Art &amp; life Sculpture from photos of NY &amp; Long Island 2007

Art & Photos Entertainment & Humor Business

3-D / Sculptural Objects
at Metropolitan

Chicago AirportBlues Brothers sculptures

Metropolitan Museum of Art,
NY, NY Rooftop Garden

MOMA / Museum of Modern Art
1950-1990 Brancusi, Calder, …

Artistic Functional furnishings
Rococco 1750s

15th Century Religious Art
Sculpture & Stained Glass

Sculptural Installation on Park Avenue
Art or Craft

Artistic display of Everyday Objects
CO-

Photography by Jennifer Hein- 2007 L. Island

"Wall Art Revisited: Painted Interiors and Decorative Woodwork" What to do with our walls? This is a question that has beguiled home owners since the time of cave dwellers. The art of early America was domestic art – furniture, silver, ceramics, and textiles. The uses of paint for decorative purpose and embellishment, above and beyond the plain surface coatings used to protect or conceal the surface of inexpensive domestic woods, emerged steadily during the 18th century, blossoming into ornamental traditions that were complex, diverse and often astonishing. This program honors the legacy of two early New England preservationists and contemporaries William Warren (1912-1998) and Nina Fletcher Little (1903-1993), who preserved, documented publicized and collected evidence of an important but then largely unknown aspect of American art. This program surveys the remarkable range of interior wall treatments practiced by early New England’s artisan decorators, highlight important new work in the technical preservation of decorated walls and conclude with a survey of wall treatments during the 19th and 20th centuries and a celebration of the resurgence of custom wall and mural art in contemporary life. To book a feature length version of this program contact - wnhosley@snet.net

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In Architecture, the idea of post modernism began as a response to the perceived flatness and failed utopianism of the modern movement. Definitive postmodern architecture rejects the notion of a pure form or perfect architectonic detail, instead evidently drawing from all methods, materials, forms and colors available to architects. Robert Robert Venturi and Charles Moore led the philosophical foundation of Post-Modernism. Disillusioned with the modernist dogma that the present is always the best, architects and the public they serve rediscovered the value and beauty of the past. They started restoring old buildings, whereas modern architecture is abstract, postmodern architecture is referential.

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