, this research employs a comprehensive approach, combining qualitative and quantitative analyses. Real-world case studies illustrate the impact of branding, social media campaigns, and website redesigns on consumer perception, sales figures, and profitability. We assess the various metrics, including brand awareness, customer engagement, conversion rates, and revenue growth, to measure the effectiveness of these strategies.
The results underscore the pivotal role of cohesive branding, social media influence, and website usability in shaping positive brand perceptions, influencing consumer decisions, and ultimately bolstering sales and profitability. This paper provides actionable insights and strategic recommendations for businesses seeking to leverage branding, social media, and website design as potent tools to enhance their market position and financial success.
Hello everyone! I am thrilled to present my latest portfolio on LinkedIn, marking the culmination of my architectural journey thus far. Over the span of five years, I've been fortunate to acquire a wealth of knowledge under the guidance of esteemed professors and industry mentors. From rigorous academic pursuits to practical engagements, each experience has contributed to my growth and refinement as an architecture student. This portfolio not only showcases my projects but also underscores my attention to detail and to innovative architecture as a profession.
Expert Accessory Dwelling Unit (ADU) Drafting ServicesResDraft
Whether you’re looking to create a guest house, a rental unit, or a private retreat, our experienced team will design a space that complements your existing home and maximizes your investment. We provide personalized, comprehensive expert accessory dwelling unit (ADU)drafting solutions tailored to your needs, ensuring a seamless process from concept to completion.
You could be a professional graphic designer and still make mistakes. There is always the possibility of human error. On the other hand if you’re not a designer, the chances of making some common graphic design mistakes are even higher. Because you don’t know what you don’t know. That’s where this blog comes in. To make your job easier and help you create better designs, we have put together a list of common graphic design mistakes that you need to avoid.
Dive into the innovative world of smart garages with our insightful presentation, "Exploring the Future of Smart Garages." This comprehensive guide covers the latest advancements in garage technology, including automated systems, smart security features, energy efficiency solutions, and seamless integration with smart home ecosystems. Learn how these technologies are transforming traditional garages into high-tech, efficient spaces that enhance convenience, safety, and sustainability.
Ideal for homeowners, tech enthusiasts, and industry professionals, this presentation provides valuable insights into the trends, benefits, and future developments in smart garage technology. Stay ahead of the curve with our expert analysis and practical tips on implementing smart garage solutions.
1. This paper seeks to assess the heritage significance of
the Mayo Hall building in Bangalore, located at the
junction of Mahatma Gandhi Road and Residency
Road. Divided into three sections, this paper
provides an overview of the history, aesthetics and
social relevance of the building, respectively. The
historic significance of the Mayo Hall is brought out
through its evolution over the years. This section
also discusses the political and educational reforms
brought in by Lord Mayo who served as a viceroy of
India. The section for the aesthetic significance of
the Mayo Hall building features a detailed analysis
of the elements which feature on the structure,
linking it to the Greco- Roman style of architecture
that was prevalent at the time. This style of building
is explored, along with its significance in the context
of the British era in India. The integrity of the fabric
is also discussed, wherein the impact of weathering
on the building, and subsequent restoration work
are examined. Lastly the paper discusses the social
significance of the Mayo Hall since 1883 that has
continued to be used as a public building for the
everyday runnings of the city till date. It explores
the idea of the building being associated with people
of historic importance and further introduces the
efforts taken by the Corporation to convert the
building of heritage value into a museum.
Historic Significance
The construction of Mayo Hall was started in 1875
and completed only by 1883. The British resident
in India in 1874 instituted the fund used to build
Mayo Hall. The total cost of construction was Rs.45,
000 that included Rs.25, 000 of public subscriptions.
Mayo Hall is a memorial structure of Lord Mayo,
the 4th Viceroy of India. The following timeline lists
the important years in history of Mayo hall and its
uses over the years.
People of Bangalore formed the
Bangalore City Municipality
Cantonment area municipality
formed, namely Bangalore Civil and
Military Station1
Lord Mayo became the 4th Viceroy of
India
Lord Mayo was assassinated2
The fund was instituted for the
construction of Mayo Hall
The construction of Mayo Hall started
The construction of Mayo Hall
completed. Bangalore Civil and
Military Station occupy the space
India gets independence from the
British Raj
Bangalore City Municipality and
Bangalore Civil and Military Station
merge to form the Corporation of the
City of Bangalore
Corporation of the City of Bangalore
name changed to Bangalore City
Corporation and then to Bangalore
Mahanagara Palike (BMP)
Restoration and renovation work on
Mayo Hall started by INTACH, PWD
and other departments involved3
BMP was renamed to BBMP (Bruhat
Bengaluru Mahanagara Palike) due
to the inclusion of neighboring towns
and villages
BBMP moved their offices to
Sampangirama Nagar and Mayo Hall
was converted into Kempegowda
Museum4
1862
Date not
known
1869
1872
1874
1875
1883
1947
1949
Date not
known
1990
2007
2011
Seminar 2: Assessing Heritage
Significance of the Mayo Hall
Ameeshi Goenka, Roshan Shakeel, Urvika Chhabra
2. 2Seminar 2: Assessing Heritage Significance of the Mayo Hall (Ameeshi Goenka, Roshan Shakeel, Urvika Chhabra)
Along with Mayo Hall in Bangalore, Mayo Hospital
in Bangalore and Mayo School in Ajmer and more
buildings came up as memorial institutions all over
India in the memory of Lord Mayo who was an
extremely significant figure in the history of British
India.5
Richard Southwell Bourke, 6th Earl of Mayo, and
the third most powerful person in the British
Empire, popularly known as Lord Mayo, became
the 4th Viceroy of India.6
Despite being a British
Official, he initiated reforms for the betterment
of the Indian citizens. Lord Mayo was a man who
encouraged education, socio-economic reforms
and infrastructure development in British India.
The extension of the railways was carried out by
him with the help of government funds, as he did
not encourage privatization. He also believed the
localization of funds would aid the growth of self-
government, and facilitate pleasant association
between the citizens and the British. During his
tenure, he conducted the first census of India in
1871 and also arranged a Statistical Survey of India.
Military expenditure and expenses related to civil
administration was reduced greatly by Lord Mayo.
He instrumented salt duty and hiked income
tax. In June 1871, he established The Department
of Revenue, Agriculture and Commerce and
also introduced the Land-Improvement Act. He
recommended that instead of collecting uniform
land revenue from the different provinces, it should
be based upon the productivity and fertility of the
land. Lord Mayo stressed upon the importance of
primary school among Indian citizens with the
importance of education of the Muslim children.
The European-oriented Mayo College at Ajmer was
founded for the education of young native chiefs
from Britain. His intention was to transform the
Andaman Islands into a self-sufficient prisoner
colony, and reduce the mortality rate on the islands.
He believed that the prisoners be made self-reliant
and carry out productive tasks which included
various forms of agricultural activities like cattle
breeding, budding of cotton etc. In 1872, Lord
Mayo made a visit to Andaman Islands to review
these amendments, wherein a convict named Sher
Ali assassinated him.7
Photograph of the Mayo Hall,
east face (1878), courtesy
oldindianphotos.in
3. 3Seminar 2: Assessing Heritage Significance of the Mayo Hall (Ameeshi Goenka, Roshan Shakeel, Urvika Chhabra)
Aesthetic Significance
The Mayo Hall is a two-storeyed building made
of brick and mortar, painted red with white
highlights. It features ornamentation that draws
from a vocabulary of decorative and constructive
elements which emphasise both the horizontality
and verticality of the structure. Described by the
historian Kora Chandy as ‘one of the most elegant
public buildings of the era in Southern India,’ 8
the building displays a remarkable symmetry. The
main façade, facing west, is divided into three bays.
Behind the façade are two additional layers which
form two half-bays on either side; when viewed
from the elevation these become the two end bays
of the Mayo Hall. The central bay takes prominence
and provides the building its most distinguishing
features: a Classical entablature supported by
Corinthian columns on the upper level, built onto
the façade, and a one-storey portico below it. (The
east side of the building mirrors this arrangement,
porticoincluded,althoughwithasmallerentablature
and a slightly different arrangement for the end
bays). The entablature features heavy molding;
and the dentils that run along its frieze alternate
between two types: short and unembellished; and
longer, ornamented ones which take up the height
of the frieze. These continue out onto the molding
across the rest of the building, providing it a rhythm
of nine dentils a bay. The columns which support
the entablature are arranged in what seem to be
blocks of four on each side, although only the front
columns are complete with flutes— the other two
are projections from the façade. They take up the
height of the first floor, and under the plinths the
transition is made into the block columns which
support the portico. The portico, near-square when
viewed from above, is an attractive entrance to the
building. It features a decorative arch and keystone
below a balustraded ledge on each open side. On the
first floor, a door opens out onto a balcony on top of
the portico. All of the openings on the upper level
feature pediments; they alternate between curved
and pointed, marking the transitions between the
bays along the surface of the building. Window
ledges are supported by balusters, and the aedicule
on each opening is heavily ornamented, featuring
a combination of geometric and floral motifs. In
contrast, the openings on the ground floor are
noticeably simpler: the window tops are flat, and
the frames feature minimal ornamentation. The
North and South faces of Mayo Hall, with one
window on each level, also reflect this contrast;
they are differentiated from the East and West faces,
however, with the doubled length of the openings.
On the whole, the eye is drawn to the upper levels
with its sheer amount of detailing and volume,
while the lower levels are more discreet; as such, the
building also rests on a thin, short base.
4. 4Seminar 2: Assessing Heritage Significance of the Mayo Hall (Ameeshi Goenka, Roshan Shakeel, Urvika Chhabra)
The Mayo Hall comes under the canon of the
Neoclassical or Greco-Roman style of architecture
that was employed for public buildings by the
British in India. As with all of the elements that
feature (the entablature, columns, pediments and
architraves), the proportioning of these are also
very much in line with that of ancient Greece and
Rome. The Neoclassical style, derived from the
architecture that was established in the Classical
period, gained popularity in northern Europe
predominantly during the mid -18th to the end of
the 19th century.9
This style of building soon found
its way into India through the British East India
Company, with individual European merchants
expressing their wealth with grand, classical houses,
in addition to the public buildings that were erected
Kolkata and Chennai.10
As Chrisopher Pinney
writes, ‘little thought had been given to what
form British architecture in India should take: the
prevailing classical models that prevailed in Britain
were simply imported with pragmatic adjustments
made for climatic difference.’ Greek and Roman
structures thus served as templates for many
buildings in cities which had a British presence.11
The Classical aesthetic, of course, had a significance
of its own. Greece and Rome served as ideals of
political organization to the Western world, and its
architecture, with its geometric harmony, simplicity,
and symmetry, came to represent the height of
civilized society.12
The British found it apt for the
structures they would build. ‘The transformation of
Kolkata and Chennai (Madras) from commercial
trading enclaves into elegant neo-classical cities
coincided with changing perceptions of British
activity in India. Trade remained important, but
the conscious reflection of the values of Greece and
Rome in the monumental civic architecture of the
period reflected a growing awareness of a wider
political and imperial role.’ 13
The same process
can be traced in Bangalore, too, through its growth
into a British Cantonment, and the construction
of the Mayo Hall. It is worth noting, however,
that in the case of the Mayo Hall, the image that
the building creates is not that of purely power or
grandeur. Probably due to its functioning as a civil
public office, it has been built on a smaller scale
(in fact, one can liken it to a mansion) —especially
in contrast to the Karnataka High Court building
and the complex around it, or the Vidhan Soudha
building. The columns span only one level, as does
the portico under it; there is neither a colonnade,
nor a set of steps that lead up to the entrance. The
overall image that is created is one of a structure
that is approachable and elegant, and yet also holds
within it a strain of power.
The building remains in excellent condition today.
Restoration work on the Mayo Hall had been
carried out in 1990 by the Indian National Trust for
Art and Cultural Heritage (INTACH), providing
the exterior of the building a clean-up and a fresh
coat of paint. From an image taken of the site during
its construction in 1878, it is evident that all of the
exterior detailing has remained intact. A notable
change to the structure came about in 1904 with
the addition of a public office adjacent to the Mayo
Hall. The portico on the East face was modified to
connect to the new building, and two more block
columns were brought in to extend its length. As a
result, the arch on the outer end has been re-fitted
to the new set of columns, while on the sides two
smaller arches have been added to fit the gap. The
interiors, too, have undergone restoration work,
although its condition does not seem as pristine as
the exterior. Certain sections of the molding on the
upper floor seem be damaged, possibly as a result
of water seepage. However, the rest of the detailing
within the building—columns, stairway and arches
have been very well kept. One can conclude that the
integrity of the fabric has been preserved admirably.
5. 5Seminar 2: Assessing Heritage Significance of the Mayo Hall (Ameeshi Goenka, Roshan Shakeel, Urvika Chhabra)
1. View of the Mayo Hall facade,
west face
2. Portico link to the public office
(painted red)
3. Entrance to the Kempegowda
museum on the first floor
1
2
3
6. 6Seminar 2: Assessing Heritage Significance of the Mayo Hall (Ameeshi Goenka, Roshan Shakeel, Urvika Chhabra)
Social Significance
The assassination of Lord Mayo had a deep effect
all over India and led to a number of memorial
institutions like Mayo Hall, Mayo College and Mayo
school of Arts of Lahore. Mayo Hall was completed
in 1883 and housed Municipal offices for the
Cantonment, several public offices and law courts.
The upper storey was designed for Public meetings
andexhibitions.Until2010,theMayorofBengaluru’s
meetings were held on the first floor.14
In 2011
with the efforts of Bruhat Bengaluru Mahanagra
Palike (BBMP), the building was converted into a
museum showing a brief look at Kemepgowda’s
life history, the founder of Bangalore and showing
how Bangalore came to be. A museum housed in
Mayo Hall built as a memorial to Lord Mayo and
ironically named after the city’s founder brings out
the fact that the hall has been associated with people
of Historic Importance who pioneered educational
reforms. Lord Mayo vigorously advocated the
importance of primary education among the Indian
citizens.15
Kempegowda museum in this building
associated with Lord Mayo still carries on his vision
and propogation of education that would make
people aware about the founder of the city who has
been an important figure in the history of Bengaluru
and hasn’t been given much of recognition. Mayo
Hall has always been used as a public building for
the everyday running’s of the city, from municipal
offices to Legislative meetings. It continues to serve
as a background for the everyday functioning of
the courts where the museum turns into a waiting
room for people visiting the courts. In 1883, The
hall was handed over to the Bangalore Municipal
Corporation, on a condition that the upper storey of
the hall should at all proper and reasonable times be
available to the public for exhibitions and meetings
of a public nature, free of any charge.16
The museum
presently housed on the first floor still carries on the
same idea and has made their entrance ‘ free of cost’.
Constant efforts put together by INTACH in 1990
and the corporation presently has kept the building
intact. Restoration work was carried out over the
ceiling and the pillars on the first floor in order to
set up the museum. The museum is a reminder to
the people of the city about their city. It presently
houses the first Bangalore survey map by the British
and photos of temples and lakes from the time of
Yelahanka Dynasty. The Corporation has plans to
expand the museum on the ground floor as well
by adding interactive elements and a library. The
execution of the museum only started when a
samithi – Kempegowda Smaraka Vastu Sanghralaya
was founded in 2005.17
Mayo Hall, being considered
Heritage has never been a part of Bangalore’s tourist
circuit and thus the museum lacks in audience.
Corporation has thus approached the tourism
department for it to be included on the map, which
features other buildings of state importance such as
Vidhan Soudha, Fort, Venkatappa Art Gallery and
Visveswariah Science Museum.18
Despite it being
Heritage, the Everyday Administrative building was
considered important by the Corporation only after
it became a site that showed Kempagowda’s History
and not for the intrinsic value of the building itself.
Nevertheless Mayo Hall being recognized for its
heritage value already has an acknowledged role
in the community’s life. A museum housed in this
building can turn into a great asset for the building
that involves the community for its survival.
7. 7Notes
1. “History on Bangalore and BBMP Draft”, BBMP,
2015, accessed September 27, 2015, http://bbmp.
gov.in/en/bbmp
2. “Lord Mayo, Viceroy of India”, IndiaNetZone,
2011, last modified June 7, 201, http://www.
indianetzone.com/42/lord_mayoo.htm
3. Suchith Kidiyoor, “Mayo Hall buries its
white under red,” Bangalore Mirror, February
21, 2015, accessed September 20, 2015. http://
www.bangaloremirror.com/bangalore/others/
Mayo-Hall-buries-its-white-under-red/
articleshow/46317246.cms
4. “History on Bangalore and BBMP Draft”
5. “Mayo Hall buries its white under red”.
6. “The murder of Mayo: why Britain kept quiet
about a Viceroy’s assassination,” Mjs76, 2011,
University of Leicester, last modified September
7, 2011, http://www2.le.ac.uk/news/blog/2011-
archive/september/the-murder-of-mayo-why-
britain-kept-quiet-about-a-viceroys-assassination
7. “Lord Mayo, Viceroy of India”.
8. Janardhan Roye, “Mayo Hall: Still a Picture of
Elegance,” Deccan Herald, July 12, 2004, accessed
September 21, 2015, http://www.sify.com/movies/
boxoffice.php?id=13519574&cid=13212621
9. “Art 101: What is Neoclassicism?” accessed
September 21st, 2015, https://mashrabiyya.
wordpress.com/2011/05/06/art-101-what-is-
neoclassicism/
10. “Neo-Classical Architecture in India”, accessed
October 3, 2015, http://www.indianetzone.com/43/
neoclassical_architecture_india.htm
11. Christopher Pinney, “Material and Visual
Culture” in India and the British Empire, ed.
Douglas M. Peers, Nandini Gooptu (Oxford:
Oxford University Press, 2012), 242-243.
12. “What is Neoclassicism.”
13. “Neo-Classical Architecture in India.”
14. “Reliving Kempegowda’s legacy, ” Shruthi
Srinath, Deccan Herald, June 24, 2014
15. “Lord Mayo, Viceroy of India”.
16. Priyanka, Rao, “From Lord Mayo’s memorial to
Kempegowda Museum,” The New Indian Express,
January 21, 2012.
17. “Less a museum, more a gallery,” Bangalore.
citizenmatters, last modified May 18, 2011,
http://bangalore.citizenmatters.in/articles/3013-
bangalores-history-at-kempegowda-museum
18. Efforts taken by Corporation, as told by
Krishne Gowda (Curator of Kempegowda
Museum)